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Design Final Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 Foreword The United Nations has declared 2012 the International Year of Co-operatives, with the theme “Co-operative enterprises build a better world.” In Canada’s north, the “craft shop” constructed in Cape Dorset in 1956 led to a pan-Arctic co-operative development program that now supports thirty-one community co-operatives across Nunavut and the Northwest Territories. The West Baffin Eskimo Co-operative in Cape Dorset was the first to be incorporated under the federal program in 1959. Wholly owned by the Inuit residents of the community, the Co-operative model made possible their active participation in all aspects of community development. In Cape Dorset, one of the most important elements of community life is this unique art form that has sustained both the economy and culture of the people and captured the imagination of the world. Since the release of the first catalogued print collection in 1959, the annual print collection has been the mainstay of the the Kinngait Studios. This year’s collection of thirty images represents twelve artists, including three newcomers. Pudlo Samajualie is a confident young artist whose still life of brushes (2012 - 23) has been beautifully enhanced by the application of chine collé to the etching process. Qaluituk Kingwatsiaq is also new to the studio stable, as is her choice of subject - a butterfly (2012 - 24). We look forward to both women’s continued contribution. Cee Pootoogook is not new to the studios, having been training as a stonecut printer for the past two years. This year he is represented as an artist with one image, Nanuit Puijurtut (Bears Swimming) (2012 - 1), of a polar bear and her cub suspended in a graceful, undersea dance. We are fortunate indeed to have Kenojuak Ashevak represented once again in the annual print collection. She is Canada’s preeminent Inuit artist and her contribution to the Kinngait Studios has been extraordinary. The seven images included here represent her full range of stylistic sensibilities. Red Fox (2012 - 4) is a nice example of reductive printmaking in stonecut, with the red body of the fox inked and printed first, then cut away leaving the outline to be inked and printed in black. Owl’s Consort (2012 - 3) is also a fine example of this technique, which was first introduced in Cape Dorset in 1984 by visiting artist, Noburu Sawai, and is now being embraced by the printers in the stonecut studio. 2 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 3 2012 Collection Qiatsuq Niviaqsi is the senior veteran printmaker in the stonecut studio and this year, he is responsible for two of the most striking images in the collection - Tim Pitsiulak’s Whale Sounding (2012 - 29) and Arvik Amuasijartuq (Bowhead in Amautik) (2012 - 28). Tim is a hunter and his respect for the natural world and its wildlife is fundamental to his artistic sensibility. He is particularly inspired by the whales that frequent the cold, Arctic waters - the beluga and the bowhead - because, as he says, nobody really knows much about them. The bowhead in particular is a majestic and mysterious creature, beautifully captured here in both the scale and sophistication of Qiatsuq’s printmaking. Qavavau Manumie is an experienced stonecut printmaker and artist in his own right. He has two images included in this collection, both printed by young printmakers training in stonecut and stencil. We welcome Ashoona Ashoona and Napachie Ashoona to the studios; both have done an excellent job in tackling the amalgam of stonecut and stencil that is the signature of this studio. The output of the lithography studio has been diminished by the on-going absence of Pitseolak Niviaqsi for health reasons. Nevertheless, Niveaksie Quvianaqtuliaq continues to rise to the challenges that this medium presents. The seemingly simple works by Papiara Tukiki are in fact complex lithographs requiring multiple plates to achieve the colourful results. These prepared aluminum plates are also transportable, allowing artists, like Pitaloosie Saila, to work at home if they prefer. Her Undersea Illusion (2012 - 22) lends itself to imaginings. In honour of this International Year of Co-operatives, this annual print collection is dedicated to the members, boards of directors, management and staff of the Co-operative - both past and present - who have supported the graphic arts studios over these past fifty-three years with purpose and conviction. There is no question that this enterprise at Cape Dorset has helped to build a better and more beautiful world. Leslie Boyd Ryan August, 2012 4 Cape Dorset Annual Print Collection 2012 CEE POOTOOGOOK KENOJUAK ASHEVAK 1. CEE POOTOOGOOK Nanuit Puijurtut (Bears Swimming) Stonecut & Stencil Printer: Cee Pootoogook Paper: Moriko Kozo Green 51 x 45.2 2. KENOJUAK ASHEVAK Lustrous Owl Etching & Aquatint Printer: Studio PM Paper: Arches White 2. 66.3 x 64 3. KENOJUAK ASHEVAK Owl’s Consort Stonecut & Stencil Printer: Qavavau Manumie Paper: Kizuki Kozo Natural 62 x 99 3. 1. 6 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 7 4. KENOJUAK ASHEVAK Red Fox Stonecut Printer: Cee Pootoogook Paper: Kizuki Kozo Natural 53 x 68.8 5. KENOJUAK ASHEVAK Bird Fanfare Lithograph Printer: Niveaksie Quvianaqtuliaq 4. Paper: BFK Rives Tan 56.5 x 76.8 6. KENOJUAK ASHEVAK Bird Among the Cairnes Lithograph Printer: Niveaksie Quvianaqtuliaq Paper: Arches White 57 x 76.5 5. 6. 8 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 9 7. KENOJUAK ASHEVAK Raven’s Proposal Etching & Aquatint Printer: Studio PM Paper: Arches White 66.5 x 64.7 8. KENOJUAK ASHEVAK Clutch Etching & Aquatint Printer: Studio PM 8. Paper: Arches White 53.5 x 52 MALAIJA POOTOOGOOK 9. MALAIJA POOTOOGOOK Crisscross Lithograph Printer: Niveaksie Quvianaqtuliaq Paper: BFK Rives White 38.5 x 57 9. 7. 10 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 11 MAYOREAK ASHOONA NINGEOKULUK TEEVEE 10. MAYOREAK ASHOONA Caribou Gather Etching & Aquatint Printer: Studio PM Paper: Arches White 61 x 68.5 11. 11. NINGEOKULUK TEEVEE Bird’s Eye View Stonecut & Stencil Printer: Qiatsuq Niviaqsi Paper: Kizuki Kozo White 56 x 71.3 12. NINGEOKULUK TEEVEE Aasiva (Spider) Stonecut & Stencil Printer: Qiatsuq Niviaqsi Paper: Kizuki Kozo White 45.7 x 45.5 10. 12. 12 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 13 OHOTAQ MIKKIGAK 13. NINGEOKULUK TEEVEE Gliding Owl Stonecut & Stencil Printer: Cee Pootoogook Paper: Seichofen Kozo 50.2 x 64 14. OHOTAQ MIKKIGAK Playful Owl Etching & Aquatint Printer: Studio PM 14. Paper: Arches White 74.5 x 73 15. OHOTAQ MIKKIGAK Preening Bird Etching & Aquatint Printer: Studio PM Paper: Arches White 38.4 x 47.4 13. 15. 14 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 15 PAPIARA TUKIKI 16. PAPIARA TUKIKI Helping Hands Lithograph Printer: Niveaksie Quvianaqtuliaq Paper: BFK Rives White 57 x 76.5 17. PAPIARA TUKIKI Loon Spirit Stonecut & Stencil 16. Printer: Napachie Ashoona Paper: Kizuki Kozo White 56 x 71.5 18. PAPIARA TUKIKI Avingait (Many Lemmings) Stonecut & Stencil Printer: Cee Pootoogook Paper: Kizuki Kozo White 51 x 74 18. 17. 16 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 17 PITALOOSIE SAILA 19. PAPIARA TUKIKI Tundra Bear Lithograph Printer: Niveaksie Quvianaqtuliaq Paper: Arches Cover White 57.5 x 76.7 20. PAPIARA TUKIKI Crossing the Tundra Stonecut & Stencil Printer: Ashoona Ashoona 19. Paper: Kizuki Kozo White 46 x 62 21. PITALOOSIE SAILA Full Moon Etching & Aquatint Printer: Studio PM Paper: Arches White 66 x 63 20. 21. 18 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 19 QALUITUK KINGWATSIAQ 22. PITALOOSIE SAILA Undersea Illusion Lithograph Printer: Niveaksie Quvianaqtuliaq Paper: BFK Rives Tan 22. 38.5 x 56.5 PUDLO SAMAJUALIE 23. PUDLO SAMAJUALIE Amiarutiit (Brushes) Etching with Chine Collé Printer: Studio PM Paper: Arches White 40 x 30 24. QALUITUK KINGWATSIAQ Tarrilikitaarq (Butterfly) Etching & Aquatint Printer: Studio PM Paper: Arches White 38 x 42 24. 20 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 21 23. QAVAVAU MANUMIE 25. QAVAVAU MANUMIE Fish Story Stonecut & Stencil 26. Printer: Ashoona Ashoona SHUVINAI ASHOONA Paper: Somegami Yellow 25.5 x 45.7 26. QAVAVAU MANUMIE Siupiru (Shells) Stonecut & Stencil Printer: Napachie Ashoona Paper: Kizuki Kozo White 28.3 x 62.3 27. SHUVINAI ASHOONA Story Boots Lithograph Printer: Niveaksie Quvianaqtuliaq 25. Paper: BFK Rives Tan 65 x 49.8 27. 22 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 23 TIM PITSIULAK 28. TIM PITSIULAK Arvik Amuasijartuq (Bowhead in Amautik) Stonecut & Stencil Printer: Qiatsuq Niviaqsi Paper: Moriki Kozo Grey 99 x 64.5 29. TIM PITSIULAK Whale Sounding Stonecut & Stencil Printer: Qiatsuq Niviaqsi Paper: Moriki Kozo Black 76.4 x 55.5 28. 29. 24 Cape Dorset Annual Print Collection 2012 Cape Dorset Annual Print Collection 2012 25 2012 Spring Collection & Special Releases 30. TIM PITSIULAK Arqavitturq (Diving Whale) Etching & Aquatint Printer: Studio PM Paper: Arches White 71.5 x 68 30. 26 Cape Dorset Annual Print Collection 2012 2012 Spring Collection 3. ELEESHUSHE PARR 1. KANANGINAK POOTOOGOOK Boy Playing With Dogs Conference of Owls Stencil, 1966 Stonecut & Stencil, 1982 Printer: Lukta Qiatsuk Printer: Saggiaktok Saggiaktok Paper: Hamilton Andorra Paper: Kizuki Kozo Natural 66.5 x 71 63 x 86 Edition: 45 Edition: 50 1. 2. KENOJUAK ASHEVAK 3. 4. KIAKSHUK Mother Earth Chasing Geese Into Pens Stonecut, 1961 Stonecut & Stencil, 1964 Printer: Iyola Kingwatsiak Printer: Lukta Qiatsuk Paper: Kozo Natural Paper: Kizuki Kozo Natural 61.5 x 92 62.5 x 86 Edition: 45 Edition: 50 2.
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