SANTA MONICA 2012 IN POST PRODUCTION IN POST PRODUCTION

BACK IN CRIME NEW WE ARE WHAT WE ARE BY GERMINAL ALVAREZ BY JIM MICKLE PROMOREEL AVAILABLE PROMOREEL AVAILABLE

IN POST PRODUCTION IN PRODUCTION

UNDER THE RAINBOW ASGHAR FARHADI’S BY AGNÈS JAOUI PROMOREEL AVAILABLE PROJECT SCRIPT AVAILABLE

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LORE COMPLIANCE FOXFIRE BY CATE SHORTLAND BY CRAIG ZOBEL BY LAURENT CANTET LADE C SCREENING ROOM CONTACTS IN SANTA MONICA OFFICE IN PARIS AURENCE L JEANIE MADSEN GALLERY EMILIE GEORGES NICHOLAS KAISER MEMENTO FILMS INTERNATIONAL 1431 OCEAN AVE (Oct. 30th > Nov. 3rd) (Oct. 30th > Nov. 5th) 9 Cité Paradis – 75010 Paris – France / DESIGN: SANTA MONICA, CA 90401 emilie@memento-films.com nicholas@memento-films.com Tel: +33 1 53 34 90 20 L PHONE: +1 310 393 7436 +33 6 62 08 83 43 +33 6 43 44 48 99 sales@memento-films.com TANJA MEISSNER NICK SHUMAKER festival@memento-films.com (Oct. 30th > Nov. 5th) (Oct. 30th > Nov. 5th) international.memento-films.com tanja@memento-films.com nick@memento-films.com +33 6 22 92 48 31 +1.646.648.0986 Join us on facebook REDITS NON CONTRACTUA C IN POST PRODUCTION BACK IN CRIME NEW A FILM BY GERMINAL ALVAREZ

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Inspector Richard Kemp never got around to putting the hand- back in time to the site of the Eardrum Slasher’s first murder, cuffs around the Eardrum Slasher, a dangerous serial killer he realizes that this could provide a second chance to catch whose rampage began 20 years before. the killer. When Hélène, a psychologist, witnesses the Slasher’s latest As he tries to help his youngerself and meets the much younger crime and offers to testify, Kemp falls in love with her at first sight. Hélène, Kemp triggers a series of events with unforeseen con- In a mysterious turn of event, Kemp is suddenly transported sequences…

WITH JEAN-HUGUES ANGLADE (, LA FEMME NIKITA, QUEEN MARGOT) AND MÉLANIE THIERRY (LARGO WINCH, BABYLON A.D., THE PRINCESS OF MONTPENSIER) PRODUCED BY HAUT ET COURT (COCO BEFORE CHANEL, THE CLASS) | LANGUAGE: FRENCH DELIVERY: FEB. 2013 | BUDGET: 5 M USD IN POST PRODUCTION WE ARE WHAT WE ARE A FILM BY JIM MICKLE

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By the director of STAKE LAND (Audience Award Winner Midnight Madness Toronto 2011) Meet the Parkers: a family with an uncontrollable taste for And then there are the kids: little Rory has quite the imagi- flesh… nation, constantly battling nightmares of monsters in the Frank, the father, owns the family’s failing trailer park busi- basement. Rose and Iris, the beautiful, blonde teenage girls, ness and, as a hobby, assembles antique watches in an old whose purity is preserved until they suddenly realize they need shed, from which muted sounds can be heard late at night. to continue the family tradition of the Lamb’s Feast, a grue- Emma, the mother, is a devout religious woman who carries some ritual inherited from their ancestors, the first settlers… the heavy burden of looking after her children in a small town A re-imagining of the Mexican Horror Cult Film ”Somos Lo struck by an economic crisis. Que Hay”

WITH JULIA GARNER (THE LAST EXORCISM, MARTHA MARCY MAY MARLENE), AMBYR CHILDERS (GANSTER SQUAD, THE MASTER), BILL SAGE (AMERICAN PSYCHO, BOARDWALK EMPIRE) AND KELLY MC GILLIS (TOP GUN, WITNESS) PRODUCED BY RODRIGO BELLOTT, ANDREW CORKIN, NICHOLAS SHUMAKER, JACK TURNER | USA | DELIVERY: JANV 2013 IN POST PRODUCTION UNDER THE RAINBOW A FILM BY AGNÈS JAOUI

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By the director of THE TASTE OF OTHERS and LOOK AT ME Laura is still waiting for Prince Charming at the age of 24. So reminded him of the date of his own death which Madame when Sandro appears at a party, exactly like her Prince would Irma had predicted ages ago. Now Pierre is unable to make in her dreams, she thinks she’s found the right one. But then any plans, not with his new partner Eleonore, nor with San- again, when she meets Maxime, Laura starts to wonder if dro. And Maxime has his own problems, and so does Ele- some Princes could be more charming than others? onore, Marianne, Jacqueline and many others. But don’t Of course Sandro has problems of his own: his father, Pierre, worry, in the end, they’ll all live happily ever after. just bumped into Madam Irma at his father’s funeral and this

WITH AGNÈS JAOUI, JEAN-PIERRE BACRI, AGATHE BONITZER, ARTHUR DUPONT, BENJAMIN BIOLAY, DIDIER SANDRE, BEA ROSEN WRITTEN BY AGNÈS JAOUI AND JEAN-PIERRE BACRI PRODUCED BY LES FILMS A4 | FRANCE | DELIVERY: FEB. 2013 | BUDGET: 10 M USD IN PRODUCTION ASGHAR FARHADI’S NEW PROJECT BY THE ACADEMY AWARD WINNING DIRECTOR OF A SEPARATION (25 MILLION USD IN WORLDWIDE BOX-OFFICE) WITH BERENICE BEJO (ACADEMY AWARD NOMINATED FOR THE ARTIST) AND TAHAR RAHIM () SHOOTING LOCATION: PARIS PRODUCED BY: ALEXANDRE MALLET GUY (MEMENTO FILMS PRODUCTION) BUDGET: 11 MILLION USD DELIVERY: SPRING 2013 LANGUAGE: FRENCH

SCRIPT AVAILABLE A SEPARATION: A WOLRDWIDE SUCCESS

ACADEMY AWARD ACADEMY AWARD GOLDEN GLOBE GOLDEN BEAR NOMINATION CÉSAR AWARD BEST FOREIGN BEST FOREIGN BEST FILM BEST ORIGINAL BEST FOREIGN FILM LANGUAGE FILM LANGUAGE FILM BERLIN 2011 SCREENPLAY

SILVER BEAR ASIAN FILM AWARD ASIA PACIFIC SILVER BEAR DONATELLO AWARD BEST ACTRESS BEST FILM SCREEN AWARDS BEST ACTOR BEST FOREIGN FILM BERLIN 2011 BERLIN 2011 BEST DIRECTOR BEST FILM

“A Separation will become one of those “Farhadi’s A Separation is just about “Asghar Farhadi’s follow-up to the enduring masterpieces watched decades perfect as it is.” RICHARD CORLISS – TIME fine ‘About Elly’ lifts the director to the front from now.” rank of contemporary world directors.” “Tense and narratively complex, ROGER EBERT – CHICAGO SUN – TIMES formally dense and morally challenging.” LEE MARSHALL - SCREEN ALISSA SIMON - VARIETY SCREENING IN SANTA MONICA

OFFICIAL CONTENDER FOR ACADEMY AWARD FOR BEST FILM Audience Award IN FOREIGN LANGUAGE LORE (AUSTRALIA) A FILM BY CATE SHORTLAND By the director of SOMERSAULT After her Nazi parents are imprisoned, Lore leads her (Official Selection, Cannes 2004) younger siblings across a war-torn Germany in 1945. Based on the best seller “The Dark Room” Amidst the chaos, she encounters mysterious refugee by Rachel Seiffert Thomas, who shatters her fragile reality with hatred and desire. To live, she must trust someone she was taught to hate and face the darkness within herself. “In this deadly, real-life variation of The Hunger Games, the deep-feeling Rosendahl makes a major impression. This tense and unrelentingly gripping movie is a very good bet for local and international directing, technical and acting awards.” SCREEN “A lyrical, deeply affecting study into a rarely seen legacy of the Holocaust. Lore’s spellbinding visuals and prickly subject, coupled with a preternaturally mature performance by new- comer Saskia Rosendahl in the title role, should lure discern- ing arthouse audiences.” THE HOLLYWOOD REPORTER

PRODUCED BY ROHFILM, PORCHLIGHT FILMS (ANIMAL KINGDOM), EDGE CITY FILMS | GERMANY, AUSTRALIA, UK | 2012 | 98 MIN

FRIDAY NOV 2ND | 3 PM @ JEANIE MADSEN GALLERY SCREENINGS MONDAY NOV 5TH | 9 AM @ JEANIE MADSEN GALLERY COMPLIANCE A FILM BY CRAIG ZOBEL The story of Sandra (Ann Dowd), an overworked of stealing from a customer. Taking the officer at his manager at a fast food restaurant, who receives a word, Sandra detains Becky, setting into motion a call from a police officer accusing one of her employ- nightmarish scenario that quickly spirals out of control. ees, a teenage girl named Becky (Dreama Walker), Inspired by true events.

“Brilliant! Strong reviews and a simple, buzz-worthy premise could make this a must-see among discerning art-house audiences.” SCREENDAILY “Gripping and deeply disturbing fashion, it’s a surefire conversation-starter that, with smart handling, could prove a boon to a daring distrib.” VARIETY “This is dark, edgy material, yet with careful handling and the filmmakers’ passionate support, Compliance is so eerily attuned to current cultural issues that a specialized berth is not unlikely.” THE HOLLYWOOD REPORTER

WITH ANN DOWD (MARLEY AND ME, GARDEN STATE), DREAMA WALKER (GRAN TORINO,GOSSIP GIRL), PAT HEALY (THE INKEEPERS, MAGNOLIA, RESCUE DAWN) PRODUCED BY BAD COP BAD COP FILM PRODUCTION, DOGFISH PICTURES, MUSKAT FILMED PROPERTIES | USA | 2012 | 90 MIN

THURSDAY NOV. 1ST | 1 PM @ JEANIE MADSEN GALLERY SCREENINGS SATURDAY NOV 3RD | 5 PM @ JEANIE MADSEN GALLERY

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BEST ACTRESS FOXFIRE SAN SEBASTIAN 2012 A FILM BY LAURENT CANTET By the director of THE CLASS (Palme d’or, Upstate New York, 1953, a working class neighbor- Cannes 2008) hood in a small town. In this violent post-war culture Adapted from the bestseller by Joyce Carol Oates controlled by men, a group of headstrong teenage (Blonde, Them) girls unite into a sisterhood of blood: they form the Foxfire gang, female-only society, recognized by the flame tattooed on the back of its members’ shoulders. “Foxfire” for pretty foxes, but also “Foxfire” for fire and destruction. Legs, Maddy, Lana, Rita and Goldie cannot accept any longer to be humiliated and

discriminated against for being poor, and being girls. L Headed by the feisty Legs, the girls set on a trip for revenge, and try to pursue their impossible dream: living according to their own rules and laws, no matter what. But there’s a prize to pay...

PRODUCED BY HAUT ET COURT, FILM FARM | FRANCE, CANADA | LANGUAGE: ENGLISH REDITS NON CONTRACTUA C