Annual Report Centre for Ibsen Studies 2020 University of Oslo
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Rebellion of Osvald Alving Reflected in Henrik Ibsen's
REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S GHOSTS DRAMA (1881): PSYCHOANALYTIC APPROACH PUBLICATION ARTICLE Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in English Departmen by: ANANDA DHIRA ANORAGA A320110085 DEPARTMENT OF ENGLISH EDUCATION SCHOOL OF TEACHER TRANING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2016 REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S GHOSTS DRAMA (1881): PSYCHOANALYTIC APPROACH ANANDA DHIRA ANORAGA School of Teacher Training and Education Muhammadiyah University of Surakarta Abstrak Penelitian ini bertujuan untuk menganalisis pemberontakan yang ada dalam drama Henrik Ibsen yang berjudul Ghosts dengan Pendekatan Psikoanalitik. Penelitian ini bertujuan untuk menganalisis drama berdasarkan Pendekatan Psikoanalitik. Penelitian ini adalah penelitian kualitatif dengan menggunakan drama Henrik Ibsen Ghosts (1881) sebagai objek. Ada dua jenis sumber data: primer dan sekunder. Sumber data primer adalah naskah drama Henrik Ibsen Ghosts dan sumber data sekunder adalah beberapa buku sastra dan beberapa artikel yang berhubungan dengan drama. Metode pengumpulan data dalam penelitian ini adalah studi pustaka dengan membaca dan meringkas data. Dalam menganalisis data, penulis menggunakan analisis deskriptif. Hasil dari penelitian ini adalah Osvald memiliki kondisi psikologi yang buruk. Hal ini dibuktikan dengan pemberontakannya yang telah dilakukan. Meskipun ia tahu bahwa berhubungan seks bebas dan penyalahgunaan obat-obatan terlarang yang menyebabkan sifilis, tetapi dia masih mencoba untuk menggunakan itu. pemberontakan lain yang telah Osvald dilakukan adalah ketika ibunya melarang dia untuk menikah Regina yang sebenarnya saudara tirinya, Osvald bersikeras untuk menikah Regina karena dia mencintai Regina dan ia tidak pernah tahu bahwa Regina adalah saudara tirinya karena ibunya tidak pernah mengatakan kepada fakta-fakta yang terjadi di antara ayahnya dan ibu Regina. -
Curriculum Vitae
Curriculum Vitae PERSONAL INFORMATION Name ŽÍŽALOVÁ PAVLA Date of birth 23. 2. 1981 Phone: + 420 724 519 319 E-mail: [email protected] EDUCATION 10/2005 – 06/2009 Department of Social and PhD Regional Geography, Faculty of Emergence and Evolution of Innovation Systems, Innovation Policy, Local and Science, Charles University, Regional Economic Development, Strategic Planning Prague 08/2008 – 12/2008 PhD research fellowship – prestigious fellowship granted by the Centre for Technology, Research Council of Norway Innovation and Culture, Innovation studies – production and dissemination of knowledge, innovation and University of Oslo, Norway entrepreneurship 01/2008 – 5/2008 PhD research fellowship – Irish Government scholarship University College Dublin, (international pool) Ireland Regional Innovation Systems and FDIs – comparative analyses and best-practices 06/2008 – 06/2008 PhD International School Globelics Academy – Globelics, International training and workshop for PhD student selected world-wide – 30 University of Tampere students from all over the world chosen based on their dissertation papers 10/2003 – 09/2005 Department of Social and Master Regional Geography, Faculty of FDI implications for local and regional economic development and regional Science, Charles University, competitiveness Prague 8/2004 – 03/2005 Erasmus Student Exchange Programme Universidad de Sevilla, Spain Social and Regional Geography – Evaluation of Sevilla Technology Park 10/2000 – 09/2003 Bachelor Faculty of Science, Social geography, regional -
FLAGSHIP European Flagship Universities: Balancing Academic Excellence and Socio-Economic Relevance
FLAGSHIP European Flagship Universities: balancing academic excellence and socio-economic relevance UNIVERSITY OF VIENNA Institutional report by Rachelle Esterhazy, [email protected] and Philipp Friedrich, [email protected] ARENA Center for European Studies University of Oslo Table of Contents 1. Summary of External Dynamics and Major Policy Developments .................................................. 1 2. Institutional Case Study ................................................................................................................... 1 2.1. History of the University of Vienna ......................................................................................... 1 2.2. University of Vienna in the rankings ....................................................................................... 2 2.3. Key figures ............................................................................................................................... 3 2.4. Organizational Structure ......................................................................................................... 4 2.5. Budgets and Allocation Mechanisms ...................................................................................... 7 3. Change Processes & Use of Institutional Autonomy ..................................................................... 10 3.1. Institutional Strategic Plan and Main Achievements ............................................................ 10 3.2. Research Organization and Funding ..................................................................................... -
The Tension Between Illusion and Reality in H. Ibsen's the Wild Duck
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 19 Issue 8 Version 1.0 Year 2019 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X The Tension between Illusion and Reality in H. Ibsen’s The Wild Duck By Dr. Mahmoud Nayef Baroud Islamic University of Gaza Abstract- Much of contemporary criticism of Ibsen plays has examined one of two concerns: Ibsen and Feminism, or Ibsen as a realist and a pioneer of modern theatre and drama. Articles on the first matter are often critical of universalizing readings of Ibsen that would have the dramatist concerned with the ills of humanity; articles on the latter theme tend to rejoice Ibsen’s assumed anti-theatrical overcoming of melodrama. Both topics can be found in his masterpiece The Wild Duck which is more honoured and received well in the study more than the other plays. Like Hamlet, The Wild Duck can be interpreted by each one in his own image; one day it will be read as a tragedy or tragicomedy, the next as the harshest irony; parts of it are clumsy, in other parts are embedded old controversies of that time. So searching yet so delicate is the touch, that these flaws and notions seem in themselves to strengthen the play. In this work, Ibsen perfected his own special power to infuse the particular, dull, limited fact with a halo and a glory. This paper is an attempt to examine the tension between illusion and reality in the play. -
CV-Short Website
Curriculum Vitae (Short) Rachel Katharine Sterken, MSc, PhD Georg Morgenstiernes hus Blindernveien 31, 0371 Oslo Norway [email protected] [email protected] AOS: Philosophy of Language, Philosophical Linguistics AOC: Philosophy of Mind, Metaphysics, Logic, Social/Feminist Philosophy of Language, Philosophical Logic, Philosophy of Mathematics, Methodology, Philosophy of Social Science Employment Fixed Term Associate Professor, University of Oslo 2014-present Visiting Researcher and Teaching Fellow, University of Oslo 2013-2014 Education PhD in Philosophy, University of St Andrews and University of Oslo 2013 MSc in Logic, University of Amsterdam (ILLC) 2008 H. BSc in Mathematics and Philosophy, University of Toronto 2005 Awards and Fellowships CSMN, Grant to conduct empirical study, University of Oslo 2015-2016 CSMN PhD Fellowship, University of Oslo 2009-2013 IFIKK Travel Fellowship, University of Oslo 2011 Overseas Research Award, University of St Andrews 2008-2011 Publications ‘The Meaning of Generics’ Forthcoming Philosophy Compass ‘Review: Between Logic and the World – An Integrated Theory of Generics’ Forthcoming Notre Dame Philosophical Reviews ‘The Structures of Social Structural Explanations’ Forthcoming Disputatio (for a special issue on the work of S. Haslanger) ‘Generics, Covert Structure and Logical Form’ Forthcoming Mind and Language ‘Generics in Context’ 2015 Philosopher’s Imprint ‘Leslie on Generics’ 2015 Philosophical Studies ‘Generics, Content and Cognitive Bias’ 2015 Analytic Philosophy Commissioned and In Preparation ‘Genericity in Philosophy and Linguistics: An Introduction’ (with B. Nickel) Inquiry (for a special issue co-edited with B. Nickel) ‘Generics and the Metaphysics of Kinds’ commissioned by Philosophy Compass ‘Transformative Communicative Disruptions’ commissioned for OUP volume Conceptual Engineering and Conceptual Ethics, edited by A. -
BMJ Open Is Committed to Open Peer Review. As Part of This Commitment We Make the Peer Review History of Every Article We Publish Publicly Available
BMJ Open: first published as 10.1136/bmjopen-2020-042411 on 5 March 2021. Downloaded from BMJ Open is committed to open peer review. As part of this commitment we make the peer review history of every article we publish publicly available. When an article is published we post the peer reviewers’ comments and the authors’ responses online. We also post the versions of the paper that were used during peer review. These are the versions that the peer review comments apply to. The versions of the paper that follow are the versions that were submitted during the peer review process. They are not the versions of record or the final published versions. They should not be cited or distributed as the published version of this manuscript. BMJ Open is an open access journal and the full, final, typeset and author-corrected version of record of the manuscript is available on our site with no access controls, subscription charges or pay-per-view fees (http://bmjopen.bmj.com). If you have any questions on BMJ Open’s open peer review process please email [email protected] http://bmjopen.bmj.com/ on September 27, 2021 by guest. Protected copyright. BMJ Open BMJ Open: first published as 10.1136/bmjopen-2020-042411 on 5 March 2021. Downloaded from Mediators and theories of change in psychotherapy with adolescents: a systematic review protocol Journal: BMJ Open ManuscriptFor ID peerbmjopen-2020-042411 review only Article Type: Protocol Date Submitted by the 06-Jul-2020 Author: Complete List of Authors: Taubner, Svenja; Ruprecht Karls Universitat Heidelberg, -
Henrik Ibsen 1828-1906
Sune Berthelsen Menneskeåndens revoltering Henrik Ibsen 1828-1906 Jeg går aldrig ind på at gøre friheden ensbetydende med politisk frihed. Hvad De kalder frihed, kalder jeg friheder; og hvad jeg kalder kampen for friheden er jo ikke andet end den stadige, levende tilegnelse af frihedens idé. Den, der besidder friheden anderledes end som efterstræbelse, han besidder den dødt og åndløst, thi frihedsbegrebet har jo dog det ved sig at det stadigt udvides under tilegnelsen, og hvis derfor nogen under kampen bliver stående og siger: nu har jeg den, - så viser han derved at han netop har tabt den. Ibsen i brev til Georg Brandes, 17/2 1871 Ibsens forfatterskab er på alle måder stort. Hans forfatterskab strakte sig over næsten 50 år, han nåede en verdensomspændende udbredelse, og overfor en lang række af eftertidens kunstneriske udtryksformer fik han kolossal betydning Hans internationale berømmelse kom da han udsendte sine naturalistiske problemdebatterende samtidsdramaer. Væsentlige forudsætninger for Ibsens store gennembrud var Georg Brandes og forlaget Gyldendals direktør Hegel. Om betydningen af de fordringer Georg Brandes havde opstillet for litteraturen i Emigrantlitteraturen (1872), sagde Ibsen: ”Farligere bog kunde aldrig falde i en frugtsommelig digters hænder.” Mens Hegel indtog en mere diskret men ikke mindre vigtig rolle. I samtiden gik vejen til berømmelsens tinder for norske forfattere gennem København. Da Gyldendal blev forlægger for Ibsen begyndte et tæt samarbejde mellem Ibsen og Hegel. For at nå et bredere publikum ønskede Hegel at fremelske et mere universelt præg, bl.a. skulle sproget normaliseres og særnorkse træk udrenses. Den meget oplagsbevidste Ibsen indvilgede straks. Ibsen realiserede med Samfundets Støtter (1877), Et Dukkehjem (1879), Gengangere (1881) og Vildanden (1884) i praksis de teoretiske ideer for det problemdebatterende naturalistiske teater. -
Welcome to the First Anthusia Newsletter Msca Fellows
Aarhus Universitet Page 1 of 4 Read the newsletter in your browser ANTHUSIA NEWSLETTER DECEMBER 2018 WELCOME TO THE FIRST ANTHUSIA NEWSLETTER On January 1, 2018, the 4-year project ANTHUSIA (“Anthropology of Human Security in Africa”) was officially launched. ANTHUSIA is run by a consortium of four universities in Denmark, United Kingdom, Belgium and Norway and cooperates with numerous partner organizations in Africa. This project will combine interdisciplinary insights from Anthropology, Human Security and African Studies to develop analytical tools to critically understand and contribute to strengthening human security in Africa, and beyond. Please read more about the project at our webpage www.anthusia.eu We strive to keep you informed on ANTHUSIA news and activities in this newsletter that will be sent out quarterly. Please send any relevant news or questions to [email protected] MSCA FELLOWS The Anthusia team has been firmly established with the recruitment of 16 brilliant young ESR's (Early Stage Researchers). They all started their positions with the project September 1, 2018 and will be based at either Aarhus University, University of Leuven, University of Oslo or University of Edinburgh. They will all conduct one year of fieldwork in Africa as well as do an internship with an African partner organization. They will also spend 6 months in one of the other universities. ESR 1 ESR 2 Miriam Waltz, Aarhus University. Yayi Zheng, Aarhus University Read about Miriam's project here Read about Yayi's project here ESR 3 ESR 4 Annigje van Dijk, University of Evelien Storme, University of Leuven Leuven Read more Evelien's project here Read more Annigje's project here ESR 5 ESR 6 Rune Larsen Nicholas Wainman Read more about Rune's project here http://auaura.cmail20.com/t/ViewEmail/j/2BFB868630D7D66E2540EF23F30FEDE.. -
A Doll's House Has Been a Trailblazer for Women's Liberation and Feminist Causes Around the World
A Doll’s House Resource Guide – BMCC Speech, Communications and Theatre Arts Department A Doll’s House Resource Guide Spring 2014 Speech, Communications and Theatre Arts Department Theatre Program Borough of Manhattan Community College Dates Wed., April 23rd at 2PM & 7PM Thurs., April 24th at 7 PM Fri., April 25th at 2PM & 7PM Sat., April 26th at 7PM Location BMCC, Main Campus 199 Chambers Street Theatre II Admission is Free Table of Contents Page 2 Henrik Ibsen (1828-1906) Norwegian Playwright Page 3 Ibsen around the World Page 4 Director’s Notes on the 1950s Play Adaption Page 5 Advertising from the 1950s Page 6 Ibsen and His Actresses Page 7 Questions for the Audience, Sources, and Further Reading A Doll’s House Resource Guide – BMCC Speech, Communications and Theatre Arts Department Henrik Ibsen (1828-1906) Norwegian Playwright Why Ibsen? Henrik Ibsen, with the exception of Shakespeare, is the most frequently produced playwright in the world. He is also universally known as "The Father of Modern Drama" and "The Father of Realistic Drama." For over a century and a half, Ibsen's plays have been renowned for displaying a fierce revolt by the individual against an oppressive middle-class society. Specifically, A Doll's House has been a trailblazer for women's liberation and feminist causes around the world. Portrait of Henrik Ibsen. Photograph by Gustav Borgen . Ibsen Timeline 1828 Born in Skien, a small town in Norway. 1843 At 15 he moves to another small town, Grimstad, and works as an apprentice in a pharmacy. 1851 He moves to Bergen and takes on the position of Artistic Director and Dramatist at the Bergen Theatre. -
Xia, Liyang Associate Professor at Centre for Ibsen Studies, University
Xia, Liyang Associate Professor at Centre for Ibsen Studies, University of Oslo Address: Henrik Wergelandshus, Niels Henrik Abels vei 36, 0313 OSLO, Norway Postal address: Postboks 1168, Blindern, 0318 Oslo, Norway Title: A Myth that Glorifies: Rethinking Ibsen’s early reception in China Author responsible for correspondence and correction of proofs: Xia, Liyang 1 A Myth that Glorifies: Rethinking Ibsen’s Early Reception in China Introduction There is a consensus among Ibsen scholars and scholars of Chinese spoken drama that the Spring Willow Society staged A Doll’s House in Shanghai in 1914 (e.g. A Ying / Qian 1956; Ge 1982; Eide 1983; Tam 1984, 2001; He 2004, 2009; Chang 2004; Tian and Hu 2008; Tian and Song 2013). In 2014, when the National Theatre in Beijing staged A Doll’s House to commemorate the centenary of this premiere,1 most of the news reports and theatre advertisements cited the Spring Willow Society’s prior performance.2 Scholars and journalists who write about the history of A Doll’s House in China agree in general not only that the performance took place but that it was the first performance of an Ibsen play in China.3 I myself referred to this performance in my doctoral thesis (Xia 2013). In recent years, however, doubts have emerged not only about the claim that the Spring Willow Society performed A Doll’s House, but that the Society performed any plays by Ibsen. The following scholars have asserted that there is no concrete evidence that the performance of A Doll’s House took place: Seto Hiroshi (2002, 2015), Huang Aihua -
Compositional Aspects of Rosmersholm by Henrik Ibsen and Lonely Lives by Gerhart Hauptmann
Bulletin of the Transilvania University of Bra şov • Vol. 3 (52) – 2010 Series IV: Philology and Cultural Studies COMPOSITIONAL ASPECTS OF ROSMERSHOLM BY HENRIK IBSEN AND LONELY LIVES BY GERHART HAUPTMANN Crina LEON ∗∗∗ Abstract: In this paper a comparative analysis is made between the plays Rosmersholm by Henrik Ibsen and Lonely Lives by Gerhart Hauptmann, so as to show Ibsen’s influence on Hauptmann. The structure and the themes of the two works are taken into account. In both dramas, the characters deal with the conflict between the traditional value system and the will to spiritual freedom. They both feature triangles of relationships, which do not find their fulfilment because of social rigidity or a feeling of guilt. Social criticism expands into psychological dramas, revealing the development of the individual’s personality. Keywords: Henrik Ibsen, Gerhart Hauptmann, traditionalism, spiritual freedom. 1. Introduction revolt of the human spirit. This revolt also characterizes the main male characters Henrik Ibsen and Gerhart Hauptmann are Johannes Rosmer in Rosmersholm and two major playwrights in the history of Johannes Vockerat in Lonely Lives . The theatre. Their dramas Rosmersholm (1886) two plays have several elements in and Lonely Lives (1891) deal with the common, proving a clear Ibsen’s influence individual’s struggle between two worlds, on Hauptmann. In what follows, we will the Christian moral tradition and a newly focus on some of the compositional born world of spiritual freedom, aspects. unrestricted by ethical and religious rules, that implies his/her autonomy and ability 2. Structure of the Dramas to create his/her own moral universe. -
Henrik Ibsen's Use Of
Henrik Ibsen’s use of ‘Friluftsliv’. by Dag T. Elgvin Presented at the conference: «Henrik Ibsen: The birth of ‘friluftsliv’ – a 150 years Celebration», North Trøndelag University College, Sept. 14th – 19th 2009 Summary This paper intends to explore Henrik Ibsen's concept of "Friluftsliv", as he incorporated it into his writing. Henrik Ibsen (1828-1906) is probably best known for his plays, which cast light over existential human issues. Freedom in life and obligations in marriage society, how one chooses right from wrong, and how one realizes his own talents and abilities, all are fundamental in his works. The concept "Friluftsliv" appears no more than two times in his writings, once in a play and once in a poem. 1 Both were written in a period when Ibsen was struggling to find his life's purpose. The poem "On The Heights" is considered to have a biographical strain (Hemmer, 2003). The poem's main character chooses a free life in the wilds of nature and away from the village in which he grew up. Ibsen chose to be a writer, to experience his freedom in this fashion, instead of following the wishes of his father, a pharmacist, who wanted his son to follow in his footsteps. In fact, Ibsen moved from Norway to Italy in 1864, when he was 36 years old, where he lived for 27 years. Henrik Ibsen's meaning with "Friluftsliv" might best be interpreted as the total appreciation of the experience one has when communing with the natural environment, not for sport or play, but for its value in the development of one's entire spiritual and physical being.