Rock Scully, Grateful Deadʼs Manager Who Put the Band on Records, Dies at 73
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Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
Suddenly That Summer
July 2012 Suddenly That Summer By Sheila Weller It was billed as “the Summer of Love,” a blast of glamour, ecstasy, and Utopianism that drew some 75,000 young people to the San Francisco streets in 1967. Who were the true movers behind the Haight-Ashbury happening that turned America on to a whole new age? Photograph by Jim Marshall/Digital colorization by Lorna Clark/Permission of Jim Marshall L.L.C. FREE FOR ALL The Charlatans perform in Golden Gate Park. In a 25-square-block area of San Francisco, in the summer of 1967, an ecstatic, Dionysian mini-world sprang up like a mushroom, dividing American culture into a Before and After unparalleled since World War II. If you were between 15 and 30 that year, it was almost impossible to resist the lure of that transcendent, peer-driven season of glamour, ecstasy, and Utopianism. It was billed as the Summer of Love, and its creators did not employ a single publicist or craft a media plan. Yet the phenomenon washed over America like a tidal wave, erasing the last dregs of the martini-sipping Mad Men era and ushering in a series of liberations and awakenings that irreversibly changed our way of life. The Summer of Love also thrust a new kind of music—acid rock—across the airwaves, nearly put barbers out of business, traded clothes for costumes, turned psychedelic drugs into sacred door keys, and revived the outdoor gatherings of the Messianic Age, making everyone an acolyte and a priest. It turned sex with strangers into a mode of generosity, made “uptight” an epithet on a par with “racist,” refashioned the notion of earnest Peace Corps idealism into a bacchanalian rhapsody, and set that favorite American adjective, “free,” on a fresh altar. -
2017 Catalog of Publications and Media
PO Box 1342, Woodstock, NY 12498 / 845-679-8111 [email protected] / www.woodstockarts.com New this season 2017 Catalog of Publications and Media Contents Page Books……….……………………………...……………….2 DVDs...………………………...…………………………..11 CDs..………………………...……………………………..19 Knowledge Cards…………………………………………20 Order Form………………………………...………………23 Books, DVDs, CDs and knowledge cards about the arts, artists and environment of Woodstock, NY This catalog includes work published by Black Dome Press, Bushwhack Books, Opus 40, WoodstockArts, the Woodstock Artists Association and Museum (WAAM) and the Woodstock Byrdcliffe Guild. It also features films by David Becker, Stephen Blauweiss and Lynn Woods, Tobe Carey of Willow Mixed Media and Cambiz Khosravi of Woodstock Heritage Productions. WoodstockArts is a publishing, production and marketing company based in Woodstock, NY. As a publisher we specialize in quality regional art and travel books. This year we were pleased to co-produce the second annual Catskill Interpretive Center Book Fair. Featured Books Available from WoodstockArts Living Large: Wilna Hervey and Nan Mason This rollicking dual biography by Joseph P. Eckhardt captures, through deft and engrossing storytelling, the adventures and enduring love af- fair of the two “Big Girls” of Woodstock, NY (also Carmel, CA and Anna Maria Island, FL). It tells the tale of Wilna Hervey as the Toonerville Trolley’s Powerful Katrinka, silent comedy film star. And it includes the artistic endeavors of Hervey and Mason, along with their many friends (Frank Capra, Edward Weston, Eugene Speicher et al.). The book took Gold in the IBPA’s 2016 Benjamin Franklin Awards (LGBT); and it won Silver (LGBT), Bronze (Biography) and was a finalist (Art) in Foreword Reviews’ 2015 INDIEFAB Book of the Year Awards. -
ROGER WATERS.Qxd 19/7/06 14:58 Page 1
ROGER WATERS.qxd 19/7/06 14:58 Page 1 productionprofile roger waters: the dark side of the moon live TPi FOLLOWS THE ‘CREATIVE GENIUS’ OF PINK FLOYD TO LONDON’S HYDE PARK CALLING FESTIVAL AS HE TOURS WITH A NEW LIVE PRODUCTION OF ONE OF THE MOST INSPIRATIONAL ALBUMS OF ALL-TIME... "Hanging on in quiet desperation is the English way"... 1973 classic, headlining the first night of the Hyde Park Waters, 62, is spending less time with golf clubs just one of the lines from The Dark Side Of The Moon Calling weekend, with The Who following 24 hours and fishing rods these days. Last November, he that accurately summed up the mood of England's later. premiered his classical opera Ça Ira in Rome and he's football fan fraternity, late in the baking hot afternoon of It's been the summer of Two Floyds — while soon to release his first all-new rock album since the July 1. For those able to watch the predictable penalty David Gilmour has been touring his No.1 album On An early '90s. However, The Dark Side Of The Moon — shoot-out against Portugal, maybe the phrase "Home, Island with keyboardist Rick Wright in his line-up, last performed in full by Floyd-sans-Waters in '94 — home again" proved even more prophetic. drummer Nick Mason has been putting in guest has always remained close to his heart and as the It was backstage in the catering tent that TPi jostled appearances with both the 'Voice & Guitar' and Roger lyricist and the member who drove the conceptual for space amongst crew and artists to view England's Waters, at Hyde Park and at selected venues such as elements, he rightly feels a sense of ownership. -
MUSC 424 GD Syllabus
Iconic Figures of Popular Music: The Grateful Dead Fall 2019 Course no. MUSC 424 Section no. 47225 Units: 2 Time: Mondays 10:00-11:50pm Room: KDC 241 Course instructor: Bill Biersach Instructor’s office: MUS 316 Instructor’s office hours: M 9 – 9:50 am; 2 – 3 pm Office phone: (213) 740-7416 Instructor’s email: [email protected] The Premise The Grateful Dead were not just a band, or a musical institution, but a way of life—a way of life for the band members who worked and lived closely together for decades, and also for many “Dead Heads” who have molded their musical and personal lives over the years around the activities of the band. The band is probably most noted for their live performances, of which there are volumes and volumes, with lost tapes emerging all the time. Their official discography includes 130 albums, most of them live performances or compilations, but also 17 studio albums. The primary member about which the band formed and progressed was lead guitarist Jerry Garcia. Not only was his playing exemplary, but his guitars themselves with their intricate connections and electronics are legendary in their own right; as were the band’s legendary and revolutionary concert sound systems. Definitely a band worth examining and exploring. Course Goal In the course of this semester, we will scrutinize eleven of their albums, eight studio and three live. Students will be divided into small groups who will listen to these albums, make judgments as to the strengths and weaknesses of the tracks, also relevancy, and present their findings to the class. -
[T3DW]⋙ Living with the Dead: Twenty Years on the Bus With
Living with the Dead: Twenty Years on the Bus with Garcia and the Grateful Dead Rock Scully Click here if your download doesn"t start automatically Living with the Dead: Twenty Years on the Bus with Garcia and the Grateful Dead Rock Scully Living with the Dead: Twenty Years on the Bus with Garcia and the Grateful Dead Rock Scully As a manager for the Grateful Dead, Rock Scully was with the band from its early days in San Francisco to the years it spent touring the globe as one of the most enduring legends in music history. In Living with the Dead , Scully gives a complete account of his outrageous experiences with the band, during years that saw the Grateful Dead transform from a folksy revivalist band to psychedelic explorers of outer space. In addition to close-up portraits of band members Jerry Garcia, Bob Weir, Pigpen, Phil Lesh, Micky Hart and Bill Kreutzmann, Scully brings into the story many of the people the Dead encountered in their journeys across America's musical landscape, including Ken Kesey, Janis Joplin, Etta James, Bob Dylan, Paul Simon, and the Jefferson Airplane. Scully tells the story of the band with genuine feeling; the tour disasters, acid trips, and burnouts, but most importantly the exaltation of delivering fantastic music. Download Living with the Dead: Twenty Years on the Bus with ...pdf Read Online Living with the Dead: Twenty Years on the Bus wi ...pdf Download and Read Free Online Living with the Dead: Twenty Years on the Bus with Garcia and the Grateful Dead Rock Scully From reader reviews: James Blouin: Why don't make it to become your habit? Right now, try to ready your time to do the important take action, like looking for your favorite book and reading a e-book. -
The Life and Times of Augustus Owsley Stanley Iii Pdf, Epub, Ebook
BEAR : THE LIFE AND TIMES OF AUGUSTUS OWSLEY STANLEY III PDF, EPUB, EBOOK Robert Greenfield | 288 pages | 01 Dec 2016 | St Martins Press | 9781250081216 | English | New York, United States Bear : The Life and Times of Augustus Owsley Stanley III PDF Book Then somebody gave him a half a dose of pure Sandoz acid, and it was beyond anything he'd ever taken before. Published: Mar 11, There were nearly three thousand men on this huge aircraft carrier loaded with high explosives and high-octane petrol and the Japanese were dropping bombs on it and firing torpedoes at it and crew members were being burned and blown to bits. His father was a government attorney. In , Stanley rented a house in Point Richmond, California, and set up another drug laboratory. On March 13, Stanley was killed in a car accident near his home. Greenfield's anecdotal Bear feeds a Deadhead's jones--those who were there during that Summer of Love or their children and grandchildren. During the summer of , Scully had begun managing the Charlatans, a psychedelic band, who were doing an extended residency at the Red Dog Saloon in Virginia City, Nev. During the event, held in a radio station in San Francisco, the band tried to record what they had been doing live to accompany the swirling madness created by the Pranksters. In , he enrolled at the University of California, Berkeley, and found a recipe for the drug in a chemistry journal. HuffPost Personal Video Horoscopes. The chemist even used the money he generated selling LSD to help fund the early days of the Grateful Dead when they resided in Haight-Ashbury. -
Syd Barrett (Roger Keith Barrett) Pancreatic Cancer
syd barrett (roger keith barrett) pancreatic cancer Born: January 6, 1946 Died: July 7, 2006 “He was a visionary,” said Roger Waters. “He was the key that Nonetheless, Barrett is referenced in Floyd’s “Brain Damage” unlocked the door to rock ’n’ roll for me.” (Dark Side Of The Moon, 1973), “Nobody Home” (The Wall, 1979), Roger Keith Barrett—nicknamed Syd after a drummer in his and “Poles Apart (The Division Bell, 1994), and is the subject of hometown Cambridge—was trained as a painter, but bewitched “Shine On You Crazy Diamond,” from 1975’s Wish You Were Here— by The Beatles and Rolling Stones. “I was teaching him to play at the mixing of which he unexpectedly materialized in Abbey Stones riffs every lunchtime for a year at technical college,” said Road studios. Jerry Shirley, a friend of the band who drummed for David Gilmour. In 1965, Barrett joined Waters—another Cambridge Barrett in 1970, remembered: “This overweight Hare Krishna-looking pal—in London, and cofounded The Pink Floyd Sound. chap...I asked him what he was doing lately. ‘Oh, you know, not Barrett’s compact discography belies his importance. Pink much...I get up, eat, go for a walk, sleep.’” Barrett’s reported Floyd’s hits “Arnold Layne” and “See Emily Play,” and The Piper reaction to “Shine On”: “Sounds a bit old.” At The Gates Of Dawn (1967) were largely his work. A couple of “Syd’s father’s death affected him very heavily,” explained haunting cuts on A Saucerful Of Secrets (1968), 1970’s scratchy Gilmour, “and his mother always pampered him—made him out solo albums The Madcap Laughs and Barrett, and outtakes and to be a genius of sorts.” Too fragile for stardom and damaged by radio sessions complete his catalog. -
Iconic Figures of Popular Music: the Grateful Dead Fall 2017
Iconic Figures of Popular Music: The Grateful Dead Fall 2017 Course no. MUSC 424 Section no. 47228 Units: 2 Time: Mondays 10:00-11:50pm Room: KDC 241 Course instructor: Bill Biersach Instructor’s office: MUS 316 Instructor’s office hours: M 9 – 9:50 am; 2 – 3 pm Office phone: (213) 740-7416 Instructor’s email: [email protected] The Premise The Grateful Dead were not just a band, or a musical institution, but a way of life—a way of life for the band members who worked and lived closely together for decades, and also for many “Dead Heads” who have molded their musical and personal lives over the years around the activities of the band. The band is probably most noted for their live performances, of which there are volumes and volumes, with lost tapes emerging all the time. Their official discography includes 130 albums, most of them live performances or compilations, but also 17 studio albums. The primary member about which the band formed and progressed was lead guitarist Jerry Garcia. Not only was his playing exemplary, but his guitars themselves with their intricate connections and electronics are legendary in their own right; as were the band’s legendary and revolutionary concert sound systems. Definitely a band worth examining and exploring. Course Goal In the course of this semester, we will scrutinize eleven of their albums, eight studio and three live. Students will be divided into small groups who will listen to these albums, make judgments as to the strengths and weaknesses of the tracks, also relevancy, and present their findings to the class.