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The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
A Process Evaluation of the NCVLI Victims' Rights Clinics
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Finally Getting Victims Their Due: A Process Evaluation of the NCVLI Victims’ Rights Clinics Author: Robert C. Davis, James Anderson, Julie Whitman, Susan Howley Document No.: 228389 Date Received: September 2009 Award Number: 2007-VF-GX-0004 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Finally Getting Victims Their Due: A Process Evaluation of the NCVLI Victims’ Rights Clinics Abstract Robert C. Davis James Anderson RAND Corporation Julie Whitman Susan Howley National Center for Victims of Crime August 29, 2009 This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. -
Burial Grounds “They Say That Freedom Is a Constant
How To Be American: A Podcast by the Tenement Museum Season 2, Episode 3: Burial Grounds “They say that freedom is a constant struggle...they say that freedom is a constant struggle… they say that freedom is a constant struggle...get on a board boy, get on a board…” - Carl Johnson, Tenement Talk attendee, October 2019 Black Placemaking event. [Carl signing fades down] [Reflective music] Amanda Adler Brennan: This is Carl Johnson. Johnson attended an event at the Tenement Museum on the evening of October 17th, 2019. It was called Black Placemaking: Reinterpreting Lower East Side History. The event was about the exclusion of black experiences and community building from public memory over the course of American History...how the absence of dedicated place names, memorials and physical sites can render their presence invisible from certain neighborhoods, or even cities. And this is an exclusion that reinforces the existing order of how Black History is interpreted in this country. Memory is such a tricky thing. How we recall American History—the way it’s recorded, taught and told from one generation to the next...along the way, stories are sometimes forgotten. Other times, they’re willfully ignored. Before you know it, critical parts of stories, its characters—well...they’re erased. When history is forgotten or hidden...how do we make it whole? That takes me back to Carl Johnson. In a room full of strangers, he stood up and sang to another member of the audience, who asked the panelists: “How do we be resilient...how do we interpret our struggle, when there are things that we don’t see?” It was a mic-drop kind of moment when Johnson answered with a song, and not just any song. -
Libby Manning: the Joy of Learning – Season 2, Episode 1
Libby Manning: The Joy of Learning – Season 2, Episode 1 Amy: You’re listening to Beyond 1894, a podcast where we hear from Louisiana Tech University scholars, innovators, and professionals on their personal journeys and the impact they’re making in the word around them. I’m your host Amy Bell and my co-host is Teddy Allen. *school bell rings with light piano intro as students shuffle along and walk to class* Amy: In this episode, we will hear from Dr. Libby Manning. She has been a professor here at Tech for about 10 years in the College of Education, teaching Curriculum, Instruction, and Leadership. In our interview, we talked about her experiences as a teacher, her teaching philosophy, and some of her teaching strategies. She even mentioned how she has had to adapt her teaching, due to COVID-19 and physical distancing. Libby: So, what I discovered is they… We built communities often around novels, around characters and books, because when you live through “Number the Stars” or you live through “Roll of Thunder, Hear My Cry,” and you go along these journeys with these characters, you can’t help but be moved by that and you can’t help but feel like you as a class somehow got them through those struggles. And they become a part of who you are. Books do, they become a part of you. Amy: The passion Dr. Manning has for her teaching is truly inspiring. After interviewing her, I was motivated to try a little harder to be a better person. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Housing Needs Study Recommendations Report 2019
2019 Residential Housing Needs Study Recommendations Report: Sutton, MA Prepared for: Town of Sutton Prepared by: Central Massachusetts Regional Planning Commission (CMRPC) TABLE OF CONTENTS EXECUTIVE SUMMARY ................................................................................................................................... 3 Background and Purpose .......................................................................................................................... 3 Summary of Significant Demographic and Housing Characteristics and Trends ....................................... 3 Summary of Housing Production Goals ..................................................................................................... 4 Summary of Housing Strategies ................................................................................................................ 4 INTRODUCTION ............................................................................................................................................. 7 Community Overview ................................................................................................................................ 7 Plan Process .............................................................................................................................................. 7 Plan Methodology ..................................................................................................................................... 8 Housing Production Plans and M.G.L. Chapter 40B.................................................................................. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Hoosiers and the American Story Chapter 5
Reuben Wells Locomotive The Reuben Wells Locomotive is a fifty-six ton engine named after the Jeffersonville, Indiana, mechanic who designed it in 1868. This was no ordinary locomotive. It was designed to carry train cars up the steepest rail incline in the country at that time—in Madison, Indi- ana. Before the invention of the Reuben Wells, trains had to rely on horses or a cog system to pull them uphill. The cog system fitted a wheel to the center of the train for traction on steep inclines. You can now see the Reuben Wells at the Children’s Museum of Indianapolis. You can also take rides on historic trains that depart from French Lick and Connersville, Indiana. 114 | Hoosiers and the American Story 2033-12 Hoosiers American Story.indd 114 8/29/14 10:59 AM 5 The Age of Industry Comes to Indiana [The] new kind of young men in business downtown . had one supreme theory: that the perfect beauty and happiness of cities and of human life was to be brought about by more factories. — Booth Tarkington, The Magnificent Ambersons (1918) Life changed rapidly for Hoosiers in the decades New kinds of manufacturing also powered growth. after the Civil War. Old ways withered in the new age Before the Civil War most families made their own of industry. As factories sprang up, hopes rose that food, clothing, soap, and shoes. Blacksmith shops and economic growth would make a better life than that small factories produced a few special items, such as known by the pioneer generations. -
The Conestoga Horse by JOHN STROHM (1793-1884) and HERBERT H
The Conestoga Horse By JOHN STROHM (1793-1884) AND HERBERT H. BECK. The Conestoga horse and the Conestoga wagon were evolved in and about that part of southeastern Pennsylvania which, before it was named Lancaster County, was known as Conestoga. The region was named for a river that has its main springhead in Turkey Hill, Caernarvon Township, whencc it crosses the Berks County line for a short distance and then returns into Lan- caster County to cross it, in increasing volume, passing the county seat, to flow between Manor and Conestoga townships into the Susquehanna. The names Conestoga and Lancaster County are inseparably connected in historical records. Unlike the Conestoga wagon, which was known under that name as early as 1750,1 and whose fame still lives in history and in actual form in museums, the Conestoga horse—a thing of flesh—was not preserved and is now nearly forgotten. The undoubted fact that the Conestoga horse was famous in its day and way warrants a compilation of available records of that useful animal. Nor could this subject be more fittingly treated in any other community than in the Conestoga Valley. The writer qualifies himself for his subject by the statement that he has been a horseman most of his life; that he has driven many hundreds of miles in buggy, runabout and sleigh; and ridden many thousands of miles on road and trail, and in the hunting field and the show ring. Between 1929 and 1940 he was riding master at Linden Hall School for Girls at Lititz, where he Instituted and carried on an annual horse show. -
Article 40.13: Downtown Zones
Article 40.13: Downtown Zones Sections: 40.13.010 Purpose 40.13.020 Applicability 40.13.030 Quick Code Guides 40.13.040 Relationship to General Plan 40.13.050 Relationship to Downtown Davis Specific Plan 40.13.060 Relationship to Chapter 40, Zoning 40.13.070 Downtown Code Zoning Map 40.13.080 Downtown Zones 40.13.090 Neighborhood-Small 40.13.100 Neighborhood-Medium 40.13.110 Neighborhood-Large 40.13.120 Main Street-Medium 40.13.130 Main Street-Large 40.13.140 Allowed Uses 40.13.010 Purpose This Article sets forth the standards for building form, land use and other topics, such as signage and landscape, within Downtown Zones. These standards reflect the community’s vision for implementing the intent of the General Plan and Downtown Davis Specific Plan (Specific Plan) to ensure development that reinforces the highly valued character and scale of Downtown Davis' walkable urban center, neighborhoods, and corridors. This Article and Article 40.14 (Supplemental to Downtown Zones) are referred to collectively as "the Downtown Code.” 40.13.020 Applicability A. The standards in this Article apply to all proposed development within Downtown Zones as identified below, and shall be considered in combination with the standards in Article 40.14 (Supplemental to Downtown Zones). If there is a conflict between any standards, the stricter standards shall apply. 1. Site Standards. The standards of Section 40.14.020 (Site Standards) apply to the following: a. Wherever a project requires site development plan approval in accordance with Article 40.31 (Site Plan and Architectural Approval) or when otherwise required by this Article.