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Sexion Q 2-3
www.ExpressGayNews.com • April 22, 2002 Q1 CYMK COVER STORY Miami Gay and Lesbian Film Festival Highlights By Mary Damiano Treading Water, The Fourth Annual Miami Gay & Thursday, May 2, 7pm Lesbian Film Festival is back, with lots of Casey is in exile from her well-to-do film, premieres, panels and, of course, parties. Catholic family, living just across the bay The festival runs from April 26-May 5, and (but worlds apart) from their pristine will showcase feature films, documentaries, waterfront home, in a tiny house boat that shorts, presentations and panels that will she shares with her girlfriend Alex. But when entertain, inform and excite the expected Christmas rolls around, familial duty calls, audience of 15,000. and even the black sheep must make an All films will be shown at the Colony appearance. Director Lauren Himmel will Theatre, 1040 Lincoln Road, Miami, except attend the screening. A South Florida the opening and closing night films. premiere. Tickets to the film and the post- Here are some highlights of this year’s screening Reel Women reception are $20. film offerings: The Cockettes Tuesday, April 30 7pm An east coast premiere, this film captures The Cockettes, the legendary drag- musical theater phenomenon, and the rarified air of the free-love, acid-dropping, gender- Ruthie and Connie: Every Room in the House Circuit Saturday April 27, 2:30pm bending hippie capital of San Francisco they inhabited in the late 1960s. Features Sylvester Friday, May 3, 9:30pm If Dorothy and Blanche on The Golden Sugar Sweet Dirk Shafer’s hallucinatory new film finds Girls had ever (finally) come out, they’d Saturday, April 27, 9:30pm and Divine, who both appear in the film, along with other notable witnesses to history, such the soul of the circuit and seeks redemption be Ruthie and Connie, the real-life same- Naomi makes lesbian porn. -
2000 Terrapin Invitational Tournament - Division 1 Round 9 Questions by John Nam
2000 Terrapin Invitational Tournament - Division 1 Round 9 Questions by John Nam Tossups 1. It tells of life at 27 rue de Fleurus, which became a hub of artistic discussion in the early 1900s. Featuring real-life encounters of its author and its narrator with artists from Picasso to Hemingway, this 1932 work was its author's first critical and commercial success. FTP, name this work, which despite its title mainly concerns the life story of its author, Gertrude Stein. Ans: The Autobiography ofAlice B. Toklas 2. First formed in August 1965, their original lineup included Bob Harvey and Jerry Pelonquin, who were soon initially replaced by Alexander Skip Spence and Signe Anderson, then by Spencer Dryden and Jack Casady. Their debut album was moderately successful, a former member of Great Society joined in 1966 and the subsequent release of Surrealistic Pillow that they took off. FTP, name this seminal band whose most famous members were Jorma Kaukonen, Marty Balin, Paul Kantner and Grace Slick. Ans: Jefferson Airplane 3. While studying for the bar in New Salem, Illinois, he began courting the fiancee of John McNamar, who had gone to get his parents in New York. McNamar's fiancee agreed to marry him ifshe could get an "honorable release" from her engagement, but got milk fever and died before McNamar's return in the fall of 1835. Such is the tale of the first love of this man for Ann Rutledge, mildly ironic considering his future reputation for honesty. FTP, name this assassination victim and u.S. statesman. Ans: Abraham Lincoln 4. -
Oen House- Sh~W Oint I~N, Iac
Nearly,30,000 e!pecf'ej- Oen House- Sh~wOInT i~n, Iac Ion By Bob Condap Light." The Chemistry Hornrary to watch intercollegiate contests Nearly 30,00 New Englanders will mystify visitors with its bi- such as varsity sailing for the are epted to converge upon ennial favorite - "C h e m i c a l Owen Trophy or enjoy water polo, MIT Saturday for the biennial Magic.'I diving, and White Water Kayak Open House. Chaired by Ed -Sey- 'Doe'6 Edgerton exhibitions at the Alumni Pool. kota '68, the Open House Com- Well known Institute figures Flip-top box program neittee attempts to give a 'public will be on hand Open.House Day Some of the innovations to be view of a technically oriented to show people some of their tried by the committee this year university "in action." Over 200 present interests For example, include a program in a flip-top separate displays have been "Doc" Edgerton will show how box, bus rides for those long chosen to help present this view. he mapped the bottom of the journeys to the Hermann and F.oat in qicksand Charles River Basin with his Sloan Buildings, and organized In each academic department sonar -equipment submerged in tours of the Institute. projf e hnave ben chrsen which fha rlsZnr~aC A lthgh OpenHo_ useR is aimed exemplify the current interest and On the more pesonal side, stu- primarily at people outside the direction of their department. The dents will present their extra- MlIT community, the committee Civil Engineering.Department will curricular interests through ac- feels that this is an excellent op1 burst a damr, prove that people tivities, athletics, and 1 i v i n g portmunity for students and faculty can goat in quicksand, and show groups. -
PBIFF 2012 Film Announcement-1
FOR IMMEDIATE RELEASE National Press Contact: March 13, 2012 Carol Marshall Carol Marshall Public Relations, Inc. 818/760‐6450 [email protected] Local Press Contact: Profile Marketing & PR Joanne Polin [email protected] 561‐350‐8784 Hillary Reynolds [email protected] 954‐815‐1186 17th PALM BEACH INTERNATIONAL FILM FESTIVAL UNVEILS 2012 LINE‐UP * * * “ROBOT & FRANK” OPENS FESTIVAL THURSDAY, APRIL 12; CLOSES WITH “SASSY PANTS” * * * Festival Presents 40 World and U.S. Premiere Feature Films BOCA RATON, FL – The Palm Beach International Film Festival (PBIFF) announced its highly anticipated film line‐up for the 17th edition, April 12‐19, 2012, featuring 25 World Premieres, 14 U.S. Premieres and 2 North American Premieres. PBIFF (www.pbifilmfest.org) will present features, documentaries and short films from the U.S. and around the world, including Netherlands, Spain, Argentina, Tanzania, Italy, France, England, Israel, Thailand, Guinea‐Bissau, Portugal, Australia, Canada, Romania and Sweden, and will play host to filmmakers, producers, and actors to represent and discuss their films. “We are excited about this year’s program,” comments PBIFF Director Randi Emerman, “which reflects our ongoing mission to engage with the community, expanding and enhancing its knowledge of the world through the unique lens of independent film.† We encourage people to take this opportunity to enjoy these diversely international stories.ʺ Opening Night kicks off with Robot & Frank, directed by Jake Schreier. Set in the near future, Frank, a retired cat burglar, has two grown kids who are concerned he can no longer live alone.† They are tempted to place him in a nursing home until Frankʹs son chooses a different option: against the old manʹs wishes, he buys Frank a walking, talking humanoid robot programmed to improve his physical and mental health. -
Jackson Pollock & Tony Smith Sculpture
Jackson Pollock & Tony Smith Sculpture An exhibition on the centennial of their births MATTHEW MARKS GALLERY Jackson Pollock & Tony Smith Speculations in Form Eileen Costello In the summer of 1956, Jackson Pollock was in the final descent of a downward spiral. Depression and alcoholism had tormented him for the greater part of his life, but after a period of relative sobriety, he was drinking heavily again. His famously intolerable behavior when drunk had alienated both friends and colleagues, and his marriage to Lee Krasner had begun to deteriorate. Frustrated with Betty Parsons’s intermittent ability to sell his paintings, he had left her in 1952 for Sidney Janis, believing that Janis would prove a better salesperson. Still, he and Krasner continued to struggle financially. His physical health was also beginning to decline. He had recently survived several drunk- driving accidents, and in June of 1954 he broke his ankle while roughhousing with Willem de Kooning. Eight months later, he broke it again. The fracture was painful and left him immobilized for months. In 1947, with the debut of his classic drip-pour paintings, Pollock had changed the direction of Western painting, and he quickly gained international praise and recog- nition. Four years later, critics expressed great disappointment with his black-and-white series, in which he reintroduced figuration. The work he produced in 1953 was thought to be inconsistent and without focus. For some, it appeared that Pollock had reached a point of physical and creative exhaustion. He painted little between 1954 and ’55, and by the summer of ’56 his artistic productivity had virtually ground to a halt. -
Terpsichorean Architecture: Editor's Introduction
Terpsichorean Architecture: Editor’s Introduction Tony Mitchell, University of Technology Sydney In Peter Hoeg’s celebrated novel Miss Smilla’s Feeling for Snow (1992), Greenland- born Smilla says of her extraordinary ability to decipher patterns and read tracks in snow: ‘Reading snow is like listening to music. To describe what you’ve read is to try and describe music in writing’ (2005:37). Later in the book, Andreas Fine Licht, a blind Professsor of Eskimo Languages and Cultures at the Danish Institute of Eskimology, deciphers a tape recording of a native Greenlander speaking in dialect about hunting. He is also able to hear and identify in the background on the tape the jazz music of trumpeter Roy Louber, formerly of the John Coltrane quartet, in a rare live concert performance in Thule in the late 1960s (2005:134). The experience of listening to, or hearing and identifying music may, in both cases, be a complex one, but writing about it comprehensively and memorably can be even more complex and fraught with difficulties. This selection of papers comes from a Symposium held at the University of Technology Sydeny (UTS) in September 2009. The title derives from a notorious quote—now a cliché—from Elvis Costello in an interview in the British Musician magazine in 1983: ‘Writing about music is like dancing about architecture—it’s a really stupid thing to want to do’ (White 1983). It has been attributed by various people at various times to Frank Zappa, Thelonious Monk, Laurie Anderson, David Byrne and numerous others, PORTAL Journal of Multidisciplinary International Studies, vol. -
The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Lite HOUR THURSDAY 9 APRIL 1964 VOL
LOW TIDE HIGH TIDE 4-1(])-64 4-10-64 I I AT 0908 4 8 AT 0310 o 6 AT 2133 5 4 AT 1517 :lite HOUR THURSDAY 9 APRIL 1964 VOL. 5 NO. 1684 KWAJALEIN, MARSHALL ISLANDS LET '5 HAVE "AMATEUR NIGHT" RAILWAY WOR.<ERS "AROUND AND AROUND SHE GOES, AND NEW YLR~ERS BID WHERE SHE STOPS, NOBODY KNOWS!" IN WALKOUT TODAY SPECIAL SERVICES WOULD LIKE TO START GENERAL FAREwELL CHICAGO (UPI )--FOUR OPERATING UNIONS AN "AMATEUR NIGHT" SERIES IF ENOUGH NEW YORK (UPI )--NEW YORK BID A WENT ON STRIKE AGAINST THE SPRAWLING PERSONS WILL VOLUNTEER FOR COMPETITION BRIEf FINAL FAREWELL TO GENERAL Of ILLINOIS CENTRAL RAILROAD TODAY IN A PHONE GORDON NEWMAN, OR HiS SECRETA~Y, THE ARMY DOUGLAS MACARTHUR TODAY DISPUTE OVER WORKING CONDITIONS AND PAT WILLIS, 331, AND ADVISE WHAT BEFORE THE BODY Of THE GALLANT OLD WORK RULES. SPECIALTY ACT YOU MIGHT "HAM UP" THAT SOLDIE~ BEGAN A LAST TRIP TO WASHINGTON THE WALKOUT BY 7,200 ENGINEERS, FIRE COULD BE CONSIDERED AS ENTERTAINING. TO RECEIVE THE T~IBUTES Of GOVERNMENT MEN, CONDUCTORS AND TRAINMEN AFFECTED LEADERS. ONLY THE ILLINOIS CENTRAL LINE, WHICH THE HIGH AND THE HUMBLE--A CROSS SERVES 14 STATES AND SUCH MAJOR RAIL THREE JETLINERS SECTION OF AMERICANS--STOOL IN LONG POINTS AS CHICAGO, COUNCIL BLUFFS, LINES IN THE RAIN YESTERDAY TO PAY LOUISVILLE, MEMPHIS, BIRMINGHAM AND NEW IN NEAR CRASHES HOMAGE TO THIS COUNT~Y'S "FIGHTINGEST ORLEANS. STRIKE LEADERS SAID THE WALK NEW YORK (UPI }--Two MORE JET AIR GENERAL" WHO FIRST SAW COMBAT 61 YEARS OUT WAS AUTHORIZED BY THE NATIONAL LINERS OVERSHOT RUNWAYS AT NEW YORK'S AGO AND COMMANDED BRILLIANTLY IN THREE UNIONS AFTER FOUR YEARS OF NEGOTIATIONS FOG-SHROUDED AIRPORTS TODAY IN AN MAJOR WARS. -
Dypdykk I Musikkhistorien - Del 27: Folkrock (25.11.2019 - TFB) Oppdatert 03.03.2020
Dypdykk i musikkhistorien - Del 27: Folkrock (25.11.2019 - TFB) Oppdatert 03.03.2020 Spilleliste pluss noen ekstra lyttetips: [Bakgrunnsmusikk: Resor och näsor (Under solen lyser solen (2001) / Grovjobb)] Starten Beatles og British invasion The house of the rising sun (The house of the rising sun (1964, singel) / Animals) Mr. Tambourine Man (Mr. Tambourine Man (1965) / Byrds) Candy man ; The Devil's got my woman (Candy man (1966, singel) / Rising Sons) Maggies farm Bob Dylan Live at the Newport Folk Festival USA One-way ticket ; The falcon ; Reno Nevada Celebrations For A Grey Day (1965) / Mimi & Richard Fariña From a Buick 6 (Highway 61 revisited (1965) / Bob Dylan) Sounds of silence (Sounds of silence (1966) / Simon & Garfunkel) Hard lovin’ looser (In my life (1966) / Judy Collins) Like a rolling stone (Live 1966 (1998) / Bob Dylan) 1 Eight miles high (Fifth Dimension (1966) / The Byrds) It’s not time now ; There she is (Daydream (1966) / The Lovin’ Spoonful) Jefferson Airplane takes off (1966) / Jefferson Airplane Carnival song ; Pleasant Street Goodbye And Hello (1967) / Tim Buckley Pleasures Of The Harbor (1967) I Phil Ochs Virgin Fugs (1967) / The Fugs Alone again or (Forever changes (1967) / Love) Morning song (One nation underground (1967) / Pearls Before Swine) Images of april (Balaklava (1968) / Pearls Before Swine) Rainy day ; Paint a lady (Paint a lady (1970) / Susan Christie) Country rock Buffalo Springfield Taxim (A beacon from Mars (1968) / Kaleidoscope) Little hands (Oar (1969) / Skip Spence) Carry on Deja vu (1970) / Crosby, Stills, Nash & Young 2 Britisk Donovan Sunshine superman (1966) The river song ; Jennifer Juniper The Hurdy Gurdy Man (1968) You know what you could be (The 5000 spirits or the layers of the onion (1967) / The Incredible String Band) Astral weeks (1968) / Van Morrison Child star (My People Were Fair And Had Sky In Their Hair.. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
Lenny Bruce Further Study
LENNY BRUCE FURTHER STUDY Description: Performing from the late 40’s up to his death in 1966, Lenny has left behind a collection of work that goes beyond what we could cover in the available class time. A deeper look at Lenny Bruce can be seen in his albums, movies, books and TV appearances, as well as in the documentary tributes and biopics on him. The following are some links and resources for further study. Note: The material in the Amazon.com links listed here, in many cases, can also be obtained from your local library or other sources. Materials: Lenny Bruce Albums If you only listen to one Lenny Bruce album, “Bits I Got Busted For” or the “Carnegie Hall” are recommended. Of course, all are recommended, they all have value and enrich the Lenny experience. Click on the blue links below to see the Amazon.com writeups of each album. Most of these albums are also available at your local library. Year Title Label Format Notes 2 tracks feature Henry Jacobs & Interviews of Our LP / LP 1969 / CD Woody Leifer, liner notes by 1958 Times 1991 / download Horace Sprott III & Sleepy John Estes LP / LP / 8-track 1984 The Sick Humor of 1959 / CD 1991, 2012 & Lenny Bruce Fantasy 2017 / download 2010 Records I Am Not a Nut, Elect LP / CD 1991 / Liner notes by Ralph J. Gleason 1960 Me! (Togetherness) download LP / CD 1991, 2013 & 1961 American 2016 / download Lenny Bruce Is Out Lenny Self-published live recordings 1964 LP / download 2004 Again Bruce from 1958–1963 Please submit any questions to: [email protected] Lenny Bruce Is Out -
Andy Warhol¬タルs Deaths and the Assembly-Line Autobiography
OCAD University Open Research Repository Faculty of Liberal Arts & Sciences and School of Interdisciplinary Studies 2011 Andy Warhol’s Deaths and the Assembly-Line Autobiography Charles Reeve OCAD University [email protected] © University of Hawai'i Press | Available at DOI: 10.1353/bio.2011.0066 Suggested citation: Reeve, Charles. “Andy Warhol’s Deaths and the Assembly-Line Autobiography.” Biography 34.4 (2011): 657–675. Web. ANDY WARHOL’S DEATHS AND THE ASSEMBLY-LINE AUTOBIOGRAPHY CHARLES REEVE Test-driving the artworld cliché that dying young is the perfect career move, Andy Warhol starts his 1980 autobiography POPism: The Warhol Sixties by refl ecting, “If I’d gone ahead and died ten years ago, I’d probably be a cult fi gure today” (3). It’s vintage Warhol: off-hand, image-obsessed, and clever. It’s also, given Warhol’s preoccupation with fame, a lament. Sustaining one’s celebrity takes effort and nerves, and Warhol often felt incapable of either. “Oh, Archie, if you would only talk, I wouldn’t have to work another day in my life,” Bob Colacello, a key Warhol business functionary, recalls the art- ist whispering to one of his dachshunds: “Talk, Archie, talk” (144). Absent a talking dog, maybe cult status could relieve the pressure of fame, since it shoots celebrities into a timeless realm where their notoriety never fades. But cults only reach diehard fans, whereas Warhol’s posthumously pub- lished diaries emphasize that he coveted the stratospheric stardom of Eliza- beth Taylor and Michael Jackson—the fame that guaranteed mobs wherever they went. (Reviewing POPism in the New Yorker, Calvin Tomkins wrote that Warhol “pursued fame with the single-mindedness of a spawning salmon” [114].) Even more awkwardly, cult status entails dying—which means either you’re not around to enjoy your notoriety or, Warhol once nihilistically pro- posed, you’re not not around to enjoy it.