saosin download - Along The Shadow (Black Vinyl, Digital Download Card) ((Vinyl)) Vinyl LP pressing includes digital download. Reunions are a beautiful thing, and for Saosin it's been a long time coming. After a successful run of reunion concerts in 2010, the band have been working on the idea of recording together and it has finally come to pass. Saosin formed and released their first EP, , in 2003. parted ways with the band after they signed with a major label, and vocalist Cove Reber stepped in as front man. The band went on to release two major label without Green, Saosin (2006), and In Search of Solid Ground (2009). Green has been a part of the band since leaving Saosin. Bassist Chris Sorenson explains the synthesis of Along The Shadow: "We have known Brett Gurewitz/Epitaph was interested since our second show in 2003 but the timing wasn't right. I am stoked to see our almost 13 year courtship come full circle in 2016. We've been working on the idea of recording a new Saosin record with Anthony since 2010. It's great to be back, playing gigs, and writing the music we never had the chance to write from the beginning." Saosin along the shadow album download. Artist: Saosin Album: Along The Shadow Released: 2016 Style: Post-Hardcore. Format: MP3 320Kbps. Tracklist: 01 – The Silver String 02 – Ideology is Theft 03 – Racing Toward a Red Light 04 – Second Guesses 05 – Count Back from TEN 06 – The Stutter Says A Lot 07 – Sore Distress 08 – The Secret Meaning of Freedom 09 – Old Friends 10 – Illusion And Control 11 – Control and The Urge to Pray 12 – Drinking from the Fountain 13 – Along the Shadow of Man. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD HITFILE: DOWNLOAD. 3 Responses. T-III Said, I would put this under ALT-Rock. Great band, great music, awesome live. Thank you! AMAZING! Thank you very much!! Cheers from BR. Do you have the last two tracks? They are bonus tracks and I couldn’t them after DL. Saosin – Along The Shadow (Album Review) Where does one even begin with this new venture for Californian post-hardcore outfit Saosin ? Following a very public ousting of former front-man Cove Reber a few years back, the rest of the band were sort of in limbo but when 2015 rolled around fans were delighted to hear they had teamed up again with their original front-man from 2003’s Translating The Name album Anthony Green and when they got on stage for the first time in 12 years it seemed as if no time had passed. Now we finally get to hear their first piece of work together since that album and as far as expectations were to be met, it’s safe to say I loved what I heard. The album kicks off straight away with “ The Silver String ” a song which was gifted to the world back in March as the first sample of music from the album, it’s corresponding video clip also released at the same time too. The band wastes no time in reminding us why we love listening to them with a combination of melodic singing and crisp screaming from a man who sounds like he’s channelling his inner rebellious 15 year old. I sit here, for the first time focusing on the song and can’t believe the voice Anthony has on him. When the band/song slows down midway through it’s Alex Rodriguez ‘s drumming which catches my attention as he seamlessly continues playing fast but it somehow fits in with what the rest of the band are doing. Moving onto “ Ideology Is Theft “, we’re greeted by another ballsy in your face guitar and drumming combo before the hauntingly arousing vocals make their way into my ears, but that doesn’t last long before the aggressive screaming forces me to the back of my seat. This song feels like the first time I discovered the band earlier on in my life, almost as if they wrote this song for an earlier album and it just didn’t end up getting released. Up next we’re greeted by the second song which was released from the album “ Racing Toward a Red Light ” and just like the title suggests, Saosin sound like they’re certainly racing toward something with this fast paced emotion filled banger. Putting aside the rest of the band, guitarist Beau Burchell really shines with his technique throughout the song (which has hints of sounding like something Protest the Hero could have co-written). Evidence of this can be seen in the band’s official video below. Slowing things down for “ Second Guesses ” which at times feels like a sped up ballad type combining that “ fun road trip ” style with Anthony’s signature “ youthful ” screams filling places of the song you wouldn’t imagine, yet it just works well. The song leaves you feeling all kinds of good and relaxed as they lead into “ Count Back from TEN “, another mix of slow and fast (but fierce) attack on the senses, a theme which continues into “ The Stutter Says A Lot “, at first listen, all three of the previous songs could be played one after another and the change would only be noticed by hardcore fans who knew exactly what was going on. A continuous melody of songs so early into the album that grab hold and entice you to keep listening. “ Sore Distress ” while slightly different in pace to the previous three songs, features more of a dragged out lyrical experience for the listener. I’m probably going to be accused of pulling a few cones before writing this next part, but in some places it almost sounded like a softcore “industrial rock” song. Maybe my hearing is off, but thats what’s coming through my speakers. “ The Secret Meaning of Freedom ” brings back the heavy, intensively fast paced music I heard earlier on the album and at good time too, I was beginning to think we wouldn’t get any more of that awesome stuff before the album’s end. If you’re looking for a new song to add to your running playlist, this is the one you’ll play during that last sprint towards the finish line. But if you’re like me and couldn’t be fucked going for a run, playing this song while driving to the shops (and no, not for munchies) will certainly get your blood pumping. Just try not to speed along the way. “ Old Friends ” is next and just when you were getting excited and ready to jump through the walls of your house, we’re slowing it down once again with yet another technical showcase of Alex’s exceptional drumming skills, but moving forward, it seems like this album is a showcase of not only how this band can work together again to make great music, but a showcase of what they’re capable of now as musicians and how far they’ve come over the years since first forming the band back in 2003. “ Illusion & Control ” is evident of this, bringing you in to hear how they all just bounce off each other so well before the final 57 seconds of the song leaves you feeling like you’ve just been in a car accident. Wrapping up the new album is “ Control and The Urge to Pray “, which starts off like something the earlier editions of Guitar Hero would have put on their playlist to introduce gamers to the band for the first time. I haven’t mentioned Chris Sorenson’s bass yet (mainly because the other members took the reigns in previous songs) but FINALLY we get to hear him smashing it. The heavy riffage, compliments Beau’s guitaring as Anthony belts out his signature singing/screams once last time and Alex just smashes away like it’s his final show ever. I don’t know about you but I feel the now four piece Saosin are back to where they once were, heavier than their most recent releases and more in sync with each other musically then ever before. An early press release stated the new album is both “ pretty and brutal ” and to be quite honest, I couldn’t put it any other way than the spot on explanation. All that’s left to say now is welcome back Saosin, we’ve missed you. Along the Shadow. Along the Shadow holds a special place in the Saosin catalog. It's both a fresh start and a continuation, a new addition and a nostalgic return. As the third album in the band's run, it is also the first full-length to feature founding vocalist Anthony Green, who recorded the band's debut EP in 2003 before moving on to Circa Survive. In the years between Green's contributions, Saosin dropped a pair of albums with singer Cove Reber, which may have well been from a completely different group. With the return of Green's distinctive high-tenor vocals, Along the Shadow is the album the band could have written way back in 2004. Yet with over a decade of tumultuous experiences among them, Saosin have matured and focused their sound in a manner that might not have been possible without that roundabout approach. During the early-aughts screamo/hardcore boom, Saosin broke out with peers like the Used, Thursday, Glassjaw, Thrice, and Blindside. That era's raw, melodic sound -- which went on to breed a generation of post-hardcore screamers -- is retained on Shadow, bleeding an intense catharsis from each track. Produced by -- who also manned the boards for Circa Survive and Green's solo efforts -- Saosin guitarist Beau Burchell, and bassist Chris Sorenson, Along the Shadow features 11 tracks of emotional blood-letting, like on the pleading "The Stutter Says a Lot" and "Silver String." Highlights "Second Guesses," "Illusion & Control," and "The Secret Meaning of Freedom" are inextricably planted in 2004, piling harmony upon melody in an urgent anthemic uplift. While Green pushes the upper registers with his wails, the band force themselves to the limit as if this were the last chance to record together. While a number of tracks cash in on that nostalgia -- or perhaps just the band's excitement at the chance to finally make their "debut" -- there are also songs that cement the album in 2016. The winkingly titled "Old Friends" contains crushing metal guitar riffs and pummeling drum bursts courtesy of Burchell and Alex Rodriguez, respectively. Meanwhile, the sweeping drama on "Sore Distress" recalls Bring Me the Horizon and Hands Like Houses, two contemporaries who, coincidentally, are part of a scene that Saosin helped spawn. That song, as well as album-closer "Control and the Urge to Pray," pull the influences back another generation by employing the dichotomous pretty/brutal combination perfected by genre godfathers . Those heavier moments help center the album, adding gravity to an already earnest delivery. Overall, Along the Shadow is an exciting listen -- both as a solid post-hardcore effort and an important milestone in Saosin's history -- but it's also comforting. After such a long journey, the original lineup have finally made an album together and it's every bit as triumphant and evocative for fans as it is for the quartet who have finally fulfilled a vision they had at the turn of the millennium. Saosin along the shadow album download. Album Rating: 5.0. Fuck it mask off. Album Rating: 5.0. I was there for TTN and I waited years for the self titled and Saosin was conducting the soundtrack to all my teenage angst so I get the obsessive attachment to the early work, but this is the definitive Saosin record. I am so smitten. hmmmm maybe now that Circa Survive has finally clicked for me I will enjoy this. Album Rating: 3.0. Still can’t get into this, still a big let down compared to TTN. Album Rating: 4.0. So this is a crap ton of fun. Would be A LOT less enjoyable with Green's vocals though. Album Rating: 4.0. Everything is a let down compared to TTN tbh. Album Rating: 4.5. Yeah this is still a solid release. Hoping for some new material from either Saosin or Sound of Animals Fighting in 2019. Or both! Album Rating: 4.0. Increased my rating of this. Album rules, last two songs particularly. Album Rating: 4.0. everything these guys do is so dope fucking hell hope we get another album out of em. We gotta be getting something new from these guys soon right? It seems like it would be about the right time. Album Rating: 4.0. ngl the silver string is really really bad. Album Rating: 4.0. nah Silver String is great. Album Rating: 4.0. wish i could agree. after wearing every album, ep, and demo from this band to death it’s literally the only song i can’t get into at all. Album Rating: 4.0. need new Saosin ASAP. Album Rating: 4.0. bring justin back pls. guy got super dicked over by this band and especially the used. Album Rating: 5.0. What happened with all that? Album Rating: 4.0. saosin kicked him when he filled in for quinn on tour for the used (to which he later became a permanent member because the used kicked out quinn) bc beau is beau. a year after the canyon came out, the used kick justin out and filed a restraining order claiming it was bc justin threatened to kill himself onstage which he largely just said out of anger, but the real reason was later revealed to be trying to block him from earning any money off the fucking album. shame hes been fucked so many times the last few years hes a dope guitarist and easily one of my fav things about this band. while this is dope i cant help but think itd benefit a lot from his guitar work. Album Rating: 5.0. That is prettt cruel. Whether or not he’s a killer musician, it’s not okay to treat a person like that. Album Rating: 4.0. yea its a bummer. the used sound like the worst fucking band to be in lmao.