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Home , David Schwimmer, Doug Ellin, Turtle (Entourage)

NEWNEW YORKYORK

Creating Entourage

An Interview with , Creator and , Entourage

EDITORS’ NOTE A native New Yorker, Doug adulthood like that. To get to live like you’re in Ellin moved to Hollywood in 1990 intent on high school for the rest of your life is a fantasy becoming a stand-up comedian. While work- a lot of men have, as well as to have the toys ing the circuit at such comedy club mainstays and ability to do whatever they want and do it as The Improv and The Comedy Store, Ellin also with your best — people relate to that. took a position in the mailroom of New Line In terms of casting, those on the Cinema. It was through a connection to New show seemed to have almost been lifelong Line Production Head, Michael DeLuca, that friends. Were you surprised at how that Ellin’s career was able to take off, albeit in a worked? different direction. After seeing Ellin’s stand-up It was very important to me that the four routine, DeLuca partially funded Ellin’s come- guys, not including Jeremy who was the agent, dic short film, The Pitch, which he wrote and were real New Yorkers, and the day they got directed, starring , Ernie Doug Ellin (left) and Mark Wahlberg (right) together it felt like they knew each other for Hudson, and . The film years. went on to air on Showtime. Following this, Ellin Where did the concept for Entourage Can you talk about the process of was accepted as a director into The American come from? working on the Entourage movie? What Film Institute’s prestigious Conservatory pro- Mark Wahlberg and Steve Levinson. Steve can people expect? gram, which he attended from 1991 to 1992. was my friend from college and he represented The TV show was always one of the big- Ellin next wrote and directed another comedy Mark. They came to me and said they wanted ger half-hours on television. We would shoot short, The Waiter, starring David Schwimmer, to do a show about Mark and his friends. This live at the Cannes Film Festival, Laker games, Jon Cryer, Paul Gleeson, Laraine Newman, was the whole concept at the time. or Yankee Stadium, so it always had a fi lmic and Allen Garfield. In 1996, Artisan distrib- We mixed and matched so I could bring look and a cinematic quality. The biggest chal- uted Ellin’s low-budget independent fi lm, Phat my own thing to it, and made it using Mark’s lenge was turning it from a half hour into an Beach, which starred Jermaine Hopkins, Brian life as a model, and mixing in my friends and hour and a half. Hooks, and Coolio, among others. Ellin’s fol- my life so I could relate to it. This is why we But we did it, and people can expect to low- up fi lm, Kissing a Fool, once again starred moved it to from Boston, but it’s see a fun, larger version of the show. David Schwimmer, along with , where it started. With the success of the show comes op- and a cast of up-and coming stars includ- At what point during the creative pro- portunity. How do you decide what’s next? ing , Jason Lee, and newcomer Judy cess do you realize something will work? I like doing things that are personal to Greer. Universal bought and distributed the I’m a very negative guy, so I never think me. I did another show for HBO called 40, fi lm in 1998. While continuing to write and de- it’s working. Even when which is about my life. I did a show with Mike velop feature fi lm and television projects, Ellin said we were the best show on TV in 2004 as Tyson. I also just produced a documentary joined forces with Mark Wahlberg and Steve we started the second season, I was convinced called When the Garden was Eden about the Levinson to create Entourage, which is loosely they were cancelling us – it was at the dawn 1969-72 Knicks. based upon their shared Hollywood experi- of TiVo and ratings seemed to be much lower What advice do you give to young peo- ences. Ellin is a graduate of Tulane University. than they were expected to be, though every- ple who are trying to work their way up as one was happy. you did? Was the entertainment industry of interest We were shooting an episode in Las Vegas The one thing about this business is that to you early on? How did you get into the and the cast walked out to the pool at the Hard you have to love it more than anything else business? Rock Hotel and people went crazy for them. because it’s a brutal life of rejection. It’s not a I went to Tulane and the plan was to go to It’s the fi rst time I realized we were having an stable lifestyle. The people who have made law school, which I was rejected from. I moved impact. it are those who have stuck with it. I have to L.A. to pursue stand-up comedy, which my When I’m writing, I’m very critical, so I a friend who directed his fi rst movie at 46. So parents were not very excited about. tell myself it isn’t working. Eventually, you let if you keep with it and you have some talent, I did that for two years as I worked in the it go and hope people relate to it. and if it’s something you love, it becomes mailroom at . While working To what do you attribute the success of about perseverance. in the mail room at New Line, I did a stand-up the show? Is quality writing still out there today? show to raise money for a short fi lm I wanted Everyone thinks it’s a Hollywood show Television used to be frowned upon but to make. I invited everyone from New Line to but I think it’s a friendship show. The great today, there are so few movies being made, the show. The Vice President of New Line at thing is when kids come up to me and say, and they’re only trying to make franchises and the time, Mike DeLuca, wrote me a check. I know a Vince, an E, a Drama, or a Turtle. In sequels. The best writers are going to televi- We sold it to Showtime and it got me into a lot of ways, it’s male wish fulfi llment, and I sion, and the shows that are on the air to- the , and things went don’t just mean the women in the show; those day are some of the best in the history of from there. high-school friendships don’t usually last into television.• 248 LEADERS POSTED WITH PERMISSION. COPYRIGHT © 2014 LEADERS MAGAZINE, INC. VOLUME 37, NUMBER 4