Paul Gauguin 1848, Paris - 1903, Atuona
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2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- Pean Comic Art, 13 (1
Screech, Matthew (2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- pean Comic Art, 13 (1). pp. 21-44. ISSN 1754-3797 Downloaded from: https://e-space.mmu.ac.uk/625715/ Version: Accepted Version Publisher: Berghahn Books DOI: https://doi.org/10.3167/eca.2020.130103 Please cite the published version https://e-space.mmu.ac.uk Gauguin and Van Gogh Meet the Ninth Art Postmodernism and Myths about Great Artists Matthew Screech Abstract This article analyses how a late twentieth-century/early twenty-first- century development in bandes dessinées, which combines historical novels with bi- ographies, expresses paradoxical attitudes towards mythologies surround- ing Paul Gauguin and Vincent Van Gogh. Firstly, I demonstrate that the paradox stems from a simultaneous desire for and suspicion of master narratives, identified as intrinsic to postmodernism by Linda Hutcheon. Then I establish how eight graphic novels perpetuate pre-existing mytho- logical master narratives about Gauguin and Van Gogh. Nevertheless, those mythologies simultaneously arouse scepticism: myths do not express ex- emplary uni versal truths; myths are artificial and fictionalised constructs whose status in reality is dubious. The albums convey tension between desire and suspicion regarding myths by a variety of devices. These include sequenced panels, circular plots, unreliable witnesses, fictional insertions, parodies and mock realism. Keywords: Gauguin, graphic novels, great artists, Linda Hutcheon, mythology, postmodernism, Van Gogh Over the period spanning 1990 to 2016 -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
The Marquesas
© Lonely Planet Publications 199 The Marquesas Grand, brooding, powerful and charismatic. That pretty much sums up the Marquesas. Here, nature’s fingers have dug deep grooves and fluted sharp edges, sculpting intricate jewels that jut up dramatically from the cobalt blue ocean. Waterfalls taller than skyscrapers trickle down vertical canyons; the ocean thrashes towering sea cliffs; sharp basalt pinnacles project from emerald forests; amphitheatre-like valleys cloaked in greenery are reminiscent of the Raiders of the Lost Ark; and scalloped bays are blanketed with desert arcs of white or black sand. This art gallery is all outdoors. Some of the most inspirational hikes and rides in French Polynesia are found here, allowing walkers and horseback riders the opportunity to explore Nuku Hiva’s convoluted hinterland. Those who want to get wet can snorkel with melon- headed whales or dive along the craggy shores of Hiva Oa and Tahuata. Bird-watchers can be kept occupied for days, too. Don’t expect sweeping bone-white beaches, tranquil turquoise lagoons, swanky resorts and THE MARQUESAS Cancun-style nightlife – the Marquesas are not a beach holiday destination. With only a smat- tering of pensions (guesthouses) and just two hotels, they’re rather an ecotourism dream. In everything from cuisine and dances to language and crafts, the Marquesas do feel different from the rest of French Polynesia, and that’s part of their appeal. Despite the trap- pings of Western influence (read: mobile phones), their cultural uniqueness is overwhelming. They also make for a mind-boggling open-air museum, with plenty of sites dating from pre-European times, all shrouded with a palpable historical aura. -
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa)
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa) Mask of a Savage Patinated plaster 9 7/8 x 7 3/4 inches (250 x 195 mm) Executed between 1893-1897 PROVENANCE: Vollard Collection, Paris, France John Rewald 1957-58 The Phillips Family Collection Dr. Joachim Theye, Zurich Private Collection, Switzerland EXHIBITED: Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, 1 May – 31 July 1988; Chicago, Art Institute of Chicago, 17 September – 11 December 1988; Paris, Grand Palais, 10 January – 10 April 1989, illustrated catalogue no. 210 Dallas, Dallas Museum of Art, on extended loan, 1991 – 1994 Baltimore, The Walters Art Gallery, Gauguin and the School of Pont-Aven, 20 November 1994 – 15 January 1995, illustrated in addendum Boston, Museum of Fine Arts, 1995 Williamston, Massachusetts, Sterling and Francine Clark Art Institute, on extended loan 1997 – 1998 Martigny, Switzerland, Fondation Pierre Gianadda, Gauguin, 10 June – 22 November 1998, illustrated, catalogue no. 117 London, England, Ordovas, Tales of Paradise Gauguin, 4 February – 18 April 2014, illustrated p. 60 Riehen/Basel, Switzerland, Fondation Beyeler, Paul Gauguin, 8 February – 28 June 2015 As were many symbolist artists, Gauguin was fascinated by the idea of a disembodied face or mask.1 In 1893, at the very end of his first trip to Tahiti, Gauguin developed the essential characteristics of our mask in Hina Te Fatou (Fig. 1), now in the Museum of Modern Art, New York. It is interesting to note that Degas purchased this painting from the Paris exhibition of Gauguin’s work held at the Galerie Durand-Ruel in the autumn of 1893. -
Traditional Marquesan Agriculture and Subsistence: the Historical Evidence
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 20 | Issue 2 Article 5 2006 Traditional Marquesan Agriculture and Subsistence: The iH storical Evidence David J. Addison ASPA Archaeological Specialists Department Supervisor Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation Addison, David J. (2006) "Traditional Marquesan Agriculture and Subsistence: The iH storical Evidence," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 20 : Iss. 2 , Article 5. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol20/iss2/5 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Addison: Traditional Marquesan Agriculture and Subsistence Traditional Marquesan Agriculture and Subsistence: The Historical Evidence Part I of IV - General Descriptions, Garden Locations, the Agricultural Calendar, Hydrology and Soils, Cultigens, and Agricultural Techniques David1. Addison* HE MARQUESAS ISLANDS (Figure 1) have long captivated nario for the prehistoric involution of Marquesan power T the attention of social scientists. Members of the Bishop structures. Museum's Bayard-Dominick Expedition did the first fonnal While social and political structures and relationships anthropological and archaeological research in the archipel have been dominant research topics, little attention has been ago (Figure 2) in the early 20'h century (e.g. -
Managing a Miconia Invasion on Fatu Hiva (French Polynesia)
iconia trees (MMiconia calvescens) Managing a Miconia invasion on Fatu Hiva (French Polynesia) Environmental Directorate for French 1 Polynesia (DIREN) n The directorate is a public agency for French Polynesia in charge of preserving and valorising the natural environments and resources of the islands. n Contacts: Christophe Brocherieux - [email protected] and r f Matai Depierre - [email protected] . h p a r g o I t ntervention site r a C n The tropical forests of the Pacific islands, including those © of French Polynesia, are considered hotspots of biodiversity, 2 particularly in terms of the endemic plants. However, numerous invasive alien species threaten that biodiversity. n Miconia trees were introduced to Tahiti for the first time in 1937 as an ornamental plant in a private botanic garden and subsequently dispersed to several islands in the Society and Marquesas groups. They have since become a major i a priority in efforts to preserve the wet forests of the islands. r a n u They were reported on the island of Fatu Hiva (southern t u p a Marquesas) for the first time in 1995-1996, where they were T . R probably introduced accidentally by road-building equipment © arriving from Tahiti to make the road between the villages of Omo’a and Hanavave. 1. Position of Fatu Hiva in the Marquesas group. 2. Fruition of a Miconia tree. n Subsequent inspections revealed its presence in a number of small valleys near the road. D n The presence of the pathogenic fungus Cgm was also isturbances and issues involved observed on Fatu Hiva (see the management report titled n The development of Miconia trees into dense, virtually Introduction of a pathogenic fungus to check the growth of single-species stands results in a severe reduction of light for Miconia trees and restore the wet forests of Tahiti 1 ). -
Irréalisme Et Art Moderne ,
Irréalisme et Art Moderne , . ....................- a ___•......________________I ! i t ... UNIVERSITE LIBRE DE BRUXELLES SIECLES 000584515 Mélanges Philippe Roberts-Jonés Irréalisme et Art Moderne Ê J ^ 'mmmt BBL Ouvrage publié avec le soutien de la Communauté française de Belgique et de la BBL. Section d’Histoire de l’Art et d’Archéologie de l’Université Libre de Bruxelles Irréalisme et Art Moderne LES VOIES DE L’IMAGINAIRE DANS L’ART DES XVIIIe, XIXe et XXe SIECLES Mélanges Philippe Roberts-Jones Edité par Michel Draguet Certains jours il ne faut pas craindre de nommer les choses impos sibles à décrire. Base et sommet, pour peu que les hommes remuent et divergent, rapidement s’effritent. Mais il y a la tension de la recherche, la répu gnance du sablier, l’itinéraire nonpareil, jusqu’à la folle faveur, une exigence de la conscience enfin à laquelle nous ne pouvons nous soustraire, avant de tomber au gouffre. René Char, Recherche de la base et du sommet, in: Œuvres complètes, introduction de Jean Roudaut, Paris, Gallimard (Bibliothèque de la Pléiade), 1983, p. 631. Aujourd’hui des racines ont poussé dans l’absence; le vent me prend aussi, j’aime, j’ai peur et quelquefois j’assume. Philippe Jones, Il y a vingt-cinq ans la mort, in: Graver au vif, repris in: Racine ouverte, Bruxelles, Le Cormier, 1976, p. 93. 5 P lanchel: G. Bertrand, Portrait de Philippe Roberts- Jones, 1974, huile sur toile, 81 x 65, collection privée. 6 A PROPOS DE PORTRAITS Rien n’est, ni ne doit être gratuit en art si ce n’est la joie ou la douleur de s’ac complir. -
TAHITI NUI Tu-Nui-Ae-I-Te-Atua
TAHITI NUI Tu-nui-ae-i-te-atua. Pomare I (1802). ii TAHITI NUI Change and Survival in French Polynesia 1767–1945 COLIN NEWBURY THE UNIVERSITY PRESS OF HAWAII HONOLULU Open Access edition funded by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. Licensed under the terms of Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 In- ternational (CC BY-NC-ND 4.0), which permits readers to freely download and share the work in print or electronic format for non-commercial purposes, so long as credit is given to the author. Derivative works and commercial uses require per- mission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Cre- ative Commons license described above does not apply to any material that is separately copyrighted. Open Access ISBNs: 9780824880323 (PDF) 9780824880330 (EPUB) This version created: 17 May, 2019 Please visit www.hawaiiopen.org for more Open Access works from University of Hawai‘i Press. Copyright © 1980 by The University Press of Hawaii All rights reserved. For Father Patrick O’Reilly, Bibliographer of the Pacific CONTENTS Dedication vi Illustrations ix Tables x Preface xi Chapter 1 THE MARKET AT MATAVAI BAY 1 The Terms of Trade 3 Territorial Politics 14 Chapter 2 THE EVANGELICAL IMPACT 31 Revelation and Revolution 33 New Institutions 44 Churches and Chiefs 56 Chapter 3 THE MARKET EXPANDED 68 The Middlemen 72 The Catholic Challenge 87 Chapter 4 OCCUPATION AND RESISTANCE 94 Governor Bruat’s War 105 Governor Lavaud’s -
ROV) in the Marquesas Islands, French Polynesia (Crustacea: Decapoda
Zootaxa 3550: 43–60 (2012) ISSN 1175-5326 (print edition) www.mapress.com/zootaxa/ ZOOTAXA Copyright © 2012 · Magnolia Press Article ISSN 1175-5334 (online edition) urn:lsid:zoobank.org:pub:214A5D4F-E406-4670-BBB6-2EA5931713E9 Deep-water decapod crustaceans studied with a remotely operated vehicle (ROV) in the Marquesas Islands, French Polynesia (Crustacea: Decapoda) JOSEPH POUPIN1, 4, LAURE CORBARI2, THIERRY PÉREZ3 & PIERRE CHEVALDONNÉ3 1Institut de Recherche de l’École Navale, IRENav, groupe des écoles du Poulmic, CC 600, Lanvéoc, F-29240 BREST Cedex 9, France. E-mail: [email protected] 2UMR7138 Systématique, Adaptation, Évolution, Muséum national d’Histoire naturelle, 43 rue Cuvier, 75005 Paris, France. E-mail: [email protected] 3UMR CNRS 7263 IMBE, Institut Méditerranéen de la Biodiversité et d'Écologie marine et continentale, Aix-Marseille Université, Station Marine d'Endoume, Rue de la Batterie des Lions, 13007 Marseille, France. E-mail: [email protected], [email protected] 4Corresponding author Abstract Decapod crustaceans were studied in the Marquesas Islands, French Polynesia, between 50–550 m by using a remotely operated vehicle (ROV) equipped with high resolution cameras and an articulated arm. Careful examination of videos and photographs combined with previous inventories made in the area with conventional gears allowed the identification of 30 species, including 20 species-level determinations. Species identified belong to shrimps (Penaeoidea, Stenopodidea, and Caridea), lobsters (Astacidea and Achelata), anomurans (Galatheoidea and Paguroidea), and brachyuran crabs (Dromioidea, Homolodromioidea, Raninoidea, Leucosioidea, Majoidea, Parthenopoidea, Portunoidea, and Trapezioidea). Most of these species were observed and photographed in situ for the first time. A discussion is given on the geographic distribution, density, ecology, and behavior. -
PAUL GAUGUIN the PRINTS PAULGAUGUIN Tobia Bezzola Elizabeth Prelinger THEPRINTS
5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 2 PAUUL GAUGUIN THE PRINTS 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 3 PAUL GAUGUIN THE PRINTS PAULGAUGUIN Tobia Bezzola Elizabeth Prelinger THEPRINTS PRESTEL Munich · London · New York 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 4 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 5 Foreword and Thanks 10 Christoph Becker Running Wild as Theme and Method 13 Tobia Bezzola CATALOGUE 18 Elizabeth Prelinger Savage Poetry – The Graphic Art of Paul Gauguin 20 The ‘Suite Volpini’ 29 The Portrait of Stéphane Mallarmé 51 The ‘Noa Noa Suite’ 59 ‘Manao Tupapau’ (She Thinks of the Spirit/The Spirit Thinks of Her) 87 ‘A Fisherman Drinking Beside His Canoe’ (Le Pêcheur buvant auprès de sa pirogue) 91 ‘Oviri’ (Savage) 95 The ‘Vollard Suite’ 103 ‘Le Sourire’ 131 APPENDIX 140 List of Works 143 Bibliography 153 Imprint 157 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 6 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 7 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 8 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 9 5243_Gauguin_001-160_ENGLISCH 26.09.12 11:10 Seite 10 10 Foreword and Thanks Christoph Becker The prints and drawings made by Paul Gauguin (b. June 7, 1848, in Paris; d. May 8, 1903, in Atuona on Hiva Oa, the Marquesas Islands) in the 1880s and 1890s were groundbreaking works of art. Gauguin is to be placed, as a painter, at modernism’s outset; and he became one of the most renowned artists of the era. His works on paper are a crucial element of his art and, more than this, it is impossible to fully understand Paul Gauguin the artist without paying due attention to them. -
The Museum of Modern Art, New York Exhibition Checklist Gauguin: Metamorphoses March 8-June 8, 2014
The Museum of Modern Art, New York Exhibition Checklist Gauguin: Metamorphoses March 8-June 8, 2014 Paul Gauguin, French, 1848–1903 Vase Decorated with Breton Scenes, 1886–1887 Glazed stoneware (thrown by Ernest Chaplet) with gold highlights 11 5/16 x 4 3/4" (28.8 x 12 cm) Royal Museums of Art and History, Brussels Paul Gauguin, French, 1848–1903 Cup Decorated with the Figure of a Bathing Girl, 1887–1888 Glazed stoneware 11 7/16 x 11 7/16" (29 x 29 cm) Dame Jillian Sackler Paul Gauguin, French, 1848–1903 Vase with the Figure of a Girl Bathing Under the Trees, c. 1887–1888 Glazed stoneware with gold highlights 7 1/2 x 5" (19.1 x 12.7 cm) The Kelton Foundation, Los Angeles Paul Gauguin, French, 1848–1903 Leda (Design for a China Plate). Cover illustration for the Volpini Suite, 1889 Zincograph with watercolor and gouache additions on yellow paper Composition: 8 1/16 x 8 1/16" (20.4 x 20.4 cm) Sheet: 11 15/16 x 10 1/4" (30.3 x 26 cm) The Metropolitan Museum of Art, New York. Rogers Fund 03/11/2014 11:44 AM Gauguin: Metamorphoses Page 1 of 43 Gauguin: Metamorphoses Paul Gauguin, French, 1848–1903 Bathers in Brittany from the Volpini Suite, 1889 Zincograph on yellow paper Composition: 9 11/16 x 7 7/8" (24.6 x 20 cm) Sheet: 18 7/8 x 13 3/8" (47.9 x 34 cm) The Metropolitan Museum of Art, New York. Rogers Fund Paul Gauguin, French, 1848–1903 Edward Ancourt, Paris Breton Women Beside a Fence from the Volpini Suite, 1889 Zincograph on yellow paper Composition: 6 9/16 x 8 7/16" (16.7 x 21.4 cm) Sheet: 18 13/16 x 13 3/8" (47.8 x 34 cm) The Metropolitan Museum of Art, New York. -
Your Cruise Marquesas, the Tuamotus & Society Islands
Marquesas, The Tuamotus & Society Islands From 12/30/2023 From Papeete, Tahiti Island Ship: LE PAUL GAUGUIN to 1/13/2024 to Papeete, Tahiti Island From Tahiti, PAUL GAUGUIN Cruises invites you to embark on 15-daya cruise to the heart of idyllic islands and atolls hemmed by stunning clear- water lagoons and surrounded by an exceptional coral reef. Aboard Le Paul Gauguin, set sail to discover French Polynesia, considered one of the most beautiful places in the world. Le Paul Gauguin will stop at the heart of the Tuamotu Islands to explore the marvellous depths of the atoll of Fakarava, a UNESCO-classified nature reserve. Discover the unique charms of Marquesasthe Islands. The singer- songwriter Jacques Brel sang about the Marquesas Islands and the painter Paul Gauguin was inspired by these islands which stand like dark green fortresses surrounded by the indigo blue of the Pacific. Here, you will find neither lagoons nor reefs. The archipelago’s charm lies in its wild beauty. In the heart of the dense forests of Nuku Hiva, droplets from the waterfalls dive off the vertiginous cliffs. As for the islands of Hiva Oa and Fatu Hiva, they still hide mysterious ancient petroglyphs. In the Society Islands, you will be dazzled by the incomparable beauty of Huahine, by the turquoise waters of the Motu Mahana, our private vanilla- scented little paradise, by the sumptuous lagoon of Bora Bora, with its distinctly recognisable volcanic silhouette, and by Moorea, with its hillside pineapple plantations and its verdant peaks overlooking the island. Discover our excursions without further delay - click here! The information in this document is valid as of 9/29/2021 Marquesas, The Tuamotus & Society Islands YOUR STOPOVERS : PAPEETE, TAHITI ISLAND Embarkation 12/30/2023 from 4:00 PM to 5:00 PM Departure 12/30/2023 at 6:00 PM Capital of French Polynesia, the city Papeeteof is on the north-west coast of the island of Tahiti.