Far-Field Simulation of the 1946 Aleutian Tsunami
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2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- Pean Comic Art, 13 (1
Screech, Matthew (2020) Gauguin and Van Gogh Meet the Ninth Art. Euro- pean Comic Art, 13 (1). pp. 21-44. ISSN 1754-3797 Downloaded from: https://e-space.mmu.ac.uk/625715/ Version: Accepted Version Publisher: Berghahn Books DOI: https://doi.org/10.3167/eca.2020.130103 Please cite the published version https://e-space.mmu.ac.uk Gauguin and Van Gogh Meet the Ninth Art Postmodernism and Myths about Great Artists Matthew Screech Abstract This article analyses how a late twentieth-century/early twenty-first- century development in bandes dessinées, which combines historical novels with bi- ographies, expresses paradoxical attitudes towards mythologies surround- ing Paul Gauguin and Vincent Van Gogh. Firstly, I demonstrate that the paradox stems from a simultaneous desire for and suspicion of master narratives, identified as intrinsic to postmodernism by Linda Hutcheon. Then I establish how eight graphic novels perpetuate pre-existing mytho- logical master narratives about Gauguin and Van Gogh. Nevertheless, those mythologies simultaneously arouse scepticism: myths do not express ex- emplary uni versal truths; myths are artificial and fictionalised constructs whose status in reality is dubious. The albums convey tension between desire and suspicion regarding myths by a variety of devices. These include sequenced panels, circular plots, unreliable witnesses, fictional insertions, parodies and mock realism. Keywords: Gauguin, graphic novels, great artists, Linda Hutcheon, mythology, postmodernism, Van Gogh Over the period spanning 1990 to 2016 -
Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland), -
Foreshock Sequences and Short-Term Earthquake Predictability on East Pacific Rise Transform Faults
NATURE 3377—9/3/2005—VBICKNELL—137936 articles Foreshock sequences and short-term earthquake predictability on East Pacific Rise transform faults Jeffrey J. McGuire1, Margaret S. Boettcher2 & Thomas H. Jordan3 1Department of Geology and Geophysics, Woods Hole Oceanographic Institution, and 2MIT-Woods Hole Oceanographic Institution Joint Program, Woods Hole, Massachusetts 02543-1541, USA 3Department of Earth Sciences, University of Southern California, Los Angeles, California 90089-7042, USA ........................................................................................................................................................................................................................... East Pacific Rise transform faults are characterized by high slip rates (more than ten centimetres a year), predominately aseismic slip and maximum earthquake magnitudes of about 6.5. Using recordings from a hydroacoustic array deployed by the National Oceanic and Atmospheric Administration, we show here that East Pacific Rise transform faults also have a low number of aftershocks and high foreshock rates compared to continental strike-slip faults. The high ratio of foreshocks to aftershocks implies that such transform-fault seismicity cannot be explained by seismic triggering models in which there is no fundamental distinction between foreshocks, mainshocks and aftershocks. The foreshock sequences on East Pacific Rise transform faults can be used to predict (retrospectively) earthquakes of magnitude 5.4 or greater, in narrow spatial and temporal windows and with a high probability gain. The predictability of such transform earthquakes is consistent with a model in which slow slip transients trigger earthquakes, enrich their low-frequency radiation and accommodate much of the aseismic plate motion. On average, before large earthquakes occur, local seismicity rates support the inference of slow slip transients, but the subject remains show a significant increase1. In continental regions, where dense controversial23. -
Slow Slip Event on the Southern San Andreas Fault Triggered by the 2017 Mw8.2 Chiapas (Mexico) Earthquake That Occurred 3,000 Km Away
RESEARCH ARTICLE Slow Slip Event On the Southern San Andreas Fault 10.1029/2018JB016765 Triggered by the 2017 Mw8.2 Chiapas (Mexico) Key Points: Earthquake • We present geodetic and geologic observations of slow slip on the 1,2 1 1,3 1 southern SAF triggered by the 2017 Ekaterina Tymofyeyeva , Yuri Fialko , Junle Jiang , Xiaohua Xu , Chiapas (Mexico) earthquake David Sandwell1 , Roger Bilham4 , Thomas K. Rockwell5 , Chelsea Blanton5 , • The slow slip event produced surface 5 5 6 offsets on the order of 5–10 mm, with Faith Burkett ,Allen Gontz , and Shahram Moafipoor significant variations along strike 1 • We interpret the observed complexity Institute of Geophysics and Planetary Physics, Scripps Institution of Oceanography, University of California San Diego, in shallow fault slip in the context of La Jolla, CA, USA, 2Now at Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA, USA, 3Now at rate-and-state friction models Department of Earth and Atmospheric Sciences, Cornell University, Ithaca, NY, USA, 4CIRES and Geological Sciences, University of Colorado, Boulder, CO, USA, 5Department of Geological Sciences, San Diego State University, San Diego, 6 Supporting Information: CA, USA, Geodetics Inc., San Diego, CA, USA • Supporting Information S1 Abstract Observations of shallow fault creep reveal increasingly complex time-dependent slip Correspondence to: histories that include quasi-steady creep and triggered as well as spontaneous accelerated slip events. Here E. Tymofyeyeva, [email protected] we report a recent slow slip event on the southern San Andreas fault triggered by the 2017 Mw8.2 Chiapas (Mexico) earthquake that occurred 3,000 km away. Geodetic and geologic observations indicate that surface slip on the order of 10 mm occurred on a 40-km-long section of the southern San Andreas fault Citation: Tymofyeyeva, E., Fialko, Y., Jiang, J., between the Mecca Hills and Bombay Beach, starting minutes after the Chiapas earthquake and Xu, X., Sandwell, D., Bilham, R., et al. -
Mr. Hironui Johnston Thahiti French Polynesia
Ministry of Tourism And Labor, In charge of International Transportation and Institutional relations Innovation and Digital transformation New opportunities in the the sustainable tourism era 31st March 2021 French Polynesia • Oversea collectivity of the French republic • 5.5 million km2 (as vast as western Europe or 49% of continental US ) • 118 islands, 5 archipelagoes, 67 islands inhabited • 278 400 people as of December 2019, 70% on 3 652 businesses (7.5%) Tahiti 11 897 employees (17.7%) • 43 airports About 2 000 self-employed • 25 main touristic islands 12% GDP (18% indirect and induced impacts) 2 Purposes: connect Tahiti to the world/connect the islands Honotua domestic: 5 islands/245 000 inhabitants/70% tourism traffic Natitua north: 20 islands/ 25 000 inhabitants/ 29% tourism traffic 3 Connecting the islands MANATUA, 2020, USD21 600 HONOTUA, 2010, USD 90 000 000: Tahiti-Rarotonga-Aitutaki- 000: Los Angeles-Hawaii-Tahiti Niue-Samoa HONOTUA domestic, 2010: NATITUA South, 2022, USD15 Tahiti-Moorea-Huahine-Raiatea- 000 000: Tahiti-Tubuai-Rurutu Bora Bora NATITUA North, 2018, USD 64 800 000: Tahiti-Kaukura- Asia-Tahiti-Rapa Nui-Chile Rangiroa-Fakarava-Manihi- Makemo-Hao-Takaroa-Hiva Oa- Nuku Hiva + 10 4 Tourism Forum USD200 000 Digital area: Youth, unemployed and entrepreneurs -Tourism contest winners - Workshops - Digital contest - Conferences winners - International - Polynesian tech speakers projects - 4 areas: Digital, - PRISM projects Creation, Training, jobs 5 Arioi Expérience: Tourism Sharing cultural business project expériences -
Marquesan Adzes in Hawai'i: Collections, Provenance
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 outside the Marquesas have never been found in the Marquesan Adzes in Hawai‘i: island group (Allen 2014:11), but this groundbreaking Collections, Provenance, and discovery was spoiled by the revelation that a yachtsman who had visited both places had donated the artifacts, Sourcing and apparently mixed them up before doing so (202). Hattie Le‘a Wheeler Gerrish Researchers with access to other sources of information Anthropology 484 can avoid possible pitfalls. Garanger (1967) laments, Fall 2014 “What amount of dispersed artifacts were illegally exported by the numerous voyagers drawn by the Abstract mirage of the “South Seas” and now irrevocably lost to In 1953, Jack and Leah Wheeler returned to science?” (390). It is my intent to honor the wishes of Hawai'i with 13 adze heads and one stone pounder my maternal grandparents, Jack and Leah Wheeler, that they had obtained during their travels in the Marquesas, the artifacts they (legally) brought home to Hawai'i from Tuamotus, and Society Islands. The rather general the East Pacific not be “irrevocably lost to science.” I provenance of these artifacts presents a challenge will attempt to source their stone artifacts, and discover that illustrates the benefits of combining XRF with what geochemistry can tell us of these tools of uncertain other sources of information, and the limits of current provenance. My experience strengthens my belief that knowledge of Pacific geochemistry. EDXRF reveals that combining non-destructive EDXRF with other sources five of the artifacts are likely made of stone from the of information such as oral history, written accounts, Eiao quarry, and the rest may represent five additional and morphological comparison, enhances the value of sources. -
The Marquesas
© Lonely Planet Publications 199 The Marquesas Grand, brooding, powerful and charismatic. That pretty much sums up the Marquesas. Here, nature’s fingers have dug deep grooves and fluted sharp edges, sculpting intricate jewels that jut up dramatically from the cobalt blue ocean. Waterfalls taller than skyscrapers trickle down vertical canyons; the ocean thrashes towering sea cliffs; sharp basalt pinnacles project from emerald forests; amphitheatre-like valleys cloaked in greenery are reminiscent of the Raiders of the Lost Ark; and scalloped bays are blanketed with desert arcs of white or black sand. This art gallery is all outdoors. Some of the most inspirational hikes and rides in French Polynesia are found here, allowing walkers and horseback riders the opportunity to explore Nuku Hiva’s convoluted hinterland. Those who want to get wet can snorkel with melon- headed whales or dive along the craggy shores of Hiva Oa and Tahuata. Bird-watchers can be kept occupied for days, too. Don’t expect sweeping bone-white beaches, tranquil turquoise lagoons, swanky resorts and THE MARQUESAS Cancun-style nightlife – the Marquesas are not a beach holiday destination. With only a smat- tering of pensions (guesthouses) and just two hotels, they’re rather an ecotourism dream. In everything from cuisine and dances to language and crafts, the Marquesas do feel different from the rest of French Polynesia, and that’s part of their appeal. Despite the trap- pings of Western influence (read: mobile phones), their cultural uniqueness is overwhelming. They also make for a mind-boggling open-air museum, with plenty of sites dating from pre-European times, all shrouded with a palpable historical aura. -
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa)
PAUL GAUGUIN (Paris 1848 - 1903 Hiva Oa) Mask of a Savage Patinated plaster 9 7/8 x 7 3/4 inches (250 x 195 mm) Executed between 1893-1897 PROVENANCE: Vollard Collection, Paris, France John Rewald 1957-58 The Phillips Family Collection Dr. Joachim Theye, Zurich Private Collection, Switzerland EXHIBITED: Washington, D.C., National Gallery of Art, The Art of Paul Gauguin, 1 May – 31 July 1988; Chicago, Art Institute of Chicago, 17 September – 11 December 1988; Paris, Grand Palais, 10 January – 10 April 1989, illustrated catalogue no. 210 Dallas, Dallas Museum of Art, on extended loan, 1991 – 1994 Baltimore, The Walters Art Gallery, Gauguin and the School of Pont-Aven, 20 November 1994 – 15 January 1995, illustrated in addendum Boston, Museum of Fine Arts, 1995 Williamston, Massachusetts, Sterling and Francine Clark Art Institute, on extended loan 1997 – 1998 Martigny, Switzerland, Fondation Pierre Gianadda, Gauguin, 10 June – 22 November 1998, illustrated, catalogue no. 117 London, England, Ordovas, Tales of Paradise Gauguin, 4 February – 18 April 2014, illustrated p. 60 Riehen/Basel, Switzerland, Fondation Beyeler, Paul Gauguin, 8 February – 28 June 2015 As were many symbolist artists, Gauguin was fascinated by the idea of a disembodied face or mask.1 In 1893, at the very end of his first trip to Tahiti, Gauguin developed the essential characteristics of our mask in Hina Te Fatou (Fig. 1), now in the Museum of Modern Art, New York. It is interesting to note that Degas purchased this painting from the Paris exhibition of Gauguin’s work held at the Galerie Durand-Ruel in the autumn of 1893. -
Traditional Marquesan Agriculture and Subsistence: the Historical Evidence
Rapa Nui Journal: Journal of the Easter Island Foundation Volume 20 | Issue 2 Article 5 2006 Traditional Marquesan Agriculture and Subsistence: The iH storical Evidence David J. Addison ASPA Archaeological Specialists Department Supervisor Follow this and additional works at: https://kahualike.manoa.hawaii.edu/rnj Part of the History of the Pacific slI ands Commons, and the Pacific slI ands Languages and Societies Commons Recommended Citation Addison, David J. (2006) "Traditional Marquesan Agriculture and Subsistence: The iH storical Evidence," Rapa Nui Journal: Journal of the Easter Island Foundation: Vol. 20 : Iss. 2 , Article 5. Available at: https://kahualike.manoa.hawaii.edu/rnj/vol20/iss2/5 This Research Paper is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in Rapa Nui Journal: Journal of the Easter Island Foundation by an authorized editor of Kahualike. For more information, please contact [email protected]. Addison: Traditional Marquesan Agriculture and Subsistence Traditional Marquesan Agriculture and Subsistence: The Historical Evidence Part I of IV - General Descriptions, Garden Locations, the Agricultural Calendar, Hydrology and Soils, Cultigens, and Agricultural Techniques David1. Addison* HE MARQUESAS ISLANDS (Figure 1) have long captivated nario for the prehistoric involution of Marquesan power T the attention of social scientists. Members of the Bishop structures. Museum's Bayard-Dominick Expedition did the first fonnal While social and political structures and relationships anthropological and archaeological research in the archipel have been dominant research topics, little attention has been ago (Figure 2) in the early 20'h century (e.g. -
Marquesas Islands)
Motu Iti (Marquesas Islands) The uninhabited island located 42 kilometers northwest of Nuku Hiva, the largest island in the Marquesas. In fact, there Motu Iti of several tiny islets, all rise from the same basaltic base. In the east, the 0.2 -acre main island still a 300 x 80 m measuring, upstream 76 m from the sea projecting rock humps and two smallest rocky reefs. The main island is 670 m long, 565 m wide and reaches a height of 220 meters, it is a geologically very young volcanic island, which consists mainly of basalt rocks. Because of the low geological age Motu Iti is not surrounded by a sea on the outstanding coral Motu Iti (sometimes also called Hatu Iti) is one of the northern Marquesas Islands in French Polynesia. Located west-northwest from Nuku Hiva, Motu Iti is the site of extensive seabird rookeries. Motu Iti is administratively part of the commune (municipality) of Nuku-Hiva, itself in the administrative subdivision of the Marquesas Islands. Marquesas Islands of French Polynesia. Northern Marquesas: Eiao ⢠Hatutu ⢠Motu Iti ⢠Motu One ⢠Nuku Hiva ⢠Ua Huka ⢠Ua Pu. Southern Marquesas: Fatu Hiva ⢠Fatu Huku ⢠Hiva Oa ⢠Moho Tani ⢠Motu Nao ⢠Tahuata ⢠Terihi. Archipelagos of French Polynesia: Aust Motu Iti (Marquesas Islands). From Wikipedia, the free encyclopedia. This article is about the island in French Polonesia. For the islet off of Easter Island, see Motu Iti (Rapa Nui). Motu Iti. Motu Iti (sometimes also called Hatu Iti) is one of the northern Marquesas Islands in French Polynesia. -
Laboratory Earthquake Forecasting: a Machine Learning Competition PERSPECTIVE Paul A
PERSPECTIVE Laboratory earthquake forecasting: A machine learning competition PERSPECTIVE Paul A. Johnsona,1,2, Bertrand Rouet-Leduca,1, Laura J. Pyrak-Nolteb,c,d,1, Gregory C. Berozae, Chris J. Maronef,g, Claudia Hulberth, Addison Howardi, Philipp Singerj,3, Dmitry Gordeevj,3, Dimosthenis Karaflosk,3, Corey J. Levinsonl,3, Pascal Pfeifferm,3, Kin Ming Pukn,3, and Walter Readei Edited by David A. Weitz, Harvard University, Cambridge, MA, and approved November 28, 2020 (received for review August 3, 2020) Earthquake prediction, the long-sought holy grail of earthquake science, continues to confound Earth scientists. Could we make advances by crowdsourcing, drawing from the vast knowledge and creativity of the machine learning (ML) community? We used Google’s ML competition platform, Kaggle, to engage the worldwide ML community with a competition to develop and improve data analysis approaches on a forecasting problem that uses laboratory earthquake data. The competitors were tasked with predicting the time remaining before the next earthquake of successive laboratory quake events, based on only a small portion of the laboratory seismic data. The more than 4,500 participating teams created and shared more than 400 computer programs in openly accessible notebooks. Complementing the now well-known features of seismic data that map to fault criticality in the laboratory, the winning teams employed unex- pected strategies based on rescaling failure times as a fraction of the seismic cycle and comparing input distribution of training and testing data. In addition to yielding scientific insights into fault processes in the laboratory and their relation with the evolution of the statistical properties of the associated seismic data, the competition serves as a pedagogical tool for teaching ML in geophysics. -
Managing a Miconia Invasion on Fatu Hiva (French Polynesia)
iconia trees (MMiconia calvescens) Managing a Miconia invasion on Fatu Hiva (French Polynesia) Environmental Directorate for French 1 Polynesia (DIREN) n The directorate is a public agency for French Polynesia in charge of preserving and valorising the natural environments and resources of the islands. n Contacts: Christophe Brocherieux - [email protected] and r f Matai Depierre - [email protected] . h p a r g o I t ntervention site r a C n The tropical forests of the Pacific islands, including those © of French Polynesia, are considered hotspots of biodiversity, 2 particularly in terms of the endemic plants. However, numerous invasive alien species threaten that biodiversity. n Miconia trees were introduced to Tahiti for the first time in 1937 as an ornamental plant in a private botanic garden and subsequently dispersed to several islands in the Society and Marquesas groups. They have since become a major i a priority in efforts to preserve the wet forests of the islands. r a n u They were reported on the island of Fatu Hiva (southern t u p a Marquesas) for the first time in 1995-1996, where they were T . R probably introduced accidentally by road-building equipment © arriving from Tahiti to make the road between the villages of Omo’a and Hanavave. 1. Position of Fatu Hiva in the Marquesas group. 2. Fruition of a Miconia tree. n Subsequent inspections revealed its presence in a number of small valleys near the road. D n The presence of the pathogenic fungus Cgm was also isturbances and issues involved observed on Fatu Hiva (see the management report titled n The development of Miconia trees into dense, virtually Introduction of a pathogenic fungus to check the growth of single-species stands results in a severe reduction of light for Miconia trees and restore the wet forests of Tahiti 1 ).