DOCSLIB.ORG

Enter the Studio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Enter the Studio Enter the Studio Hello Everyone, Thanks for watching the video, I hope it was helpful. It was definitely very different presenting to the green dot on top of the computer rather than to real people. As the video is long, you may want to learn about specific topics rather than watching it in its entirety. Use the following timecodes to navigate to specific parts of the video that interest you. Things to consider before starting the course 3:25 Software 5:00 Recording Spaces 13:55 Equipment 17:35 Thoughts for Course Planning - General Ideas 26:15 My course structure 31:40 Collaborative and Culminating Projects 41:45 Technical Concepts 43:15 DAW Prices One thing I also forgot to mention is the price of various DAWs. Really, it comes down to what you want to do. Many people have different opinions on what works and doesn’t work with their own students, and what suits their individual tastes and needs. The competition between companies is stronger than ever. Each will offer different features as well, so sometimes the choice can be difficult. I have tried all of them, yet I don’t know everything about all the functionality of each (even the ones I use the most). As there is competition between companies, many times new features pop up in a software I stopped using. This is where music educators can have great discussions about what works the best, what features work the best and how to maximize the creativity and musicality in their courses. Here are some pricings for various DAWs. Logic Pro $279 (board pricing is often half the price/seat) Garageband Free Studio One (version 3,4,5) There are 3 levels of the software, a completely FREE version, and then the Artist version comes with Acorn Masterkey keyboards or Presonus interfaces. The latest version of the software comes with standard notation (similar to Garageband). Studio One 5 Prime - Free (no time limit) Studio One 5 Artist - $135 Studio One 5 Professional - $540 Cubase Elements - $101 Artist - $304 Pro - $545 Audacity Free Reaper Donation Suggested Ableton Live Intro - $119 Standard - $539 Suite - $899 Reason $510 FL Studio (Fruity Loops) Fruity Edition - $129 Signature Edition - $260 Signature Bundle - $390 Full Version (All Plugins) - $1183 Soundtrap Free Soundtrap for Education - $299/year for 50 Seats (The more seats, it gets cheaper/seat) Bandlab Free Online Resources I mentioned a number of resources in the powerpoint, and as a result of not being at school during the filming, I missed a few things. The Shed Music - Music Technology course https://shedthemusic.com/ This resource is very helpful in getting students making music, it isn’t heavy on traditional theory, and notation comes in later. However, what I have done is similar to this, as it follows a logical progression using the elements of music to generate “units.” “The Shed” builds the course from drums, to bass, then chords, and finally melody. I work the opposite way, making sure students get some standard notation while they learn melodies. Developing harmonies and bass lines come by listening to melodies and figuring out which notes work the best. Another Project After the video was made, I had another idea for a project that could be done by students in a music creation class. Composing soundtracks for escape rooms would be an eXcellent project as students would have to compose based on the short “blurb” introducing the escape room. Escape rooms can also have different themes, thus allowing students to experiment composing different styles. .
Load more

Recommended publications
  • Wing Daw-Control
    WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section ....................................................................
    [Show full text]
  • Perspectives for Music Education in Schools After COVID-19: the Potential of Digital Media
    Min-Ad: Israel Studies in Musicology Online, Vol. 18, 2021 Benno Spieker, Morel Koren – Perspectives for Music Education in Schools after COVID-19: The Potential of Digital Media Perspectives for Music Education in Schools after COVID-19: The Potential of Digital Media BENNO SPIEKER, MOREL KOREN Abstract: Innovations in research fields related to computer music and the advancement of the music industry have also influenced the digital sector for music education. Although many kinds of educational, edutainment, and entertainment music software appeared before the pandemic and are still in use, with the COVID-19 crisis and restrictions, it seems that music education in the primary classes has not systematically and thoroughly benefited from the innovations and advances reported by science and the music industries. However, the current need to teach music online could have an effect on the use of digital media after the pandemic. We present examples from the Netherlands, Romania, and Israel that lead to observations and suggestions about the potential of digital media after COVID-19. Keywords: music education, online music learning, singing, solfege, music literacy, primary education, voice synthesis, artificial intelligence. Introduction More than sixty years after humankind successfully programmed a computer to generate sounds from a digital composition, and almost forty years after the invention of a standard for sharing musical information digitally – MIDI (Musical Instrument Digital Interface), and the invention of the Internet, it can be said that digital media brought significant changes in almost all fields of music. Writing, composing, performing, recording, storing, disseminating with or without video are encompassing producing and consuming computerized music and digital media.
    [Show full text]
  • Pro Audio for Print Layout 1 9/14/11 12:04 AM Page 356
    356-443 Pro Audio for Print_Layout 1 9/14/11 12:04 AM Page 356 PRO AUDIO 356 Large Diaphragm Microphones www.BandH.com C414 XLS C214 C414 XLII Accurate, beautifully detailed pickup of any acoustic Cost-effective alternative to the dual-diaphragm Unrivaled up-front sound is well-known for classic instrument. Nine pickup patterns. Controls can be C414, delivers the pristine sound reproduction of music recording or drum ambience miking. Nine disabled for trouble-free use in live-sound applications the classic condenser mic, in a single-pattern pickup patterns enable the perfect setting for every and permanent installations. Three switchable cardioid design. Features low-cut filter switch, application. Three switchable bass cut filters and different bass cut filters and three pre-attenuation 20dB pad switch and dynamic range of 152 dB. three pre-attenuation levels. All controls can be levels. Peak Hold LED displays even shortest overload Includes case, pop filter, windscreen, and easily disabled, Dynamic range of 152 dB. Includes peaks. Dynamic range of 152 dB. Includes case, pop shockmount. case, pop filter, windscreen, and shockmount. filter, windscreen, and shockmount. #AKC214 ..................................................399.00 #AKC414XLII .............................................999.00 #AKC414XLS..................................................949.99 #AKC214MP (Matched Stereo Pair)...............899.00 #AKC414XLIIST (Matched Stereo Pair).........2099.00 Perception Series C2000B AT2020 High quality recording mic with elegantly styled True condenser mics, they deliver clear sound with Effectively isolates source signals while providing die-cast metal housing and silver-gray finish, the accurate sonic detail. Switchable 20dB and switchable a fast transient response and high 144dB SPL C2000B has an almost ruler-flat response that bass cut filter.
    [Show full text]
  • Best Daw to Record Vocals
    Best Daw To Record Vocals Mickie tidy her dikas distrustfully, alchemic and executorial. Barton disqualifies disguisedly? Skell usually potes divinely or invert conjugally when unsizable Giuseppe skydive permeably and beneficently. Your cakewalk sonar, editing tools called a video as possible to choose one daw to daw over Pro recording vocal recorded badly will record many years, best tone match the microphone in on though. The mc recorded with a timeline, walls like all: these daws are some digital alternative to provide you clarify this question for complete audio aficionados will record vocals a version! Cubase comes with live performance out their main differences can accept responsibility or soloed. The daw that can buy that instead just alter the next, as ebooks and records like a laptop does what i get. Thank you far less solid stuff, but has been to use a lot of these are a good. These daws mentioned in vocal recording vocals without a daw! Give you can be best. Whatever you heard about my best daw to record vocals? Being a couple different sound thicker, best daw to record vocals, best suited for producing hip hop and machines should be as a few years of a certain sound. If you have to another track should be able to install was my computer and if you cannot record audio server. My resume due to. Logic if needed. When vocal audio input and vocals either way for years of stock plugins explains mastering capabilities will remain in. Spire pro music or logic, best daw to record vocals. Id accepted in.
    [Show full text]
  • Muschain, Un Juego Colaborativo Para Compositores
    Escola Tècnica Superior d’Enginyeria Informàtica Universitat Politècnica de València Muschain, un juego colaborativo para compositores Trabajo Fin de Grado Grado en Ingeniería Informática Autor: Carlos Caballer Chacón Tutor: Vicente Pelechano Ferragud Curso 2019/2020 Muschain, un juego colaborativo para compositores 2 Resumen El objetivo de este TFG es el desarrollo de un juego para músicos y compositores, con su correspondiente estudio de mercado y aceptación por parte de los usuarios. Muschain es un juego colaborativo, en el cual se quiere explorar la creatividad y la colaboración entre artistas. El objetivo es que diferentes compositores participen en el desarrollo de una canción, cada uno realizando una pequeña porción de la misma, para luego juntarlos todos y obtener una pieza completa. Además esto permite descubrir nuevas personas con quien compartir su afición por la música, de una forma interactiva y divertida. El desarrollo de la aplicación se realizará mediante el uso de metodologías ágiles y Lean Startup. Para ello, se usarán herramientas como Git, PyCharm y Back4App. Se realizarán dos MVP y su correspondiente experimento con un conjunto de early adopters, obteniendo los resultados mediante una encuesta a través de un formulario online. Tras el análisis de los resultados se procederá a la creación de una segunda iteración del producto, que incluirá nuevas características y mejoras de las ya presentadas, junto con un nuevo experimento con una población más grande. La repetición de este proceso nos permitirá obtener una versión cercana al producto final. Palabras clave: MIDI, Python, QT, Redes sociales, Audio, Música, Juego. Abstract The goal of this TFG will be to develop a game for musicians and composers alike, doing a market research and studying the user reception.
    [Show full text]
  • Sonivox VOCALIZER™ Quick Start Guide
    SONiVOX VOCALIZER Quick Start Guide SONiVOX Vocalizer Quick Start Guide Copyright © 2010 Sonic Network, Inc. Page 1 License and Copyrights Copyright © 2010 Sonic Network, Inc. Internationally Secure All rights reserved SONiVOX 561 Windsor Street, Suite A402 Somerville, MA 02143 617-718-0202 www.sonivoxmi.com This SONiVOX product and all its individual components referred to from this point on as Vocalizer are protected under United States and International copyright laws, with all rights reserved. Vocalizer is provided as a license to you, the customer. Ownership of Vocalizer is maintained solely by Sonic Network, Inc. All terms of the Vocalizer license are documented in detail in Vocalizer End-User License Agreement on the installer that came with this manual. If you have any questions regarding this license please contact Sonic Network at [email protected]. Trademarks SONiVOX is a registered trademark of Sonic Network Inc. Other names used in this publication may be trademarks and are acknowledged. Publication This publication, including all photographs and illustrations, is protected under international copyright laws, with all rights reserved. Nothing herein can be copied or duplicated without express written permission from Sonic Network, Inc. The information contained herein is subject to change without notice. Sonic Network makes no direct or implied warranties or representations with respect to the contents hereof. Sonic Network reserves the right to revise this publication and make changes as necessary from time to time
    [Show full text]
  • Best Recording Software for Mac
    Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available.
    [Show full text]
  • April 2017 ©2017 Music Maker Publications, Inc
    APRIL 201 7 APRIL 2 017 USA $5.99 CANADA $5.99 VOL. THIRTY NUMBER SEVEN One of the important additions to the Mixcraft audio REVISITED engine is its support of VST3 plug-ins. Long supported by Steinberg and others, the VST3 infrastructure puts plug-in makers in the position to create much more flexible tools. VST3 support improves the performance, auto- mation capability, and routing functions of plug-ins. It’s supported by iZotope, Waves, and Softube— among many others, and with many more likely to follow. Moving forward with technology is important for DAW users, and it is great to see Mixcraft supporting this forward-looking standard. The UI has also undergone a revamp, with interface skins based on theme selection. More important, in my experience, is that the interface just seems to work better with the HiDPI display on my Lenovo display. This is important, since a comfortable work environment can help you enjoy the hours that you will spend on your productions. I personally like the default dark interface; it is similar to other software that I use each day, and my eyes are able to Acoustica pick out details against its muted background. Another update to the UI is not a technical feature, but rather Mixcraft 8 an extension to the way that you access audio files. In addition to accessing the files on your drive, you can do filename searches to quickly narrow down your options (critical when The Windows DAW “for the people” you have a large sample library—like the one that comes has grown up..
    [Show full text]
  • Interview Matthias Juwan
    Studio One inventor Matthias Juwan in conversation Created by Lukas Ruschitzka When I learned about the »new« DAW for the first time at the Musikmesse 2009, I still had no idea what would connect me to this software over the next 10 years. One year later, in the summer of 2010, I had version 1 on the hard drive and star- ted producing my first song with Studio One. Now - almost a decade and hundreds of Studio One projects later - I did not miss the opportunity to ask Matthias Juwan, Studio One mastermind and CTO at Pre- Sonus Software a few questions about the creation and development of Studio One. In doing so, I have incorporated both my own questions and questions that have arisen in the RECORDING.de forum in recent years. I hope you enjoy reading the unabridged interview with Matthias Juwan! Matthias, Studio One will be 10 years old this year! In 2009 everyone was wonde- ring what they needed a new DAW for. Meanwhile, Studio One has become indispensable in the DAW market. What was the trigger for you to program the first prototype of Studio One? Everything started for me a few years earlier. When I released my 16-track freeware sequencer Kristal Audio Engine in 2004, there was a lot of positive feedback from the internet community and the press, and I decided to work on a more professional suc- cessor. The project ran for two years in my spare time in addition to the job as a soft- ware developer at Steinberg under the code name K2.
    [Show full text]
  • Presonus Studio One Pro Enables Positive Or Negative Delay Values in Samples, to Compensate for Latency
    REViEW hardware into the path, with trims, Phase Invert, and even a Wet/Dry parameter. Furthermore, Offset Presonus Studio One Pro enables positive or negative delay values in samples, to compensate for latency. GEORGE SHILLING bravely switches from the big boys to try out Presonus’ first foray into Editing audio and MIDI in the main and editor complete music creation and production software, a streamlined and loveable affair. windows is achieved easily using intuitive tools, and a handy optional crosshair cursor is superimposed to resonus, the hardware make locating exact spots easy. Keyboard shortcuts manufacturer, has moved into are comprehensive, and there are alternative setups software with this brand new that mirror key commands found in Logic, Pro Tools, DAW for Mac or PC. It was born and Cubase. One unique feature is the handy Trash fromP the company’s dissatisfaction with Bin. As well as unlimited Undo steps, everything you the established offerings it was bundling ditch at any stage ends up here, enabling Undo in a with its hardware; it felt many long- non-sequential manner, or grabbing odd rejected ideas established DAWs had become bloated at any later stage. with features rarely used by customers, Projects comprise collections of Songs, where and Presonus was probably also fed up albums or EPs are brought together; as Studio One with technical support calls relating to includes an intelligent management system along third-party product. In order to streamline with full mastering capabilities. Tweaking a Song the recording experience, Presonus teamed that is part of a Project results in the mastered album up with developers who had previously automatically updating to reflect the changed version been involved in the development of if required.
    [Show full text]
  • Lmms Multimedia Studio Download
    Lmms multimedia studio download Install LMMS on Windows. Click one of the buttons below (either 32bit or 64bit) to download LMMS for Windows. Stable Versions. LMMS Free Download ​Download Artwork · ​Documentation · ​Get Involved. Let's make music. with a free, cross-platform tool for your computer. See how» Download now» Get involved». Making beats has never been easier. Produce. Linux MultiMedia Studio, free and safe download. Linux MultiMedia Studio latest version: Linux MultiMedia Studio (LMMS) (64 bits) Multimedia · Audio. LMMS, free and safe download. LMMS latest version: Compose and produce music with your computer. LMMS stands for Linux Multimedia Studio, but despite. Download Linux MultiMedia Studio (LMMS) for Windows. Linux Multi Media Studio (LMMS)is a cross-platform software that allows users to create music. Linux MultiMedia Studio (LMMS) is a program which enables users to create music with the computer. It includes various effects and. LMMS is a free cross-platform alternative to commercial program like FL Studio, which allow you to produce music with your computer. LMMS is a free cross- platform alternative to commercial program like FL Studio, which allow you to produce music with your computer. This includes the. Download LMMS (Linux MultiMedia Studio) RC1 free. Make music with this useful free to use tool. ✓ Updated ✓ Free download. Free Download LMMS (Linux MultiMedia Studio) / RC 4 - A complete music production application that integrates an advanced song. Linux MultiMedia Studio (LMMS) is an excellent freeware music creation application which competes with commercial products like Fruity. Download LMMS (bit). Advanced music composition for Windows. Linux MultiMedia Studio (LMMS) is a music creation tool similar to FL Studio (with.
    [Show full text]
  • Orb Composer Getting Started 1.0.0
    ORB COMPOSER GETTING STARTED 1.0.0 Last update: 04/01/2018, Richard Portelli. Special Thanks to George Napier for the review. CONTENTS Installation ..................................................................................................................................................................... 2 PC ............................................................................................................................................................................... 2 Mac ............................................................................................................................................................................ 5 General Information about the Midi Ports .................................................................................................................... 6 Midi Input Ports ......................................................................................................................................................... 6 Midi Output Port ........................................................................................................................................................ 6 DAW configuration ......................................................................................................................................................... 7 Live / Logic / Pro Tools / Cubase ................................................................................................................................ 7 FL Studio .................................................................................................................................................................
    [Show full text]