DOCSLIB.ORG

Opening Song Gloria First Reading Responsorial Psalm Second Reading Alleluia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Opening Song Gloria First Reading Responsorial Psalm Second Reading Alleluia Third Sunday in Ordinary Time January 24, 2021 So Jonah made ready and went to Nineveh, ac- cording to the LORD’S bidding. Now Nineveh was an enormously large city. It took three days to go through it. Jonah began his journey through the city, and had gone but a single day’s Opening Song walk announcing, “Forty days more and Nine- veh shall be destroyed, “when the people of Ni- SOMETIMES BY STEP (MULLINS) neveh believed God; they proclaimed a fast Oh God, You are my God, and all of them, great and small, put on sack- And I will ever praise You cloth. Oh God, You are my God, And I will ever praise You When God saw by their actions how they turned And I will seek You in the morning from their evil way, he repented of the evil that And I will learn to walk in Your ways he had threatened to do to them; he did not car- And step by step You'll lead me ry it out. And I will follow You all of my days....... And I will follow You all of my days Responsorial Psalm Ps 25:4-5, 6-7, 8-9 And I will follow You all of my da----ys R. (4a) Teach me your ways, O Lord. And step by step You'll lead me, Your ways, O LORD, make known to me; and I will follow You all of my days. teach me your paths, Guide me in your truth and teach me, Gloria for you are God my savior. R. Teach me your ways, O Lord. Glory to God in the highest, Remember that your compassion, O LORD, and on earth peace to people of good will. and your love are from of old. We praise you, we bless you, In your kindness remember me, we adore you, we glorify you, because of your goodness, O LORD. we give you thanks for your great glory, R. Teach me your ways, O Lord. Lord God, heavenly King, Good and upright is the LORD; O God, almighty Father. thus he shows sinners the way. Lord Jesus Christ, Only Begotten Son, He guides the humble to justice Lord God, Lamb of God, Son of the Father, and teaches the humble his way. you take away the sins of the world, R. Teach me your ways, O Lord. have mercy on us; you take away the sins of the world, Second Reading 1 Cor 7:29-31 receive our prayer, I tell you, brothers and sisters, the time is running you are seated at the right hand of the Father, out. From now on, let those having wives act as have mercy on us. not having them, those weeping as not weeping, For you alone are the Holy One, those rejoicing as not rejoicing, those buying as you alone are the Lord, not owning, those using the world as not using it you alone are the Most High, Jesus Christ, fully. For the world in its present form is passing with the Holy Spirit, away. in the glory of God the Father. Amen. Alleluia Mk 1:15 First Reading John 3:1-5, 10 R. Alleluia, alleluia. The word of the LORD came to Jonah, saying: The kingdom of God is at hand. “Set out for the great city of Nineveh, and an- Repent and believe in the Gospel. nounce to it the message that I will tell you.” R. Alleluia, alleluia. Third Sunday in Ordinary Time January 24, 2021 Gospel Mk 1:14-20 of sins and I look forward to the resurrection of After John had been arrested, Jesus came to the dead and the life of the world to come. Amen. Galilee proclaiming the gospel of God: “This is the time of fulfillment. The kingdom of God is Offeratory Song at hand. Repent, and believe in the gospel.” THE SUMMONS (ROBERT KOCHIS) As he passed by the Sea of Galilee, he saw Si- 1. Will you come and follow me mon and his brother Andrew casting their nets if I but call your name? into the sea; they were fishermen. Jesus said to Will you go where you don't know them, “Come after me, and I will make you fish- and never be the same? ers of men.” Then they abandoned their nets Will you let my love be shown? and followed him. He walked along a little far- Will you let my name be known, ther and saw James, the son of Zebedee, and his will you let my life be grown in you and you in me? brother John. 2. Will you leave yourself behind They too were in a boat mending their nets. if I but call your name? Then he called them. So they left their father Will you care for cruel and kind Zebedee in the boat along with the hired men and never be the same? and followed him. Will you risk the hostile stare should your life attract or scare? Nicene Creed Will you let me answer prayer I believe in one God, the Father almighty, in you and you in me? maker of heaven and earth, 3. Will you let the blinded see of all things visible and invisible. if I but call your name? I believe in one Lord Jesus Christ, Will you set the prisoners free the Only Begotten Son of God, and never be the same? born of the Father before all ages. Will you kiss the leper clean and do such as this unseen, God from God, Light from Light, true God from and admit to what I mean in you and you in me? true God, begotten, not made, consubstantial with the Father; through him all things were made. For Holy us men and for our salvation he came down from Holy, Holy, Holy, Lord of hosts. heaven, and by the Holy Spirit was incarnate of Heaven and earth are full of your glory. the Virgin Mary, and became man. For our sake Hosanna in the highest. he was crucified under Pontius Pilate, he suffered Blessed is he who comes in the name of the Lord. death and was buried, and rose again on the third Hosanna in the highest. day in accordance with the Scriptures. He ascend- ed into heaven and is seated at the right hand of Memorial Acclamation the Father. He will come again in glory to judge When we eat this Bread and drink this Cup, the living and the dead and his kingdom will have we proclaim your Death, O Lord, no end. until you come again. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, Our Father who with the Father and the Son is adored and Our Father, who art in heaven, glorified, who has spoken through the prophets. hallowed be thy name; thy kingdom come, thy will be done on earth as it is in heaven. I believe in one, holy, catholic and apostolic Give us this day our daily bread, Church. I confess one baptism for the forgiveness and forgive us our trespasses, Third Sunday in Ordinary Time January 24, 2021 as we forgive those who trespass against us; So take me as I am... and lead us not into temptation, CHORUS but deliver us from evil. Amen. 2. 'cause You are my everything, For the kingdom, the power, and the glory You are the song I sing, are yours now and for ever. I'll do anything for You Teach me how to pray, Lamb of God To live a life of grace, Lamb of God, you take away the sins of the world, I'll go anywhere with You... have mercy on us. Lamb of God, you take away Jesus, be my everything... the sins of the world, have mercy on us. Lamb of God you take away the sins of the world, grant us Recessional Song peace. CHRIST BE OUR LIGHT (Farrell) 1. Longing for light, we wait in darkness. Lord, I am not worthy that you should enter un- Longing for truth, we turn to you. der my roof, but only say the word and my soul Make us your own, your holy people, shall be healed. Light of the world to see. CHORUS Communion Songs Christ, be our light! Sing in our hearts. LORD, YOU HAVE COME (GABARAIN) Shine through the darkness. Christ, be our light! 1. Lord, You have come to the seashore Shine in your Church gathered today. Neither searching for the rich nor the wise. 2. Longing for peace, our world is troubled. Desiring only that I should follow…. Longing for hope, many despair. Your word alone has pow'r to save us. CHORUS Make us your living voice. O Lord, with Your eyes set upon me, 3. Longing for food, many are hungry, Gently smiling, You have spoken my name. Longing for water, many still thirst. All I long for I have found by the water, Make us your bread, broken for others, At Your side, I will seek other shores…. shared until all are fed. 2. Lord, see my goods, my possessions; In my boat You find no power, no wealth. Will You accept, then, my nets and labor? 3. Lord, take my hands and direct them. Help me spend myself in seeking the lost, Returning love for the love You gave me…. 4. Lord, as I drift on the waters, Be the resting place, of my restless heart. My life’s companion, my friend and refuge….
Load more

Recommended publications
  • Memoirs of a Great Detective; Incidents in the Life of John Wilson Murray
    NYPL RESEARCH LIBRARIES 3 3433 08236547 3 A BURY John Wilson Murray Memoirs of A Great Detective INCIDENTS IN THE LIFE OF JOHN WILSON MURRAY EDITED BY VICTOR SPEER WITH PORTRAIT «$? NEW YORK THE BAKER & TAYLOR CO. 33-37 East Seventeenth Street, Union Sq., North Copyright, 1904, 1905, by '" "*' VICTOR SPEER and JOHN W. MURRAY • * '") ) \ CONTENTS I. Murray ...... 9 II. From Babyhood to Battleship . H III. The First Case : Confederate Cole's Coup *9 IV. A Word by the Way .... 29 V. Knapp : A Weazened Wonder 35 VI. The Feminine Firm of Hall and Carroll 42 VII. The Episode of Poke Soles 47 VIII. How a Feud Almost Burned Erie 5° IX. Two Scars, by the Blade of Napper Nichols bullet and the of Whitey Stokes . 54 X. A King, a Lunatic, and a Burglar—Three in One, and none at all ... 57 XI. The Box-Car Battle of Sweetman, and the Thrashers with the Wheat 63 XII. With the Help of Jessie McLean 69 XIII. The Course of a Career 71 XIV. Sanctimonious Bond .... 76 XV. When Ralph Findlay Lurched and Fell . 81 XVI. The Tinkling House of Wellington Square 89 XVII. The Driverless Team on Caledonia Road . 93 XVIII. Apropos of Hunker Chisholm . 98 XIX. The Whitesides of Ballinafad . 101 XX. The Monaghan Murder 104 The Six -Foot Needhams : Father and Son . 108 Pretty Mary Ward of the Government Gardens, 116 XXIII. The Fatal Robbery of the Dains 121 3 4 CONTENTS " XXIV. "Amer! Amer ! Amer ! . XXV. McPherson's Telltale Trousers . XXVI. When Glengarry Wrecked the Circus XXVII.
    [Show full text]
  • The Essential Rory Gallagher Pdf Free Download
    THE ESSENTIAL RORY GALLAGHER PDF, EPUB, EBOOK Rory Gallagher | 128 pages | 01 Oct 2009 | Music Sales Ltd | 9781847723819 | English | London, United Kingdom The Essential Rory Gallagher PDF Book Wednesday 26 August He is regularly credited as one of the most influen… read more. Friday 14 August Welcome back. Friday 4 September Sunday 6 September Thursday 9 July Trivia About The Essential Ror The guitar solos bite down hard as it slows down to an almost whisper midway but is battered into submission by the main riff as it ends on a Godzilla like stomped outro. Rockpalast Archiv. Event occurs at Saturday 1 August Saturday 29 August Monday 24 August Tuesday 20 October Archived from the original on 16 January Retrieved 28 April Tuesday 15 September After Fresh Evidence , he embarked on a tour of the United States. Sunday 20 September Retrieved 10 January Flynn Amps. He relied entirely on radio programs and television. Sunday 12 July Scrobble from Spotify? Born in Ballyshannon , County Donegal , [3] and brought up in Cork , Gallagher recorded solo albums throughout the s and s, after forming the band Taste during the late s. Thursday 30 July So I owe Rory Gallagher my sound. View full artist profile. The Essential Rory Gallagher Writer Friday 24 April All Languages. Help Learn to edit Community portal Recent changes Upload file. Retrieved 18 September Monday 31 August All nineteen songs from Taste and On the Boards the only two studio albums released by the band Taste before Rory pursued his solo career. Saturday 30 May November saw the release of the album Deuce.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]
  • Hanover Annual Report FY 1980
    One Hundred Twenty-Eighth ANNUAL REPORT from the Officers and Committees of the TOWN OF HANOVER FOR THE YEAR ENDING DECEMBER 31 1980 ONE HUNDRED AND TWENTY-EIGHTII ANNUAL REPORT of the OFFICERS AND COMMI'ITEES of the TOWN OF HANOVER FOR THE YEAR ENDING DECEMBER 31 1980 KENDALL PRINTING, INC. FALMOUTH, MASS. In Dedication to EDITH TOLMAN LOVELL In Dedication to T. DREW BATES COVER: Pencil sketch of Hanover Town Hall, with Civil War Monu- ment in foreground. John Nutter, the Avtist, has been a resident of Hanover for twenty years. He is married to Ann Huntley Nutter, and is the father of four. Mr. Nutter is a graduate of New England School of Ar,t, and is em­ ployed as an Artist for Houghton Mifflin Publishing Company of Boston. He also works as a free-lance illustrator. He is a Korean War Veteran with six years service in the United States Air Force. In 1978, Mr. Nuitter's depic:tion of the memorial stone at the Morrill Allen Phillips Wildlife Sanctuary appeared on the cover of the annual Town Repoiit. His sketch of ,the Stetson House was on the cover for the year ending December 31, 1979. Hanover is indeed fortunate to have a man with this talent so gra­ ciously share his skills wt,th us. TOWN OF HANOVER PLYMOUTH COUNTY, MASSACHUSETTS REPRESENTATIVE IN CONGRESS Twelfth Congressional District GERRY E. STUDDS, Cohasset COUNCILLOR Fourth Councillor District PATRICK J. McDONOUGH, Boston STATE SENATOR First Plymouth Senatorial District ANNA P. BUCKLEY, Brockton STATE REPRESENTATIVE Fifth Plymouth Representative District WILLIAM J.
    [Show full text]
  • “Rory Played the Greens, Not the Blues”: Expressions of Irishness on the Rory Gallagher Youtube Channel
    This is a repository copy of “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/175392/ Version: Published Version Article: O'Hagan, L. orcid.org/0000-0001-5554-4492 (2021) “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel. Irish Studies Review. ISSN 0967-0882 https://doi.org/10.1080/09670882.2021.1946919 Reuse This article is distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) licence. This licence only allows you to download this work and share it with others as long as you credit the authors, but you can’t change the article in any way or use it commercially. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Irish Studies Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/cisr20 “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel Lauren Alex O’Hagan To cite this article: Lauren Alex O’Hagan (2021): “Rory played the greens, not the blues”: expressions of Irishness on the Rory Gallagher YouTube channel, Irish Studies Review, DOI: 10.1080/09670882.2021.1946919 To link to this article: https://doi.org/10.1080/09670882.2021.1946919 © 2021 The Author(s).
    [Show full text]
  • Written-In-Blood-Excerpt.Pdf
    JO H N W I L SON Written in Blood JO H N W I L SON Text copyright © 2010 John Wilson All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system now known or to be invented, without permission in writing from the publisher. Library and Archives Canada Cataloguing in Publication Wilson, John (John Alexander), 1951- Written in blood / written by John Wilson. Issued also in an electronic format. ISBN 978-1-55469-270-5 I. Title. PS8595.I5834W75 2010 jC813’.54 C2010-903600-X First published in the United States, 2010 Library of Congress Control Number: 2010929062 Summary: A young man’s search for the father who abandoned him takes him through the wilds of the Arizona Territory and northern Mexico during the 1870s and brings him in contact with an assortment of intriguing characters. SW-COC-001271 Orca Book Publishers is dedicated to preserving the environment and has printed this book on paper certified by the Forest Stewardship Council. Orca Book Publishers gratefully acknowledges the support for its publishing programs provided by the following agencies: the Government of Canada through the Canada Book Fund and the Canada Council for the Arts, and the Province of British Columbia through the BC Arts Council and the Book Publishing Tax Credit. Cover and text design by Teresa Bubela Typesetting by Nadja Penaluna Cover photo by Getty Images Author photo by Katherine Gordon orca book publishers orca book publishers po Box 5626, Stn.
    [Show full text]
  • Guilford Co NC Apps
    Southern Campaign American Revolution Pension Statements [Note from Will Graves: Nancy Poquette has very generously given us permission to post her manuscript containing transcriptions she has made of numerous veterans who lived and/or served in Guilford County North Carolina at some time during the Revolutionary War. Given the “search” capabilities of this site, I have decided to post Nancy's entire manuscript rather than extract from it the individual pension applications transcribed in it. This is an experiment to determine whether or not the ability to search this site will be compromised in any way by grouping the transcriptions. Obviously, one compromise is that each soldier's name will not appear in the Index of applications, but this shortcoming should be overcome by the search capabilities of the site. We'll see. Please let me know if you have any thoughts on whether or not this approach should be used in the future. Also, please note that some of the applications transcribed by Nancy duplicate transcriptions already appearing on the site, but such duplication is viewed as a positive since different transcribers may well (and do) interpret handwritten documents in different ways. Many thanks to Nancy for her generous sharing of the wonderful fruits of her selfless labor—Huzza, huzza, huzza!] Transcribed and annotated by Nancy Poquette Pension Applications of the Guilford County, NC Soldiers of the Revolutionary War Source Lists of Guilford County Men 6-20 The Table of Contents for Pension Applications-[abridged and annotated] Name - - - page Abbott, John - - - - - first enlistment June 1, 1781 Adams, George - - - - 21 Albright, Ludwick - - - - 22 Albright, William - - - - 26 Alexander, Joseph - - - - 28 Apple, Daniel - - - - 29 Armstrong, Thomas - - - - 31 Baker, Peter - - - - - Barnes, Chesley - - - - 32 Barnett, James P.
    [Show full text]
  • The Lost Rolling Stone: How Guitar Great Rory Gallagher Was Airbrushed from Rock History
    15/06/2020 The lost Rolling Stone: how guitar great Rory Gallagher was airbrushed from rock history NEWS WEBSITE OF THE YEAR My Feed Coronavirus News Politics Sport Business Money Opinion Tech Life Style Travel Culture See all Culture The lost Rolling Stone: how guitar great Rory Gallagher was airbrushed from rock history Recruited by the Stones and worshipped by Jimi Hendrix, the Irishman was a prodigy. So why, asks his brother Dónal, did he die so quietly? By Ed Power 15 June 2020 • 10:28am 123 On January 23, 1975 Mick Jagger stood in the arrivals hall at Rotterdam airport on the look-out for a long-haired Irishman in a checked shirt. Eventually he spotted Rory Gallagher, the 26-year-old guitar wizard from Cork, fresh off a flight from Heathrow. Gallagher walked slowly through arrivals, hefting a suitcase, his battered 1961 Fender Stratocaster and an amplifier. He and Jagger went outside to a taxi rank. Jagger and a cabbie haggled over the price of the 15 minute drive back to De Doelen Concert Hall, close to Rotterdam Centraal train station. Bombed into oblivion during the war, the 2,200 capacity venue had been rebuilt in 1966. Now it was playing host to a different kind of conflict, as the Stones rehearsed for their upcoming tour. This was to be their first since the surprise departure that December of guitarist Mick Taylor (who had in turn replaced founding member Brian Jones in 1969). Gallagher was in the Netherlands to audition for the berth vacated by Taylor. Later that evening he stepped onto the cavernous De Doelen stage, his footsteps echoing in the floorboards.
    [Show full text]
  • Official Biography
    OFFICIAL BIOGRAPHY If ever there was a “musician’s musician” then that accolade surely belongs to Rory Gallagher. Renowned for his blistering live performances and highly respected for his dedication to his craft, he died in 1995, aged just 47, yet his reputation has continued to flourish in the years since. Indeed, some of rock’s most seminal figures, from Jimi Hendrix to Eric Clapton, Queen’s Brian May to The Smiths’ Johnny Marr, have cited him as an influence. Clapton credited Rory with “getting me back into the blues”, while May has unequivocally stated: “I owe Rory Gallagher my sound.” Rory remains a touchstone for all would-be guitar heroes in the 21st Century, yet the rural Ireland he grew up in even barely acknowledged the arrival of rock’n’roll. When he was born William Rory Gallagher, in Ballyshannon, County Donegal, in 1948, his father was working for the Irish Electricity Supply Board, constructing a hydroelectric power plant on the River Erne above the town. Later, Rory, with his younger brother Dónal, moved to Cork with their mother, Monica, the boys attended the city’s North Monastery School. Monica Gallagher sang and had acted with Ballyshannon’s Abbey Players, so the Gallagher boys’ early musical inclinations were indulged by their parents. Rory, especially, showed precocious talent, first mastering ukulele and then graduating to acoustic and, finally, electric guitar. Unable to find – or even afford – records, the young Rory stayed up late and listened attentively to Radio Luxembourg and the American Forces Network, where he first heard rock’n’roll legends Buddy Holly, Eddie Cochran and Lonnie Donegan, before later discovering two of his biggest influences, Muddy Waters and Lead Belly.
    [Show full text]
  • JOE MORELLO by MARVIN BUROCK a Thesis Submitted to the School Of
    JOE MORELLO By MARVIN BUROCK A thesis submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by ____________________________________ ____________________________________ Newark, New Jersey May 2018 ©2018 Marvin Burock ALL RIGHTS RESERVED ABSTRACT OF THE THESIS Joe Morello by MARVIN BUROCK Thesis Director: Dr. Lewis Porter Dr. Henry Martin This thesis explores legendary jazz drummer Joe Morello’s early years and musical training as well as a portion of his body of recorded drum solos. It also examines his breadth of influence across genres as well as his influence as an educator. Joe’s approach to teaching is also explored. Although hand development was one of his primary areas of focus, he also taught drum set coordination as well as the more musical aspects of drumming such as understanding song form and approaches to improvisation. This thesis also provides a unique glimpse into Joe’s drum equipment and set-up as well as his approach to tuning. The history of his drum and cymbal endorsements is also explored. The information found in this thesis is based on my more than twenty years as his pupil and drum technician. I currently serve as archivist for all of Joe’s personal effects from throughout his long and illustrious career. ii ACKNOWLEDGEMENTS AND DEDICATION I would like to express my sincere thanks to Dr. Lewis Porter and Dr.
    [Show full text]
  • Challenges to an Irish Eco-‐Criticism
    Journal of Ecocriticism 5(2) July 2013 Challenges to an Irish Eco-Criticism John Wilson Foster (Queen’s University Belfast)1 Abstract If the term ‘Green Studies’ is a contemporary synonym for ‘eco-criticism’ then Ireland would seem a natural habitat (as it were) for the practice of eco-criticism. No country has been more identified with the green world; and had Irish Studies been called from the first ‘Green Studies’ few would have obJected in the days before environmentalism and before other colours in the cultural, if not political, Irish spectrum were admitted. Irish paradigmatic perceptions and representations of the natural world still exert great cultural influence on and in our literature – the aesthetic, the scientific, the economic, the Romantic, the nativist, the religious, the folkloristic. Of these, only the economic and scientific have not been culturally celebrated by many literary critics, while science’s productions – from nature-writing to scientific papers and monographs – are largely ignored by critics and anthologists, and by writers who are scientifically unsympathetic, indifferent or not conversant. Yet eco-criticism requires the scientific paradigm, and while a truly environmental literature may not have come into being in Ireland there is nevertheless a great deal of Irish writing can stimulate future ecocrticial discussions. Nature-Writing If the term ‘Green Studies’ is a contemporary synonym for ‘eco-criticism’ – as it seems to be when used by Laurence Coupe in his Green Studies Reader (2000) – then Ireland would seem a natural habitat (as it were) for the practice of eco-criticism.1 No country has been more identified with the green world, and had Irish Studies been called from the first ‘Green Studies,’ few would have objected in the days before environmentalism and before other colours in the cultural, if not political, Irish spectrum were admitted.
    [Show full text]
  • Them-Van Morrison Chronology 1956-1967
    Compiled from books, articles, press clippings, liner notes, interviews (numerous radio/TV/press audio/video interviews with relevant information have yet to be transcribed), contracts (and private correspondence) too numerous to cite properly. Most of these materials are of public record, though located only through extreme diligence, while a scant few come from private correspondence with individuals who had first-hand documentation/knowledge/experience of these events. August 31, 1963 is the earliest specifically noted date, Van's 18th birthday, celebrated in Heidelberg, West Germany while on tour with "The International Monarchs". Them had, from best accounting, 15-16 working lineup changes before Van Morrison departed circa August 1966. This document is anti-copyright, to be freely copied and distributed for information and research purposes. Criticisms, corrections (doubtless there are many, as all primary source material contained discrepancies throughout...help with UK geographics especially appreciated), ADDITIONS, and verifications are greatly encouraged. I can be contacted at: [email protected] ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ VAN MORRISON / THE MONARCHS / THEM CHRONOLOGY 1956-1967 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ **** 1956 **** ?? Smithfield Market Belfast N. Ireland (Turner: "That year his father took him to buy his first acoustic guitar", with Solly Lipsitz; 11th birthday present?, August 31st; Lonnie Donegan's Leadbelly cover "Rock Island Line" was in the charts in March) *********
    [Show full text]