Blow the Man Down
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Cass City, Mich., Friday, April 6, 1917 8 Pages
CITY ONICL, E CAss [. CHR Vol. 12, No. 50. CASS CITY, MICH., FRIDAY, APRIL 6, 1917 8 PAGES trict--yes 49, no 58. Maintenance of HELLER'S "FIXIN' UP" highways--yes 59, no 49. State to FOR SPRING SEASON STATEREWARD ROAD purchase railroads~yes 68, no 33. DR. WIgKWAR[ BEETROWERS TO SENATEIDOPIS WAR Absent voters yes 47, no 47. On Helter's Bakery and Ice Cream Par- ~.1~,~ :~d,..t_a t~c:kct, ~csu!d'ca= cnnd" lots haw: Oeen undcrg;om~ cnana'es lot T!LL POPULARdates recmved an average ox 1Z8 $] PERTOR the better the past few weeks and are TO G votes, Democrats 36 and Prohibition- reaching the end of a "fixin' up" pert- ists 7. od which adds more room and con- GRANT TOWNSHIP WILL BUILD Evergreen Township. HAS BEEN APPOINTED TO OF- APPEAL TO MANUFACTURERS veniences to the establishment. PRESIDENT IS GIVEN FULL 4½ MILES OF STATE ROAD The Republican ticket, the only one FICE OF SUPREME MEDI- NOT TO CUT U. S. FOOD SUP- The bake shop has been enlarged AUTHORITY TO USE MEN and made brighter by the removal of THIS SUMMER. in the field, was elected as follows: CAL EXAMINER. PLY RESPONSIBLE. AND MEANS. Supervisor, Chas. Severance; clerk, a stairway. Show cases in the store John A. Pringle; treasurer, Levi L. have been re-arranged which gives Holcomb; highway commissioner, Earl Grange Master Says Farmers Will more room for tables for ice cream ti~Iklamt, Greenleaf, Novesta and Elm- Will Probably Remain Resident of service and four more of these have HGuse Expected to Follow Lead Phetteplace; justice, Jas. -
On the Visualisation of Large User Models in Web Based Systems
On the Visualisation of Large User Models in Web Based Systems James B. Uther S I O D T E RE·ME ·MUT A N M S E · E A D A Thesis Submitted for the Degree of Doctor of Philosophy The University of Sydney November 2001 ii c James B. Uther 2001 iii ABSTRACT This thesis describes the creation and refinement of a new tool for visualising large user models, that can be made available to users on the World Wide Web. User models are the set of beliefs a (software) system holds about a user. User-adapted applications, and increasingly, web sites, use a user model to help the interaction with a user. As these models start to contain more personal and sensitive information, and affect the experience of the software user, it becomes important for the user to be able to inspect and control that data. This thesis presents work that aims to help users see an overview of the data and beliefs contained in their user model. While there has been work on scrutable user models that support exploration and user control [Kay99, ZRNG99], they have been focused on the inspection of individual model components. This thesis helps users quickly search for interesting features in models of several hundreds of components. This thesis presents the design and implementation of three iterations of the tool, and user tests of each design. The final implementation is evaluated in trial with more than 50 users. Much recent work on user-adapted systems has involved adaptive hypertext and ser- vices on the World Wide Web. -
The Image of the Journalist in Silent Film, Part One: 1890 to 1919
Journalist in Silent Film 35 The Image of the Journalist in Silent Film, 1890 to 1929: Part One 1890 to 1919 Joe Saltzman Professor of Journalism Director of the Image of the Journalist in Popular Culture (IJPC) A Project of the Norman Lear Center Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] with Liz Mitchell Senior Research Associate Image of the Journalist in Popular Culture (IJPC) Annenberg School for Communication and Journalism University of Southern California Los Angeles, CA [email protected] Introduction This is the first installment in the landmark study of “The Image of the Journalist in Silent Film, 1890 to 1929.” It covers 1,948 films from 1890 to 1919. Part Two will cover the years from 1920 to the beginning of recorded sound in 1929. This is the first comprehensive study of the beginning of cinema’s earliest depictions of the journalist, mostly newspaper reporters, editors, and publishers. Newspaper fiction flourished at a time when journalism “was a revolutionary force, tearing up traditions, redefining public morality, and lending voice and encouragement to the disenfranchised. It reflected currents sweeping through every phase of American life. The skyrocketing circulations, the manic search for exclusive news, the sensational headlines, and the concentration of newspaper ownership were signs of an America changing from a rural society to an urban and industrial one. Since journalism so clearly mirrored and so loudly supported the new order, it became the preeminent symbol for the mechanization, standardization, democratization, and vulgarization of culture.”1 Historian Howard Good points out that the 1890s “represented a watershed not only in American journalism but also in American history. -
The Stars and Teeth
Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this St. Martin’s Press ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. To Mom and Dad— For your love, eternal support, and for waiting in the hot sun every time I dragged you to a million book signings. I wouldn’t be here without you … literally. To Taylor— Because we finally did it. ARIDA Island of soul magic Represented by sapphire VALUKA Island of elemental magic Represented by ruby MORNUTE Island of enchantment magic Represented by rose beryl CURMANA Island of mind magic Represented by onyx KEROST Island of time magic Represented by amethyst SUNTOSU Island of restoration magic Represented by emerald ZUDOH Island of curse magic Represented by opal CHAPTER ONE This day is made for sailing. The ocean’s brine coats my tongue and I savor its grit. Late summer’s heat has beaten the sea into submission; it barely sways as I stand against the starboard ledge. Turquoise water stretches into the distance, stuffed full of blue tangs and schools of yellowtail snapper that flounder away from our ship and conceal themselves beneath thin layers of sea foam. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) -
Victory3-Lowres.Pdf
An Adventures in FanFiction Edition © 2013 by the Author Author: Yes, it’s all Bioware’s. Red Hen: Various images have been taken from the Dragon Age series of video games, or from websites created and owned by Bio- Ware, the copyright of which is held by BioWare. All trademarks and registered trademarks present in the image are proprietary to BioWare, the inclusion of which implies no affiliation with BioWare, with Wikia or the Dragon Age Wiki. As stated on the Wiki; The use of images to illustrate articles con- cerning the subject of the images in question is believed to fall under the fair use clause of the United States copyright law and/or the fair dealing clause of Canadian copyright law. Such display does not significantly impede the right of the copyright holder to sell the copyrighted material, is not being used to generate profit in this context, and presents ideas that cannot be exhibited otherwise. Plus, I made sure to get permission. 1 he world had chan- ged in an instant. The men and women crowding around the king’s deathbed stared at each other helplessly, wondering what they ought to do. The traditional cry on these occasions was to hail the successor. “The King is Dead: Long Live the King!” But Cailan had named no heir. A void gaped where men’s loyalties should lie. Some still cared for the king they had lost. “Maker receive him,” croaked Elric Maraigne. “There will never be another like him.” The King’s Friends murmured fervent agreement. Mean- while, Wulffe whispered to Bryland, “Does this mean that Fergus is King?” “Could be,” Bryland whispered back, his eyes on Loghain and Bronwyn, speaking urgently and quietly to each other. -
William Wyler
e l estilo de WILLIAM WYLER responsabilidad en la filmación que rio hubiera a l canzado de estar sometido a la rutina de la indus tria hollywoodense. Su separación de Goldwyn se produjo después de Lo mejor de m e e n vids, y coincidió con la fundación I junto a Fronk Copra, George Stevens y Samuel Briskin) de la empresa productora Liberty Films, luego frustroda. Desde Le heredera W yler trabaja como director-productor, ex clusivamente. Por otra parte, los films que ha d iri gido para Goldwyn y los films que ha producido por sí mismo aparecen vinculados por algo más que por estar orientados a un público adulto, y plantear UN ARTESANO problemas de autenticidad dramática y estar basados en obras de calidad literaria indiscutible. Sus films Si se examina la carrera cinematográfica de W¡- aparecen vinculados por un estilo de composición. lliam Wyler a partir de 1936 y de su casi cons Para muchos, el estilo de W yler es únicamente tante asociación con el productor Samuel Goldwyn, la suma que arroja la producción hollywoodense en un hecho parece evidente: la sostenida calidad de su mejor expresión. La parte que le correspondería su producción, a través de títulos memorables: In sería la de experto artesano que ensambla los es famia (These Three, 1936), Hijo y rivol (Come fuerzos de talentos puestos a su servicio por un and Get It, co-dirección con Howard Hawks, 1936), productor de visión. Un examen superficial de las Fuego otoñal (Dodsworth, 1936), Callejón sin sa fichas técnicas de sus films parece confirmar ese lida (Dead End, 1937), Jezabel la tempestuosa enfoque. -
Descargar Cuaderno Del Ciclo Editado Por El Cineclub
La noticia de la primera sesión del Cineclub de Granada Periódico “Ideal”, miércoles 2 de febrero de 1949. El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2018-2019, cumplimos 65 (69) años. 3 MARZO - ABRIL 2019 MARCH-APRIL 2019 MAESTROS DEL CINE CLÁSICO (XI): MASTERS OF CLASSIC CINEMA (XI): WILLIAM WYLER WILLIAM WYLER (1ª parte: la década de los 30) (part 1: the 30’s) Martes 26 marzo / Tuesday 26th march 21 h. UNA CHICA ANGELICAL (1935) [ 98 min. ] ( THE GOOD FAIRY ) v.o.s.e. / OV film with Spanish subtitles Viernes 29 marzo / Friday 29th march 21 h. ESOS TRES (1936) [ 93 min. ] ( THESE THREE ) v.o.s.e. / OV film with Spanish subtitles Martes 2 abril / Tuesday 2nd april 21 h. DESENGAÑO (1936) [ 101 min. ] ( DODSWORTH ) v.o.s.e. / OV film with Spanish subtitles Viernes 5 abril / Friday 5th april 21 h. CALLE SIN SALIDA (1937) [ 93 min. ] ( DEAD END ) v.o.s.e. / OV film with Spanish subtitles Martes 9 abril / Tuesday 9th april 21 h. JEZABEL (1938) [ 104 min. ] ( JEZEBEL ) v.o.s.e. / OV film with Spanish subtitles Viernes 12 abril / Friday 12th april 21 h. CUMBRES BORRASCOSAS (1939) [ 104 min. ] ( WUTHERING HEIGHTS ) v.o.s.e. / OV film with Spanish subtitles 4 MASTERS OF CLASSIC CINEMA (XI): WILLIAM WYLER (part 1: the 30’s) Todas las proyecciones en la SALA MÁXIMA del ESPACIO V CENTENARIO (Av. de Madrid). Entrada libre hasta completar aforo All projections at the Assembly Hall in the Former Medical College (Av. -
Midamerica IX 1982
MIDAMERICA IX the yearbook of the Society for the Study of Midwe$tern Literature 1982 Edited By DAVID D. AND,ERSON The Midwestern Press The Center for the Study of Midwestern Literature and Culture Michigan State UniVersity East Lansing, Michigan 1982 In Honor of MARC VAN WORMER Copyright 1982 . by the Society for the Study of Midwestern Literature. All rights reserved Printed in the United States of America PREFACE With the publication of M idAmerica IX the Society for the Study of Midwestern Literature marks another year of progress, highlighted by the most Successful twelfth annual conference, the Symposium on the Cultural Heritage of the Midwest and con current Midwest Poetry Festival held at Michigan State Univer sity on May 6-8. Awards presented at the conference were the MidAmerica Award to Clarence Andrews and the Mark Twain Award to Wright Morris. The symposium and festival to be held in May 1983 are expected to be equally successful. The wide variety of essays, many of which had their incep tion at past symposia, and the impressive bibliography that make up MidAmerica IX are further evidence of the continued growth of Midwestern literature and Midwestern literary study. Espe cially commendable axe the efforts of Donald Pady and Robert Beasecker, the Society's bibliographers, in making available the record of Midwestern literature and literary study in this yearbook and in their computerized records. Commendable, too, are the 'continued efforts of Marc Van Wormer, Conference Coordinator at Michigan State University, in making the symposia and poetry festivals successful. We dedicate this volume to him as an ex pression of the Society's appreciation.