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SFRA Newsletter 259/260
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 12-1-2002 SFRA ewN sletter 259/260 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 259/260 " (2002). Digital Collection - Science Fiction & Fantasy Publications. Paper 76. http://scholarcommons.usf.edu/scifistud_pub/76 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #2Sfl60 SepUlec.JOOJ Coeditors: Chrlis.line "alins Shelley Rodrliao Nonfiction Reviews: Ed "eNnliah. fiction Reviews: PhliUp Snyder I .....HIS ISSUE: The SFRAReview (ISSN 1068- 395X) is published six times a year Notes from the Editors by the Science Fiction Research Christine Mains 2 Association (SFRA) and distributed to SFRA members. Individual issues are not for sale. For information about SFRA Business the SFRA and its benefits, see the New Officers 2 description at the back of this issue. President's Message 2 For a membership application, con tact SFRA Treasurer Dave Mead or Business Meeting 4 get one from the SFRA website: Secretary's Report 1 <www.sfraorg>. 2002 Award Speeches 8 SUBMISSIONS The SFRAReview editors encourage Inverviews submissions, including essays, review John Gregory Betancourt 21 essays that cover several related texts, Michael Stanton 24 and interviews. Please send submis 30 sions or queries to both coeditors. -
The Weird: Aesthetic Effect and Power
MJUR 2017, Issue 8 59 The Weird: Aesthetic Effect and Power Lauren Lipski Colorado Mesa University Abstract Rod Serling’s The Twilight Zone, Edgar Allen Poe’s “The Fall of the House of Usher,” and The Who’s Tommy have all been called weird, but what makes these texts weird? This paper examines weirdness beyond its use as a value judgment or genre category. Similar to Sianne Ngai’s Our Aesthetic Categories (2012), which describes cute, zany, and interesting as aesthetic effects, my project also describes the weird as an aesthetic effect. By drawing upon its etymology, my project establishes the weird as a term referencing a power, “an effect that holds an audience enthralled.” Occurring either via ruptures of coherency or when distinct boundaries are blurred to create “in-between states,” the weird as a critical term has the potential to examine our contemporary preoccupation with destabilization. My paper poses several questions: Can the weird be reclaimed from a subjective judgment to one of critical application? How is context important in determining what is weird and what is not? How does the weird challenge what society considers normal, logical, and stable? By establishing the weird as an analytical term, my project provides a lens through which to examine texts that perplex and discomfort, yet simultaneously enthrall, an audience. Introduction The term weird can seemingly describe anything. It could categorize the nonsense title and lyrics of Cream’s psychedelic hit, S.W.L.A.B.R., with its title of the invented acronym for “she walked like a bearded rainbow” (Bruce). -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Wednesday, March 18, 2020 2:30 Pm
1 Wednesday, March 18, 2020 2:30 p.m. - 3:15 p.m. Pre-Opening Refreshment Ballroom Foyer ********** Wednesday, March 18, 2020 3:30 p.m. - 4:15 p.m. Opening Ceremony Ballroom Host: Jeri Zulli, Conference Director Welcome from the President: Dale Knickerbocker Guest of Honor Reading: Jeff VanderMeer Ballroom “DEAD ALIVE: Astronauts versus Hummingbirds versus Giant Marmots” Host: Benjamin J. Robertson University of Colorado, Boulder ********** Wednesday, March 18, 2020 4:30 p.m. - 6:00 p.m. 1. (GaH) Cosmic Horror, Existential Dread, and the Limits of Mortality Belle Isle Chair: Jude Wright Peru State College Dead Cthulhu Waits Dreaming of Corn in June: Intersections Between Folk Horror and Cosmic Horror Doug Ford State College of Florida The Immortal Existential Crisis Illuminates The Monstrous Human in Glen Duncan's The Last Werewolf Jordan Moran State College of Florida Hell . With a Beach: Christian Horror in Michael Bishop's "The Door Gunner" Joe Sanders Shadetree Scholar 2 2. (CYA/FTV) Superhero Surprise! Gender Constructions in Marvel, SpecFic, and DC Captiva A Chair: Emily Midkiff Northeastern State University "Every Woman Has a Crazy Side"? The Young Adult and Middle Grade Feminist Reclamation of Harley Quinn Anastasia Salter University of Central Florida An Elaborate Contraption: Pervasive Games as Mechanisms of Control in Ernest Cline's Ready Player One Jack Murray University of Central Florida 3. (FTFN/CYA) Orienting Oneself with Fairy Stories Captiva B Chair: Jennifer Eastman Attebery Idaho State University Fairy-Tale Socialization and the Many Lands of Oz Jill Terry Rudy Brigham Young University From Android to Human – Examining Technology to Explore Identity and Humanity in The Lunar Chronicles Hannah Mummert University of Southern Mississippi The Gentry and The Little People: Resolving the Conflicting Legacy of Fairy Fiction Savannah Hughes University of Maine, Stonecoast 3 4. -
Catalogue XV 116 Rare Works of Speculative Fiction
Catalogue XV 116 Rare Works Of Speculative Fiction About Catalogue XV Welcome to our 15th catalogue. It seems to be turning into an annual thing, given it was a year since our last catalogue. Well, we have 116 works of speculative fiction. Some real rarities in here, and some books that we’ve had before. There’s no real theme, beyond speculative fiction, so expect a wide range from early taproot texts to modern science fiction. Enjoy. About Us We are sellers of rare books specialising in speculative fiction. Our company was established in 2010 and we are based in Yorkshire in the UK. We are members of ILAB, the A.B.A. and the P.B.F.A. To Order You can order via telephone at +44(0) 7557 652 609, online at www.hyraxia.com, email us or click the links. All orders are shipped for free worldwide. Tracking will be provided for the more expensive items. You can return the books within 30 days of receipt for whatever reason as long as they’re in the same condition as upon receipt. Payment is required in advance except where a previous relationship has been established. Colleagues – the usual arrangement applies. Please bear in mind that by the time you’ve read this some of the books may have sold. All images belong to Hyraxia Books. You can use them, just ask us and we’ll give you a hi-res copy. Please mention this catalogue when ordering. • Toft Cottage, 1 Beverley Road, Hutton Cranswick, UK • +44 (0) 7557 652 609 • • [email protected] • www.hyraxia.com • Aldiss, Brian - The Helliconia Trilogy [comprising] Spring, Summer and Winter [7966] London, Jonathan Cape, 1982-1985. -
RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^By Brendan Ryder Page 13
ISSUE NO. 76 August 1992 ________ ISSN 0791-3966 RAMSEY CAMPBELL INTERVIEWED RAMSEY CAMPBELL INTERVIEW ^by Brendan Ryder page 13 THE TWILIGHT ZONE How to find your way around by Michael Cullen page 5 OUR SEMI-ANNUAL "MEGA" QUIZ It’s not just a quiz, it's the contents of page 11 MORPHING So how did Arnie turn into Michael Jackson? See on page 12 REGULAR FEATURES News 3 ISFA News 4 Letters 7 Meeting report 8 Movies 9 Videos 10 Book Reviews 15 Comics 18 Drabbles 19 PUBLISHED BY Wc welcome unsolicited manuscripts on the basis that the THE IRISH SCIENCE FICTION ISFA is poor, and if wc don’t actually pay contributors it ASSOCIATION doesn’t mean wc don’t appreciate them. So send us your news. Send us your opinions. Send us your doodles. Send 30, BEVERLY DOWNS us your shorts. But wash ’em first. KNOCKLYON ROAD Take that old dusty Royal out of the wardrobe and type it, TEMPLEOGUE, DUBLIN 16 if you can. If you can’t, well, it’s not the end of the world. FURTHER INFORMATION NOTE: OPINIONS EXPRESSED ARE NOT THOSE OF FROM THIS ADDRESS OR THE ISFA, EXCEPT WHERE STATED AS SUCH PHONE 934712 2 ISFA Newsletter August 1992 NEWS Crypt Creator Dies Wiliam M Gaines, publisher of Mad maga zine and the EC comics line which included Rings, No Strings Weird Science, Tales from the Crypt, and As part of the Galway Arts Festival which ran The Vault of Horror, died in Manhattan in from 15-26 July, the Canadian Theatre Sans June, at the age of 70. -
Autumn/Winter 2019 - 2020
CATALOGUE Autumn/Winter 2019 - 2020 3 September 2019 AGAINST MEMOIR Michelle Tea A queer countercultural icon opens up about all things artistic, radical and romantic. Winner of the PEN American Center essay prize. ‘I must find my own complicated junkie to have violent sex with. In 1994, nothing seemed like a better idea, save being able to write about it later.’ Michelle Tea is our exuberant guide to the hard times and wild creativity of queer and misfit life in America, by way of SCUM Manifesto author Valerie Solanas, the lesbian motorbike gang HAGS, a trans protest camp and teenage goths hustling for tips at an ice creamery. Unsparing but unwaveringly kind, Against Memoir solidifies Tea’s place as one of the leading queer writers of our time. ‘Michelle Tea’s irresistibly fresh writing and openhearted voice make Michelle Tea is the author of a number Non-Fiction (336pp) Against Memoir a brilliant, wild ride.’ Preti Taneja of books, including memoirs. Her most B-format paperback recent novel Black Wave was published ISBN: 9781911508625 ‘Against Memoir ripples with compassion, anger, curiosity and humour.’ in the UK by And Other Stories in 2017. A eISBN: 9781911508632 Fiona Mozley literary organiser in queer and feminist 3 September 2019 ‘A bracing, heaven-sent tonic for deeply troubled times.’ Maggie Nelson circles, she co-created the long-running Territories: UK, EUR & performance tour Sister Spit and founded Comm (excl Can) ‘Eclectic and wide-ranging...A palpable pain animates many of these RADAR Productions, a non-profit whose Price: £10 essays, as well as a raucous joy and bright curiosity.’ The New York Times projects include Drag Queen Story Hour. -
The Harlequin Nina Allan
The Harlequin Nina Allan Publication Date: 30th September Format: B paperback ISBN: 9781910124383 Category: Horror/Ghost Stories RRP: £6.99 Extent: 150 ABOUT THIS BOOK The armistice is months past but the memories won’t go away. ‘A harlequin, leaning against a tree stump and with a goblet of ale clasped in one outstretched hand. Beaumont felt chilled suddenly, in spite of the fire… Most likely it was the thing’s mouth, red-lipped and fiendishly grinning, or maybe its face, which was white, expressionless, the face of a clown in full greasepaint.’ Dennis Beaumont drove an ambulance in World War One. He returns home to London, hoping to pick up his studies at Oxford and rediscover the love he once felt for his fiancée Lucy. But nothing is as it once was. Mentally scarred by his experiences in the trenches, Beaumont finds himself wandering further into darkness. What really happened to the injured soldier he tried to save? Who is the figure that lurks in the shadows? How much do they know of Beaumont, and the secrets he keeps? SALES AND MARKETING HIGHLIGHTS • Campaign by the Award organisers utilising Ruth MARKETING AND Killick Publicity PUBLICITY Contact Rachel Kennedy ABOUT THE AUTHOR [email protected] Nina Allan lives in North Devon and is a previous or 07929 093882 winner of the British Science Fiction Award in 2014 with her novella Spin. In the same year, her second novella The Gateway was shortlisted for the Shirley Jackson Award/Prize. Her debut novel The Race was shortlisted for the Kitschies Red Tentacle, the British Science Fiction Award and the John W Campbell Memorial Award in 2015. -
Locus Awards Schedule
LOCUS AWARDS SCHEDULE WEDNESDAY, JUNE 24 3:00 p.m.: Readings with Fonda Lee and Elizabeth Bear. THURSDAY, JUNE 25 3:00 p.m.: Readings with Tobias S. Buckell, Rebecca Roanhorse, and Fran Wilde. FRIDAY, JUNE 26 3:00 p.m.: Readings with Nisi Shawl and Connie Willis. SATURDAY, JUNE 27 12:00 p.m.: “Amal, Cadwell, and Andy in Conversation” panel with Amal El- Mohtar, Cadwell Turnbull, and Andy Duncan. 1:00 p.m.: “Rituals & Rewards” with P. Djèlí Clark, Karen Lord, and Aliette de Bodard. 2:00 p.m.: “Donut Salon” (BYOD) panel with MC Connie Willis, Nancy Kress, and Gary K. Wolfe. 3:00 p.m.: Locus Awards Ceremony with MC Connie Willis and co-presenter Daryl Gregory. PASSWORD-PROTECTED PORTAL TO ACCESS ALL EVENTS: LOCUSMAG.COM/LOCUS-AWARDS-ONLINE-2020/ KEEP AN EYE ON YOUR EMAIL FOR THE PASSWORD AFTER YOU SIGN UP! QUESTIONS? EMAIL [email protected] LOCUS AWARDS TOP-TEN FINALISTS (in order of presentation) ILLUSTRATED AND ART BOOK • The Illustrated World of Tolkien, David Day (Thunder Bay; Pyramid) • Julie Dillon, Daydreamer’s Journey (Julie Dillon) • Ed Emshwiller, Dream Dance: The Art of Ed Emshwiller, Jesse Pires, ed. (Anthology Editions) • Spectrum 26: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk) • Donato Giancola, Middle-earth: Journeys in Myth and Legend (Dark Horse) • Raya Golden, Starport, George R.R. Martin (Bantam) • Fantasy World-Building: A Guide to Developing Mythic Worlds and Legendary Creatures, Mark A. Nelson (Dover) • Tran Nguyen, Ambedo: Tran Nguyen (Flesk) • Yuko Shimizu, The Fairy Tales of Oscar Wilde, Oscar Wilde (Beehive) • Bill Sienkiewicz, The Island of Doctor Moreau, H.G. -
Coffeehousepress.Org
79 Thirteenth Avenue NE, Suite 110 Minneapolis, Minnesota 55413 USA +011 612 338 0125 (phone) +011 612 338 4004 (fax) coffeehousepress.org For offers to provide representation in new territories; appointments at the London, Frankfurt, and Guadalajara Book Fairs; queries about the availability of specific books; requests for manuscripts; or information about our coagents, email editor Lizzie Davis: [email protected]. Other CHP Acquisitions When Death Takes Something from You, Give It Back: Carl’s Book Naja Marie Aidt Ornamental Juan Cárdenas Stephen Florida Gabe Habash In the Distance Hernan Diaz Comemadre Roque Larraquy Empty Words Mario Levrero Faces in the Crowd, Sidewalks, The Story of My Teeth, and Tell Me How It Ends: An Essay in 40 Questions Valeria Luiselli A Girl Is a Half-formed Thing Eimear McBride Temporary Hilary Leichter After the Winter Guadalupe Nettel Among Strange Victims and Ramifications Daniel Saldaña París Jakarta Rodrigo Márquez Tizano The Remainder and Las homicidas Alia Trabucco Zerán Jawbone and Nefando Mónica Ojeda Variations on the Body María Ospina Coffee House Press 2 CONTENTS The Breaks Julietta Singh Essay Sept. 2021 4 One Night Two Souls Went Ellen Cooney Novel Nov. 2020 5 Walking Echo Tree Henry Dumas Stories May 2021 6 Trafik Rikki Ducornet Novel April 2021 7 Reel Bay Jana Larson Essay Jan. 2021 8 The Sprawl Jason Diamond Essays Aug. 2020 9 Borealis Aisha Sabatini Sloan Essay Nov. 2021 10 Azareen Van Der Vliet N. Novel Spring 2022 10 Oloomi The Nature Book Tom Comitta Novel Fall 2022 11 Reinhardt’s Garden Mark Haber Novel Oct. 2019 12 Saint Sebastian’s Abyss Mark Haber Novel Spring 2023 13 Brown Neon Raquel Gutiérrez Essay Spring 2022 14 Madder Marco Wilkinson Essay Oct. -
Here Walking Fossil Robert A
The Anticipation Hugo Committee is pleased to provide a detailed list of nominees for the 2009 Science Fiction and Fantasy Achievement Awards (the Hugos), and the John W. Campbell Award for Best New Writer (Sponsored by Dell Magazines). Each category is delineated to five nominees, per the WSFS Constitution. Also provided are the number of ballots with nominations, the total number of nominations and the number of unique nominations in each category. Novel The Last Centurion John Ringo 8 Once Upon a Time Philip Pullman 10 Ballots 639; Nominations: 1990; Unique: 335 The Mirrored Heavens David Williams 8 in the North Slow Train to Arcturus Dave Freer 7 To Hie from Far Cilenia Karl Schroeder 9 Little Brother Cory Doctorow 129 Hunter’s Run Martin Dozois Abraham 7 Pinocchio Walter Jon Williams 9 Anathem Neal Stephenson 93 Inside Straight George R. R. Martin 7 Utere Nihill Non Extra John Scalzi 9 The Graveyard Book Neil Gaiman 82 The Ashes of Worlds Kevin J Anderson 7 Quiritationem Suis Saturn’s Children Charles Stross 74 Gentleman Takes Sarah A Hoyt 7 Harvest James Van Pelt 9 Zoe’s Tale John Scalzi 54 a Chance The Inferior Peadar O’Guilin 7 Cenotaxis Sean Williams 9 Matter Iain M. Banks 49 Staked J.F. Lewis 7 In the Forests of Jay Lake 8 Nation Terry Pratchett 46 Graceling Kristin Cashore 6 the Night An Autumn War Daniel Abraham 46 Small Favor Jim Butcher 6 Black Petals Michael Moorcock 8 Implied Spaces Walter Jon Williams 45 Emissaries From Adam-Troy Castro 6 Political Science by Walton (Bud) Simons 7 Pirate Sun Karl Schroeder 41 the Dead & Ian Tregillis Half a Crown Jo Walton 38 A World Too Near Kay Kenyon 6 Mystery Hill Alex Irvine 7 Valley of Day-Glo Nick Dichario 35 Slanted Jack Mark L. -
ENC 1145 3309 Chalifour
ENC 1145: Writing About Weird Fiction Section: 3309 Time: MWF Period 8 (3:00-3:50 pm) Room: Turlington 2349 Instructor: Spencer Chalifour Email: [email protected] Office: Turlington 4315 Office Hours: W Period 7 and by appointment Course Description: In his essay “Supernatural Horror in Fiction,” H.P. Lovecraft defines the weird tale as having to incorporate “a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” This course will focus on “weird fiction,” a genre originating in the late 19th century and containing elements of horror, fantasy, science fiction, and the macabre. In our examination of weird authors spanning its history, we will attempt to discover what differentiates weird fiction from similar genres and will use several theoretical and historical lenses to examine questions regarding what constitutes “The Weird.” What was the cultural and historical context for the inception of weird fiction? Why did British weird authors receive greater literary recognition than their American counterparts? Why since the 1980s are we experiencing a resurgence of weird fiction through the New Weird movement, and how do these authors continue the themes of their predecessors into the 21st century? Readings for this class will span from early authors who had a strong influence over later weird writers (like E.T.A. Hoffman and Robert Chambers) to the weird writers of the early 20th century (like Lovecraft, Robert Howard, Clark Ashton Smith, Lord Dunsany, and Algernon Blackwood) to New Weird authors (including China Miéville, Thomas Ligotti, and Laird Barron).