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SFCMP Announces Its Season-Opening Concert Featuring A
Contact: Sheryl Lynn Thomas [email protected] (415) 633-8802 Press kits SAN FRANCISCO (September 18, 2018) - San Francisco Contemporary Music Players (SFCMP) announces its season-opening concert featuring a celebration of the music of Elliott CARTER on Saturday, October 20, 2018 at the Taube Atrium Theater in San Francisco. The on STAGE Series features large-ensemble contemporary works of the most influential and innovative composers of the 20th and 21st centuries. Carter was the grandest of the grand American composers from the 20th century, who lived beyond his 100th birthday and yet wrote music that was fresh, inventive, and forward-looking to the very end of life. SFCMP welcomes its newly arrived artistic director, Eric DUDLEY, with a program featuring three of Carter’s works, including the rhythmically energetic and emotionally powerful Penthode for twenty players. Complementing Carter’s enduring voice will be a wry work by the young American composer, Asher Tobin CHODOS, written for an instrumentation uniquely drawn from Carter’s Penthode, plus Canadian composer Sabrina SCHROEDER’s Bone Games/Shy Garden, an essay in the sensuality of noises. The series will begin with our popular How Music is Made Composer Talk and Open Rehearsal with composer Tobin Chodos. Audiences can expect to see a number of compositional voices brought into the mix that have never been a part of the ensemble’s lexicon. This season-opening performance will begin with Asher Tobin Chodos, a young California-based composer who will showcase his world premiere of Big Show, an Elliot Carter-inspired piece commissioned by SFCMP. In his piece Big Show, Chodos exhibits a fresh take on aspects of Carter’s work: “Carter’s endlessly stimulating polyphonic writing has been seen by many as a sort of musical version of an idealized democracy: a harmony that emerges from many dissenting voices. -
Here Are More Different Kinds of Tea Than You Can Imagine, and in Sip and Tuck, Cake and Cof- Fee to Die For
THE MINORIES The Gallery will be open this year for the BA (Hons) in Photography Exhibition . COLCHESTER BIKE KITCHEN at 15 Queen Street This friendly DIY community bike workshop at 15 Queen Street will be open for advice and a chat about bikes REPAIR, REUSE & RECYCLE CIC At 15 Queen Street will be open and promoting com- munity electronic and plastic FOOD At BIG SUNDAY: You will findVegan Food in the giant market in Firstite: All kinds of international foods on the Street Food Market on the square out- side: And dont forget “We Walk the Line” inside The Firstsite Foyer. The Batte Lay Tea Room at the Minories will be offering full meals as well as drinks and snacks plus a barbecue in the garden. In Queen Street you will find Cafe No 9 with an amazing offer of whole foods and home bakes. In jaquelines Tea Rooms there are more different kinds of tea than you can imagine, and in Sip and Tuck, cake and cof- fee to die for. And of course.... THE BEER TENT by Mersea Island Breweries is on Berryfields with many guest beers.. “THE REASON FOR THE DAY” STAGE BEHIND THE OLD BUS GARAGE Curated by Danny Hiles Musicians Supporting The Homeless On the Pallet Stage Timings are flexible- see signs on site for details Rosalind Harniess: Young singer songwriter with, catchy songs and honest lyrics. Matt Buckle : From the grey streets of Colchester, Matt delivers soulful and heartfelt material that one would expect of a more travelled musician.. Phillip Lagos : Playing a great mix of his own material and some great covers. -
ZEVIOUS Title: AFTER the AIR RAID (Cuneiform Rune 287)
Bio information: ZEVIOUS Title: AFTER THE AIR RAID (Cuneiform Rune 287) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com [press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ / JAZZ-ROCK / PUNK-JAZZ / ELECTRIC JAZZ "The music of Zevious shrewdly juxtaposes order and its opposite: structural intensity pushed to its breaking point in the most appealing way. These boys are brilliant and fearless." – Vijay Iyer Zevious is a genre-bursting, out/electric/punk-jazz trio based in New York City. It consists of cousins Mike Eber on guitar and Jeff Eber on drums, and Johnny DeBlase on bass. Zevious’ sound is equally influenced by the improvisational approach of contemporary jazz artists Vijay Iyer and Ben Monder, polymetric metal of bands like Meshuggah, and vintage jazz and rock by such jazz fusion groups as Mahavishnu Orchestra and avant-progressive/Rock in Opposition bands like Magma. Songs wind through odd-metered, groove-laden landscapes that morph into brooding, reflective passages. Interspersed with edgy, hard-riffing contrapuntal guitar and stop-on-a-dime breaks, such tunes tread treacherous sonic grounds and reveal Zevious’ ability to shred. Zevious is one of the most distinctive and aggressive genre-defiant/fusion bands in the burgeoning punk-jazz movement, a 21st century update on the compositional ferocity of bands like Fred Frith’s Massacre, Ronald Shannon Jackson’s Decoding Society, and James Blood Ulmer’s Music Revelation Ensemble. Mike Eber and DeBlase met in 1999 while attending Muhlenberg College in Allentown, Pennsylvania and instantly hit it off musically. -
Season 2013-2014
27 Season 2013-2014 Thursday, December 19, at 7:00 The Philadelphia Orchestra Friday, December 20, at 7:00 Saturday, December 21, at 7:00 The Glorious Sound of Christmas Sarah Hicks Conductor Jennifer Check Soprano Mendelssohn Club of Philadelphia Alan Harler Artistic Director Mendelssohn/arr. Harris “Hark! the Herald Angels Sing” Traditional/arr. Harris “Angels We Have Heard on High” Mozart “Alleluia,” from Exsultate, jubilate, K. 165 Rimsky-Korsakov Polonaise, from Christmas Eve Various/arr. Bennett & Shaw The Many Moods of Christmas, Suite IV Tchaikovsky “Waltz of the Flowers,” from The Nutcracker, Op. 71 Wade/arr. Harris “O Come, All Ye Faithful” Intermission 28 Faith Brazilian Sleigh Bells Anderson Song of the Bells Leontovich/arr. Dragon “Carol of the Bells” Traditional/arr. Dragon “What Child Is This?” Traditional/arr. Dragon “The Twelve Days of Christmas” Pierpont/arr. Dragon “Jingle Bells” Fantasy Bach—Gounod “Ave Maria” Mason/arr. Harris “Joy to the World” Handel “Hallelujah,” from Messiah This program runs approximately 1 hour, 45 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
Special Wuhan Composition Makes European Debut
18 | Monday, February 24, 2020 HONG KONG EDITION | CHINA DAILY LIFE Museums exhibit tech Shows of solidarity nous for home users XI’AN — Li Bin, an avid visitor of museums from the northwestern Chinese city of Xi’an, has never had a better view of the upholstery of a chair in Beijing’s Palace Museum. Sitting comfortably at home and putting on a device featuring virtual reality technology, Li toured the museum through its online exhibi- tion program, getting an up-close and personal view of the precious exhibits presented in crystal-clear 3D. “During a field trip to the Palace Museum, it can be tough to visit some of its hidden places and view all of the palace decorations in detail,” says Li. “VR technology has made these expe- The nation’s performing arts riences possible.” Amid the coronavirus outbreak, industry is working hard to many museums and galleries in Chi- na have been closed to visitors to pre- lessen the potential financial vent the spread of the epidemic. impact of COVID-19, as well as However, they have launched or repackaged various online exhibi- using technology to serve tions to provide a satisfactory touring audiences as best it can now, experience for the country’s vast number of stay-at-home visitors. Chen Nan reports. In Chongqing in Southwest China, the Chongqing China Three Gorges Museum and the Chongqing Natural History Museum are among those offering exhibitions online. Visitors can find audio guides to nevitably, the novel coronavi- promoting charity performances According to Zheng Honglin, who more than 30 exhibitions and videos rus outbreak has had a mas- and offering free shows to medical is in charge of Gong’s program, it is on 10 others through CCTGM’s offi- sive impact on China’s workers on the front line of the about training young talent to cial account on WeChat during their performing arts market. -
The Annenberg Center Appoints Marc Baylin As Artistic Advisor and Programming Consultant
NEWS FOR IMMEDIATE RELEASE: April 8, 2021 The Annenberg Center Appoints Marc Baylin as Artistic Advisor and Programming Consultant (Philadelphia – April 8, 2021) — Marc Baylin, a longtime leader in the national performing arts landscape, has been appointed Artistic Advisor and Programming Consultant at the Annenberg Center for the Performing Arts at the University of Pennsylvania. “We are excited to welcome Marc in his capacity as Artistic Advisor and Programming Consultant, as we continue to expand our programming, and plan for our return to in-person events and the Annenberg Center’s upcoming 50th anniversary,” said Annenberg Center Executive and Artistic Director Christopher Gruits. “Marc's tremendous experience in the performing arts combined with his established Philadelphia connections makes him incredibly well-suited to working with our team to shape dynamic, contemporary, and truly inclusive performance programming.” “I am beyond thrilled to join the excellent team at the Annenberg Center,” said Baylin. “Helping to shape their 50th anniversary season is a terrific opportunity.” Marc Baylin, a resident of Doylestown, PA, has over thirty years of experience as an arts entrepreneur, project developer, and artist manager, with extensive expertise in touring, presenting, and special event management. As founder and President of Baylin Artists Management, he oversees a professional staff and guides the curation of the roster while leading the marketing efforts and business operations. In February 2020, he announced that Baylin Artists Management would sunset in 2021, after 28 years in operation. He spent the better part of 2020 navigating the pandemic and assisting the artists with new management. In a new collaboration with Alliance Artist Management, six companies move to that roster beginning with the 21-22 season. -
Introduction to Jazz Studies: a Seminar
Columbia University Anthropology, African-American Studies, and American Studies Fall 2005 INTRODUCTION TO JAZZ STUDIES: A SEMINAR INSTRUCTOR: John Szwed COURSE REQUIREMENTS Regular attendance and full participation in the seminar, including a short presentation (15 minutes) in one session Read the three assigned texts and the xeroxed readings Write two short papers (3-5 pages) 1) comparing two histories OR two textbooks on jazz chosen from the list on pp. 320-321 of Jazz 101 or in consultation with the instructor 2) comparing two jazz biographies of different musicians OR two autobiographies OR one of each, chosen from the list on pp. 332-333 of Jazz 101 or in consultation with the instructor Write a final paper of at least 15 pp. on a topic determined after consultation with the instructor REQUIRED READING John Szwed, Jazz 101 Robert G. O'Meally, Brent Hayes Edwards, and Farah Jasmin Griffin, eds., Uptown Conversation: The New Jazz Studies David Ake, Jazz Cultures Xeroxed reading packet SCHEDULE OF TOPICS (Note: Readings that are not listed as being in Szwed, Ake or O'Meally, et al. are in the xeroxed readings) Week 1: Introduction Week 2: No class Read: John Szwed, pp. xi-75 "Introductory Notes" in O'Meally et al, pp. 1-6 "Compendium: Jazz -- Formal Definitions (1913-99)" from Andrew Clark, Riffs & Choruses Jed Rasula "The Jazz Audience," from The Cambridge Companion to Jazz (2002), pp.55-68 Clive Bell. "Plus de Jazz," New Republic, 28 (9/21/21), p. 92ff Ernst-Alexandre Ansemet. "Bechet and Jazz Visit Europe" (1919) Roger Pryor Dodge. -
Leszek Kułakowski Dwa Światy
WRZESIEŃ 2020 Miesięcznik internetowy poświęcony jazzowi i muzyce improwizowanej ISSN 2084-3143 Konkurs Plakatu We Want Jazz ZWYCIĘZCY TOP NOTE Diomede & Hubert Zemler Przyśpiewki Piotr Matusik Trio Maciej Gołyźniak Independence Katarzyna Osterczy Ryszard Wojciul Leszek Kułakowski Dwa światy fot. Kuba Majerczyk Od Redakcji redaktor naczelny Piotr Wickowski [email protected] „Chęć grania nigdy nie była tak wielka jak teraz” – rzuciła podczas koncertu swo- jego tria na Enter Enea Festivalu Kasia Pietrzko. Następnego dnia z tej samej sce- ny Kamil Piotrowicz wyznał, że zasiadając do koncertowego fortepianu, czuje się „najszczęśliwszym człowiekiem na Ziemi”. Tak, wyczekiwanie na powrót do praw- dziwych koncertów, nawet przed ograniczoną z powodów koronawirusowych pub- licznością, zarówno z perspektywy tych na scenie, jak i tych na widowni, stało się już jakiś czas temu dotkliwym czekaniem na Godota. Empirycznie wszyscy przekonali się, że nawet najlepiej zorganizowane występy, wy- łącznie transmitowane online, nijak się mają do zwyczajnego, żywego grania. Nie tylko dlatego, że zazwyczaj odbiorcy nie dysponują u siebie choćby namiastką wa- runków będących normą w najzwyklejszej sali koncertowej. Zwłaszcza że nie zanosi się na poprawę w tym względzie, trend jest raczej odwrotny – coraz więcej odbior- ców muzyki słucha jej na coraz gorszych, z punktu widzenia audiofila, przenośnych urządzeniach. Tak więc odnotowujemy powolny i niepewny - ale jednak! - powrót życia koncerto- wego i w tym numerze JazzPRESSu zamieszczamy po przerwie dział relacji koncerto- wych. Muzykom pozostaje życzyć, aby publiczność kierowała się maksymą z nazwy Międzynarodowego Konkursu Plakatu – We want jazz. Bo jak się okazuje, w przy- padku uzdolnionych plastycznie – to działa. Druga edycja tego konkursu znów cie- szyła się dużym zainteresowaniem – odpowiedzieli na nią twórcy z 31 krajów, nad- syłając w sumie aż 450 prac. -
AQA, OCR, Edexcel & Eduqas: a Jazz Primer, Part 2
KSKS55 AQA, OCR, Edexcel & Eduqas: a Jazz Primer, Part 2 Jonathan James is a freelance by Jonathan James music educator and teacher trainer who works with orchestras, concert venues and a variety INTRODUCTION of communities to explain classical In part one of this two-part jazz resource (Music Teacher, March 2017), we traced how jazz evolved from and jazz music. humble beginnings as a folk music into being the mainstream popular music of its day. By 1945, where we left off, the Glenn Miller Orchestra had become the sound of America, rallying record-breaking crowds and One Glenn Miller symbolising free-world values. dance at the London Palladium attracted over 6,750 people. The jazz community had never had it so good. Bandleaders such as Glenn Miller, Duke Ellington, Benny Goodman and Count Basie were musical idols. And yet there was a growing sentiment that the highly organised, impressively arranged swing bands were no longer true to the spirit of jazz. The genre had, after all, always thrived as a counterculture, giving a voice to the oppressed. Could this music really belong to the white-dominated establishment? What had happened to its founding identity? New factions inevitably appeared. Bebop, cool and hard bop all kicked back against the mainstream. And this fascinating reboot in the history of jazz is where we pick up in the second part of this primer. As before, the aim is to give A level students and teachers a concise overview of the main artists and ideas that shaped jazz’s development, this time from 1945 to the present day. -
2015 Next Wave Festival DEC 2015
2015 Next Wave Festival DEC 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #SteelHammer Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Steel Hammer BAM Harvey Theater Dec 2—5 at 7:30pm; Dec 6 at 3pm Running time: one hour & 55 minutes, no intermission Julia Wolfe and SITI Company Bang on a Can All-Stars Directed by Anne Bogart Music & lyrics by Julia Wolfe Original text by Kia Corthron, Will Power, Carl Hancock Rux, and Regina Taylor Music performed by Bang on a Can All-Stars Play performed & created by SITI Company Scenic & costume design by James Schuette Lighting by Brian H Scott Sound design by Andrew Cotton and Christian Frederickson Choreography by Barney O’Hanlon Season Sponsor: Steel Hammer premiered at Actors Theatre of Louisville in the 2014 Humana Festival of New American Plays In memory of Robert W. Wilson, with gratitude for his visionary and generous support of BAM STEEL HAMMER Akiko Aizawa Ashley Bathgate Eric Berryman Robert Black Patrice Johnson Vicky Chow David Cossin Emily Eagen Chevannes Katie Geissinger Gian-Murray Gianino Barney O’Hanlon Molly Quinn Mark Stewart Ken Thomson Stephen Duff Webber Steel Hammer CAST Akiko Aizawa* Eric Berryman* Patrice Johnson Chevannes* Gian-Murray Gianino* Barney O’Hanlon* Stephen Duff Webber* BANG ON A CAN ALL-STARS Ashley Bathgate cello Robert Black bass Vicky Chow piano David Cossin -
Stanley Cowell Samuel Blaser Shunzo Ohno Barney
JUNE 2015—ISSUE 158 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM RAN BLAKE PRIMACY OF THE EAR STANLEY SAMUEL SHUNZO BARNEY COWELL BLASER OHNO WILEN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JUNE 2015—ISSUE 158 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Stanley Cowell by anders griffen Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Samuel Blaser 7 by ken waxman [email protected] Advertising: On The Cover : Ran Blake 8 by suzanne lorge [email protected] Editorial: [email protected] Encore : Shunzo Ohno 10 by russ musto Calendar: [email protected] Lest We Forget : Barney Wilen 10 by clifford allen VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Summit 11 by ken dryden [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Miscellany 41 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Event Calendar Terrell Holmes, Robert Iannapollo, 42 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman There is a nobility to turning 80 and a certain mystery to the attendant noun: octogenarian.