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Skunk Anansie Al Noisy Naples Festival: Martedì 9 Luglio 2019 Arena Flegrea Napoli
Skunk Anansie Al Noisy Naples Festival: Martedì 9 luglio 2019 Arena Flegrea Napoli 07/03/2019 Noisy Naples Festival presenta SKUNK ANANSIE in concerto + special guest Martedì 9 luglio 2019 ore 21 ARENA FLEGREA Viale John Fitzgerald Kennedy, 54 – Napoli Info: tel. 081.562.80.40 - [email protected] UNICA DATA AL SUD ITALIA Gli Skunk Anansie aggiungono un nuovo concerto italiano al loro tour: martedì 9 luglio 2019 si esibiranno all’Arena Flegrea di Napoli, per il Noisy Naples Festival, nella loro unica tappa al Sud Italia. Il gruppo britannico torna nel capoluogo partenopeo a distanza di 8 anni esatti dallo suo primo e unico live in città (9 luglio 2011 a Bagnoli). Skin, Ace, Cass Lewis e Mark Richardson festeggiano 25 anni di carriera con un tour e un nuovo album tutto dal vivo - “25live@25 “pubblicato il 25 gennaio per Carosello Records - che documenta i migliori momenti della band sui palchi di tutto il mondo. Il doppio live contiene le canzoni degli esordi come “Little baby swastikkka”, “Selling Jesus”, “Intellectualise my blackness”, “Yes it’s fucking political”, brani ancora rilevanti e decisamente attuali. Gli Skunk Anansie sono un gruppo musicale con un sound e uno stile ben definito, una sintesi di heavy metal e musica di protesta rabbiosa, "nera" e femminista, con testi politicizzati e influenze ibride funk, blues, punk rock, reggae e hip hop. La band inglese è composta dalla cantante Skin (al secolo, Deborah Dyer) e da Cass (Richard Lewis) al basso e seconda voce, Ace (Martin Kent) alla chitarra e cori e Mark Richardson alla batteria e seconda voce. -
Surrey Hotel Futures Report
SURREY HOTEL FUTURES FINAL REPORT Prepared for: Surrey County Council June 2015 Surrey Hotel Futures Study 2015 __________________________________________________________________________________________ CONTENTS EXECUTIVE SUMMARY .................................................................................................................................. i 1. INTRODUCTION ................................................................................................................................... 1 1.1. Study Background and Brief................................................................................................... 1 1.2. Scope of the Study ................................................................................................................... 2 1.3. Methodology ............................................................................................................................. 4 2. NATIONAL HOTEL TRENDS ................................................................................................................ 6 2.1. National Hotel Performance Trends ...................................................................................... 6 2.2. National Hotel Development Trends .................................................................................... 8 3. SURREY HOTEL SUPPLY ..................................................................................................................... 19 3.1. Current Surrey Hotel Supply ................................................................................................. -
Art to Commerce: the Trajectory of Popular Music Criticism
Art to Commerce: The Trajectory of Popular Music Criticism Thomas Conner and Steve Jones University of Illinois at Chicago [email protected] / [email protected] Abstract This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of over 22,000 pieces of music journalism for keywords associated with the business, economics and commercial aspects of popular music, we found several periods during which popular music criticism’s focus on business-related concerns seemed to have increased. The article discusses possible reasons for the increases as well as methods for analyzing a large corpus of popular music criticism texts. Keywords: music journalism, popular music criticism, rock criticism, Rock’s Backpages Though scant scholarship directly addresses this subject, music journalists and bloggers have identified a trend in recent years toward commerce-specific framing when writing about artists, recording and performance. Most music journalists, according to Willoughby (2011), “are writing quasi shareholder reports that chart the movements of artists’ commercial careers” instead of artistic criticism. While there may be many reasons for such a trend, such as the Internet’s rise to prominence not only as a medium for distribution of music but also as a medium for distribution of information about music, might it be possible to discern such a trend? Our goal with the research reported here was an attempt to empirically determine whether such a trend exists and, if so, the extent to which it does. -
D'eurockéennes
25 ans d’EUROCKÉENNES LE CRÉDIT AGRICOLE FRANCHE-COMTÉ NE VOUS LE DIT PAS SOUVENT : IL EST LE PARTENAIRE INCONTOURNABLE DES ÉVÉNEMENTS FRANCs-COMTOIS. IL SOUTIENT Retrouvez le Crédit Agricole Franche-Comté, une banque différente, sur : www.ca-franchecomte.fr Caisse Régionale de Crédit Agricole Mutuel de Franche-Comté - Siège social : 11, avenue Elisée Cusenier 25084 Besançon Cedex 9 -Tél. 03 81 84 81 84 - Fax 03 81 84 82 82 - www.ca-franchecomte.fr - Société coopérative à capital et personnel variables agréée en tant qu’établissement de crédit - 384 899 399 RCS Besançon - Société de courtage d’assurance immatriculée au Registre des Intermédiaires en Assurances sous le n° ORIAS 07 024 000. ÉDITO SOMMAIRE La fête • 1989 – 1992 > Naissance d’un festival > L’excellence et la tolérance, François Zimmer .......................................................p.4 > Une grosse aventure, Laurent Arnold ...................................................................p.5 continue > « Caomme un pèlerinage », Laurent Arnold ........................................................p.6 Les Eurockéennes ont 25 ans. Qui l’eut > Un air de Woodstock au pied du Ballon d’Alsace, Thierry Boillot .......................p.7 cru ? Et si aujourd’hui en 2013, un doux • 1993 – 1997 > Les Eurocks, place incontournable rêveur déposait sur la table le dossier d’un grand et beau festival de musiques > Les Eurocks, précurseurs du partenariat, Lisa Lagrange ..................................... p.8 actuelles (selon la formule consacrée), > Internet : le partenariat de -
The Value of Using Local Political Online Forums to Reverse Political Disengagement
The value of using local political online forums to reverse political disengagement. Kerill Dunne Thesis submitted for Ph.D. degree in Sociology June 2008 Department of Sociology Faculty of Arts and Human Sciences University of Surrey Guildford *> Surrey UK GU2 7XH © 2008 Kerill Dunne ProQuest Number: 11010066 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010066 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract There has been a growing concern regarding political disengagement among citizens within liberal thin democracies. This concern has brought about calls for local political online forums to be used to support participatory and deliberative democracy online to reverse this trend. However, little empirical investigation has been conducted into what such forums can support in terms of participatory and deliberative democracy. After an extensive review of the E-Democracy literature three research questions were developed to examine the value of using online forums to reverse political disengagement. A two pronged methodological approach consisting of qualitative and two-phase quantitative methods was used to examine these research questions, and to test specific recommendations on how to build online forums. -