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The Counter Culture in American Environmental History Jean
Cercles 22 (2012) NEW BEGINNING: THE COUNTER CULTURE IN AMERICAN ENVIRONMENTAL HISTORY JEAN-DANIEL COLLOMB Université Jean Moulin, Lyon Although it appears to have petered out in the early 1970s, the counter culture of the previous decade modified many aspects of American life beyond recognition. As a matter of fact, there is a wealth of evidence to suggest that its transformative effects are still being felt in American society today. The ideas nurtured by the counter culture have deeply affected the institution of the family, the education system, and the definition of gender roles, to name only the most frequently debated cases. It should come as no surprise, therefore, that American environmentalism was no exception. Indeed, the American environmental movement as it has unfolded since the 1970s bears little resemblance to its earlier version. Up until the 1960s, American environmentalism had been dominated by small-sized, rather exclusive and conservative organizations, like the Sierra Club, whose main focus had been wilderness preservation. By contrast, contemporary American environmentalism has now turned into a mass movement whose membership ranges from old-style nature lovers to radical anti-capitalist activists. Contemporary environmentalists now concern themselves not Just with wilderness preservation but also with quality-of-life issues, the effects of high consumption and of the so-called American way of life, and pollution. Such a shift in style and obJectives begs several important questions: in what way did the counter culture of the 1960s reshape and redefine American environmentalism? More important still, why were the ideas advocated by the counter-culturists so easily integrated into the environmental agenda? Put differently, one may wonder whether the rapprochement between counter-cultural thinking and environmental activism was inevitable. -
The Social and Political Thought of Paul Goodman
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1980 The aesthetic community : the social and political thought of Paul Goodman. Willard Francis Petry University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Petry, Willard Francis, "The aesthetic community : the social and political thought of Paul Goodman." (1980). Masters Theses 1911 - February 2014. 2525. https://doi.org/10.7275/9zjp-s422 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DATE DUE UNIV. OF MASSACHUSETTS/AMHERST LIBRARY LD 3234 N268 1980 P4988 THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 1980 Political Science THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Approved as to style and content by: Dean Albertson, Member Glen Gordon, Department Head Political Science n Digitized by the Internet Archive in 2016 https://archive.Org/details/ag:ptheticcommuni00petr . The repressed unused natures then tend to return as Images of the Golden Age, or Paradise, or as theories of the Happy Primitive. We can see how great poets, like Homer and Shakespeare, devoted themselves to glorifying the virtues of the previous era, as if it were their chief function to keep people from forgetting what it used to be to be a man. -
Université Du Québec À Montréal Paul Goodman Comme Sociothérapeute : Étude De Cas Sur La Dimension Politique De La Psycha
UNIVERSITÉ DU QUÉBEC À MONTRÉAL PAUL GOODMAN COMME SOCIOTHÉRAPEUTE : ÉTUDE DE CAS SUR LA DIMENSION POLITIQUE DE LA PSYCHANALYSE MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRlSE EN HISTOIRE PAR JEAN-BAPTISTE LAMARCHE JANVIER 2007 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication oe la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» Remerciements Je voudrais ici remercier François Chanel, pour m'avoir si généreusement ouvert les portes du Centre de documentation de l'Association québécoise de Gestalt. Merci également à mes directeurs, Greg Robinson, professeur d'histoire à l'UQÀM, et Othmar Keel, professeur d'histoire à l'Université de Montréal, pour les commentaires et suggestions qu'ils m'ont prodigués tout au long de ce travail. -
PAUL GOODMAN (1911-1972) Edgar Z
The following text was originally published in Prospects : the quarterly review of comparative education (Paris, UNESCO : International Bureau of Education), vol . XXIII, no . 3/4, June 1994, p. 575-95. ©UNESCO: International Bureau of Education, 1999 This document may be reproduced free of charge as long as acknowledgement is made of the source. PAUL GOODMAN (1911-1972) Edgar Z. Friedenberg1 Paul Goodman died of a heart attack on 2 August 1972, a month short of his 61st birthday. This was not wholly unwise. He would have loathed what his country made of the 1970s and 1980s, even more than he would have enjoyed denouncing its crassness and hypocrisy. The attrition of his influence and reputation during the ensuing years would have been difficult for a figure who had longed for the recognition that had eluded him for many years, despite an extensive and varied list of publications, until Growing up absurd was published in 1960, which finally yielded him a decade of deserved renown. It is unlikely that anything he might have published during the Reagan-Bush era could have saved him from obscurity, and from the distressing conviction that this obscurity would be permanent. Those years would not have been kind to Goodman, although he was not too kind himself. He might have been and often was forgiven for this; as well as for arrogance, rudeness and a persistent, assertive homosexuality—a matter which he discusses with some pride in his 1966 memoir, Five years, which occasionally got him fired from teaching jobs. However, there was one aspect of his writing that the past two decades could not have tolerated. -
“For a World Without Oppressors:” U.S. Anarchism from the Palmer
“For a World Without Oppressors:” U.S. Anarchism from the Palmer Raids to the Sixties by Andrew Cornell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Social and Cultural Analysis Program in American Studies New York University January, 2011 _______________________ Andrew Ross © Andrew Cornell All Rights Reserved, 2011 “I am undertaking something which may turn out to be a resume of the English speaking anarchist movement in America and I am appalled at the little I know about it after my twenty years of association with anarchists both here and abroad.” -W.S. Van Valkenburgh, Letter to Agnes Inglis, 1932 “The difficulty in finding perspective is related to the general American lack of a historical consciousness…Many young white activists still act as though they have nothing to learn from their sisters and brothers who struggled before them.” -George Lakey, Strategy for a Living Revolution, 1971 “From the start, anarchism was an open political philosophy, always transforming itself in theory and practice…Yet when people are introduced to anarchism today, that openness, combined with a cultural propensity to forget the past, can make it seem a recent invention—without an elastic tradition, filled with debates, lessons, and experiments to build on.” -Cindy Milstein, Anarchism and Its Aspirations, 2010 “Librarians have an ‘academic’ sense, and can’t bare to throw anything away! Even things they don’t approve of. They acquire a historic sense. At the time a hand-bill may be very ‘bad’! But the following day it becomes ‘historic.’” -Agnes Inglis, Letter to Highlander Folk School, 1944 “To keep on repeating the same attempts without an intelligent appraisal of all the numerous failures in the past is not to uphold the right to experiment, but to insist upon one’s right to escape the hard facts of social struggle into the world of wishful belief. -
Paul Goodman and the Biography of Sexual Modernity David S
Document generated on 10/02/2021 9:40 p.m. Journal of the Canadian Historical Association Revue de la Société historique du Canada Paul Goodman and the Biography of Sexual Modernity David S. Churchill The Biographical (Re)Turn Article abstract Volume 21, Number 2, 2010 This article is a preliminary exploration of the relationship between the auto-biographical writings of radical US intellectual Paul Goodman and his URI: https://id.erudit.org/iderudit/1003087ar theorizing of sexuality’s links to the project of political liberation. Goodman’s DOI: https://doi.org/10.7202/1003087ar life writing was integrated into his social and political critique of mid-twentieth century society, as well as his more scholarly pursuits of See table of contents psychology and sociology. In this way, Goodman’s work needs to be seen as generative of the dialectic of sexually modernity, which integrated intimate queer sexual experiences with conceptual, intellectual, and elite discourses on sexuality. Publisher(s) The Canadian Historical Association / La Société historique du Canada ISSN 0847-4478 (print) 1712-6274 (digital) Explore this journal Cite this article Churchill, D. S. (2010). Paul Goodman and the Biography of Sexual Modernity. Journal of the Canadian Historical Association / Revue de la Société historique du Canada, 21(2), 47–60. https://doi.org/10.7202/1003087ar All Rights Reserved © The Canadian Historical Association / La Société This document is protected by copyright law. Use of the services of Érudit historique du Canada, 2010 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
THE WORLD of PAUL GOODMAN Anarchy 11
THE WORLD OF PAUL GOODMAN Reviews of COMMUNITAS, UTOPIAN ESSAYS and GROWING UP ABSURD Paul Goodman THE CHILDREN AND PSYCHOLOGY Harold Drasdo THE CHARACTER BUILDERS A% S. Neill SUMMERHILL vs. STANDARD EDUCATION Ana$&'( 1) A JOURNAL OF ANARCHIST IDEAS 1s 6d or 25 cents inside front cover Con.ents of No%)) *an!a$( )/+, The World of Paul Goodman John Ellerby 1 Communitas Revisited 3 Youth and Absurdity 14 Practical Proposals 17 The Children and Psychology Paul Goodman 20 The Character Builders Harold Drasdo 25 Summerhill Education vs. Standard Education A. S. Neill 29 Cover: Bibliography for the New Commune (from Communitas) O.'e$ iss!es of ANARCHY: No.1. Alex Comfort on Sex-and-Violence, Nicolas Walter on the New Wave, and articles on education, opportunity, and Galbraith. No.2. A symposium on Workers' Control. No.3. What does anarchism mean today?, and articles on Africa, the 'Long Revolution' and exceptional children. No.4. George Molnar on conflicting strains in anarchism, Colin Ward on the breakdown of institutions. No.5. A symposium on the Spanish Revolution of 1936. No.6. Anarchy and Cinema: articles on Vigo, Buñuel and Flaherty. Two experimental film-makers discuss their work. No.7. A symposium on Adventure Playgrounds. No.8. Anarchists and Fabians, Kenneth Maddock on action anthropology, Reg Wright on erosion inside capitalism, Nicolas Walter on Orwell. No.9. A symposium on Prison. No.10. Alan Sillitoe's Key to the Door, Colin MacInnes on crime, Augustus John on utopia, Committee of 100 seminar on industry and workers' control. Subscribe to ANARCHY single copies 1s. -
The Anarchist Writings of Paul Goodman
Library.Anarhija.Net Redrawing The Line: The Anarchist Writings of Paul Goodman Paul Comeau Spring, 2012 A review of Drawing The Line Once Again: Paul Goodman’s Anar- chist Writings, PM Press, 2010, 122 pages, trade paper- back, $14.95 While relatively unknown today, Paul Goodman was one of the most influential thinkers of the 20th century. In books like Growing Paul Comeau Up Absurd, published in 1960, Goodman captured the zeitgeist of Redrawing The Line: The Anarchist Writings of Paul Goodman his era, catapulting himself to the forefront of American intellectual Spring, 2012 life as one of the leading dissident thinkers inspiring the burgeoning New Left. FIFTH ESTATE #386, Spring, 2012, Vol. 47, No. 1, page 28 Goodman, who passed away in 1972 at the age of 60, was an iconoclastic radical with a wide ranging scope of intellectual vision lib.anarhija.net and a multi-faceted character. He was an anarchist, a family man, openly bisexual in a sexually repressive era, a psychologist (one of the founders of Gestalt Therapy), and a poet. He saw himself asa to new understanding. Where much political writing today drowns classical man of letters, and at his peak output, released nearly a readers in jargon, or assumes levels of advanced scholarship, Good- book a year. man’s writing has the potential to reach a wider and more diverse PM Press has recently reprinted some of Goodman’s writings in audience, giving strength to his ideas that other equally intelligent three volumes. The first, Drawing The Line Once Again: PaulGood- writers might lack. -
Drawing the Line Once Again
DRAWING THE LINE ONCE AGAIN Paul Goodmanʼs Anarchist Writings Taylor Stoehr, editor Five years after his death in 1972, Paul Goodman was characterized by anarchist historian George Woodcock as “the only truly seminal libertarian thinker in our generation.” In this new PM Press initiative, Goodmanʼs literary executor Taylor Stoehr has gathered together nine core texts from his anarchist legacy to future generations. Here will be found the “utopian essays and practical proposals” that inspired the dissident youth of the Sixties, influencing movement theory and practice so profoundly that they have become underlying assumptions of todayʼs radicalism. Goodmanʼs analyses of citizenship and civil disobedience, decentralism and the organized system, show him Drawing the Line Once Again; mindful of the long anarchist tradition, and especially of the Jeffersonian democracy that resonated strongly in his own political SUBJECT CATEGORY thought. This is a deeply American book, a potent antidote to US global POLITICS/ imperialism and domestic anomie. LITERATURE ABOUT THE AUTHOR PRICE Paul Goodman, known in his day as “the philosopher of the New Left,” $14.95 set the agenda for the youth movement of the Sixties with his best-selling Growing Up Absurd. He produced new books every year throughout ISBN that turbulent decade, while lecturing to hundreds of audiences on the 978-1-60486-057-3 nationʼs campuses, covering subjects that ranged from movement politics to education and community planning, from psychotherapy and religion PAGE COUNT to literature, language theory and media. There was little that did not fall 128 within his purview as an old-fashioned “man of letters.” SIZE ABOUT THE EDITOR 6 X 9 Taylor Stoehr, Paul Goodmanʼs friend and literary executor, has edited many volumes of his fiction, poetry, and social commentary. -
PAUL GOODMAN CHANGED MY LIFE a Film by Jonathan Lee
PAUL GOODMAN CHANGED MY LIFE a film by Jonathan Lee Booking Contact: Clemence Taillandier, Zeitgeist Films 201-736-0261 • [email protected] Marketing Contacts: Nancy Gerstman & Emily Russo, Zeitgeist Films 212-274-1989 • [email protected] • [email protected] A ZEITGEIST FILMS RELEASE PAUL GOODMAN CHANGED MY LIFE A Film by Jonathan Lee Paul Goodman was once so ubiquitous in the American zeitgeist that he merited a “cameo” in Woody Allenʼs Annie Hall. Author of legendary bestseller Growing Up Absurd (1960), Goodman was also a poet, 1940s out queer (and family man), pacifist, visionary, co-founder of Gestalt therapy—and a moral compass for many in the burgeoning counterculture of the ʼ60s. Paul Goodman Changed My Life immerses you in an era of high intellect (that heady, cocktail-glass juncture that Mad Men has so effectively exploited) when New York was peaking culturally and artistically; when ideas, and the people who propounded them, seemed to punch in at a higher weight class than they do now. Using a treasure trove of archival multimedia—selections from Goodmanʼs poetry (read by Garrison Keillor and Edmund White); quotes from Susan Sontag, Martin Luther King, Jr. and Noam Chomsky; plentiful footage of Goodman himself; plus interviews with his family, peers and activists—director/producer Jonathan Lee and producer/editor Kimberly Reed (Prodigal Sons) have woven together a rich portrait of an intellectual heavyweight whose ideas are long overdue for rediscovery. PAUL GOODMAN BIO Born in New York City in 1911, Paul Goodman labored in obscurity as a writer and freelance intellectual until 1960 when the publication of Growing Up Absurd made him famous and a significant moral force of the decade. -
Paul Goodman: Advocate of Community-Based Education
Paul Goodman: Advocate of Community-Based Education by Steve Welzer Green Horizon Magazine, Spring 2007 [Unless otherwise indicated, all quotes below are taken from Paul Goodman's contribution to the discussion volume Summerhill: For and Against (Hart Publishing Company, New York, 1970), pages 205-222] Few American writers were more prolific than Paul Goodman during the middle decades of the twentieth century, and few matched Goodman's scope of inquiry. His short stories, novels, poems, plays, and essays covered a wide range of subjects—politics, social theory, education, urban design, literary criticism, even psychotherapy. Theodore Roszak, in The Making of a Counter Culture (1969), named Goodman as one of the primary influences on the young activists of that period. Goodman consistently paid close attention to the preoccupations, passions, and aspirations of the youthful dissidents, even if he didn't always approve of their agenda or modes of expression. Goodman lectured at college campuses all around the country during the sixties and wrote articles that appeared widely in the youth-centric underground press. After 1968, as the student left was careening toward a reckless and hotheaded Marxism- Leninism-Maoism, Goodman was urging consideration of an alternative: a pacific, ecologically-aware, decentralized—some might now say "proto-Green"—form of anarchism. He disapproved of the imprudence and fanaticism of many of the young radicals, but he was not surprised by it. He had earlier termed their conditions of adolescence "absurd" (Growing Up Absurd, 1960). Where is the basis for maturity, morality, and integrity, he asked, when so much of adult life typically revolves around the production of widgets for faceless masses in order to maximize profits? Alternative modes of education and socialization Goodman is well-remembered as a critic of the industrial state and its dispiriting system of "compulsory mis-education," but he is not often cited for his positive vision of alternative modes of education and socialization of the young. -
The Anarchism of Alex Comfort
[front cover] ANARCHY 33 1/6•25c THE ANARCHISM OF ALEX COMFORT [inside front cover] Contents of No. 33 No e!"e# 1$63 The Anarchism of Alex Comfort John Ellerby 329 Sex, Kicks and Comfort Charles Radcliffe 340 Alex Comfort’s Art and Scope Harold Drasdo 345 A Comfort Bibliography 357 A Disappointed Revolutionary Sid Parker 359 Cover by Rufus Segar Drawing on p. 329 by Frank Benier Poem “Maturity” by Alex Comfort from Haste to the Wedding (Eyre and Spottiswoode 1962) Other issues of ANARCHY 1. Sex-and-Violence; Galbraith; the New Wave, Education. 2. Workers’ Control. 3. What does anarchism mean today?; Africa; the Long Revolution. 4. De-institutionalisation; Conflicting strains in anarchism. 5. 1936: the Spanish Revolution. 6. Anarchy and the Cinema. (out of print) 7. Adventure Playgrounds. 8. Anarchists and Fabians; Action Anthropology; Eroding Capitalism. 9. Prison. 10. Sillitoe’s Key to the Door; Macinnes on Crime; Augustus John’s Utopia; Committee of 100. 11. Paul Goodman; Neill on Education; the Character-Builders. 12. Who are the anarchists? 13. Direct Action. (out of print) 14. Disobedience. 15. The work of David Wills. 16. Ethics of anarchism; Africa; Anthropology; Poetry of Dissent. 17. Towards a lumpenproletariat; Education vs. the working class; Freedom of access; Benevolent bureaucracy; CD and CND. 18. Comprehensive Schools. 19. Theatre: anger and anarchy. 20. Non-violence as a reading of history; Freud, anarchism and experiments in living. 21. Secondary modern. 22. Cranston’s Dialogue on anarchy. 23. Housing; Squatters; Do it yourself. 24. The Community of Scholars. 25. Technology, science, anarchism. 26.