Dda 25099 Booklet.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Dda 25099 Booklet.Indd dda 25099 The Debussy Ensemble Susan Milan flute Matthew Jones viola Ieuan Jones harp Ieuan Jones Matthew Jones Susan Milan made and printed in the UK divine art recordings group Bax, Debussy, Ravel, Mathias & Dubois Trios for flute, viola and harp dda 25099 Booklet.indd 1-2 9/5/12 14:37:05 Also from Divine Art: “Out of the Cool” – contemporary music for fl ute and piano Susan Milan & Andrew Ball méti er msv28510 “Music for Flute and Harp” from Bax, Dodgson, Harty, Alwyn, & Maw Emily and Catherine Beynon méti er msvcd92006 William Mathias: The Three String Quartets The Medea Quartet méti er msvcd92005 Arnold Bax (1883-1953) William Mathias: Celti c Dances (with Vaughan Williams Symphony 2) Nati onal Youth Orchestra of 1 Elegiac Trio Moderate tempo, smooth and fl owing 9.41 Wales/Owain Arwel Hughes Claude Debussy (1862-1918) diversions ddv24135 Sonate en Trio 17.42 William Matt hias: Piano Sonatas 1 & 2 (with music by John Pickard) Raymond Clarke 2 I Pastorale 6.51 diversions ddv24111 3 II Interlude 5.53 William Matt hias: Santa Fe Suite Rachel Dent 4 III Final 4.58 diversions ddv24138 Maurice Ravel (1875-1937) The divine art family of labels Sonatine en Trio arranged by Carlos Salzedo (1885-1961) 12.35 5 I Modéré 4.51 6 II Mouvement de Menuet 2.53 7 III Animé 4.51 William Mathias (1934-1992) A full list of over 300 ti tles, with full track details, reviews, arti st profi les and audio samples, is on our Zodiac Trio, Op. 70 18.00 website. Available at any good record store or direct from our secure web stores. 8 Moderato – I. Pisces allegro vivo 5.01 Divine Art Ltd., 3 Cypress Close, Doddington, Cambridgeshire PE15 0LE, UK 9 Moderato – II. Aries andante 6.43 Tel: +44 (0)1609 882062 email: [email protected] 10 Moderato – III. Taurus allegro alla danza 6.16 www.divine-art.co.uk Théodore Dubois (1837-1924) Diversions LLC, 62 Country Club Road, Brandon, VT 05733, USA 11 Terzettino Moderato 5.20 Tel: +1 802 465 4071 email: [email protected] www.divineartrecords.com Total CD duration 63.20 Printed catalogue sent on request Most ti tles also available in digital download through iTunes, Classics Online and at htt p://divineartdigital.downloadcentric.net WARNING: Copyright subsists in all recordings issued under this label. Any unauthorised broadcasti ng, public performance, copying or re-recording thereof in any manner whatsoever will consti tute an infringement of such copyright. In the United Kingdom, licences for the use of recordings for public performance may be obtained from Phonographic Performance Ltd, 1, Upper James Street, London W1R 3HG. 2 11 dda 25099 Booklet.indd 3-4 9/5/12 14:37:09 performed in the Purcell Room, St. Martin-in-the-Fields, Blackheath Halls, the Arnold Bax (1883 – 1953) CBSO Centre, Birmingham, the new Wales Millennium Centre and venues in France and Italy, as well as live on BBC Radio 3. He also performs in UK Elegiac Trio and throughout the world as a soloist and chamber musician. He is a member Moderate tempo: smooth and flowing of Ensemble MidtVest, (an innovative ten-piece chamber ensemble based in Denmark), the Instrumental Quintet of London and the Debussy Ensemble. Bax was profoundly disturbed by the war years 1914-1918 and by events in Ireland, and during this period he wrote a number of reflective works, including the atmospheric Ieuan Jones’ mission has taken him around the world, transfixing audiences with Elegiac Trio, with its haunting melodies and dance themes, reminiscent of Irish folk his richly characterful playing; in Spain they dubbed him “Esplendoroso Jones.” music. The work is in one continuous movement and it is interesting to note that it was premiered in 1917, shortly after the appearance of the Sonata by Debussy for the same His flair is founded upon a solid basis of technique, acquired over years of study combination. from the age of six to his studies at the Royal College of Music where he is now professor. Ieuan has performed in more than twenty-five countries, given concerto Arnold Bax was born in London into a wealthy middle class family of Dutch descent. He appearance with some of the world’s leading orchestras and has many recordings received his education at home and showed exceptional talents in music and literature. to his credit. He has received standing ovations from the Concertgebouw to The family lived in Hampstead and he received formal musical training from Cecil the Teatro Colon in Argentina, the Port Fairy, Barossa and Melbourne festivals Sharp and others at the Hampstead Conservatory followed by the Royal Academy of Music from the age of 16. Here he studied composition with Frederick Corder, the piano in Australia to the Cultural Centre in Manila, City Hall in Hong Kong and many with Tobias Matthay and the clarinet with Egerton. On leaving the Academy, he became more. In the UK, Ieuan appears at all of the major concert hall venues with one of the most prominent composers in England, his symphonies and tone poems varied programmes that include works rarely played on the harp and often with receiving performances by major orchestras and conductors. ensembles involving flute and strings. He is a member of the Debussy Ensemble and the Instrumental Quintet of London. Bax made Ireland his second home, returning annually to a small village in Donegal, where he found inspiration for his compositions, both musical and literary. As a Produced and engineered by Gary Cole writer he used the Irish pseudonym Dermot O’Byrne and published books and Recorded on 12/13 December 2010 at Oak Combe, Marley Common, Haselmere, UK poems, the latter strongly influenced by the Irish poet, William Butler Yeats. This Original Sound Recording made by Susan Milan and issued under licence. affinity with poetry is apparent in his musical compositions, which are complex and ℗ 2012 Susan Milan © 2012 Divine Art Limited colourful, often incorporating Irish folk melodies, as well as reflecting his interest Design: Stephen Sutton Photo of ensemble by Katie Vandyke in the Romantic and Impressionist genres. After the Second World War, Bax’s Butterfly images: Luberron Swallowtail by Dan Evans http://www.danevansphotography.co.uk Zodiac Trio published by OUP; Elegiac Trio by Chester Music; all other works Public Domain 10 3 dda 25099 Booklet.indd 5-6 9/5/12 14:37:09 compositions were widely performed and applauded, but there was subsequently Susan Milan a decline in performances until a recent resurgence of interest, which has resulted Former Principal Flute of the Royal Philharmonic Orchestra, Susan Milan in numerous recordings of his symphonies and chamber music. His musical output continues to travel, performing and giving master classes in USA, East Asia and was considerable and it is unthinkable that even today, his music is not more widely Europe. She can be heard regularly on BBC radio and has recorded for Chandos, appreciated. Upbeat, Da Capo, Omega, Denon, Cala and Metier labels. She has researched The Elegiac Trio is in one continuous movement, in a vividly Impressionist style. Bax and published 19th century repertoire for Boosey & Hawkes, Wilhelm Popp for refers to Irish folk melodies and evokes colourful pastoral scenes, the rippling waves Hunt Edition, written study books and cadenzas, and is presently restoring and and majestic themes of the harp complemented by the warm interaction of the flute processing for CD her collection of historic 78 recordings of flautists 1910-1945. and viola voices. Numerous composers have written for her and she is committed to commissioning and performing new works. She is a Professor and Fellow of the Royal College of Music. Her recital CD of contemporary British flute music with the pianist Andrew Claude Debussy (1862-1918) Ball was released in 2008 on the Metier label. She performs with three chamber ensembles: the Instrumental Quintet of London, Debussy Ensemble and Milan Sonate en Trio Trio. Susan is Director and founder of the British Isles Music Festival, where, Pastoral – Interlude (tempo di minuetto) – Finale (allegro) every summer, outstanding young musicians explore and perform chamber music under the direction of established performers and teachers. During the last three years of his life, Debussy set himself the task of writing six sonatas for various instruments or combinations. He completed three, the cello sonata, the Matthew Jones is an accomplished violist, violinist and composer. He studied sonate for flute, viola and harp and the violin sonata, in that order. The Sonate en Trio Mathematics at the Universities of Warwick and Bologna, Italy, graduating with combines three instruments whose individual timbres are each slightly mysterious and exotic. It is interesting to note that Debussy originally scored this for flute, oboe and one of the highest first class marks of his year, before being awarded a Senior harp. By replacing the oboe with viola we not only gain its warm tone and register, Exhibition to study at the Royal College of Music. As a qualified teacher of the but also a wide choice of effects unique to the string family, which combined with the Alexander Technique and Kundalini Yoga, Matthew gives courses abroad and rich frequencies of the flute and the ambiance of the harp makes this a tonally unique at the Royal College of Music, Trinity College of Music and Berkley School experience. The viola part displays a long list of instructions such as: sur le touché, sul of Music in Boston. His duo with the pianist Michael Hampton has emerged ponticello, otez la sourd, sur le chevalet, du talon and Debussy uses forte pizzicato in as one of the most successful viola duos in the world and he has recently the finale to add vitality, excitement and strength.
Recommended publications
  • Board Members Declarations of Interests for 2019-20
    BETSI CADWALADR UNIVERSITY HEALTH BOARD - BOARD MEMBERS DECLARATIONS OF INTERESTS FOR 2019-20 Name Details of positions held during the Decla Details of interest declared financial year ratio n Directors/Executive Directors Mr G Doherty Chief Executive G Spouse is employed by Health Education England. Mr S Dean Interim Chief Executive G Seconded civil servant employed by Welsh Government. Mr A Thomas Executive Director of Therapies and G Spouse is employed by Boots UK as an Health Sciences Accuracy Checking Technician. Mrs L Acting Associate Board Member A Spouse is the owner of Gwynedd Forklifts and Singleton Director of Mental Health and Learning GFL Access. Disabilities Independent Board Members Mr M Polin Chair G Spouse is employed by the Health Board. OBE QPM Mrs M W Independent Member and Vice Chair F, G Chair of Council, Bangor University. Jones Vice Chair of Arts Council Wales. Trustee of Kyffin Williams Trust. Trustee of Canolfan Gerdd William Mathias. Mrs L Reid Independent Member and Vice Chair C Committee Chair for the Primary Care (01.12.19 - 31.03.20) Appeals Service of NHS Resolution. Magistrate for the North Wales Criminal Bench Director of Anakrisis Ltd which provides specialist training and advisory services to NHS England, NHS Improvement and the Care Quality Commission Cllr C Carlisle Independent Member F, G County Councillor, Conwy Council. Deputy Chair, Clwyd West Conservatives. School Governor, Ysgol Bryn Elian. Member of the Conwy and Denbighshire Adoption Panel Mr J Cuncliffe Independent Member F, G Director of Abernet Ltd. Member of the Joint Audit Committee, North Wales Police and Crime Commissioner.
    [Show full text]
  • DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
    DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16.
    [Show full text]
  • Submitted to the Faculty of the Jacobs School of Music in Partial Fulfillment of the Requirements for the Degree, Doctor of Music, Indiana University December, 2015
    A HANDBOOK FOR INTRODUCING UNDERGRADUATES TO THE ORGAN AND ITS LITERATURE BY PATRICK EUGENE POPE Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University December, 2015 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Katherine Strand, Research Director __________________________________ Christopher Young, Chairperson __________________________________ Mary Ann Hart __________________________________ Marilyn Keiser September 17, 2015 ii Copyright © 2015 Patrick E. Pope iii ACKNOWLEDGEMENTS The writer wishes to acknowledge his organ teachers and professors, whose instruction led to a discerned need for this handbook and its creation: Donnie Beddingfield (1994-1998); William Bates (1998-2002); Marilyn Keiser (2002-2004); Todd Wilson (2008- 2009); and Christopher Young (2009-present). Their love and passion for teaching, performing, and researching has kindled the writer’s interest in the organ, its music, and its literature. The writer is a better musician because of their wisdom and encouragement. The writer wishes to thank the Reverend Kevin Brown, rector, and the parish of Holy Comforter Episcopal Church, Charlotte, North Carolina for their encouragement during the final stages of the doctoral degree. The writer wishes to thank the members of his doctoral research committee and other faculty for their guidance and professional support: Katherine Strand, research director; Christopher Young, chairperson; Janette Fishell; Marilyn Keiser; Mary Ann Hart; and Bruce Neswick. In particular, the writer is grateful to Professor Young for his insightful and energizing classroom teaching in a four-semester organ literature survey at Indiana University, in which the writer was privileged to take part during master’s and doctoral coursework.
    [Show full text]
  • Geoffrey Gilbert
    I Letters to the Editor 3 Why I Play the Flute John Francis 4 Developing Baroque Ornamentation Skills Berry Bang Mather 8 PAN I BFS Rules the World 12 The Journal of the British Flute Society Richard Adeney talks to The Editor 14 President James Galway Portrait Gallery 22 President for 1988 Patricia Lynden Vice President Albert Cooper ( Member's Platform 23 from 1st January 1988 I History Pages 25 Council: Edward Blakeman Chairman Reflections of a "London West End Super Juliet Keeling Secretary Mole" on four seasons in the Royal Opera Simon Hunt Ediror House Pit Patricia Lynden 28 Jenny Wray Membership Secretary Jonathan Myall Treasurer James Dower Events Co-ordinator 'Friend! Look for the first allegro': Trevor Wye Events Co-ordir~aror Some thoughts on the flute in Haydn's Andrew Thomson Publicity O//icer Symphonies Edward Blakeman 3 1 Adrian Brett Publiciry Oflicer Robin Soldan Educational and FIute Clubs Representative The Season in Malta Tom Cotterell 36 Susan Bruce Hon. Legal Adviser I Jonathan Pickford Hon. Auditor The British Flute Society was formed in January 1983. 1 The Flute Player in Art 38 from the constitution: 'The objects of the Society shall be to advance the education of the public I East Anglian Flute Group 39 in the Art and Science of Music and in particular the Art and Science of Flute playing in all its aspects by the presentation of public concerts Flute Events Section 40 and recitals and by such other ways as the Society through its Council I shaU determine from time to time.' Bath Summer School of Baroque Music 43 The Editor warmly welcomes contributions to Pan, and invites manuscripts - typed if possible - by post to 40 Portland Road, Lon- don W 11 4LG.
    [Show full text]
  • Volume 21 No. 1 March 2002 British Flute Society Address Book
    Presiderlt: Sir James Galway OBE The psychology of Vice-presihr: Albert Cooper cover is from the worlishops of sculptor flute teaching Acting Chairmat/: Kenneth Bell Jan van Nost and has been in the 24 grounds of Painswiclc House, Lucinda klackworth-Young shares Gloucestershire, since it was first some of the best-kept secrets of constructed in the 18th century. successful tlute teaching and ....................................... happy, motivated pupils. The Journal of The British Flute Society British Flute Society Sing alto flute! Volume 21 No. 1 Address Book 2 The sonoritv of the alto flute has 28 March 2002 enormous expressive possibilities. Carla Rees reveals its history and Editor& Committee Comment sings its praises in this first article Clare Roberts Editor 3 of a new series. Kenneth Bell ........................................ Christine Ring BFS news Brian Finnegan: a bit Helen Baker i\ new section to keep. .vou up to date 4 of a wizard with all BFS events, activities and 30 Contacting the BFS information, including memhers' noticeboard Funky tlute playing General enquiries ........................................ from a techno acrobat Kenneth Bell Acting Choir - to find out more E-mail: secretary@bfs,org.uk Flute news about the man and his Ben's diary, tlute days for young music, read I-Ielen- Membership enquiries 6 people, advice, rare crystal flute Louise Balter's interview John Rayworth A4en1bedip Secretary with the central figure The Nook, How Mill, of the folli band Flook! Brampton Letters ...................... Cumbria CA8 9JY Octotonic music, coping with Tel: 01228 670306 braces 11 Deafness no bar E-mail: [email protected] this flautist All telephone enquiries regarding BFS June playing The flute is the best thing that has ever membership should be directed day with happened to Ruth Montgomery.
    [Show full text]
  • O Holy Night
    O Holy Night London Choral Sinfonia Michael Waldron O HOLY NIGHT 1 O come, O come, Emmanuel Traditional arr. Andrew Carter 4.00 2 Sir Christèmas William Mathias 1.28 3 Lullay my Liking Carol Canning 2.18 4 Silent Night (Solo: Katherine Watson) Traditional arr. John West 3.27 5 Once in Royal David’s city (Solo: Charlotte Ashley) H. J Gauntlett arr. David Willcocks 3.48 6 Adam Lay Ybounden (Solo: Zoë Brookshaw) Peter Warlock 1.29 7 Alma Redemptoris Mater Peter Maxwell Davies 3.07 8 A Christmas Carol Richard Pantcheff 6.10 9 O Come, all ye Faithful J. F Wade arr. David Willcocks 5.07 10 There is no rose Thomas Wilson 4.46 11 The Child of Light Robert Saxton 3.24 2 12 Coventry Carol Jonathan Rathbone 4.00 13 Love came down at Christmas Humphrey Clucas 2.21 14 We Three Kings (Solos: Nick Pritchard, Dominic Kraemer, Samuel Pantcheff) Martin Neary 3.15 15 No Small Wonder Paul Edwards 2.49 16 Hark! the Herald Angels Sing Mendelssohn arr. David Willcocks 3.12 17 The Holy Boy John Ireland 2.43 18 O Holy Night (Solo: Katherine Watson) Adolphe Adam arr. Max Pappenheim 6.27 19 Tomorrow go ye forth Gabriel Jackson 2.35 20 Lo, He comes with clouds descending Thomas Olivers arr. Max Pappenheim 5.03 Total time 71.53 London Choral Sinfonia Michael Waldron 3 The world surely does not need another disc of Christmas music. When it became apparent that we might move forward with this LCS recording, I set out to find just about anything to record that was not Christmas repertoire.
    [Show full text]
  • Download Album Booklet
    CHRISTMAS WITH ST JOHN’S Christmas with St John’s unhurried, easy-flowing vernacular feel as Sansom’s powerful verses, and the overall For many people, the pleasures of the Christmas structure is equally effective; the melody is 1 The Shepherd’s Carol Bob Chilcott [3.40] season can be summed up in a single word: first presented by trebles alone before the 2 The Holly and the Ivy Traditional, arr. Henry Walford Davies [2.54] tradition. However, perhaps strangely for a other voices softly enter, one by one, gradually 3 Sir Christèmas William Mathias [1.33] world so steeped in the music and practices layering a serene pillow of harmonic suspensions. 4 O Oriens Cecilia McDowall [4.35] of centuries past, the English sacred choral The one fortissimo moment comes at the 5 Adam Lay ybounden Boris Ord [1.19] scene is as much about the new as it is the central climax, when all the vocal parts join 6 A Spotless Rose Philip Ledger [2.00] in homophony, for the first and only time, 7 The Seven Joys of Mary William Whitehead [4.45] old at this time of year; Christmas presents 8 Dormi Jesu John Rutter [4.56] a golden opportunity to present brand new to describe the angels’ voices. 9 Creator of the Stars of Night Plainsong, arr. John Scott [3.41] music to wide audiences, and the role played 0 I Wonder as I Wander Carl Rutti [1.46] by St John’s College Choir in this area has Henry Walford Davies’ popular 1913 q O Little Town of Bethlehem Henry Walford Davies [4.49] been significant, as demonstrated by this arrangement of The Holly and the Ivy sticks w I Saw Three Ships Traditional arr.
    [Show full text]
  • To Download the Full Archive
    Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.
    [Show full text]
  • Download Publication
    (~2C i ~c Co P / The Arts Council of Great Britai n Twenty fourth The Arts Council of Great Britai n s 105 Piccadilly annual report and account London W1 V OA U year ended 31 March 1969 01-629949 5 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE . FROM THE LIBRA] Membership of the council, committees and panels Council The Lord Goodman (Chairman ) Professor Sir William Coldstream, CBE, DLitt (Vice-Chairman ) The Hon . Michael Asto r Frederic R . Cox, OB E Colonel William Crawshay, DSO, T D Miss Constance Cumming s Cedric Thorpe Davie, OBE, LL D Peter Hall, CB E The Earl of Harewoo d Hugh Jenkins, M P Professor Frank Kermod e J. W. Lambert, DSC Sir Joseph Lockwoo d Colin H. Mackenzie, CMG DrAlun Oldfield-Davies, CB E John Pope-Hennessy, CB E The Hon . Sir Leslie Scarman, OB E George Singleton, CB E Sir John Witt Scottish Arts Counci l Colin H. Mackenzie, CMG (Chairman ) George Singleton, CBE (Vice-Chairman ) Neill Aitke n J . S . Boyl e Colin Chandler J. B . Dalby, OB E Cedric Thorpe Davie, OBE, LL D Professor T . A. Dun n David A . Donaldson, RSA, R P The Earl Haig, OB E Douglas Hall, FM A Clifford Hanley William Hannan, M P R . D . Hunter, MB E Ronald Macdonald Neil Paterso n Alan Reiach, OB E Professor D . Talbot Rice, CBE, TD, DLitt, FS A Dame Jean Roberts, DBE, DL, J P Alan Roger Ivison S . Wheatley Thomas Wilso n Welsh Arts Counci l Colonel William Crawshay, DSO, TD (Chairman ) Alex J .
    [Show full text]
  • GSMD Annual Viola Day 25Th October 2017 Report Guildhall School Of
    GSMD Annual Viola Day 25th October 2017 Report Guildhall School of Music and Drama held its annual Viola Day this year on Wednesday 25th October 2017, in the Silk Street Music Hall. It was a day celebrating all things viola with members of GSMD and a wonderful number of viola enthusiasts of all ages from across the country. As always, the day was packed full of events both familiar and with some new additions! Masterclasses and workshops We were delighted to welcome Jade McCarthy, a 16-year old violist originally from Bournemouth, to Guildhall where she played Glazunov’s Elegy beautifully in a masterclass with GSMD’s Head of Chamber Music Matthew Jones. German Clavijo, of the LSO and Liceu Opera Barcelona, put Guildhall students through their paces in orchestral excerpts. We were also delighted to welcome back once again Simon Rowland-Jones for a masterclass: works by Enescu, Rebecca Clarke and Hindemith were wonderfully explored. A new addition this year was a sight-reading session for all participants with LSO’s Robert Turner. Gathered in a circle, a large viola section was treated to en-mass sight-reading, getting a real feel for how it works in an orchestra section. Robert’s talk on the history, uses and techniques for sight- reading were a real eye-opener for everyone involved! We especially enjoyed the last excerpt from Star Wars – much harder than it looks on paper! Chamber music, arrangements and contemporary works As always, all the Guildhall students got involved performing viola ensemble works and arrangements, receiving coaching from Matthew Jones leading up to the day itself.
    [Show full text]
  • NFA 2021 Program Book Concert Programs 8 3 21
    THURSDAY Annual Meeting and Opening Flute Orchestra Concert Thursday, August 12, 2021 9:00–10:00 AM CDT Adah Toland Jones, conductor Kathy Farmer, coordinator Valse, from Sleeping Beauty Pyotr Ilyich Tchaikovsky (1840–93) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 1 Rêverie Claude Debussy (1862–1918) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 2 Talisman Alexandra Molnar-Suhajda (b. 1975) Out of the Chaos of My Doubt Gordon Jones (b. 1947) Interlude No. 3 Sierra Morning Freedom Jonathan Cohen (b. 1954) 2. Peregrine Bugler’s Dream Leo Arnaud (1904–91) 7 Decades of Innovating the Imagined: Celebrating the Music of Robert Dick Thursday, August 12, 2021 10:00–11:00 AM CDT Flames Must Not Encircle Sides Robert Dick (b. 1950) Lisa Bost-Sandberg Afterlight Dick Bonnie McAlvin Fire's Bird Dick Mary Kay Fink Book of Shadows Dick Leonard Garrison, bass flute Time is a Two Way Street Dick I. II. Robert Dick and Melissa Keeling High School Soloist Competition Final Round: Part I Thursday, August 12, 2021 10:00–11:30 AM CDT Amy I-Yun Tu, coordinator Katie Leung, piano Recorded round judges: Brian Dunbar, Luke Fitzpatrick, Izumi Miyahara Final round judges: Julietta Curenton, Eric Lamb, Susan Milan, Daniel Velasco, Laurel Zucker Finalists in alphabetical order: Emily DeNucci Joanna Hsieh Choyi Lee Xiaoxi Li Finalists will perform the following works in the order of their choosing: For Each Inch Cut Andrew Rodriguez (b. 1989) World Premiere Valse Caprice Daniel S. Wood (1872–1927) Sonata Francis Poulenc (1899–1963) 1.
    [Show full text]
  • Fusions1 Fusions: Earth, Water, Wind, Fire - Y Ddaear, Dŵr, Gwynt a Thân 1
    fusions1 Fusions: Earth, Water, Wind, Fire - Y Ddaear, Dŵr, Gwynt a Thân 1. Earth 2:29 2. Water 5:04 3. Wind 3:40 4. Fire 2:24 Matthew Jones viola ∙ Annabel Thwaite piano 5. Tŷ Ddewi 3:08 Matthew Jones viola ∙ Steffan Morris cello ∙ Annabel Thwaite piano 6. Notes from The Railway 3:29 Annabel Thwaite piano 7. Prayer on A Clear Day 3:41 Steffan Morris cello ∙ Annabel Thwaite piano 8. Suo Gân 4:38 Annabel Thwaite piano 9. In Fair Verona 2:48 Matthew Jones viola ∙ Annabel Thwaite piano 10. Afterwards 3:08 Annabel Thwaite piano 11. Doris and Ted’s Musical Overture 4:32 Annabel Thwaite piano 12. Hippy and The Dancer 3:02 Annabel Thwaite piano 2 Variations on a theme by William Jenkins 13. Variation I 2:27 14. Variation II 1:02 15. Variation III 1:13 16. Variation IV 0:48 17. Variation V 1:23 18. Variation VI 1:27 Annabel Thwaite piano 19. Iter Sine Caritate 3:17 Annabel Thwaite piano 20. (Before) Myfanwy 7:47 Steffan Morris cello ∙ Annabel Thwaite piano 21. Wernbwll 3:33 Annabel Thwaite piano 22. When You Are Old 8:31 Rhodri Prys Jones solo tenor ∙ Osian Wyn Bowen tenor Jack Parry tenor ∙ Edward-Rhys Harry baritone ∙ Gareth James bass Matthew Jones viola ∙ Annabel Thwaite piano cyfanswm / total 1:13:31 3 © John Downing MBE Downing © John 7 Dr Edward-Rhys Harry Ph.D, MA, MMus, PGCHE, PGDipMus.Tech, FRSA, MISM Edward works across the UK and internationally as a voice coach, adjudicator, composer, arranger and choral conductor.
    [Show full text]