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Vivid Sydney Media Coverage 1 April-24 May
Vivid Sydney media coverage 1 April-24 May 24/05/2009 Festival sets the city aglow Clip Ref: 00051767088 Sunday Telegraph, 24/05/09, General News, Page 2 391 words By: None Type: News Item Photo: Yes A SPECTACLE of light, sound and creativity is about to showcase Sydney to the world. Vivid Sydney, developed by Events NSW and City of Sydney Council, starts on Tuesday when the city comes alive with the biggest international music and light extravaganza in the southern hemisphere. Keywords: Brian(1), Circular Quay(1), creative(3), Eno(2), festival(3), Fire Water(1), House(4), Light Walk(3), Luminous(2), Observatory Hill(1), Opera(4), Smart Light(1), Sydney(15), Vivid(6), vividsydney(1) Looking on the bright side Clip Ref: 00051771227 Sunday Herald Sun, 24/05/09, Escape, Page 31 419 words By: Nicky Park Type: Feature Photo: Yes As I sip on a sparkling Lindauer Bitt from New Zealand, my eyes are drawn to her cleavage. I m up on the 32nd floor of the Intercontinental in Sydney enjoying the harbour views, dominated by the sails of the Opera House. Keywords: 77 Million Paintings(1), Brian(1), Eno(5), Festival(8), House(5), Opera(5), Smart Light(1), sydney(10), Vivid(6), vividsydney(1) Glow with the flow Clip Ref: 00051766352 Sun Herald, 24/05/09, S-Diary, Page 11 54 words By: None Type: News Item Photo: Yes How many festivals does it take to change a coloured light bulb? On Tuesday night Brian Eno turns on the pretty lights for the three-week Vivic Festival. -
Physical, Vocal and Imaginative Warm-Up
Mary Hartman Bard on the Beach Shakespeare Festival September 2015 SWwSP Conference Physical, Vocal and Imaginative Warm-Up Several people asked if I could include my warm-up in my handouts. As I imagined this, I thought the best thing I could do, at least on paper, was to simply write down what I say. I you haven’t participated in one of my workshops in which I’ve used the warm-up, it probably won’t make any sense. And just a reminder: I actually do everything with the students, usually while I’m giving the instruction, in an encouraging spirit of camaraderie. We start by standing in a circle. Please forgive the grammar; I’ve written this the way I speak. Oh, and please note: while some of you did ask for the language I use, I encourage you to identify the spirit of the language (encouraging? Playful? Non-judgmental?) and adapt the language to the way you would speak with those same qualities that you’ve identified as constructive. • Pick up a foot, and give it a little shake, to get the blood going in your foot, and to get the thought going in your foot. • Put that one down and give the other a little shake. And I did say, “thought”. • Now just continue warming up your feet in whatever way feels good for you while I talk. • It’s not actually that far-fetched that your feet can think. What do you have running through your entire body? Nerves. And what travels on those nerves? Little electrical impulses travelling to and from your brain, also known as thoughts. -
NEWS RELEASE – Early Details
NEWS RELEASE – VANCOUVER, B.C. , May 17, 2016 THE MERRY WIVES OF WINDSOR Joins Bard on the Beach’s 2016 Season Contact: Cynnamon Schreinert Tel: 604-802-2733 Email: [email protected] IN SHORT: Bard on the Beach Shakespeare Festival continues its 27th season with The Merry Wives of Windsor. This high-spirited comedy is a re-imagining of the award-winning 2012 production directed by Johnna Wright. The play runs from June 17 to September 24 on the BMO Mainstage. Tickets: 604-739-0559 or bardonthebeach.org. THE MERRY WIVES OF WINDSOR JOINS THE 27TH SEASON OF BARD ON THE BEACH IN FULL: Bard on the Beach Shakespeare Festival continues its 27th season with The Merry Wives of Windsor. Back after its award-winning 2012 run at Bard, this is a big, bold, rollicking romp full of high-spirited fun. Directed again by Johnna Wright, the ‘60s music-filled production is set in Windsor, Ontario and runs from June 17 to September 24 on the BMO Mainstage. THE STORY: It's 1968 in Windsor, Ontario. Everyone is gathered at the Garter Inn on a Friday night, where Pastor Evans (Andrew McNee) listens to Justice Shallow (David Marr) complain about a British ex-pat, Sir John Falstaff (Ashley Wright). In an effort to change the subject, Evans suggests that Shallow’s nephew, Slender (Ben Elliott), be matched with Anne Page (Hailey Gillis). At closing time, Falstaff confides in Bardolph (Victor Dolhai) and the Host (Anton Lipovetsky) that he’s broke and plans to seduce and swindle Mistress Ford (Amber Lewis) and Mistress Page (Katey Wright). -
Ftonews #220
Subject: FTONEWS #220 Date: Friday, 6 July 2007 12:35 PM From: ftonews <[email protected]> To: ftonews <[email protected]> Conversation: FTONEWS #220 --------------------------------------------------------------------------------------------------------- FTONEWS #220: --------------------------------------------------------------------------------------------------------- FTO NEWS CLUBLAND- Set to be a hit in the USA Production Investment Round 18 – EOI Deadline, July 16 FTO Projects Nominated for AFI Awards Stacks of Facts – New Edition, August Filming Restrictions – During APEC Forum, Sept Young Filmmakers Fund – Update Popcorn Taxi Screening – CASHBACK July 16 The Portable Film Festival – Application Deadline July 20 MetroScreen Multicultural Mentorship Scheme – Entries Deadline Aug 3 INDUSTRY NEWS Inaugural $25K Kit Denton Fellowship – Application Deadline July 6 MIFF International Forum – Applications Deadline July 8 SPAA News – x 3 Inside Film Awards – Entries Deadline July 27 TropFest at Tribeca – Entries Deadline Aug 10 14th WOW Film Festival – Entries Deadline Aug 16 Asian Festival of 1st Films – Entries Deadline Aug 31 --------------------------------------------------------------------------------------------------------- CLUBLAND- SET TO BE A HIT IN THE USA Arts Minister Sartor says CLUBLAND is charming local audiences and is now the first Australian film ever to open to U.S audiences on the major July 4 Independence Day holiday. The full release can be read online: http://www.fto.nsw.gov.au/content.asp?content=3&Id=454 CLUBLAND was supported by the FTO with Production Investment, Script development, funding and through the Production Loan Fund. --------------------------------------------------------------------------------------------------------- PRODUCTION INVESTMENT ROUND 18 – EOI DEADLINE, JULY 16 The latest deadline for Expressions of Interest for this production round at the FTO is 10.00 am Monday, 16 July 2007. Please advise the FTO via an EXPRESSION OF INTEREST (EOI) if intending to submit to this round. -
Crowdfunding and Independent Screen Content Production in Australia
Crowdfunding and Independent Screen Content Production in Australia A direct economic relationship between producer and audience Rebecca Laycock B.A.Com. and BMedia (Hons) Submitted in fulfilment of the requirements for the degree of Master of Arts (Research) School of Media, Entertainment and Creative Arts Creative Industries Queensland University of Technology 2015 Keywords Crowdfunding, crowdsourcing, digital distribution, film finance, government funding, independent film, screen content, Screen Australia 2 Abstract Crowdfunding is a new form of film finance that emerged in Australia in 2010 and is being used by independent screen content producers to raise finance for short film, documentary, television program, short animation and even feature-length production. This trend is seeing Australian independent content producers bypass traditional sources of finance by working with a model for finance that is outside, or perhaps alongside, traditional forms of film financing in Australia. In some cases, filmmakers are no longer solely waiting for government funding to green-light a project, they are initiating funds prior, during and after production to guarantee their film is produced. Independent screen content producers are also establishing a direct economic relationship between producer and audience and in so doing are simultaneously establishing a niche audience for their content. Crowdfunding is to an extent becoming a necessity, especially within a decreased national funding arts environment. However, to date there has been limited in-depth academic analysis of crowdfunding as a source of production finance for independent Australian screen content production, particularly in terms of government action, industry trends, and what areas of the broader screen industry are receiving crowdfunding. -
A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
Gary Doust - Bio
GARY DOUST - BIO Gary Doust is an award winning factual television Director and Producer. He recently worked as Series Director on NEXT STOP HOLLYWOOD, a 6 part observational series following 6 actors in L.A, for which he received an ADG nomination. He has just completed work as a Director / Writer on BLUE ZOO, a 13 part series for ABC3. Gary began his career in TV working as an Assistant Editor on BEYOND 2000 before cutting his teeth Producing and Directing a multitude of conference launch videos for really cool products such as Rectinol and Zithromax (for Chlamydia). His first TV project was MAKING VENUS, an observational feature documentary that followed the epic, roller-coaster journey of two young film producers as the making of their first low-budget feature spiralled out of control. The film premiered at the 2002 Sydney Film Festival where it was awarded a 'Mention Speciale' by the International Fipresci Jury. The film also won the ‘Independent Spirit Award’ at the Inside Film Awards and the ‘Documentary Jury Prize’ at the Film Critic Circle Awards of Australia, before receiving a national cinema release and premiering on SBS. His Directing / Writing credits include BATTLE OF THE BRAINS, a 4 part observational documentary series for ABC, which followed the highs and lows of 24 of Australia's brainiest Biology Students as they competed for a spot to represent Australia at the Science Olympics in Beijing. He also Directed and Wrote EMBEDDED WITH SHEIK HILALY, an hour long documentary for SBS that followed a guy named Dave, who attempts to live as a Muslim with controversial Islamic figure Sheik Hilaly. -
Bard on the Beach Extends Its Record-Breaking 29Th Season with Added Shows
NEWS RELEASE – VANCOUVER, BC, CANADA Bard’s Record-Breaking Season Extended With Added Performances Contact: Cynnamon Schreinert Tel: 604-802-2733 Email: [email protected] Bard on the Beach Extends Its Record-Breaking 29th Season With Added Shows July 30, 2018, Vancouver, BC: Bard on the Beach announced today that as a result of record-breaking demand for its ‘60s-inspired romantic comedy As You Like It, the Festival’s 29th season will be extended by a week to allow for added performances. The closing night for the Beatles-song-filled musical will now be on Friday, September 28, with four added performances in the extension week. Says Artistic Director Christopher Gaze, “This season has been an unprecedented hit. We’re breaking all our attendance records, and all four of our plays have resonated with critics and patrons. But As You Like It is a unique phenomenon. Its audiences are cheering with enthusiasm and excitement and it’s become a huge favourite with people of all ages, and from dedicated Shakespeare fans to those who don’t know Shakespeare at all! Performances are close to sold out through to September, and we want as many people as possible to experience the delights of this remarkable production. And we know a number of our patrons are seeing the show more than once! So we’ve made the decision to add shows, and extend our season by an extra week in Vanier Park – a first for the Festival.” Additional performances of As You Like It are scheduled for Tuesday, Wednesday, Thursday and Friday evenings, Sept 25-28, at 7:30pm. -
Sound in the Films of Rolf De Heer
AURAL AUTEUR: SOUND IN THE FILMS OF ROLF DE HEER. A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy by Published Papers in the Creative Industries Faculty at the Queensland University of Technology (QUT), Brisbane, Australia. Supervisors: Ms. Helen Yeates Lecturer, Film and TV, Creative Industries Faculty, QUT. Dr. Vivienne Muller Lecturer, Creative Writing and Literary Studies, Creative Industries Faculty, QUT. Associate Professor Geoff Portmann Discipline Leader, Film and TV, Creative Industries Faculty, QUT. Written and submitted by David Bruno Starrs BSc (ANU), PGDipHlthSc (Curtin), BTh (Hons) (JCU), MFTV (Bond), MCA (Melb). Self-archived publications available at: http://eprints.qut.edu.au/view/person/Starrs,_D._Bruno.html January 2009. Aural Auteur: Sound in the Films of Rolf de Heer. 2 Aural Auteur: Sound in the Films of Rolf de Heer. ABSTRACT. Aural Auteur: Sound in the Films of Rolf de Heer. An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of her or his films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-maker’s body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed by Rolf de Heer, asking the question, “Does his use of sound make Rolf de Heer an aural auteur?” In so far as the term ‘aural’ encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films. -
Beatles-Inspired 'As You Like It' at Bard on the Beach Summer Fest In
A production of “As You Like It,” starring Lindsey Angell and Nadeem Phillip, will play this summer’s Bard on the Beach fest in Vancouver. (submitted photo/David Cooper) Beatles-inspired ‘As You Like It’ at Bard on the Beach summer fest in Vancouver Tickets now on sale for four shows staged at Vanier Park from June to September TOM ZILLICH / Apr. 5, 2018 11:20 a.m. / ENTERTAINMENT / LOCAL ENTERTAINMENT Tickets went on sale today (Friday) for the 29th season of Vancouver’s Bard on the Beach Shakespeare Festival. Four plays, along with several special events, will be staged at Vanier Park from June 6 to Sept. 22. This year’s productions are main-stage showings of Macbeth and As You Like It, along with smaller-stage tellings of Timon of Athens and Lysistrata. The festival’s version of As You Like It is set in 1960s Vancouver, “and free spirits are escaping from Vancouver to get ‘back to the land,’” according to a description of the play on the festival website. “This joyful tribute to love, laughter and music features 20 classic Beatles songs, from ‘I Want to Hold Your Hand’ to ‘All You Need is Love,’ performed by the cast.” Timon of Athens is billed as “a provocative study of greed and false friends, directed by Meg Roe,” while Lysistrata’s script focuses on the first-ever women’s strike, in the hands of director Lois Anderson. Related special events this season include Bard-B-Q & Fireworks, Family Nights, Talkback Tuesdays, Wine Wednesdays and the Exploring Shakespeare Talks (one for each of the four plays). -
Editorial the Play's the Thing Wherein We'll Catch the Conscience of The
Editorial The Play’s the Thing Wherein We’ll Catch the Conscience of the Times by Kevin A. Quarmby. Published in 2018 Issue 1. TWENTY-FIRST-CENTURY REVIEWERS OF EARLY MODERN DRAMATIC PERFORMANCES, WHO APPRECIATE the vagaries of professional theatrical production, might feel justified in expressing delighted surprise at the topical politicized resonances they encounter on their nations’ stages. Surprise because, as anyone involved in the creative industries knows, the “opening night” of any performance is the culmination of months and months, in some cases years, of planning. Theatrical reviewing thus becomes an exercise in criticizing or praising an end product, not an entire process. A performance is both a birth and, inevitably, a slow though glorious death. We are invited to attend the culmination of this creative process. For political and social issues to dominate theatrical practice, creatives must be prescient in their undertakings, must tap into a collective zeitgeist without appearing too heavily to moralize or polemicize. With national division and polarization continuing to threaten our security and that of future generations, such politicization is inevitable, if not always completely successful. Often, however, we seem ignorant of the seer-like quality demanded by so many production houses. Why? Because theatres present us with fully-formed dramatic entities that allow us to ignore a play’s original amorphous literary state, its development in the minds of a creative few (producers, directors, designers), and its eventual realization by a group of actors. “The play’s the thing,” as Hamlet advises us, though a thing mature, vibrant, alive, and, most strange of all, tantalizingly ephemeral. -
Going Coastal
Roving stilt-walker - “nucleus bubbles” at Vancouver Folk Fest (Courtesy of Vancouver Folk Music Festival) Summer on the Coast is magical. Dazzling blue skies, mountain vistas and azure waters are the colourful palette for a wonderland of things to do—street fairs, open-air markets, festivals, outdoor concerts, sporting events—or simply sipping cocktails on a patio as you watch it all go by! Coastlines brings you the best of summer festivals and events across the West Coast. By Belinda Bruce 12 • July | August 2008 12-16_Feature_Jul08_Final.indd 12 6/13/08 12:59:14 PM Music For one magic weekend each July since Bop over to the renowned Vancouver Island 1977, thousands have flocked to the MusicFest ( July 11-13) on the Exhibition Vancouver Folk Music Festival (July Grounds in Courtenay to catch any of 200 18-20), rain or shine. At its balmy digs in King Lear musical performers play on five stages including Jericho Beach Park, this three-day open- (Christopher The Wailers, Taj Mahal, Earl Scruggs, The air event presents an eclectic blend of Gaze), the Fool Weakerthans and Elliot Brood. You’ll also folk, roots and world music on seven (Patti Allen), King Lear/Bard on the find instructional workshops, yoga sessions, an outdoor stages, framed by the dramatic Beach (David Cooper) interactive kidzzone, art displays, a beer and backdrop of ocean and mountains. cider tent, food and craft vendors and on-site Named one of the top 10 outdoor Theatre camping. INFO: www.islandmusicfest.com events in North America by USA Today, The 24th Annual Islands Folk Festival ( July the festival stacks up some world-class What could be more enchanting than watching 25-27) on the beautiful Providence Farm in entertainment each year.