THE HAGGIN MUSEUM BULLETIN Quarterly Newsletter for Museum Members Vol

Total Page:16

File Type:pdf, Size:1020Kb

THE HAGGIN MUSEUM BULLETIN Quarterly Newsletter for Museum Members Vol THE HAGGIN MUSEUM BULLETIN Quarterly Newsletter for Museum Members Vol. IX, No. 1 • Winter 2016 INSIDE THIS ISSUE COVER STORY: Childe Hassam, The Carriage Parade ................page 5 McKee Student Art Contest...............................page 6 1st & 3rd Thursdays..............................................page 3 2nd Saturdays......................................................page 2 MUSEUM EVENTS 15th Annual Zion Chamber Orchestra Festival Preview with Paul Kimball Saturday, January 9 3:00-4:00 p.m. The 2016 Zion Chamber Orchestra Festival (formerly Saint John’s) is a three-concert series that offers the finest music in an intimate, inviting setting featuring the best instrumental and vocal talent in the valley. Conductor Paul Kimball previews this year’s series which includes work by Mozart, Tchaikovsky, Handel, local composer Max Simonic, and movie favorites. Festival dates are January 17, 22, and 31 at Zion Lutheran Church, 808 Porter Ave, Stockton. For Conductor Paul Kimball more information visit zlcstockton.org. Modern Calligraphy: Brush Lettering Workshop Friday, February 27 10:00 a.m. to 1:30 p.m., $75 Phawnda Moore teaches traditional calligraphy with a modern twist using a watercolor brush marker. Learn the whole alphabet! Markers, paper and envelopes included with workshop fee. Contact the education department at (209) 940-6315 or education@ hagginmuseum.org for more information or to register. On the 2nd Saturday of each month, we hold for Families a hands-on event for families with children ages 5-12. Activities include art projects, interactive programs and Museum-wide events. Reservations are not required, but seating is available on a first come, first served basis. The Museum supplies all materials and activities are included with regular Museum admission. Contact the education department (209) 940-6315 or [email protected] for more information. Second Saturdays for Families this winter will put the ‘A’ for art in STEM (science, technology, engineering and math projects) to make STEAM! Light Up Spell Your Name Geometry Gets the Night with Chemistry Moving Saturday, Jan. 9 Saturday, Feb. 13 Saturday, March 12 1:30-3:00 p.m. 1:30-3:00 p.m. 1:30-3:00 p.m. Art meets technology when Using the periodic table of Color and create a children create a constellation that elements, students will construct a 3-dimensional shape called incorporates paper circuits. special sign that spells their name. a flextangle from a piece of paper. 2nd Saturdays for Families programming is generously underwritten by Joan W. Diehl. The Haggin Museum Members Bulletin 2 January-March 2016 st 1& rd with Food & Drink Complimentary3 wine from Weibel Family Vineyards & Winery and snacks courtesy of the Junior Women’s Group will be available beginning at 6:30 p.m. every 1st & 3rd February Thursday evening, when the Museum is open until 9:00 p.m. LIVE MUSIC These special evenings vary each month to include Pacific Avenue Clarinets live music, special guests and more. Make it a date! Thursday, February 4, 7:00 p.m. January The Pacific Avenue Clarinets’ distinctive collage of sound will send you on an aural adventure to Argentina, GALLERY TALK France, the USA, and Austria with canons, tangos, with Curator Bett Schumacher divertimentos and classic American literature. Jerry Criswell, Jeff Kumagai, Amanda Martin, Christina Thursday, January 7, 7:00 p.m. Severin, and Chris Steffanic make up the Pacific Avenue Clarinets, formed in 2013 by Patricia Shands, Professor Bett Schumacher, co- of Clarinet at the University of Pacific. curator of the exhibition Picasso, Miró & Hawaii- Five-0: Prints from the Jack GAME NIGHT Lord Collection, will offer her insights into the life and mind Thursday, February 18, 7:00 p.m. Pull up a chair and make a new friend. Play old of Jack Lord and some of the school favorites like Scrabble, Monopoly, Parcheesi, artists featured in the exhibit. Battleship and of course, Masterpiece. Schumacher’s engaging talk also details the curatorial March process and some important moments in the history of LIVE MUSIC printmaking. Current Personae Chamber LIVE MUSIC Thursday, March 3, 7:00 p.m. Jessica Siena Chamber/soul s band Current Thursday, January 21, 7:00 p.m. Personae is a Stockton- based collective led Join us for an by composer Joshua evening of American Washington. The soul standards and Italian band has released an arias by Bellini, EP, December Jane. The Donizetti, and chamber group will Puccini. Siena, a release an EP in the spring of 2016 titled The Temple. national finalist in the Metropolitan Opera National Council EXHIBITION OPENING Auditions, has been 85th Annual McKee hailed “…extravagantly Student Art Contest & Exhibition gifted…” by the Los Angeles Times. She has Thursday, March 17, 7:00 p.m. performed as a soloist with numerous symphonies around the state and recently An evening of kid-inspired art for grownups! Enjoy appeared as Rosalinde with the Stockton Opera Association. coloring books, Spirograph, string art and much more. The Haggin Museum Members Bulletin 3 January-March 2016 MUSEUM NEWS Update: Core Collection Enhancement Project Over the past two months, work on the remodeling, With the old Pioneer Room display cases removed, renovation and reinterpretation of the Museum’s core the gallery’s spaciousness was once again revealed. New art collection has focused on repurposing the Pioneer wall and floor treatments coupled with tostate theof the art Room from a history gallery to an art gallery. Staff spent LED lighting will make this an impressive—and fitting— October removing the graphics, paintings and a majority new home for the Museum’s paintings by Albert Bierstadt, of artifacts—on display since 1991—and placing them in Edward Lampson Henry, Thomas Hill, George Inness, storage. Thomas Moran, Julian Rix and other American artists. November witnessed the removal of the larger items: While planning the renovation of the Pioneer Room the bell and clockwork mechanism from the first San and other Haggin art galleries, the Museum’s I-Team (a Joaquin County Courthouse, the H.C. Shaw sulky gang committee representing members from the Museum's plow, the Globe Iron Works ore car, the Sterling Centrifugal various departments) has been participating in weekly Pump and Tillie Lewis’ famous “kettle.” Given that most meetings (with the support of Gallagher & Associates) to of these items weigh close to 1,000 lbs. (with the courthouse discuss the Haggin core collection and design the exhibits bell tipping the scales at an impressive 1,800 lbs.), a good for the renovated art galleries. This process has included deal of planning and care went into their transport. All working with scale models of the galleries, and Haggin have been relocated to other history galleries within the collection pieces, as well as producing elevation sheets museum. demonstrating potential exhibition designs and placement. AT LEFT: Sample elevation sheet provided by Gallagher & Associates. Elevation sheets are based on the I-Team's exhibition design The and planning meetings. The Pioneer Room, looking north, in early 1931. Nov. 19, 1991 - Tillie Lewis' kettle was Nov. 30, 2015 - The kettle, which does not Nov. 30, 2015 - The kettle was carefully brought into the Museum by crane. fit through some the Museum's hallways, placed in its new home in the Holt Hall. was brought out the front door in order to be relocated within the Museum. The Haggin Museum Members Bulletin 4 January-March 2016 COLLECTION HIGHLIGHT The Carriage Parade and Childe Hassam's Paris Years While redesigning the art galleries under current single moment in time by focusing on the more intuitive renovation, the Museum’s I-Team has been examining experiences of time and place. Hassam’s painting achieves the narrative content long attached to the core collection. this with the use of a low vantage point to draw the The I-Team has taken a specific viewer in, making them an active interest in how new exhibit designs participant in the scene, rather than will bring additional stories to the a mere spectator. Furthermore, forefront of the Haggin collection. Hassam implies the sense of infinity Through these discussions, many by cropping the edges of the scene. paintings in the Haggin collection The result is that the sounds, have been unanimously deemed temperature, bustle and emotional "anchors" to the Museum’s core spirit of the French city can be collection and the Haggin narrative. clearly imagined far beyond the These well-loved, historic Haggin frame of the painting. favorites have been so celebrated Louis Terah Haggin and his by the Haggin community, they wife Blanche Butterworth Haggin have become essential to any (parents of Eila Haggin McKee, the discussion about the meaning and Museum’s founding donor) spent a interpretation of the core collection. considerable amount of time living Childe Hassam’s The Carriage Parade between San Francisco, New York is one of those paintings. and Paris during the latter part of the Frederick Childe Hassam 19th century. The socially prestigious spent his formative years studying couple acquired paintings at art in Boston. Between 1886 and auctions, from art dealers and from 1889 Hassam lived in Paris and artists themselves, but they did not studied traditional academicism keep accurate records. While there at the popular Académie Julian. Upon arrival in Paris, are many gaps in Haggin records about how and when Hassam’s visually conservative techniques underwent a The Carriage Parade joined the collection, there are clear transformation that would influence the rest of his career, links between the artistic interests of Childe Hassam, earning him later prestige as one of the most successful Louis Terah and Blanche Butterworth Haggin. American Impressionists in history. The Haggins also spent a large part of the 1880s in Well beyond a traditional arts education, what Paris. It was likely their love of the modern Parisian Hassam found during those critical years in Paris was a lifestyle that so attracted them to Hassam’s work during community of French Impressionists who were involved this period.
Recommended publications
  • The Spectacular Art of Jean-Léon Gérôme
    OBJECT LIST The Spectacular Art of Jean-Léon Gérôme AT THE J. PAUL GETTY MUSEUM, THE GETTY CENTER June 15 – September 12, 2010 1. Jean-Baptiste Carpeaux (French, 1827 - 1875) 6. Jean-Léon Gérôme (French, 1824 - 1904) Portrait of Jean-Léon Gérôme, 1872 - 1873 Anacreon, Bacchus, and Cupid, 1848 Marble Oil on canvas Object [including socle]: H: 61 cm (H: 24 in.) Unframed: 134 x 203 cm (52 3/4 x 79 15/16 The J. Paul Getty Museum, Los Angeles, in.) 88.SA.8 Musée des Augustins. Toulouse, France, 2004.1.102, EX.2010.2.20 2. Jean-Léon Gérôme (French, 1824 - 1904) Head of an Italian Woman, 1844 - 1860 7. Jean-Léon Gérôme (French, 1824 - 1904) Oil on canvas Anacreon, Bacchus, and Cupid, 1878 - 1881 Unframed: 44.5 x 36 cm (17 1/2 x 14 3/16 in.) Bronze Bequest of Noah L. Butkin. The Cleveland Object: H: 76 x W: 22.9 x D: 17.8 cm (29 Museum of Art. Cleveland, Ohio, 1980.264, 15/16 x 9 x 7 in.) EX.2010.2.38 Musée Georges Garret. Vesoul, France, 890-2-1, EX.2010.2.76 3. Jean-Léon Gérôme (French, 1824 - 1904) Child's Head with Mask and Sword, 1844 8. Jean-Léon Gérôme (French, 1824 - 1904) Oil on canvas A Greek Interior, 1850 Unframed (tondo): Diam.: 52 cm (20 1/2 in.) Oil on canvas Terence and Katrina Garnett, EX.2010.2.56 Unframed: 64 x 88 cm (25 3/16 x 34 5/8 in.) Lady Micheline Connery, EX.2010.2.95 4.
    [Show full text]
  • Spires and Cathedrals Artistic and Poetic Renderings of Yosemite’S Divine Features
    Religion and the Arts 22 (2018) 95–113 RELIGION and the ARTS brill.com/rart Spires and Cathedrals Artistic and Poetic Renderings of Yosemite’s Divine Features Gregg Heitschmidt Surry Community College Abstract In the latter half of the nineteenth century, especially between 1859 and 1872, Union officers and enlisted men, scientists and explorers, artists and writers traveled west- ward. Surveyors appraised and mapped; expeditionary members explored and then wrote, hoping to convey the wonders they had witnessed. The western wilderness was an enormous expanse, one that as easily represented commercial possibilities as it did a new ideal. Nevertheless, the western wilderness also mesmerized and inspired, pro- voking a type of awe and wonderment in its languorous canyons, exploding fumaroles, bubbling hot springs, and soaring granite spires. From the Rockies to the Sawtooths, from the Cascades to the Tetons, the mountains of the American West mystified and hypnotized those who saw them. The Sierra Nevadas, in particular, became the locus for artists and writers. Their paintings and publications, in turn, inspired entire groups to travel to the Yosemite Valley in order to ponder the sublime beauties of Nature found there. Through the paintings and sketches of Albert Bierstadt and Thomas Moran, and through the meticulous journal entries and travel narratives of Clarence King and John Muir—whose work as a Naturalist eventually helped establish the Valley as a National Park—Yosemite captured the imagination of the American people, as its spires,
    [Show full text]
  • Delta Narratives-Saving the Historical and Cultural Heritage of The
    Delta Narratives: Saving the Historical and Cultural Heritage of The Sacramento-San Joaquin Delta Delta Narratives: Saving the Historical and Cultural Heritage of The Sacramento-San Joaquin Delta A Report to the Delta Protection Commission Prepared by the Center for California Studies California State University, Sacramento August 1, 2015 Project Team Steve Boilard, CSU Sacramento, Project Director Robert Benedetti, CSU Sacramento, Co-Director Margit Aramburu, University of the Pacific, Co-Director Gregg Camfield, UC Merced Philip Garone, CSU Stanislaus Jennifer Helzer, CSU Stanislaus Reuben Smith, University of the Pacific William Swagerty, University of the Pacific Marcia Eymann, Center for Sacramento History Tod Ruhstaller, The Haggin Museum David Stuart, San Joaquin County Historical Museum Leigh Johnsen, San Joaquin County Historical Museum Dylan McDonald, Center for Sacramento History Michael Wurtz, University of the Pacific Blake Roberts, Delta Protection Commission Margo Lentz-Meyer, Capitol Campus Public History Program, CSU Sacramento Those wishing to cite this report should use the following format: Delta Protection Commission, Delta Narratives: Saving the Historical and Cultural Heritage of the Sacramento-San Joaquin Delta, prepared by the Center for California Studies, California State University, Sacramento (West Sacramento: Delta Protection Commission, 2015). Those wishing to cite the scholarly essays in the appendix should adopt the following format: Author, "Title of Essay", in Delta Protection Commission, Delta Narratives: Saving the Historical and Cultural Heritage of the Sacramento-San Joaquin Delta, prepared by the Center for California Studies, California State University, Sacramento (West Sacramento: Delta Protection Commission, 2015), appropriate page or pages. Cover Photo: Sign installed by Discover the Delta; art by Marty Stanley; Photo taken by Philip Garone.
    [Show full text]
  • Museum Bulletin
    MUSEUM BULLETIN A Quarterly Newsletter for Museum Members Vol. X No. 4 • Fall 2017 IN THIS ISSUE EVENTS • 2, 3 & 4 AMERICAN IMPRESSIONISM • 5 ART GALLERY REVEAL • 6 & 7 On the cover | Jean Beraud Scene Place de La Concorde, 13 x 9 3/4,” 1880 MUSEUM EVENTS Flor y Canto | Saturday, October 28 at 1 - 4 pm Local artist and educator Eleazar Caballero hosts this year’s gathering of poets and singers to celebrate the community tradition of Flor y Canto or Flower and Song. This year’s performers will present expressions from the traditional to the contemporary. Cultural Festival with Hmong International Institute | Saturday, November 4 Save the Date! Join us for an afternoon of dancing, music, and other activities with the Hmong International Institute. For the Young at Heart: Preview of Hansel and Gretel | Sunday, November 19, 3 pm Based on the fairy tale published by the brothers Grimm, Humperdinck’s opera Hansel and Gretel never fails to delight audiences young and old. Join Maestro Peter Jaffe for a preview of the Stockton Opera’s production, anticipating the fully staged performances on January 12 and 14. To be sung in English, this timeless tale of enchantment is rich with the melodies and warmth of the Romantic tradition—the story comes to life with charm and a smile. Maestro Jaffe brings musical examples, taking us through the historical background, plot, and musical elements of this beloved favorite. Questions are welcomed at the end of the hour. Get creative at the Haggin! 2nd Saturday events are designed for children ages 5-12, and feature hands-on events for families.
    [Show full text]
  • Holt-Atherton Special Collections Vertical (Subject) Files Collection, 1855
    http://oac.cdlib.org/findaid/ark:/13030/c8cv4qpq No online items Finding aid of the Holt-Atherton Special Collections Vertical (Subject) Files Collection, 1855- Nicole Grady Holt-Atherton Department of Special Collections University of the Pacific Library 3601 Pacific Ave. Stockton, CA 95211 Phone: (209) 946-2404 Fax: (209) 946-2942 URL: http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections.html © 2013 University of the Pacific. All rights reserved. Finding aid of the Holt-Atherton MSS 340 1 Special Collections Vertical (Subject) Files Collection, 1855- Finding aid of the Holt-Atherton Special Collections Vertical (Subject) Files Collection, 1855- Collection number: MSS 340 Holt-Atherton Department of Special Collections University of the Pacific Library Stockton, California Processed by: Mia Watts Date Completed: 2019 Encoded by: Nicole Grady © 2013 University of the Pacific. All rights reserved. Descriptive Summary Title: Holt-Atherton Special Collections vertical (subject) files collection, 1855- Dates: 1855-2019 Collection number: MSS 340 Collector: Holt-Atherton Special Collections Collection Size: 7.5 linear feet Repository: University of the Pacific. Library. Holt-Atherton Dept. of Special Collections Stockton, California 95211 Abstract: The Vertical (Subject) Files Collection were collected over several decades by successive library staff. The collection includes such materials as correspondence, newsletters, pamphlets, brochures, events flyers, promotional material, news clippings, photos, ephemera or research papers including interviews. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.
    [Show full text]
  • Albert Bierstadt Reflects the Personality of the Hudson River School of Artists Because of His Influences and His Life in the Hudson River Valley
    Biography Slide Show Paintings Influences Historical Context Accomplishments Agenda: 1-Thesis- Corinne 2- Biography- Joli 3-Historical Context- Corinne 4-Paintings- Katie 5-Influences- Michelle 6-Accomplishments- Maureen 7- Slide show- Katie 8- Lesson Plan- Michelle 9- Itinerary- Joli 10- Website- Maureen 11- CliConclusion-CiCorinne 12- Bibliography Thesis Albert Bierstadt reflects the personality of the Hudson River School of artists because of his influences and his life in the Hudson River Valley. His paintings of the West reflects all of the knowledge he gained in the Hudson River School . Biography Born in 1830 near Dusseldorf, Germany. Family moved to America & settled in New Bedford, MA. At 20- decided on an artistic career. Went back to Dusseldorf to received training in painting. Returned to MA, at 27, with a passion for visualizing landscapes on a pretentious scale Organized an exhibition in New Bedford of 150 paintings 1857- The Boston Athenaeum bought The Portico of Octavia Rome 1858- joined the expedition along the Oregon Trail Alber t Biers ta dt Went on five subsequent westward treks, sketching mountain scenery in Wyoming, Colorado, Utah, Nevada, California, Oregon, Washington, and Alaska 1869-“Glen House”,workon , work on Emerald Pool Exhibited at Boston Athenaeum from 1859-1864, at the Brooklyn Art Association from 1861-1879, and at the Boston Art Club from 1873-1880 1860-1902- National Academyyg of Design, kept a studio in NYC from 1861-1879 Emerald Pool Chrysler Collection, Norfolk, Virginia, USA 1870 Biography… Created romantic visions of wonderment in the minds of Easterners Fulfilled America’s needs for new awareness of the romance of the western frontier “He filled his canvases with subliminal magg,nificence, which left the viewer in little doubt that all that is beautiful in nature is a manifestation of what’s divine.” Captured public imagination.
    [Show full text]
  • John Allan Walker Art Catalog Collection SPC.2007.007
    http://oac.cdlib.org/findaid/ark:/13030/c82b953d No online items Inventory of the John Allan Walker Art Catalog Collection SPC.2007.007 Greg Williams California State University Dominguez Hills, Gerth Archives and Special Collections 2011 University Library South -5039 (Fifth Floor) 1000 E. Victoria St. Carson, CA 90747 [email protected] URL: https://www.csudh.edu/libarchives/ Inventory of the John Allan SPC.2007.007 1 Walker Art Catalog Collection SPC.2007.007 Contributing Institution: California State University Dominguez Hills, Gerth Archives and Special Collections Title: John Allan Walker Art Catalog Collection Creator: Walker, John Allan Identifier/Call Number: SPC.2007.007 Physical Description: 186 boxes Physical Description: 59 Linear Feet Date (inclusive): 1882-2002 Date (bulk): 1919-2002 Abstract: This collection consists of art catalogs from museums, galleries, and other entities. first floor storage Language of Material: English . Conditions Governing Access There are no access restrictions on this collection. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Archives and Special Collections. Permission for publication is given on behalf of Special Collections as the owner of the physical materials and not intended to include or imply permission of the copyright holder, which must also be obtained. Preferred Citation [title of item] John Allan Walker Art Catalog Collection, Courtesy of the Gerth Archives and Special Collections. University Library. California State University, Dominguez Hills Scope and Contents The John Allan Walker Art Catalog Collection (1882-2002; bulk 1919-2002) consists of exhibition catalogs for art galleries, museums and other entities collected by John Allan Walker.
    [Show full text]
  • Haggin-Museum-Highlights-Tour.Pdf
    Main Level Thanks for visiting! MORE AT HAGGIN MUSEUM Holt Hall FREE FIRST SATURDAYS 1st & 3rd THURSDAYS Admission is free for all every first Complimentary food and drink are 6 available every 1st & 3rd Thursday Jennie Saturday of the month! West New 5 McKee evening when the Museum is California Hunter Gallery Gallery Gallery open until 9:00pm. Refreshments Room Rooms 2nd SATURDAYS FOR FAMILIES are served beginning at 6:30pm On the 2nd Saturday of each month, we and the program starts at 7pm. Vestibule hold a hands-on event for families with These special evenings vary children ages 5-12. Activities include each month to include live 3 4 1 7 art projects, interactive programs and music, special guests, and more. Haggin Museum-wide events. Reservations Enjoy free admission to these Gallery are not required, but seating is available special programs as a benefit of American Art membership! Hull Gallery on a first come, first served basis. Gallery 2 8 Main Entrance Upper Level Tuleburg 1 2 Gallery HIGHLIGHTS 1201 N Pershing Ave Stockton, CA 95203 TOUR (209) 940-6300 www.hagginmuseum.org There are ten key paintings featured in this self- guided tour. The selection of art can be viewed For more information about visitor experience activities, to join our mailing list, or to become a member, call (209) 940-6316 or email in an hour but will evoke food-for-thought long [email protected]. after. Cover Photos: “The Saturday Evening Post, Baseball Catcher” (cover May 15, 1909), J.C. Leyendecker, oil on canvas, Haggin Museum Collection; “Sophistication” (c.
    [Show full text]
  • Nature and Nostalgia in the Art of Mary Nimmo Moran (1842-1899)
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Nature and Nostalgia in the Art of Mary Nimmo Moran (1842-1899) Shannon Vittoria Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/700 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NATURE AND NOSTALGIA IN THE ART OF MARY NIMMO MORAN (1842-1899) by SHANNON VITTORIA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 SHANNON VITTORIA All Rights Reserved NATURE AND NOSTALGIA IN THE ART OF MARY NIMMO MORAN (1842-1899) by SHANNON VITTORIA This manuscript has been read and accepted for the Graduate Faculty in Art History to satisfy the dissertation requirement for the degree of Doctor of Philosophy. Katherine Manthorne _________________________ ___________________________________ Date Chair of Examining Committee Rachel Kousser _________________________ ___________________________________ Date Executive Officer Patricia Mainardi Sally Webster Helena E. Wright Supervisory Committee THE CITY UNIVERSITY OF NEW YORK ABSTRACT NATURE AND NOSTALGIA IN THE ART OF MARY NIMMO MORAN (1842-1899) by SHANNON VITTORIA Adviser: Professor Katherine Manthorne This dissertation is the first comprehensive study dedicated to the work of American painter-etcher Mary Nimmo Moran (1842-1899), an innovative printmaker and influential interpreter of the American landscape.
    [Show full text]
  • PAULA HOLTZCLAW FOLLOWING the VIBRANCY Ight up Front, the Painter Paula Holtzclaw (B
    BY CHARLES RASKOB ROBINSON TODAY’S MASTERS PAULA HOLTZCLAW FOLLOWING THE VIBRANCY ight up front, the painter Paula Holtzclaw (b. 1954) confesses, “I usually dive into my canvas. I start out with my intent, and some- times I carry it all the way through. But sometimes the painting begins to sail away from its charted course; I have to recognize the inspiration and go with Rit.” Occasionally this inspiration — what Holtzclaw calls “vibrancy” — is apparent, but at other times it takes a while to dis- cern. Holtzclaw has spent a lifetime learn- ing to embrace the vibrancy, which has itself shaped the course of her life. Born in North Carolina, Holtzclaw was exposed to art as a youngster through her grandmothers, both of whom painted. She still recalls the smell of art materi- als as they introduced her to the basics of drawing and painting. Holtzclaw remained interested in art, but life took her in other directions before she returned to it. In 1972 she enrolled at Western Carolina Univer- sity, but she married two years later and began working for a contact lens company in its Charlotte laboratory. In 1978 Holtz- claw gave birth to twin boys. When they entered preschool, she joined a large oph- thalmology group as a contact lens spe- cialist engaging directly with patients — a welcome change from the solitary work she had pursued in the lab. This preference for being with others would resurface later in her artistic career. Behind Holtzclaw’s soft-spoken South- ern charm is a keen competitiveness. “I have always found myself striving for higher goals,” Underway, 2017, oil on linen panel, 18 x 18 in., Anderson Fine Art Gallery, St.
    [Show full text]
  • Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth
    PAINTBOX LEAVES: AUTUMNAL INSPIRATION FROM COLE TO WYETH TYPE FLAGS GO HERE -- EDITOR PIC -- GG FEATURED Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth Friday, July 16, 2010 - 14:34 The fall landscape and paintings of its trees in full glory is often regarded as uniquely American. On September 25, the Hudson River Museum, Yonkers, opens Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth, which includes nearly 100 paintings from major museums and private collections and examines the narrative of the American artist’s fascination with autumn. Image: Event Date: Saturday, September 25, 2010 to Sunday, January 16, 2011 Event Type: Website: Exhibitions Press Release (text): The fall landscape and paintings of its trees in full glory is often regarded as uniquely American. On September 25, the Hudson River Museum, Yonkers, opens Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth, which includes nearly 100 paintings from major museums and private collections and examines the narrative of the American artist’s fascination with autumn. It was the Hudson River School painters who began the tradition of seasonal landscape painting, developing the notion of an American terrain enhanced by autumn color and the emotional response it provokes. But, while autumn landscapes celebrate color and bounty, they also foreshadow the bleakness of a winter to come, acting as scenic memento mori. There is one season when the American forest surpasses all the world in gorgeousness, wrote Hudson River School painter Thomas Cole in 1835, that is the autumnal; — then every hill and dale is riant in the luxury of color —every hue is there, from the liveliest green to deepest purple from the most —golden yellow to the intensest crimson.
    [Show full text]
  • Haggin Museum Volunteer Docent Description
    Haggin Museum Volunteer Docent Description Museum Mission: The Haggin Museum inspires present and future generations to appreciate the fine arts and regional history by engaging our visitors’ creative, social, and learning interests through exhibitions, programs, and events. Education Department Mission: The Haggin Museum provides a learning environment that engages the community and fosters the flow of ideas about history and the arts. Staff Coordinator/Supervisor: Lindsey Munzel, Director of Education; and Aly Kowalski, Education Assistant Description: Docents are trained volunteers who provide educational services for museum visitors. They provide a welcoming environment, guide visitors through the museum and programs, and help to care for the collections. The Haggin Museum focuses on the history of the city of Stockton, California, and San Joaquin Valley, American and European art c. 1850-1910, and features rotating temporary exhibitions. We offer programs for elementary, middle, and high school students, preschools, senior living facilities, and much more. To learn more about our programs visit www.hagginmuseum.org. Responsibilities & Duties: - Greet and welcome visitors. - Conduct museum tours for approximately one hour in length for audiences of diverse backgrounds with may include school-age children, young adults, educators, seniors, visitors with special needs, and those for whom English is not their first language. - Travel to local schools to lead Museum2Schools classroom programs. - Maintain the security of the collection during tours. - Lead tours and programs for which you are trained. - Continually be aware and keep informed about changes in the exhibits. - Represent the Haggin Museum in a professional and courteous manner to members of the visiting public. - Interact with program participants and visitors in a positive and engaging manner.
    [Show full text]