Kierkegaard and the Longing for God

Total Page:16

File Type:pdf, Size:1020Kb

Kierkegaard and the Longing for God KIERKEGAARD AND THE LONGING FOR GOD KIERKEGAARD AND THE LONGING FOR GOD By Glen Graham, B.A., M.A. A Thesis Submitted to the School of Graduate Studies In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy McMaster University ©Copyright by Glen Graham, September 2011 Ph.D. Thesis – G. Graham; McMaster University – Religious Studies DOCTOR OF PHILOSOPHY (2011) McMaster University (Religious Studies) Hamilton, Ontario TITLE: Kierkegaard and the Longing for God AUTHOR: Glen Graham, B.A (Canadian University College), M.A. (University of Alberta) SUPERVISOR: Professor P. Travis Kroeker NUMBER OF PAGES: v, 279 ii Ph.D. Thesis – G. Graham; McMaster University – Religious Studies ABSTRACT A large part of modern Western philosophy defines selfhood as the self’s ability to master itself and psychological wellbeing as the actualization of self-integration. However, as this thesis argues, Kierkegaard’s understanding of longing for God challenges this understanding human identity, especially as it is articulated by Kant and the German Idealists. Through an examination of Kierkegaard’s Concluding Unscientific Postscript and his religious discourses, the thesis argues that Kierkegaard’s theology of longing both undermines the modern psychology understanding of autonomous selfhood and preserves a qualified understanding of autonomy. The thesis argues that Kierkegaard’s theology has much in common with Augustine’s understanding of longing in The Confessions. For Kierkegaard, the longing for God is not just a heteronomous desire for self-annihilation in God. The longing in question is relational and intellectual; it is a response to God’s illuminative self-revelation and self-communicative love. But as relational, the life lived in longing for God is not wholly autonomous either. In prayer the soul experiences its own neediness and imperfections as it begins to experience God’s perfection. Broadly conceived, the thesis explores Kierkegaard’s understanding of this neither . nor . , that is, his understanding of a religious life lived neither fully autonomously nor fully heteronomously. The thesis argues further that much contemporary scholarship cannot take Kierkegaard’s relational understanding of the God-relationship seriously and therefore misinterprets his understanding of human identity. iii Ph.D. Thesis – G. Graham; McMaster University – Religious Studies ACKNOWLEDGEMENTS I would like to thank Dr. Travis Kroeker for his supervision throughout my time at McMaster University. His seminars were invaluable and his guidance during the thesis writing process was extremely helpful. I would also like to thank Dr. Peter Widdicombe and Dr. Zdravko Planinc. I am very much indebted to their seminars; their comments on early drafts of my thesis were very beneficial. I am grateful to my parents for their supportive encouragement as I completed this project. I am very thankful to wife, Rhanda, and daughter, Ellie. I could not have finished this thesis without their love and support. iv Ph.D. Thesis – G. Graham; McMaster University – Religious Studies TABLE OF CONTENTS Introduction 1 1. The “Misfortune” of Being: The Kierkegaadian Self and The Problem Of Moral Identity 24 2. The Wounds of Longing: Dis-Integration in Kierkegaard and Augustine 61 3. The Self Fights Back: The Struggle for Identity in Kierkegaard’s Four Upbuilding Discourses 145 4. Non-Combatancy: Longing and Surrender in Discourses at the Communion On Fridays 211 Conclusion 266 Bibliography 276 v Ph.D. Thesis – G. Graham; McMaster University – Religious Studies INTRODUCTION The longing for God is a desire that draws the self out of itself, out of body, out of mind, out of step with self and world. The experience of longing dispossesses and threatens the self’s very identity. Those religiously-minded individuals who actually live their lives in longing for God appear sick, dead to the world, indeed, as if plagued by a death-wish. However, as I argue in this thesis, for the Danish theologian and philosopher Søren Kierkegaard, the longing for God is not a sickness onto death but a way of life in God. From the perspective of modern or Western psychology such an understanding of longing is particularly problematic. A large part of Western philosophy is devoted precisely to the question of self-mastery. For instance, from a Kantian perspective, as I show in chapter one, autonomous selfhood is defined by the self’s ability to collect itself, to ward off the motions of the emotions, the “inclining” of the inclinations – anything that might lead the self out of itself and leave it dependent on uncontrollable external influences. And for Kant’s Idealistic successors (like Schelling), as I argue, selfhood is essentially defined by self-mastery. The self becomes a self, is a self, only in the struggle against itself. However, as I argue in chapter two, Kierkegaard’s understanding of the longing for God is fundamentally at odds with this anthropological and psychological framework, especially as it is articulated by Kant and the German Idealists. It is true that Kierkegaard often works with a certain understanding of psychological identity in mind. The characters he creates (his pseudonyms and the persons in his illustrative stories) are thoroughly Western and modern. Even if they are not philosophers themselves, they are 1 Ph.D. Thesis – G. Graham; McMaster University – Religious Studies individuals plagued by a loss of identity and defined by the very struggle to self- integrate. However, through an examination of Kierkegaard’s Concluding Unscientific Postscript and his religious discourses, I argue that Kierkegaard’s theology of longing both undermines the modern psychology understanding of autonomous selfhood and preserves a qualified understanding of individuality and autonomy. I argue that Kierkegaard’s theology has much in common with Augustine’s understanding of longing in The Confessions. For Kierkegaard, the longing for God is not just a heteronomous desire for self-annihilation in God. The longing in question is relational and intellectual; it is a response to God’s illuminative self-revelation and self-communicative love. But as relational, the life lived in longing for God is not wholly autonomous either. For Kierkegaard, God is the life of the soul; the soul is only alive insofar as it lives in God. A life lived in prayer is a life lived in longing for life. In prayer the soul experiences its own neediness and imperfection as it longs for God’s perfection. Broadly conceived, the thesis explores Kierkegaard’s understanding of this neither . nor . , that is, his understanding of a religious life lived neither autonomously nor heteronomously. In chapters three and four, I deal more specifically with Kierkegaard’s Christian theological understanding of longing in his discourses. As we shall see, Kierkegaard’s discourses themselves are instances of longing for God. The discourses are not merely critiques of modern anthropology or psychology; they are also symbolic interpretations of religious life. As interpretive, Kierkegaard’s discourses themselves require a reading attentive to symbolic meaning and narrative continuity. The aim in these chapters is to trace, through a close reading of Kierkegaard’s Four Upbuilding Discourses and 2 Ph.D. Thesis – G. Graham; McMaster University – Religious Studies Discourses from the Communion on Fridays, a narrative of longing comparable to Augustine’s in The Confessions. Kierkegaard’s critique of self-mastery is particularly well-defined here. Like Augustine, he shows how the struggle for self-mastery culminates in spiritual exhaustion and ultimately in self-annihilation. At first, the argument appears to be merely negative and dialectical. Kierkegaard essentially argues that a person needs to have a self in order to lose it in God. However, beyond this negative and dialectical understanding of selfhood (and here the comparison with Augustine gains traction), Kierkegaard traces another movement: a longing for life after mortification. This is a relational and dialogical understanding of the self, informed by Kierkegaard’s theology of the Logos. The understanding here is that God can share his Word because God is Word; that is, God is essentially communicative and not an impersonal force or emanation. Through prayer a person can begin to live in God’s self- communicative love. But this is a perpetual beginning, a perpetual education in God, an endless elongation of the self. For this reason, the life of prayer appears to be a kind of self-hatred. And yet for the one who submits to longing, as Kierkegaard shows, this life is joyful beyond measure; it is a life desired for its own sake. Here longing becomes a way of life, a desire that cannot (and does not want to) exhaust itself. As Kierkegaard entitles one of his upbuilding discourses, “To Need God is a Person’s Highest Blessing.” There is a certain analogy here between longing in human love-relationships and the longing for God, although the analogy will quickly reveal important differences. In good love-relationships the lovers ennoble each other; they grace each other with their presence. For this reason they learn to need each other; but the need is salutary because 3 Ph.D. Thesis – G. Graham; McMaster University – Religious Studies the lovers have begun to trust in the goodness of the relationship. The more intimate they become in communication, the more their need for each other grows. This need is a blessing; they rejoice over their neediness because their need is for some good. Moreover, they long to discover their mutual need without ceasing, to see each other with new eyes again and again. This longing to see better constantly separates and joins the lovers. The lovers draw apart (though not necessarily physically) in order to ache. In their mutual heartache, they begin to anticipate their renewed intimacy. They allow their hearts to ache so that they might discover their beloved other again -- as if for the first time. This movement of longing does not humiliate because the lovers truly do need each other; there is truth in their need.
Recommended publications
  • Longing for Recognition the Joys, Complexities, and Contradictions of Practicing Dietetics
    Longing for Recognition The Joys, Complexities, and Contradictions of Practicing Dietetics by Jacqueline Rochelle Gingras, PhD Longing for Recognition: The Joys, Complexities, and Contradictions of Practicing Dietetics Copyright © Jacqueline Rochelle Gingras All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form without the express permission in writing of the author and publisher. First published in 2009 by: Raw Nerve Books Centre for Women’s Studies University of York York YO10 5DD England www.rawnervebooks.co.uk The author has asserted her moral right to be identified as the authors of this work under the Copyright, Design and Patents Act, 1988. Copyright Permissions: The character, Ariana, is credited as the author of three poems in this story: ‘In Celebration,’ ‘Strain,’ and ‘One Owner.’ These poems were actually written by Lucy Aphramor, who has granted permission for the poetry to appear as represented. ‘Wonderinging’ and ‘Home Favourite’ have been previously published in arts informed. Permission has been granted by arts informed for these poems to appear here. British Library-in-publication Data. A catalogue record for this book is available from the British Library. ISBN: 978-0-9553586-5-4 Cover and book design by Hilary Kay Doran Printed and bound by: MPG Biddles Ltd, 24 Rollesby Road, Hardwick Industrial Estate King’s Lynn, Norfolk PE30 4LS UK To the uprising of students who have the courage to write of their lives. Acknowlegments There are many people I wish to acknowledge for their contributions and support in enabling this book to be made possible.
    [Show full text]
  • Production Images Released for the Argument
    IMAGE RELEASE – Friday 9 August 2019 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website PRODUCTION IMAGES RELEASED FOR THE ARGUMENT WILLIAM BOYD’S THE ARGUMENT MARKS THE FIFTH PLAY IN THEATRE ROYAL BATH’S SUMMER SEASON 2019 FROM ARTISTIC DIRECTOR JONATHAN CHURCH DIRECTED BY CHRISTOPER LUSCOMBE AND STARRING FELICITY KENDAL, SARAH EARNSHAW, ESH ALLADI, RUPERT VANSITTART, SIMON HARRISON AND ALICE ORR-EWING THE ARGUMENT PLAYS IN THEATRE ROYAL BATH’S MAIN HOUSE UNTIL 24 AUGUST IMAGES AVAILABLE TO DOWNLOAD HERE Theatre Royal Bath Productions today releases production images for William Boyd’s The Argument, directed by Christopher Luscombe. The Argument is a darkly comic play that delves into what it is to dispute with those we love and offers a biting take on human dynamics, starring Felicity Kendal, Sarah Earnshaw, Esh Alladi, Rupert Vansittart, Simon Harrison and Alice Orr-Ewing. The production runs in the Main House until 24 August with opening night for press on 14 August. Pip and Meredith are having a disagreement about a film they’ve just seen when Pip’s phone rings and a full-scale row about their marriage breaks out. In the course of ten arguments, we follow the repercussions, as Meredith’s parents, Chloe and Frank, her best-friend Jane, and Pip’s best-friend Tony, take sides and end up embroiled in arguments of their own. Vitriolic, razor-sharp and veracious, the arguments rake over past prejudices, expose unjust judgements and reveal difficult truths. William Boyd OBE (writer) is a novelist, short story writer and screenwriter. His many novels include An Ice Cream War, Restless and Sweet Caress.
    [Show full text]
  • Reading Group Sets in Isle of Wight Libraries
    Reading Group Sets in Isle of Wight Libraries July 2021 Reading Group Sets in Isle of Wight Libraries Only titles from this list are available. Titles from old lists are no longer available 84 Charing Cross Road by Helene Hanff ( 10 copies ) In 1949 Helene Hanff, ‘a poor writer with an antiquarian taste in books’, wrote to Marks & Co. Booksellers of 84 Charing Cross Rd in search of the rare editions she was unable to find in New York. Her books were dispatched with polite but brisk efficiency. But, seeking further treasures, Helene soon found herself in regular correspondence with book seller Frank Doel, laying siege to his English reserve with her warmth and wit. And, as letters, books and quips crossed the ocean, a friendship flourished that would endure for twenty years. 84k by Claire North (12 copies at Ryde) Theo Miller knows the value of human life - to the very last penny. Working in the Criminal Audit Office, he assesses each crime that crosses his desk and makes sure the correct debt to society is paid in full. But when his ex-lover is killed, it's different. This is one death he can't let become merely an entry on a balance sheet. Because when the richest in the world are getting away with murder, sometimes the numbers just don't add up. The Abortionist’s Daughter by Elizabeth Hyde (12 copies) Two weeks before Christmas, Diana Duprey, an outspoken abortion doctor, is found dead in her swimming pool. A national figure, Diana inspired passion and ignited tempers, but never more so than the day of her death.
    [Show full text]
  • Author Surname
    Author surname Author first name Title Genre Copies Abercrombie Joe Red country Fantasy 10 Shy South hoped to bury her bloody past and ride away smiling, but she'll have to sharpen up some bad old ways to get her family back, and she's not a woman to flinch from what needs doing. She sets off in pursuit with only a pair of oxen and her cowardly old stepfather Lamb for company. But it turns out Lamb's buried a bloody past of his own. And out of the lawless Far Country the past never stays buried. Ackroyd Peter Hawksmoor Crime 10 Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches, plans to conceal a dark secret at the heart of each church. 250 years later, detective Nicholas Hawksmoor is investigating a series of gruesome murders. Ackroyd Peter The Lambs of London Historical 10 Touching and tragic, ingenious, funny and vividly alive, this is Ackroyd at the top of his form in a masterly retelling of a 19th century drama which keeps the reader guessing right to the end. Adichie Chimamanda Ngozi Americanah General 10 From the award winning author of Half of a Yellow Sun', a powerful story of love, race and identity. As teenagers in Lagos, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. The self-assured Ifemelu departs for America. There she suffers defeats and triumphs, finds and loses relationships, all the while feeling the weight of something she never thought of back home: race.
    [Show full text]
  • Full Cast Announced for the Treatment
    PRESS RELEASE Friday 24 February 2017 THE ALMEIDA THEATRE ANNOUNCES THE FULL CAST FOR THE TREATMENT, MARTIN CRIMP’S CONTEMPORARY SATIRE, DIRECTED BY LYNDSEY TURNER CHOREOGRAPHER ARTHUR PITA JOINS THE CREATIVE TEAM Joining Aisling Loftus and Matthew Needham in THE TREATMENT will be Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. The Treatment begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June. The press night is Friday 28 April. New York. A film studio. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit. Martin Crimp’s contemporary satire is directed by Lyndsey Turner, who returns to the Almeida following her award-winning production of Chimerica. The Treatment will be designed by Giles Cadle, with lighting by Neil Austin, composition by Rupert Cross, fight direction by Bret Yount, sound by Chris Shutt, and voice coaching by Charmian Hoare. The choreographer is Arthur Pita. Casting is by Julia Horan. ALMEIDA QUESTIONS In response to The Treatment - where it’s material that matters – Whose Life Is It Anyway? continues the Almeida’s programme of pre-show discussions as a panel delves into the worldwide fascination with constructed realities in art and in life. When you sell your story is your life still your own? In the golden age of social media - where immaculately contrived worlds are labelled as real life - what is the cost? Can truth be traced in art at all? The panel includes Instagram star Deliciously Stella, Made In Chelsea producer Nick Arnold, and Anita Biressi, Professor of Media and Communications at Roehampton University.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • Server and Jounal-Keeper in Dodie Smith's I
    Postgraduate English www.dur.ac.uk/postgraduate.english Issue 29 September 2014 Editors Yuexi Liu and Hazel Monforton ‘I Write This Sitting in the Kitchen Sink’: The Novelist as Ob- server and Jounal-Keeper in Dodie Smith’s I Capture the Castle and William Boyd’s Any Human Heart Rachel Darling King’s College London 2 ‘I Write This Sitting in the Kitchen Sink’: The Novelist as Ob- server and Jounal-Keeper in Dodie Smith’s I Capture the Castle and William Boyd’s Any Human Heart Rachel Darling King’s College London Postgraduate English, Issue 29, September 2014 I don’t really want to write any more, I just want to lie here and think. But there is something I want to capture. It has to do with the feeling…the queer separate feeling. I like seeing people when they can’t see me. I have often looked at our family through lighted windows and they seem quite different, a bit the way rooms seen in looking-glasses do. I can’t get the feeling into words – it slipped away when I tried to capture it.1 Dodie Smith, I Capture The Castle (1949) We keep a journal to entrap that collection of selves that forms us, the individual human being…a true journal presents us with the more riotous and disorganized reality. The various stages of development are there, but they are jumbled up, counterposed and repeated randomly. The selves jostle for prominence in these pages…I am all these different people and all these different people are me.
    [Show full text]
  • Restless by William Boyd
    Restless by William Boyd ‘Death may occur this very afternoon.’- Marcel Proust Historical Background – Real Spies Restless is based on the little known fact that there were a huge number of British spies in America in1940. American society and the political climate were markedly different from today. Eighty percent of Americans were opposed to war; the government was anti-interventionist; and there was no ‘special relationship’ with Britain, as there is now. The British government under Churchill was desperate for the US to join them in the war effort, so they set up a massive ‘British Security Coordination’ (BSC) office in New York. The BSC’s role was to ‘persuade’ the American people to help Britain. Employing up to 3000 personnel, the BSC planted propaganda with journalists and newspapers, manipulated radio with fake news, and generally played up the Nazi threat. The episode in the novel with Nazi maps of the Americas, is authentic. Of course it wasn’t the BSC that turned the tide of American involvement – it was the Japanese attack on Pearl Harbour and Hitler’s declaration of war on the US. James Bond is possibly the most well-known spy in fiction. But author Ian Fleming admits that ‘Bond is a highly romanticized version of a true spy. The real thing is...William Stephenson.’ Stephenson was a Canadian war hero and spymaster who ran the BSC office in New York – and no doubt an inspiration for the characters in Restless. The BSC’s covert actions are not part of the official canon of heroic World War Two stories.
    [Show full text]
  • New Microsoft Word Document
    W. A. McCay Chains of Command While exploring a group of devastated class-M planets in a remote sector of space, the crew of the U.S.S. "Enterprise (TM) " is shocked to discover a group of human slaves on a forbidding, glacial world. When the slaves revolt against their human overseers, Captain Picard, and his crew sympathize with the slaves’ plight but cannot interfere in the conflict. After the revolt is a success, Captain Picard learns that both the slaves and the overseers were controlled by a mysterious bird-like race called the Tseetsk, who are coming to reclaim their property. With the time running out, the rebels kidnap Captain Picard and Counsellor Troi -- drawing the U.S.S. "Enterprise" into the middle of their deadly plan of vengeance. ( AS THE AWAY TEAM winked into existence on the planet’s surface, the luxuriant undergrowth stirred, riffled by a gentle breeze. Commander William Riker saw the leaves shiver in the gust, but he couldn’t feel it through his atmosphere suit. He glanced around. There was no sign of animal life in the pristine landscape. “No bugs,” he muttered. “Paradise for picnickers.” A laugh crackled in his ear. Riker turned and gestured impatiently at the other members of the team. “Let’s get on with the readings and samples.” He shifted uncomfortably in the suit. “Move, people, unless you want to spend your entire time planetside in these blasted things.” The young crew members burst into a flurry of activity, none of them eager to appear slow in front of their commander.
    [Show full text]
  • The Road Narrative in Contemporary American
    THIS IS NOT AN EXIT: THE ROAD NARRATIVE IN CONTEMPORARY AMERICAN LITERATURE AND FILM by JILL LYNN TALBOT, B.S.Ed., M.A. A DISSERTATION IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted Dean (C(f the Graduate School May, 1999 ACKNOWLEDGEMENTS I would like to thank my dissertation director, Dr. Bryce Conrad, for agreeing to work with me on this project and for encouraging me to remain cognizant of its scope and its overall significance, both now and in the future. Thanks also to committee member Dr. Patrick Shaw, who not only introduced me to an American fiction that I could appreciate and devote myself to in both my personal and professional life, but who has guided me from my first analysis of On the Road, which led to this project. Thanks also to committee member Dr. Bill Wenthe, for his friendship and his decision to be a part of this process. I would also like to thank those individuals who have been supportive and enthusiastic about this project, but mostly patient enough to listen to all my ideas, frustrations, and lengthy ruminations on the aesthetics of the road narrative during this past year. Last, I need to thank my true companion, who shares my love not only for roads, but certain road songs, along with all the images promised by the "road away from Here." 11 TABLE OF CONTENTS ACKNOWLEDGEMENTS ii ABSTRACT v CHAPTER I. INTRODUCTION 1 II. THE REALITY OF THE ROAD: THE NON-FICTION ROAD NARRATIVE 2 6 John Steinbeck's Travels with Charley: In Search of America 27 William Least Heat-Moon's Blue Highways: A Journey into America 35 John A.
    [Show full text]
  • Overcoming Loss in John Irving's a Prayer for Owen Meany Anthony Michael Koch Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-1993 "Remember Watahantowet?" : overcoming loss in John Irving's A Prayer for Owen Meany Anthony Michael Koch Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Koch, Anthony Michael, ""Remember Watahantowet?" : overcoming loss in John Irving's A Prayer for Owen Meany" (1993). Retrospective Theses and Dissertations. 17649. https://lib.dr.iastate.edu/rtd/17649 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. "REMEMBER WATAHANTOWET?": Overcoming loss in John Irving's A Prayer for Owen Meany / 9?3 by j<r/f c. / Anthony Michael Koch A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English (Literature) 4 Signatures have been redacted for privacy niversity Ames, lowa 1993 To Becky Sue For all of her kindness and encouragement and especially for putting up with me when things went badly. Ill TABLE OF CONTENTS CHAPTER 1: INTRODUCTION 1 CHAPTER 2: DEFINING JOHN IRVING 3 CHAPTER 3: THE EARLY NOVELS 24 CHAPTER 4: SUMMING UP AND MOVING ON 55 CHAPTER 5: OVERCOMING LOSS 92 WORKS CITED 114 ACKNOWLEDGMENTS 117 1 CHAPTER 1: INTRODUCTION John Irving's novels have attracted much attention since the publication of The World According to Garp in 1978.
    [Show full text]
  • Of Migrants and Men: Networks and Nations in the Millennial Bond Text
    Of Migrants and Men: Networks and Nations in the Millennial Bond Text EDWARD P. COMENTALE AND STEPHEN WATT “In this image [heimat] we, the countless million of migrants (whether guest workers, exiles, refugees, or intellectuals…) recognize ourselves not as outsiders but as vanguards of the future !ll we nomads share in the colla"se of settledness # - %ilém 'lusser, The Freedom of the Migrant: Objections to Nationalism (())*) “+he text is a fetish object and this fetish desires me +he text chooses me, b- a whole dis$ "osition of invisible screens, selective ba.es/ vocabular-, references, readability, etc.0 and, lost in the midst of a text. there is alwa-s the other, the author # - 1oland 2arthes, The Pleasure of the Text (3455) “Bond ceases to be a subject for "s-chiatr- and remains at the most a "h-siological object (exce"t for a return to "s-chic diseases in the last, unt-"ical novel in the series, The Man with the Golden Gun)…In the last "ages of Casino Royale, 'leming,in fact, renounces all "s-$ chology as the motive of narrative and decides to transfer characters and situations to the level of an objective structural strategy # - 7mberto Eco, The Role of the Reader: !xplorations in the #emiotics of Texts (3454) +hese three excer"ts suggest the intimatel- connected aims of this article on the evolution of 9ames 2ond in both contemporar- cinema and, more broadl-, the twent-$:rst centur- +hese aims, after %ilém 'lusser, might be termed assess$ ments of heimat construed not onl- as homes “encased in m-sti:cation# and Edward P.
    [Show full text]