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Gestures and Transmission Geste Et Transmission Interfaces Image Texte Language 40 | 2018 Gestures and Transmission Geste et transmission Electronic version URL: http://journals.openedition.org/interfaces/596 DOI: 10.4000/interfaces.596 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 December 2018 ISSN: 1164-6225 Electronic reference Interfaces, 40 | 2018, « Gestures and Transmission » [Online], Online since 21 December 2018, connection on 04 January 2021. URL : http://journals.openedition.org/interfaces/596 ; DOI : https:// doi.org/10.4000/interfaces.596 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. INTERFACES INTERFACES IMAGE TEXTE LANGUAGE IMAGE TEXTE LANGUAGE CONTENTS Sophie AYMES et Marie-Odile BERNEZ GESTURES AND TRANSMISSION Introduction Hélène IBATA 40 VOL Painting as Event: performance and gesture in late Turner Christina LAMMER Performing Surgery: Exploring Gestures in the Operating Theater Pascale BORREL Gestes de surface : Touching Reality de Thomas Hirschhorn et What Shall We Do Next? de Julien Prévieux - Claire GUÉRON “Never shake thy gory locks at me” (Macbeth, III.iv.50-51): INTERFACES Objecting to Gestures in Macbeth Claudie SERVIAN La danse étatsunienne du début du XXème siècle aux années 1980 : histoire d’une dichotomie entre mouvement et geste Paul BERNARD-NOURAUD Bras levés – Bras baissés. Sur une succession de gestes dans l’histoire de l’art Isabella WOLDT Ur-Words of the Affective Language of Gestures: The Hermeneutics of Body Movement in Aby Warburg Maurice GÉRACHT Reading Gestures in Valentin de Boulogne’s Paintings Judith HAZIOT SCHREIBER - La trace du geste en peinture à la lumière des sciences cognitives REVIEWS 2019 Marie-Odile BERNEZ Donald Friedman, The Writer’s Brush. Minneapolis, 2007, 457p. Garance DOR Aurore Després (dir.), Gestes en éclats. Art, danse et performance. Dijon : Les Presses du réel, 2016. 536pp. INTERVIEW Maurice GÉRACHT Donald Friedman’s Interviews : Writers as Visual Artists Derek Walcott discusses his painting and poetry Notes on contributors REVUE RECONNUE PAR LE CNRS Parnassus COLLEGE OF THE HOLY CROSS Award UNIVERSITÉ PARIS DIDEROT ISBN: 978-0-9831752-9-2 UNIVERSITÉ DE BOURGOGNE - Dijon 40 Editorial board Journal published by: the College of the Holy Cross (Worcester, Mass., USA), Université Paris-Diderot (France) and Université de Bourgogne-Franche-Comté (UBFC, France) Founding editor: Michel Baridon (Université de Bourgogne) Directors: Sophie Aymes (UBFC), Maurice A. Géracht (Holy Cross) Chief editor: Marie-Odile Bernez (UBFC) Editorial board: Carole Cambray (Paris-Diderot), Madigan Haley (Holy Cross), Véronique Liard (UBFC), Fiona McMahon (UBFC), Christelle Serée-Chaussinand (UBFC), Brittain Smith (Holy Cross), Shannon Wells-Lassagne (UBFC) Book Review Editor: Fiona McMahon (UBFC) Treasurer: Christelle Serée-Chaussinand (UBFC) La revue Interfaces a été fondée en 1991 par un groupe d’enseignants du département d’anglais de l’université de Bourgogne qui comprenait Michel Baridon (rédacteur en chef jusqu’en 2001), Yves Carlet (aujourd’hui à Montpellier), Layout design : Sharon Matys (Holy Cross) Jean-Pierre Durix (Université de Bourgogne), François Pitavy (aujourd’hui Emérite), Jean-Michel Rabaté (aujourd’hui Cover Art and Art Piece : Robert Beauchamp, Untitled, 1974. Powdered graphite wash, Litho crayon, 14" x 17" à Philadelphie), Michel Ratié (Université de Bourgogne). Advisory board Constatant le rôle de la culture visuelle dans notre civilisation, ces enseignants souhaitaient élargir le champ et les Stephen Bann (University of Bristol, UK), Catherine Bernard (Université Paris-Diderot, France), Pascale Borrel méthodes de leur enseignement en explorant la relation image/langage. Afin d’envisager cette relation sous l’angle (Université Rennes 2, France), Johanna Drucker (UCLA, University of California, Los Angeles, USA), Julie le plus large possible, ils souhaitaient ne pas la limiter aux échanges entre les arts et la littérature mais l’étendre à la Grossman (Le Moyne University, USA) linguistique et à l’épistémologie. John Dixon Hunt (University of Pennsylvania, USA), Philippe Kaenel (UNIL, Université de Lausanne, Switzerland), Liliane Louvel (Université de Poitiers, France), Frédéric Ogée (Université Paris-Diderot, France), Veronique Plesch La revue, qui est bilingue (français/anglais), a bénéficié, dès l’origine, du concours d’enseignants-chercheurs qui (Colby College, USA), Jean-Michel Rabaté (University of Pennsylvania, USA), Gabriele Rippl (UNIBE, University approuvaient sa démarche et ses objectifs: Maurice Géracht, professeur au College of the Holy Cross, Worcester, of Bern, Switzerland), Monique Tschofen (Ryerson University, Canada) Massachusetts, États-Unis, et Frédéric Ogée (Université Paris Diderot, Institut Charles V) qui reprenait la tradition du séminaire de civilisation d’André Parreaux dans cette université. Scientific policy La 3° de couverture présentait la revue dans des termes qui la définissent toujours: Interfaces est une revue annuelle, Interfaces is a bilingual (English/French) scholarly journal founded by Michel Baridon (University of Burgundy) in illustrée et bilingue, qui prend pour champ l’interface, la surface de partage, entre deux moyens d’expression différents 1991, edited by the College of the Holy Cross (Worcester, Massachusetts, USA), the University of Burgundy and the mais connexes: l’image et le langage. University of Paris-Diderot. It focuses on intermediality, on the relationship between text(s) and image(s), art and literature, history and visual sources as well as extending to the history of the visual arts and the epistemology of Interfaces a obtenu la reconnaissance du CNRS en 1995. images, especially in a comparative perspective in francophone and anglophone domains. The papers appearing in Interfaces focus on contemporary theoretical debates (digital creation and images, theories of adaptation, theoretical In 2010 Interfaces received the “Parnassus Award for Significant Editorial Achievement” from the Council of Editors advances, etc.) and the journal will broaden its ambit to include geographical areas that are under-represented in our of Learned Journals. fields of research (Africa, South America, Asia). Interfaces addresses specialists of various disciplines in the Humanities directly, but might also interest some science departments focusing on classes in epistemology and the history of the sciences, as well as specialists in adjoining fields like publishing. Interfaces moved online in 2018 and its editorial standards meet the requirements of open digital edition. INTERFACES IMAGE TEXTE LANGUAGE N°40 GESTURES AND TRANSMISSION Edited By Sophie Aymes et Marie-Odile Bernez College of the Holy Cross, Mass. Université Paris Diderot Université de Bourgogne-Franche-Comté Revue reconnue par le CNRS INTERFACES#40.indb 1 01/02/2019 10:57 INTERFACES#40.indb 2 01/02/2019 10:57 GESTURES AND TRANSMISSION TABLE DES MATIÈRES / TABLE OF CONTENTS Sophie AYMES et Marie-Odile BERNEZ Introduction ............................................................................................................................................................................................ 5 Hélène IBATA Painting as Event: performance and gesture in late Turner .............................................................................. 11 Christina LAMMER Performing Surgery: Exploring Gestures in the Operating Theater ........................................................... 29 Pascale BORREL Gestes de surface : Touching Reality de Thomas Hirschhorn et What Shall We Do Next? de Julien Prévieux ........................................................................................................ 55 Claire GUÉRON “Never shake thy gory locks at me” (Macbeth, III.iv.50-51): Objecting to Gestures in Macbeth ....................................................................................................................................... 67 Claudie SERVIAN La danse étatsunienne du début du XXème siècle aux années 1980 : histoire d’une dichotomie entre mouvement et geste ............................................................................................. 85 Paul BERNARD-NOURAUD Bras levés – Bras baissés. Sur une succession de gestes dans l’histoire de l’art ............................. 109 Isabella WOLDT Ur-Words of the Affective Language of Gestures: The Hermeneutics of Body Movement in Aby Warburg ................................................................................ 133 INTERFACES#40.indb 3 01/02/2019 10:57 Maurice GÉRACHT Reading Gestures in Valentin de Boulogne’s Paintings ................................................................................... 159 Judith HAZIOT SCHREIBER La trace du geste en peinture à la lumière des sciences cognitives ........................................................... 173 REVIEWS Marie-Odile BERNEZ Donald Friedman, The Writer’s Brush. Minneapolis, 2007, 457p. ........................................................... 197 Garance DOR Aurore Després (dir.), Gestes en éclats. Art, danse et performance. Dijon : Les Presses du réel, 2016. 536pp. ................................................................................................................. 203 INTERVIEW Maurice GÉRACHT Donald Friedman’s Interviews : Writers as Visual Artists ............................................................................. 209 Derek Walcott discusses
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