2013 Programme Bergen International Festival
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BIO MATHIAS EICK Norwegian Trumpeter/Multi-Instrumentalist
BIO MATHIAS EICK Norwegian trumpeter/multi-instrumentalist Mathias Eick is a thoughtful, ambient-leaning jazz musician. Born in 1979, Eick has performed with a variety of name players and is a member of the Trondheim Jazz Orchestra and the progressive jazz/electronic ensemble Jaga Jazzist. As a trumpeter, Eick is much in the tradition of such players as Kenny Wheeler, Chet Baker, Miles Davis, and Enrico Rava. Eick released his solo debut album 'The Door' on ECM in 2008. That same year he was also featured on guitarist Jacob Young's ECM release 'Sideways'. In 2011, Eick returned to his solo work with the more contemporary pop- oriented album 'Skala'. Third album on ECM - 'Midwest' - followed in 2015 and the latest release – ‘Ravensburg’ came out on ECM in 2018. While his earlier editions and musicianship have been characterized by a life spent travelling, constantly heading towards new goals and destinations, the album Ravensburg witnesses a mature artist finding his unique and distinguished musical expression. The album is a voyage back home, a reflection on his life situation, with music as an important impetus and his family as a foundation. About Ravensburg he muses: “My inspiration has been my family, my beloved, my little children who never stop to amaze me, and all the emotional situations we experience on the stage where we mostly hang around, that is home”. To Eick his life consists of jigsaw puzzle pieces. Thousands of them. Like those he and his siblings were given each Christmas by their German grandmother from the jigsaw puzzle town, Ravensburg. -
Romantic Piano Meets the Hardanger Fiddle: Edvard Grieg's Chamber
The International Edvard Grieg Society, Grieg Academy/Centre for Grieg Research University of Bergen and Edvard Grieg Museum Troldhaugen invite scholars and performers to the event Romantic Piano Meets the Hardanger Fiddle: Edvard Grieg’s Chamber Works and Solo Piano Music International Seminar and Workshop, Bergen, 26-29 October 2017 Edvard Grieg’s chamber and solo piano music includes some of the most important works of the 19 th century repertoire for strings and piano. As intriguing amalgamations of Romantic lyricism, European pianism, and the traditions of Norwegian folk music, they raise practical issues of performance and interpretation, which cannot be addressed solely by reading the edited scores. The focus area of this workshop and seminar will explore the creative interchange of folk and art music in performance traditions from Grieg’s time to the present. The event will combine academic lectures, practical demonstrations, master classes, individual teaching sessions, discussion forums, and performances. The aim is to bring artists together with researchers who are specialists on the performance practice of Romantic art music and Norwegian folk music, so that the workshop-seminars provide an opportunity for sharing knowledge and experiences of still quite separated areas. Invited guest scholars and performers: Clive Brown (University of Leeds, UK), Einar Steen-Nøkleberg (piano, Norway), Rolf Erdahl (Gustavus Adolphus College, Minnesota, USA), and Håkon Asheim (Ole Bull Academy, Norway). Participating staff from the Grieg Academy and Centre for Grieg Research: Ricardo Odriozola (violin), Signe Bakke (piano), Torleif Torgersen (piano), Einar Røttingen (piano), John Ehde (cello) and Arnulf Mattes (musicology). The performance workshops will be open to a limited number of active participants. -
Bergen Big Band Som Den Gyldne Sol Frembryter Mp3, Flac, Wma
Bergen Big Band Som Den Gyldne Sol Frembryter mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Som Den Gyldne Sol Frembryter Country: Norway Released: 2008 Style: Contemporary Jazz, Big Band MP3 version RAR size: 1621 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1547 mb Rating: 4.7 Votes: 871 Other Formats: MP3 APE MP4 DMF AIFF MP1 ADX Tracklist Hide Credits Folkevise 1 Arranged By – Jan Magne FørdeComposed By – Trad*Soloist, Alto Saxophone – Jan Kåre 4:42 HystadSoloist, Flugelhorn – Jan Magne Førde Som Den Gyldne Sol Frembryter 2 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Alto Saxophone – Olav 7:09 DaleSoloist, Guitar – Ole ThomsenVocals – Berit Opheim Herre Gud Ditt Dyre Namn Og Ære 3 Arranged By – Svein Henrik GiskeComposed By – Trad*Soloist, Tenor Saxophone – Ole 5:50 Jakob Hystad*Vocals – Kari Malmanger Syng I Stille Morgonstunder 4 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Piano – 'Erik Håkon 5:16 Halvorsen*Soloist, Trumpet – Are OvesenVocals – Eirik Lohne Rongved Jeg Ser Deg O Guds Lam Å Stå 5 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Bass Clarinet – Michael Barnes 6:42 Soloist, Trombone – Sindre DalhaugVocals – Berit Opheim Troll 6 6:17 Composed By – Jan Magne FørdeSoloist, Trumpet – Jan Magne Førde Langt Inn Paa Ville Hei 7 Arranged By – Vidar JohansenComposed By – Trad*Soloist, Alto Saxophone – Olav 8:31 DaleSoloist, Tenor Saxophone – Zoltan Vincze*Vocals – Eirik Lohne Rongved Fryd Dig Du Kristi Brud 8 Arranged By – Olav DaleComposed By – Trad*Soloist, Synth – Erik Håkon Halvorsen*Vocals 6:29 – Berit Opheim Å Hvor Salig Det Skal Blive 9 Arranged By – Reid GiljeComposed By – Trad*Soloist, Flute – Jan Kåre HystadVocals – Kari 5:08 Malmanger Lite Bane 10 4:59 Arranged By – Jan Magne FørdeComposed By – Trad*Soloist, Flugelhorn – Martin Winter Companies, etc. -
Møteinnkalling KU 020211
Møre og Romsdal fylkeskommune Møteinnkalling Utval: Kulturutvalet Møtestad: Møterom 102 Fylkeshuset i Molde Dato: 02.02.2011 Tid: 10:30 Forfall skal meldast til ekspedisjonen i kulturavdelinga, tlf 71 25 88 33, som kallar inn varamedlem. Varamedlem møter berre ved spesiell innkalling. Side 1 Saksnr Innhold Uoff KU-1/11 Årsrapport for kulturavdelinga 2010 - hovudrapport til kulturutvalet KU-2/11 Rapportering handlingsplan kultur 2010 KU-3/11 Handlingsplan kultur 2011 KU-4/11 Retningslinjer for tildeling av Tahiti-prisen KU-5/11 Søknad om driftsmidlar til Atlanten Kunstisbane KU-6/11 Tildeling Kunstnarstipend 2010 KU-7/11 Budsjett 2011 - driftstilskot til frivillige organisasjonar og kulturinstitusjonar KU-8/11 Fråsegn ny idrettsmelding KU-9/11 Evaluering av knutepunkta Olavsfestdagane i Trondheim og Molde Internasjonale Jazz Festival - høyring RS-1/11 Rekneskapsoversikt kulturutvalet 2010 RS-2/11 Kopi: Statstilskot for 2011 - tilskotsbrev - Teatret Vårt RS-3/11 Kopi: Statsbudsjettet 2011 - tilskotsbrev - Nordmøre museum RS-4/11 Kopi: Statsbudsjettet 2011 - tilskotsbrev - Sunnmøre Museum RS-5/11 Kopi: Statsbudsjettet 2011 - tilskotsbrev - Romsdalsmuseet RS-6/11 Kopi: Statsbudsjettet 2011 - tilskotsbrev - Kulturkvartalet RS-7/11 Kopi: Statsbudsjettet 2011 - tilskotsbrev - Nynorsk kultursentrum RS-8/11 Kopi: Statsbudsjettet - statstilskudd 2011 - Operaen i Kristiansund RS-9/11 Statstilskot til freda bygg og anlegg, kap 1429, post 72.2 for 2010 - freda stabbur på Åsskard, gbnr. 88/1, Surnadal kommune, omdisponering av tilskot frå våningshus -
Based Curriculum Design for Multicultural School Music: Reflections on a National Project in Guyana
Action, Criticism & Theory for Music Education ISSN 1545- 4517 A refereed journal of the Action for Change in Music Education Volume 14 Number 2 August 2015 Vincent C. Bates, Editor Brent C. Talbot, Associate Editor Research-Based Curriculum Design for Multicultural School Music: Reflections on a National Project in Guyana Rohan Sagar and David G. Hebert © Rohan Sagar and David G. Hebert. 2015. The content of this article is the sole responsibility of the authors. The ACT Journal and the Mayday Group are not liable for any legal actions that may arise involving the article's content, including, but not limited to, copyright infringement. Special Features: Download this document and then open it in Adobe Reader to view endnotes and citations by placing the cursor over the corresponding number or date. Action, Criticism, and Theory for Music Education 14(2) 145 Research-Based Curriculum Design for Multicultural School Music: Reflections on a National Project in Guyana Rohan Sagar Harpy Eagle Music Foundation, Guyana David G. Hebert Bergen University College, Norway Abstract This article reports on an applied ethnomusicological and historical study that guided the development of a new music curriculum for schools in Guyana, a multi- ethnic and postcolonial nation in Latin America. We establish our rationale with an introduction to Guyana and the status quo of its school music education, then embark on examining the socio-historical background: from Indigenous Peoples and the European settlement of colonial Guyana, to the arrival of Africans as slaves, and indentured servants from Portugal, China and East India. The diverse heritage of post-colonial Guyana, including distinctive creolization, is reviewed as a prelude to discussion of local music traditions and their representation in schools. -
Persbericht November 2019
Persbericht November 2019 THE WAVES Espen Sommer Eide in samenwerking met Mari Kvien Brunvoll, Martin Taxt en Jochem Vanden Ecker 15 November 2019 tot en met 2 februari 2020 in Marres, Maastricht. Geïnspireerd door de roman The Waves van Virginia Woolf, maakt de Noorse componist Espen Sommer Eide een gelijknamig ruimtelijk muziekalbum voor Marres dat zowel in het huis zal ‘leven’ tijdens de tentoonstelling, als op vinyl uitgebracht wordt. In het voorafgaande jaar aan de opening van The Waves, tussen de lopende tentoonstellingen door, zijn in de verschillende ruimtes van het huis van Marres nachtelijke optredens opgenomen in samenwerking met de stem Mari Kvien Brunvoll en Martin Taxt op microtonale tuba. Jochem Vanden Ecker werd uitgenodigd om het gehele proces te documenteren. Eide componeert met deze opnames een serie werken die elkaar opvolgen in de ruimte en zowel apart als gezamenlijk te beluisteren zijn. De muziekstukken voeren de bezoeker kamer voor kamer door het gebouw, de schaduwen van de nachtelijke optredens volgend, waarbij de geschiedenis van de desbetreffende ruimten uit de doeken wordt gedaan. Ze horen muziekstukken, melodieën en ritmes, waarbij de stemmen en perspectieven van de uitvoerende artiesten vermenigvuldigd vanuit meerdere hoeken tegelijkertijd klinken, als in een spiegelpaleis van geluid. De muziek verandert het gebouw in een plek waar talloze werelden mogelijk zijn - volledig gevrijwaard van de blik of aanwezigheid van een bepaald voor- of onderwerp. Voor de tentoonstelling maakt Espen Sommer Eide ook een nieuw instrument, ‘The Sonants’, speciaal ontworpen voor het huis van Marres. Een centraal geplaatst licht roteert in de ruimte en triggert de speakers wanneer de lichtsensoren geraakt worden. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
ÅRSMELDING 2019 20192019STIFTELSEN2019 MIDTNORSK JAZZSENTER (MNJ) Heidi Skjerve (Trondheim Voices) • Foto: Christina Undrum • Foto: Voices) Heidi Skjerve (Trondheim
1 mnj.no ÅRSMELDING 2019 20192019STIFTELSEN2019 MIDTNORSK JAZZSENTER (MNJ) Heidi Skjerve (Trondheim Voices) • Foto: Christina Undrum • Foto: Voices) Heidi Skjerve (Trondheim 2 3 mnj.no mnj.no INNHOLD: ORGANISASJON Kommentar: Stiftelsen Midtnorsk jazzsenter, stiftet 05.12.1997, SørTrøndelag og NordTrøndelag er fra 1.januar har organisasjonsnummer 979 602 669. 2018 slått sammen til det nye fylket Trøndelag. MIDTNORSK Vedtektene bør derfor oppdateres. JAZZSENTER STIFTERE / OPPRETTERE FRA SIDE Norsk jazzforum STYREARBEID Musikkonservatoriet i Trondheim, NTNU Styret hadde tre styremøter og behandlet 23 Molde International Jazz Festival saker i 2019. Blant sakene nevnes særlig: 03 Trondheim Jazzforum • Oppfølging av den pågående regionreformen LOKALISERING • Evaluering av den regionale turneordningen Midtnorsk jazzsenter er lokalisert i Dokkparken • Trondheim Jazz Expo 2019 TRONDHEIM 4 i Trondheim og har kontorfellesskap med Dokk • Vertskap for Norsk jazzforums landsmøte 2019 JAZZORKESTER huset Scene AS, Trondheim kammermusikk • Utdeling av støttemidler til musikere og FRA SIDE festival, Trondheim Jazzforum og Trondheim arrangører i regionen Jazzfestival. STYRETS MEDLEMMER 2019: 06 FORMÅL Styret i Stiftelsen Midtnorsk jazzsenter består av I vedtektenes § 2 er formålet med MNJ beskrevet følgende sju styremedlemmer med personlige slik: ”Stiftelsen Midtnorsk jazzsenter skal fremme varamedlemmer: kulturtilbudet innen jazzmusikk i Trondheim og TRONDHEIM regionen bestående av de tre midtnorske Styreleder: Per Axel Koch VOICES fylkene Møre og -
Iconographisk Post • Nordisk Tidskrift För Bildtolkning Nordic Review of Iconography Nr 1, 2021
Iconographisk Post • Nordisk tidskrift för bildtolkning Nordic Review of Iconography Nr 1, 2021. issn 2323-5586 pp. 41–66. Elisabeth Andersen Iconographisk Post Elisabeth Andersen, art historian at the Norwegian Institute for Cultural Heritage Nordisk tidskrift för bildtolkning Research (NIKU), Oslo, Norway. Nordic Review of Iconography Email: [email protected] Svevende dåpsengler Nr 1, 2021 Flying Baptismal Angels innehåll / contents Abstract: Flying, or descending baptismal angels served as mobile sculptures and hung from the ceilings of churches, in the areas between altars and pulpits. The angels “came to life” during the Baptism service: by means of a special mechanism located in the at- Förord / Editorial 3 tic, they were made to descend before the eyes of the congregation, holding the font in Sebastian Selvén 7 one or both hands. The angels were carved in wood, often in human size, painted and “Går jag till sängs med tolv Guds änglar ...”: den judisk-kristna konsten gilded. Their hair and clothes were sculpted as fluttering in the wind while the wings att somna och avsomna i bild och bön were poised to flap. They started to appear in the middle of the 17th century in north Germany, and peaked in popularity in the 18th century, mainly around Saxony, Po- Elisabeth Andersen 41 merania and Prussia, Denmark, Sweden and Norway. Despite the marvel and fascina- Svevende dåpsengler tion of these animated angels, they also elicited feelings of discomfort, and sometimes even horror. Peter Gillgren 67 They could also be troublesome for the clergy and were therefore removed from Wendelius teckningar föreställande Esters historia. -
March–May 2019
The magazine of the Anglican Chaplaincy in Norway MARCH–MAY 2019 Illustrations of Bergen landmarks by Evan Huang, Taiwan. See article inside (page 8). Top: St Mary’s Church (Mariakirken) Bottom: The Wharf (Bryggen) Who’s Who SENIOR CHAPLAIN The Revd Darren McCallig 22 69 22 14 c/o The British Embassy [email protected] ASSISTANT CHAPLAINS The Revd Peter Hogarth 51 55 54 88 [email protected] 48 60 40 61 The Revd Jan Jensen (locum chaplain, until 28 April) 94 86 26 04 Kongsgårdsgata 2, 7013 Trondheim [email protected] The Revd Kirk Weisz (locum chaplain) 41 43 13 21 Breistølen 40, 5034 Bergen [email protected] CHAPLAINCY SAFEGUARDING Sharon John [email protected] OFFICER (assistant safeguarding officers shown with this symbol) READERS IN TRONDHEIM Priscilla Beck 73 93 81 50 Susan J Boyd 72 58 52 69 READER IN BERGEN Iris Evans-Bjørnø 55 18 67 34 ARCHDEACONRY SYNOD Ingeborg Wörheide (Oslo) 66 80 81 36 REPRESENTATIVES Linda White (Trondheim) 48 20 01 95 Susan Gjerde (Bergen) 55 32 18 47 Rumi Achije (Stavanger) 96 83 71 93 CHAPLAINCY CHURCHWARDENS Gregory Norton, John Glazebrook [email protected] ASSISTANT CHURCHWARDENS Eirik Duerr (Bergen), Sarah Warner Vik (Trondheim) FORSTANDER Ingeborg Wörheide 66 80 81 36 OTHER COUNCIL MEMBERS Jill Almvang, Terry Bevan, Pamela Brooks, Hilde Chapman, Andrew Lane (Hon Sec), Mamae Wikiriwhi Sigrid Kvaal (Hon Treasurer) 22 46 07 53 YOUTH GROUP OSLO Anne-Grete Larsen YOUTH & CHILDREN STAVANGER Denise Johnson-Joakimsen [email protected] 95 28 23 88 -
Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof. -
WEGART NOVINKY – DECEMBER 2010 – 2. Časť
WEGART NOVINKY – DECEMBER 2010 – 2. čas ť Brian Eno – Small Craft On A Milk Sea (Warp) Brian Eno a Warp sa kone čne spojili. Obe mená majú rovnaké miesto na panteóne elektronickej hudby, takže je to úplne logické pretnutie. Eno tento žáner definoval a Warp zmapovali to najdôležitejšie z elektronickej scény za posledné 2 dekády. Nový album je výsledkom nieko ľkoro čnej spolupráce Ena s 2 mladými skladate ľmi, Jonom Hopkinsom a Leom Abrahamsom. Je to atmosferická nahrávka, ktorá prechádza od Enových charakteristických ambientno-éterických zvukov až k dynamickejším polohám s dominujúcou gitarou. Tento kohézny album by sa mal po čúva ť ako celok, v ktorom sa dá postupne vystopova ť zrete ľná emocionálna trajektória každej skladby. CD 16,00 € (482 SK) Kat. č. WARPCD207 Peter Broderick – Music For Falling FromTrees (Erased Tapes) 30-minútová kompozícia, ktorú Peter Broderick zložil pre projekt sú časného tanca londýnskej choreografky Adrienne Hart. Tanec rozpráva príbeh muža v psychiatrickej lie čebni, ktorý bojuje o zachovanie vlastnej identity. Ke ďže Adrienne h ľadala soundrack založený na klavíri a slákoch, Peter odložil gitaru a spev a sústredil sa výhradne na tieto nástroje: "Rozhodol som sa vzia ť to doslovne a vytvoril som pravidlo nepouži ť žiadny iný nástroj. Ak bol v scenári napriklad zvuk tikania hodín, vytvoril som ho búchaním na telo huslí svojimi nechtami." Výsledok ponúka hudbu, ktorá je miestami melancholická, miestami hravá či chaotická, no v prevedení zvolenej kombinácie nástrojov je vždy plná krásy, vážnosti a úžasu. CD 15 € (452 Sk) Kat. č. ERATP015CD Wildbirds & Peacedrums – The Snake (The Leaf Label) Už debutový album experimentálneho švédskeho dua Wildbirds & Peacedrums priniesol skupine pozitívny ohlas, ako aj prestížne ocenenie Jazz In Sweden za najlepší jazzový akt roka 2008.