THE DIAPASON AN INTERNATLONAL MONTHLY DEVOTED TO THE ORGAN AND TlIE /:\'TERESTS OF ORGASISTS

S;x fy,uculld l'ear No.6 - Wilole No. 738 MAY. 1971 Subscriptions $4.00 a year - -10 re,,'s a coJJ)' l ------was a tie between John Kuuua of ully member at the University of Mich­ Champaign. Illinois, and Rickey Ross igan; Donald McDonald. professor of Winners Announced in o[ Orlando, Florida, currently a stu­ organ at Westminster Choir College, dent at Southern Methodist University. Princeton, N.].; and Oswald Ragan, pro· Dallas, Texas. fessor of organ and chairman of the Fort Wayne Contest Other finalists in the competition in· organ department at the school of duded Stephen Kowalyshyn of Ellicou IUlIsic . Indiana University. Cit)" Md .• a student at Peabody Con· The final contest3nlS were chosen Antoinette Wilulwo, 24. of Amherst, cuse University, and she will receive 5en'atory, Baltimorej Larry Smith of (rom entries from 28 different states. Virginia, was named winner of the her Master of Music degree in organ in D~ Moines. Iowa: Carole Terry of The contest is partially underwricten Twelfth National Organ. Playing Com· June. She is a ItudeU( of Donald C'ptain's Neck Lane, South hampton, by a grant from the First Presbyterian petition sponsored by the First Pres· Sutherland at Syracuse. She began her NY., a student at Southern Methodist Church Foundation of Fort Wayne. byterian Church, Fort Wayne, Indiana. org:m 5tudy with John Shannon at Unh-trsity: and Anna Thompson of Members of the church's music starr Miss Wikswo competed against seven Sweet Briar College, Virginia, and Wichita, Kansas, currently a studellt include Lloyd Pinkerton, minister of other finalists selected from the origi· studied later with David Boe at Ober­ at the University of Oklahoma. mllsic. and Jack Ruhl. organist. Mr, nOll 61 contestants in the finals held lin Conservatory of Music. Following Judging the contest fin31s were Richard Bibler is the Music Series Saturday. March 27. She was awarded her graduation from Sweet Briar Col· Rohert Glasgow, school of music be· Committee chainnan. a cash prize of $500 and will give a lege/ she wt-nt to Paris for study with recital at First Presbyterian Church on Marie·Claire Alain. She is presently or­ April 27 as one of the artists in the ganist and choir director at the United Finali,',: (.'anding I. 10 r.' Ri,hy ROI', David Runner. John Kuzma, S,ephen 1C0walYlhyn; Church Music Series sponsored by the Church of Fayetteville, New York. (sea'ed) Anna Thomplon, Carole rerry. An'oineHe Wilr.wo. and larry Smi,h church. Miss \Vikswo was not origi­ Runner·up in the competition was nally selected as a finalist in the com­ David Runner of Boise, Idaho, cur­ petition, being rated ninth in the pre­ rently a graduate student at Eastman liminary judging. Due to illness, one School of Music. Runner was named of the other fin;J.lists was not able to runner·up in the same competition in compete in the final competition, and, 1968. He was awarded a C3.sh prize of with one week notice, she entered the $300. Third place in the competition final! and went on to win the com­ petition. Le": winner An'a;neU. Wilr.wCl MiS! Wib",o Is a student ;J.t Syra'

Additions to the \'ersity, School of Music, 1899 North CHOATE SEMINARS FEATURE ROGER WAGNER TO CONDUCT College Rd., Columbus, Ohio .j3210. BERNARD AND MIRE/llE LAGAC~ WESTMINSTER CHOIR Checklist of Summer Boston University at Tanglcwood, Conferences, Workshops & ~[ass., The ChoJOlI Conductor as Singer: The Choate Music Seminar. July Roger W3gner and The Westminster the Singer ;as Choral Conductor, June 18 through 31, will offcr a wide va· Choir, two of the most prestigeous Related Activities 27·July 17; Robert Gartside. Write: Bos­ ricty of keyboard stud)" 10 advanccd names in choral music, have joined Ion University Tanglewood Institute keyooard students under the tutelage forces for the 1971-72 concert season, JUNE M·2. 855 Commonwealth Ave., Room of Bernard and MireHie Lagace. ln lhe and will he touring together. Wagner, 204, Boslon, Mass. 02215. Concordia TClchen College, River morning master classes, Bernard Lagace founder oC the world·renowned Roger FOre!t, Ill.• ;J. parish-orientcd Workshop· will discuss problems of technique, in· Wagner Chorale, will coneJuct the fa· Festival sponsored by tlle Lutheran Soci· JULY terpretation and registration in rela­ mous choir from \Vestminster Choir ety for Worship, Music and the Arts Haarlcm International 0lb.... n &: ]01' tion to the classic organ. In lhe afler· Colll.·gc in l'rinceton, New Jersey, duro June 10-12: Eugene Dr-md, }laul Bunjes, provisation Contest, Haarlem, Nether· noons, l\lireille Lagace will introduce ing two two· week United States tours Fr. Richard ]. Douaire, Art Gonnan, lands. July 6-9. organisLS to the touch, tedmique. and - the first in October 1971 to tlle Mid· Kathy Iverson. 'Vaher Martin, Carl American Theatre Organ Society, 1971 general repertoire in her daily harpsi. west. the other in January 1972 through Schalk, Jeff Schrank, Charles Slade, National Convention, Seanle, Wash., chord master classes. Works by Bach the South. Don;J.ld Sunshine. Write: LSWMA, P.O. July 10-14. alld Couperin will be studied. Partici­ The Westminster Choir. founded in Box 3iO. Glen Ellyn. JII. 60137. Peabody Conservatory o( Mwic, pauts in the master daS5Cs may also 1921 h)' Dr. John Finley Williamson, Workshop in Choral Music. july 12·16; bring repertoire of their particular in­ gained its well-deserved reputation as 20th International Nuremberg Or· terest and request to perform in the one of the preeminent choral org:lOiza· gan Fcsth.d, Nuremberg, Gennany June Gregg Smith. Write: Director of Sum· mer Session. Peabody Conservatory of daily late afternoon recitals. In the tions in the world through highly ac· 12·20: Martha Schuster. Walter Kraft, c\'enings, 8ernard Lagace will gh'e lec· claimed European and world tours, and Michael Schneider, Al£ Linder, Rolandc Music, Baltimore, Md. 21202. Cannel Bach Fatin., Carmel·by·thc­ ture-demonstrations on the following numerous recordings with the New Falcinelli and Otllcrs. Write: ION, topics: the Fiori Musicali, Frescobaldi; \'orL:. l'hitll;J.nnonic. The Choir has tr.l· KoloniestraS5e 28, No.rnbcrg, West Sea, Calif., July 16-25; Sandor Salgo, 85 Kuru t dt'r Fug~, Badl; Reger; Couperin; ditionally consisted of approximately 40 Germany. director. Write: Box 503, Cannel. Calif. 93921. _ P6!;chellJcl: de Grign}'; and French um)ergr3duales. most of whom are voice Chruti,m ThcologiQl Seminary, In­ Nonhwalern Univenhy, The Craft of repertoire since Franck.. The weekend majors. Wilh tile appoinunent of Dr. dianapolis, Ind .. Workshop "The Church Organ Teaching, July 19·50; Catharine concerts will feature Mr. ug:J.re at Wagner to the faculty of the Choir Music Explosion" June 2£-25; Erik. Rout· Crozier, Harold Gleason. Wrile: Office the organ on july 18 and !D. Mrs. College, Sol Hurok Management, 1m­ ley, Isabel Carley. Write; ProC, James of the Summer Session. Northwestefll L:tg-olce 3t the harpsichord on July 2~, prL'Ssario for such attr.Jclioll5 as Van Carley, Box 88267, Indianapolis, Ind. Unh·ersity. 1740 Orrington Ave .• E\'ans­ and both of them perfonning organ Cliburn and The Vienna Choir Boys, 46208. ton, Ill. 60201. and harpsichord on July 25. Further in· has been engagec,l. as agent for the Choir. Stanford Unhersity, Seminar in Per· formation may be obtained by writing This distinguishes The Westminster f()nnance of Baroque and Pre-Baroque CORRECTION: The address to write Ounem Phyfe, Director, Choate Music Choir as the on I)' collegiate choir under Music, Martha Blackman. Rus.sell Ober­ for infonnalion about the Inlemational Seminars. PO Box 788, Wallingford, full·time professional management. lin; 'Vorkshop on Lute. Stanley Buetens; Conn. 06492. Josquin Fcsthlll-Con(ttcnce June 21 to HELEN BOATWRIGHT w;u the retund June 21-July 3. Wdte: Dept. of Music. 25 in New York City is - Edwanl soloist at a concert at Grace Church, Utica. Stanford Unhrenity. Stanford, Calif. Lowiruky, Director, J05quln Fetth·al· N.Y. March 21. She u.ns won. by Puttell, 94505. • Confermcr, 7440 So. Constance. OliCl$O. PAUL COOPER, com~r in raidena: at Ives, and Howard Boatwright. Worb by Pur. Ohio Stale Univenity, Org:tn Institute, tfie Collegc.Consen,atory of Ahuic, Cincinnati, cell and Blow were Jung by the Grace Church Dl. 60649. The stfCct number \o\o'a5 m· Ohio. had his new lalll'e.scale work ror chonu June 25·25; Catharine Crozier. Write: correct in our April issue announce­ choir or men and boys under the direction and orchestra, "Credo," premiered at a ~n· of Walter HiUs~n at Evensong pRadias the Organ Institute, The Ohio State Uni· mcnL cert at the conservatory April 9. concert. 8RUGES FESTIV At TO CONCENTRATE ON 8ACH AND HIS EPOCH The second hal[ of the International Fortnight of Music at Brugcs. Belgium. from Aug. 7 to 15. will be dcmtcd 10 the performance of all aspects of J. S. Bach's works and those of his COIl­ temporaries. The Collegium AurC1I1Il FLOR PEETERS under the direction of Franz JosC£ Maier, and the Gachingcr Kantorci and Bach-Collegium of Slllitgart under the Ameritan C!ontert Tour: October - November 1971 dirct:tion of Helmuth Rilling will both make their first appearance in Belgium. The latter group will perfonn the (i Organist, St. Rambaut Cathedral, Meehelen (Belgium) since 1925. motels and the M IW in II rllirwr by Twenty.. fjfth anniversary of firlt tontert lour In U.S.A..! Bach. The Alatills-Consort and harpsi­ recital at Washington Cathedral, 23 May 1946 chordists Thurston Dart. and Robert Veyran-Lacroix. will perronn works for AVE MARIA Iwo harpsichords and Lionel Rom; will avoilable for SATB, SA, High, Medium and Low Voite gh'c an all· Bach organ recital at the BAGATELLES (Piano) cathedral. The Colk-gium IIlSlrumcn­ CHORALE PRELUDES (30) (in 3 sets) (Organ) tale of Cologne, Germany will also he CHORALE PRELUDES (12) {Piano} performing chamber works, and the fi . CHRISTMAS HYMN ANTHEM (SATB, Organ) CONCERT PIECE (Organ 5010) nal e\'cnl of the fcslinl will feature II David Alan Doran, 24, a University CONCERTO (Organ Solo and Orchestra) per£onnance of Uach's MlIg"iJiclk t. The graduate studl nt in the college of fine arh, EASTER HYMN ANTHEM (SATB, Organ) first weck of the festilal (Aug, 1·6) is has been awarded a $16,300 three.year fel. ENTRATA FE5T1VA demted to the harpsichord, and will lowship for study toward the doctor of phil. Organ, 2 Trps, 2 Trbs (nmpani, Unison Chorus ad lib) feature the 3rd intemational harp:\i. osophy degree In organ performance at chord competition, mastc..'r classes ill FOUR OLD FLEMISH CAROLS (Mixed Voicel and Instruments) Washington University. St. Louis. In May, GREGORIAN PRELUDES (30) (in 3 sets, (Organ) harpsichord. and lin exhibitiun of ill , Doran will receive the MM degree in organ struments. HYMN PRELUDES 124 volumes, (Organ' at Drake. where he a ~ 50 earned the BMus. IVORY TOWER (Voice and Piano) degree in 1968. His study at Drake has been JUBILEE MASS (Mixed Voicel and Organ) NUREM8ERG ORGAN FESTIV At with Dr. Frank B. Jordan. At Washington U., LIED SYMPHONY (Nol. 1 to 5) (Organ) PROGRAM ANNOUNCED Mr. Doran will study with Howard Kelsey, THE LORD'S PRA VER who is also a former student of Dr. Jordan. available for SATB, SA, High, Medium and Low Voice The famous International " NUrn. Mr. Doran is now organist at First Baplisf PATER NOSTER berger Orgclwoche" will be held (or Church and Tifereth Israel Synagogue in available for SATB, SA, High, Medium and Low Voice the 20th time from JUlie 12 through Des Moines, and he teaches organ in the SHORT PRELUDES (3D) (Organ) June 20 in the \'ario us churches and preparatory department at Drake. SIX LOVE SONGS (Voice and Piano) halls of the historic German city. T he SPECULUM VITAE (Voice and Organ) wc..-ck-Iong e\'cnt fcatures organ re· SUITE (4 Trombones) citals, choral COllccrls, an orchestra con· TOCCATA (Piano) ccrt, and lecturc..'S and discussions per­ TRIO (Flute, Clarinet, Basloon) fonned and led by some of Europc's TRUMPET SONATA (Trumpet and Piano) most prominent musicians and musi­ WEDDING SONG cologists. Organ recitals will bc played available for SATB, High, Medium and Low Voice by Martha Schustcr of Stuttgart, Ger­ ~~Jv l many: Michael Schneider of Cologne, Germany (works by Bach, Rc..-ger and New Holtkamp for Drake U. C. F. PETERS CORPORATION others); AI£ Linder of Stockholm, Swe­ 373 PARK AVENUE SOUTH NEW YORK, N.Y. 10016 den (works by Swedish composers. Fine Arts Complex Bach): Walter Kraft of LUbeck, Ger­ (212) 686.... 147 many (works In' North German masters, De:m l'anl J. Jackson, colk-ge of fine Bach, am.l hilprm'isation): and Ro' 3rU" Dn ke Ullin-rsit}'. Des Moines, landc Falcinelli of I'aris, Francc Iowa, has :lIlllouuced the awarding of a contract 1(1 Ihe Hultkamp Organ Co,. (French masters, Bach and improvisa­ tion). Bach's Mass in B minor will Clc\'eland. Ohio. for the building pf It threc·nmnual pipe organ. The instru­ be perfomled by the choir, soloists. and ment will he installed in a ncw COllcert orchestra of the S"cdish Radio under the direction of Eric Ericson, and tJle h;all seating 750 which is part of a S6.1 St. Stephen million fine arts comple,," presently UI1- NUrnbcrg Bachchoir will perform a del' construUinll. The completion of the matinee concert of motets h}' Distler, lIe\\' building is slated for June, 1972, Kaminski, and Bach under the direc· and the ne\\' organ will be installed at Presbyterian Church, tion of Hennan Harrassowilz, The that timc, Included in the new organ Collegium Aureum with old instru­ facilities will he IWo large organ tea~h . ments and the Windshach Hoy Choir Fort Worth, Texas ing studios and numerous pCllC~lCC will sing works hyoid Niirnherg com· mOllls. The archilect ,,£ the new bUIld· posers under the direction of H;lIls in~ is I-larry Weese ;and .t\ssnciale<;, Chi. Thamm, and the Vocal Ensemble aud lago, III. Orchestnl of Kassel under Klaus Mar­ GREAT tin Zieglel s direction w II p~rrol"lu Ouilltadl'na 16 ft . 61 pi,.es Psalm 21 by Christfried SchmidI..', ,irincil,al 8 ft. 61 pipes VesjJers Jar the Day 0/ St. Stcplie" hy Gedackt 8 ft. 61 pi,,1'5 Christoph Hempel, and Ilequiem by Oct;n"e -1 h. 61 pipes Werner Jacob all new works. The S,.ilzflote -t ft. 61 pil,es choir of the Ha\'arian Radio and the DOllblette '!! ft . 61 pipl'S Miltillre IV 2H " i,'es Munich Chamber Orchestra will per. Scharr III 183 pip('s form Haydn's Mimi Sallct; .\'icma; and Tnllnpet 8 ft . 61 ,.ipes Psalm CaJlt,,'a hr W, Spilling under Ihe direction uf l.uhullllr Romansk},. SWELl. rhe philharmonic wncerl will fea ­ lIourdulI 16 ft . I ~ plp .. Ge'gen 8 fl. 61 pipt·. ture wOI'ks by 1-iud.. , \\'eh~n1 , Zender, Vub:: Celu te 8 h . 56 I, l l' f' ~ :lIld Hartmann sung h} lhe ~chol" lIullrdun 8 ft. 61 pip~ Call1orum uf Suntgart under the di· Gemshorn 4 ft, 61 1' :1'''5 rection uf CIYlIIs Gottwald and the Flute 4- ft. 61 pipes ~i irnhl'rJi! I'hilhafluonic under thc di· Principal '!! ft. 61 pilK"1 rt ctiou of I-Ians Gil'rster, '.arigot IVi ft. 61 lIip"s An open discussion will concern it· Fourlliture IV 244 pill:1i se1f with lhc topic "i'cw Music Dubian 16 ft , 61 p l l''' ~ Fagolt 8 ft . 61 pipc, Enem,· of the Church?" Walter Kraft Clairon " fl. 61 pip"s will also lead a ma<;ter class throughout thc weck which will he ((Incerned with I'OSITIV works hyoid :":orlh German com Copula 8 fl. 61 pipes posers. Thc lectures will include a " Dis· Principal 4 h . 61 p' pet cussion of the " 'orks Performed in Ihe Rohrllole 4- fl. 61 Ilipe ~ Philharmonic Concert, June IS" by Dr. Octa\'e 2 (t. 61 plpt'S BlockflOte 2 ft. 61 Iliprs H UlS Jiirgen Liedtke of Niirnherg; Nalard 2Ys fl. 61 pipes "Catholic Church Mnsic's Si tuation Sifflote 1 ft . 61 pillt's Since the 2nd Valican Council" h\ Tierce I ~ ft. 61 I,il,es I'rof. Dr. Franz Kralllwurs( of Erlan', Scharf III 183 pilles gen; "Michael Praelorills" by Prof, Dr. C rOillome 8 ft. 61 pipes Elza Cook, Minister of Music 4 manuals 55 ranks :\.Ianin Ruhnkc of Erlangen; " Recent Tremolo DC\'clopmellls in New Music" hy Dr. PED,\L DiCier Schnchcl of Munich: and " rincipal 16 ft. 32 pipes " Johann Christian Hach as Church Mu. Quintadena 16 ft . (great) sidan" h} Dr. Rudolph Ewerhanl or Suhban 16 ft. 32 pipes ~liinster. Orta\'e 8 ft. 32 pipes Those interesled ill nhlaining fur. Flute 8 ft. 32 pipes ther information ahou the rcsth al ilia" Churnlban 4 ft. 32 J)ip('~ Rauschbass III 96 " :,,es Hi ililim write to Musica Sacra Niimberg. Kolo· ~rli POsaUII!! 16 ft . 32 pipts of Hagerstown, Maryland Iliestrassc 28 . 85 Niimherg, West Ger* Trumpet 8 ft. 32 pipes many. Schalmey " ft, 32 pipes

2 THE DIAPASON GERALD BALES APPOINTED TO U. OF OTTAWA FACULTY THE DIAPASON E.'abl"hed in 1909 Gerald Bates, organist and choirmas­ ter at the Cathedral Church of St. Mark, Minneapolis, Minn., has accepted an (Trademark rcgmered at U. S. Patent Office) appointment to the faculty of music at the Unh'crsity of Ottawa, Ontario, Can· S. E. GRUENSTEIN, PuMi.her (1009-19:57) ada. His duties there will commence on July 1. Throughout his twelve }'ears at ROBERT SCHUNEMAN MAY. 1971 St. Mark's C31hcdi.ll. he has gh'cn nu­ (dUor merous organ recitals. conducted many progr.:UI1S with choir and orchestra. and F£A7uru:s instituted the "Cathedral Music Series," DOROTHY ROSER Aa Unknawn Orqcra BuUde, - I-Ie has written much music for choir. lu.ine •• ManGSer WUllam. Boone Flemmq organ, and orchestra, and he has toured By Edward W. FUnt II eXlensil'ely as a concert organist. Mr. Bales' last major ;:IppeiUancc in Minne­ WESlEY ves Some Editorial. Formal aad Symbolic apolis will be at the Cathedral on May Au;.tonl Editor Aa;pect. at J. S. Bach'. Canonic 4 when he will conduct the Cathedral Variation. OD "Vom Himmel choir and orchestra in a pcrform:mcc hoch do komm Ich her" - Part of J. S. Bach's Magnifien,. The program by Ilm R. Ka.ll.nq 20 will also feature Richard Zgooa\'a, well· Philip Gehring, organist and faculty memo An International Monlhlll Decoled 10 Iwown :Minncapolis conccrt pianist. a .. ber of Valparaiso Uniy.uity, Valparaiso, 'he Organ alld 10 Orgalli.rl. and Same Jnt.,.. UPq Or9ao. in Swedea soloist in Shostako\'itch's Concerto lor Ind,. hal been honored by the board of the Church Mt"jc by W. G. Mari.qold 2i-27 Pinna and Orclleltra, OfJUl 35, and so· :iaarlem International Organ Concouut! prano .Jeanne Traum as soloist in God. Word and Tone in Modem Hymaody with on inyitation to participate in the an­ Ollicial Journal 01 the By Helak Werner Zimmermann 21·2. hey Ridout's nuelU;on for soprano and nual organ improyisation campetition, Four V.,ioll Naciollal de Orgoni,'II. vI Mexico orchestra. tontestants are seleded for the competition each year, and Dr. Gehring will partitipate The DialHJWn CALENDAR 8 JOHN ROSE TO REPRESENT with three othen from france, Germany, Editorial and Bu.inc•• Office and Holland in the eyent which tokes place NUNC DIMITTIS • U.S. AT GLASGOW CATHEDRAL 434 South U'obaah ACf!lIIle. Chicogo, CHAPTED & ORGAN CLUB NEWS 12 July 7·9 in Haarlem' s famous St. Boya Ill.; 806U5. Tele,lhotle 312.IIA7-3149 Churth. Dr. Gehring wos fint JUize winner EDITORIALS II John Rose will represent the U.s. 01\ .-.lIbKri"tion ,Jrice. S4.00 II ye"r in od- in the AGO naltonal impro ... hotion conlest at HARPSICHORD NEWS 21 the dedicatory recital series on tile re' c::allce. Sin~le ca,lies .au cen'a, Back cently rebuilt Father Willis organ at the nolional conyention held last year in m,ml,er. lIIore thall tu:o fleur. vld, 75 ORGAN RECITALS 22·25 Glasgow Cauledral, Scotland, this sum· Buffalo. In addition to taking part in the cellt •. Foreign sulllcr;,IIioll' IIIII.t be Iller. ~rr. Rose. whn is organist of Hoorlem contest, he is $Cheduled to pier, ,mid iu United State. /IIIU'. or fI,e Sacred Heart Cathedral in Newark. organ recitals this summer in Den Haag, Hal· equictdeu' 'hereof. REVIEWS N.J ., will perform in Glasgow on Jul\' Ic;:md. and in RecklinghouMn. Bremen, Her. R CI C!I: Dan] Bish IS 22. sharing in a SCI ics fir rccital!'i by ford. Hattingen, Oldenburg·Ohmstede, Stun­ ):rands Jackson, Frederick RimmeT, gort, and Esslingen, Germany. In a number Adcerliriug rote. 011 n""licat;on. Choral Mu.k 11·17 Arnold Richard,on, Christopher Rohin· of these cancerll, his wi'e. Betty. will parti· HarpsichOrd Music 21 Routine ilema lor pllblica'ioll mil" be son. and John TUrner. Construct inn of cipate 01 violin iOloist. While in Den Haag. CLASSIFIED ADVERTISEMENTS 3D41 received nol later rhon the 10,1. 0/ the Glasgow Cathedral started in the p!ar Dr. Gehring will also toke port in meetinss 1200, :md the (amed English organ with Scondi'

MAY, 1971 3 For a change ... THINK SMALL Quality rivals Quantity

Bradl.y Hull ARTS IMAGE ADDS ARTISTS TO ROSTER Arts Image has added two Americans and two Europcam to the organists it will represent in this country, and in addition it has :mnounced two new associates 10 its staH. Dr. Frank Speller is acting coordi· mltor of the orgall £acuity at the Uni· \'ersity of Texas at Austin, and is willety known as a redtalist in the southwestern US. He holds a doclofillc from the U. of Colorado and the mas· rer's degree from Indiana U. He has studied with Alexander McCurdy. Jeanne Demcssieux, Oswald Ragall illld E\erett H ilty. Bradley Hull is currently aSSiSlanl organist at New York City'S St. Thomas Church. He has studied at St. Olaf Collt.'ge and S)TaCILSC U. afler beginning musical studies in his native Iowa. In a short space or time, he has bttome a frequent rccitalist in the New York Seven Stops, Eight Ranks metropolitan area. David Bruce·Payne is master of the Thirty-one Registers choristers and second assistant organi!it at London's 'Veslmimter Abbey. He by CARDINAL was a chorister himself at King's Col · lege, Camhridge, under David Will­ Box E7, THE DlAl'ASON cocks, and he is a graduate of the Royal College of Music and a fellow or the Royal College of Organists. He will make his first pcrfonnancc appearances Ohio State University - Coliege of the Arts - School of Music in the US. in April and May of next year. George McPhee is organist and choir· master at Scotland's famed Paisley Organ Institute Abbey outside Glasgow. He is a grad· uate of Edinburgh Unil'ersity. and he also studied at the Royal Scottish Acad· with emy of Music where hc now teaches. His organ study W:J.S with Herrick Hun­ ney and Fernando Germani. He was CATHARINE CROZIER oflr-lnist at SI. Giles Calhctir:J.l in Edin· burg before coming to Paisley Abbey. George MtPh.. Master Classes dealing with style and interpretation - technique - prin. He records for Decca. Mr. McPhee's ciples of teaching discussion of representative works from all periods first American tour under Aru Im3gc will take pla.ce in September of next New Casavant in of literature. year. His fIrSt appearances in this coun· Chatham, Ontario try took place early this year when he June 23, 24, 25 performed in Florid ... , '''ashington, DC. Casavant Freres Limittt, 5t.Hyacinthe, and New Jersey_ Quebec, has recently installed a two· Write: Organ Institute New stafr associates for Arts Ima~c manual organ in Fint Presbyterian The Ohio State University are Stephen K. W'hitney and Mark J. Church. Chatham, Onta.rio. The organ Dolak. is located. a.t thc front of the church, School of Music facing Ihe congregation. The inslrumcn( 1899 North Coliege Road SIIALLWAY FOUNDATION, ConneJlsville. Pa., hu introduced a pf'Dll'ilm of international was designed by Lawrence Phelps. vice Columbus, Ohio 43210 vilils lor

THE DIAPASON Say, for example, you prefer the natural sound of pipes to that produced by transistors and loud­ speakers. And say that you are interested in enduring quality, artistic integ­ rity, recognized superiority.

Well, then, we are here:

AEOLIAN-SKINNER ORGAN, COMPANY, INC. PACELLA PARK DRIVE RANDOLPH, MASS. 02368 :I May I.ord Neuotl MaJS by Ha)'dn, Sl. Waller nakc .... aU -Frand:, Church of Francis Episcopal, Palos Verdes, CA 8 51. I'.utl the Apostle, New York, NY MAY pm Rpm FC51h'al or choral and chamber music 1 24 May by Sir Arthur Bliss, J\f:llcohn William­ Ladd Thoma!, ma.sler cla55, Garden son, Richard Rodney Bennett, West· 3 4 5 6 7 8 Gro,"e, CA minster Choir College, Princeton, NJ 2 25 May 6 May 9 10 11 12 13 14 15 Bradley Hull, Trinity Church, New Paul Martin Maid, Trinity Church, York, NY 12:45 pm New York, NY 12 :-1:; pm 17 18 19 20 21 22 CI)t1c I-Iolloway, Ba«:h Fcstil'al, I\S· 16 26 ~fa)' bury Methodist, Rochester. NY Albert RUS5CII. SI. John's Episcopal. Hach Choir FLosthal, Hclhlchcm. FA 23 24 25 26 27 28 29 Washington, DC 12:10 pm Virgil I:u". Fox Theall" ', Rillings. 1\IT 27 1\Iay 7 May 30 31 Larry King, Trinity Church, New lb.ch Choir Festival. UcthlehclIl, I'A York. NY 12:45 pm Donald McDonald. Trinity Episcopal. Virgil Fox, Pierson H"S., Sagg Harbor, Columbus. OH DEADLINE FOR THIS CALENDAR WAS APRIL 10 ~ Y Alec WYlnn. workshop. lcwi!li k Clark Don MUTO :lIId John ROM! , clcctronic!li han Olson . St. John'S Luthenlll. College, l'orl),md, OR Sacramc:nlo, CA ., pm 30 May and organ. Sacred Hcart C., thcdral, C, Ralph Mills, Hollins College. VA 8 ~[ay Tile Peacf'able Kin&dom by Thomp. Newark. NJ 8:30 pm 7:30 pm Il:I.ch Choir FCJi(i\'al. Bethlehem. FA nell Kepner. St. Matthew's Episcopal. \On, ,\ffl'\s ;11 C n1uu 8G by nectho\"(!Il . Ilatricia Bird, First Presbyterian, Wil· William Whitehead, Bach Festival ntoominglol1, lL 7 pm C. Thomas Rhoads, First Congr~ · n:dtal. nethlehem, PA mington. NC 5 pm Music ror hrass. strings and organ. linnal. I'aln ,\lto, CA 8 pm Choral concert, 51. Luke'! Episcopal. Ruth Powell, 51. Mallhcw's Episcnp:'1. Ruhen Ca\"arra, CSU bra!i!\: choir and Ca!"1 Weinrich. First Congregational, BhHuningloll. IL 7 pm F.,'anstoll, I L 8: 15 pm chamber orchestra, Colorado St all: U.. I.os Angdes. CA 4 pm Dale Rogers. SI . Matthew's Episcopal, Alec Wyton. Lewis k CI:uk Coll('ge, Furt Cullin!', CO R pm E. l'ower HiJ.;gs. First Congregational. 4 pm Portland, OR UloUlnington. IL 12 Ma," I.ns J\ngelcs, CA 8 pm Il~q",em b)" Ourune, Frank C. Brown· 9 May 2 June Elaine Chard , St. John's Episcopal, stead. Blessed Sacramcnt Church, Holly. Edward Neidlc Kaufman, Sf. Gcorge's WashingwlI, 12:10 pm Walter Baker, all·20th century, nc wood , CA 4 pm Episcopal, New York, NY 3:30 pm Alec Wyton, lecture·redtal. First Church of St. I'aul thc Apostlc, Ncw c'rrmml I'lequiem b)' Brahms, [..;1 nach Festh"al, St. Georgc's Epi5COpai. CtIl1~rl..'gational, nerL:eley, CA 8 pm York, N Y 8 pm New Yon.:. NY 4 pill 13 May Jolla I'reshyterian, La Jolla, CA 8 pm Virgil Fox, First Baptist, Richmond, I.obt:t den Ht:rm by nach, Rejoice JCTT}" Koonlz. Holy Trinit)' Anglican VA 8:30 pm C. ;\l1isull Sallc),. Trinily Church, Calhl..'{lral, :'\ew Westminster, BC !S pm ;" tile l..nmlJ by BritlclI, Chnrch or the Xc\\' Yurko ~\' 12:45 pm Chicago Ars Organi Series, Concerto ,\scc.'lISion, ~ew York, NY 113m Ted Allan Worth, Sault SIC. Marie. 17 May for Organ, StringJ a"d Percwsion by Jack W. Joncs, Cathedral of St. John ~II Ted Alliin Worth, Tibbiu Opera I'oulcnc. So/et1H1 Fespers by Mozart, the Dhine, New York, NY 3:30 pm I-louse, Coldwater. MI Plflim 00 bl' h "cs, Rosamond Hearn, nenj:ullin Van Wye, Bethesda Epis· H Muy :;th Annual Contemporary Mmic ,\merican Conscn'3tory concert choir, copal, Saratoga Springs, NY 8 pm nach Choir I'esth"al, Bethlehem, I'A Festi\;lI, Indiana Statc V" Terre Halite, orchestra, Kenncth Sanson, Holy Name William Maul, St . Mary',; C.,thedral, .Juan Lippincott, West Georgia Col · I:\' (through Mar 20). Cathedral, Chicago, It 7:015 pm Ogdensburg, NY 7:30 pm Ic,.:e . Ch Kline, :1I1·Hach. Church of the York, NY 12:30 pm Huntington Conrt Unilcil Methooist. Virgil Fnx, Christ Church. Oak Umuk, IL Asccnslon , New York. NY 8: 15 pm Roanoke, VA 7:30 pill Grace Church (Newark) Choir, James 5 June DeliS ;11 atljlltorcm. el,rist lag ;11 Rohert Ca\"arra. CSU brass choir, Rohert J\nderson, workshop, Old First Uaptisl, Iletl\'cr, CO R pm McGregor, Sacred Heart Cathedral, Tl'u/es!Itllltl,." by Pachelhcl, ..irst English Newark, NJ 8:30 pm North Church, Marblehead, MA LUlhcr:lI1. Clc\"cland Hciglm, OH 10:30 15 Mar am \\'illi;ul1 Whitehead, Hach Festival 19 May 6 June Choral concert, First Congregational recital, IIcthlchem, 1',\ Eileen Guenther, St. Jolm's Episcopal, Robert Anderson, Old Norlh Church, Saginaw, MI Anhur I'oisler, workshop. Oberlin Washington, DC 12:10 pm .Marblehead, MA Gillian Weir, First I'resbyterian, Kala· Conserntorr of Music, Oberlin, OH Worth·Crow Duo, Breck Auditorium. Gcorge Ritdlie, Duke U. Chapel, mazoo, MI W"rlh·Crow 0110. PeloS~C r Jr .. n's.. Shdhcp"illc, IN Durham, NC 4:30 pm MITon Casner, Goshen Collt-ge, Gosh· "etoskcy, M I Virgil Fox. Pcrfonning Arts Center. Ted Alan Worth, St. Ma.ry's Episco. en, roo: 3:30 pm Janet Cule. 51. Matthew's Episcopal, ;\lil"'aula-c, WI pal. Wayne, FA 7:3D pm Gloria by Vh"allli , Psalmkon::ert by HhHllllingtulI, IL 3:30 pm Eiken Coggin, St. Stephen'S Presby· Thomas Hammons. Christ Church, Zimmennalln, Chicago Chamher Choir, terian, Sydney, Australia Cincinnati, OH 4:30 pm McCormick Theological Seminary, Chi· 16 May Gloria by Vivaldi, First Ptc!lbyterian. Mm,f ita r. 11I;"or by Vaughan Wil. 22 May cago. IL .J pm Virgil Fox, First Presbyterian, Fran"· Fort Wayne, IN 9:15 and 11 am liams, Ilejoire in 11I ~ La mb by nrillcn. Virgil Fox, Founl3.in Street Church, Chicago Baroquc Ensemblc. St. Luke's lin, NJ 8 pm Choir. Karel Pankert, St. Lukc's Epis. United Congrcg:llional Church. J\ridgc· Grand Rapid!, MI 7 pm ("opal , E\"amton. II. 8:15 pm pnrl. CT 7:30 pm 23 Mar John Strege, Christ Church Cathedral, Robert Baker, U. or Nchr.uk:l, Lin· Clmul(: ~ft:a1l!i. Christ Church, Water­ Harriette Slack Richardson. Cram.. " cli St. Loui!, MO 4 pm c01n , NF. 9 pm tllwn. CT R pm Sehoul. Lenox. M A Keith Thompson, Intenta"e ecnler, CSCLt\ Concert Choir. RohCrl [,hilil' Shuart, Guilmant Organ ,\Iec Wyton. Cathedral of St. John Oakland, CA 4 pm Fon-ells, 51. Mark's Church. Glcndale. St.honl. N'C\\' York. NY 3:30 pm the Di\'ine, New York, NY 3:30 pm CA 4 pm Mathilde McKinney, harpsichord. All St. Mar)",; Cathedral Choir, John 7 June 'iaints' Church. Princeton, NJ 7:30 pm Conner, St. Mary's Cathedral, Ogdens. AGO Soulhem Regional Con\'ention, 10 May C" Ralph Mills, Keith Hc.ogc, 2 harpsi­ hurg, NY 7:30 pm J ackson, MS (thm June 10) Gillian Weir. master class, Kalamaloo, chords, ,'oices and instruments, Hunt· Barbara Saunders, North Branch Re· Marilyn Mason, St. Andrew'! Epi!. MI ington Court United ~Iethodist. Roan· formed Church, North Branch, NJ 4 copal. Jackson. MS Stc\"cn Egler, St. Matthew',; Episcopal, uke. VA 7:30 pm pm nloomington. IL 8 pill Hid;ory Township H's. Choir, Edgar Choral concert, C. Ralph Mills, 8 June Worth·Crow Duo. City Auditorium, Gr(}(JH' "~, First Pn·!ih)lerian. Sh'lTon, PA Huntington Court United Methodist, MarilYIl Mason, St. Andrew's Episco· nismarck, SO 8 pm Roanoke, VA 7:80 pm pal. Jackson. MS Thc Neighborhood Chorus, Edward llequ;rllJ hy Ikrliol, Wayne I're!b)" William T inker, First English Lu· Robert S, Lord, Frick Fine Arts Low, The Neighborhood Church. Pasa· I('rian. Warne. PA 8 pm thenm. Clc\"cl;lnd Heights, OH 01 pm Building, l'ittsburgb, PA 12 : ~S pm dena, CA 8:15 pm Juhn Cearhart, TmnsfiguI":J.tion Lu· Choral and organ works by Arthur C, AGO Mid·America Regional Com"cn· theran. l'oUstown, PA 7 pm II May Becker, DePaul U. stUdents, St. Vincent tion, Lincoln, NE (thru Junc 10) lI'rmhil' for Today by MacNeil·Moe. De Paul Church, Chicago. IL .3 pm Lois HinderJie. soptilno. Trinity First }'resb)"terian, Fort Warnc. IN 11 Rejoice In tile Lamb by Brillen. 9 June Church, New York, NY 12:45 pm om Festival Mag"i/ical by Pinkham, Psalm· Chicago An Organi Series, Larry R. Festival of choral and chambcr Members of DePaul U. AGO student korl:at by Zimmermann. St. John's Rootes, St. Mark's Lutheran. Chicago, music by Sir Arthur Bliss, Malcolm chapter. St. Vincent De Paul Church. Cathedral, Dem'cr, CO 7 ~ 30 pm 1L Williamson, Richard Rodaey Bennett, Chicago, lL 3 pm Lamelltation 5yml,IIon)" Staha' Motu Wilma Jensen, K. Dean Walker, or4 Westminster Choir Colll!'gc, Princeton, ViTRil Fox, Asbury Methodist, Kan"a· hy Ha)"dn. Richard Slater, St. Mark's gan and percu55ion, Kimball Recital NJ kec. IL 3:15 pm Church, Glendale, CA 8 pm HaU, Lincoln, NE

Ve/'11011 de Tar George Wm. Volkel F"A.G.O., MUI. Doc", S,M.D. LAWRENCE Church of the Ascension SAC. MUS. DOC .• '.A.G.O. Fifth Avenue at Tenth Stre.t New York, N.Y. 10011 JAMBS LBLANb All Saints Episcopal Church Juilliard School of Music HOLLINS COLLEOE ROBINSON Drake College Union Theological Seminary VIRGINIA COMMONWEALTH UNIVERSITY Recitals RICHMOND. VIRGINIA Fart lllllucle,cI.le Organ-- and Choral Workshops flORIDA George Y. Wilson Gary Zwicky JOHN BROMBAUGH & CO. DMA 'AGO barclay wood Tracker Organ Builders INDIANA UNIVERSITY 7910 Elk Creek Road !altern lainoi. U.lvonity FIRST BAPTIST CHURCH Blooming'on, Incl. Middletown, Ohio 45042 ehatlon•• Worcester Mauachuscl"

6 THE DIAPASON Gress-Miles Installs in Reading, Pa., Church A Grcs.,· Milcs organ of 23 ranks will he comple ted this month in Cahary Unilcd Church of Christ, Reading. Pol. Donald Reher is organist and choir· master of thc church. The new organ replaces 3.0 electronic instrumcnt, and is bei ng installed in the samc spacc originally used [or a pipe organ when Ihe church W3 ~ built at thc turn of the rCIIIU!)'. T hc \'iola da gamba is a lriplc"mnical reed, modeled after those of Fran! Caspar Schnitger in 18th cenlur}, HolI;lnd. Couplers arc unison unl)' with Jl uh·O(I;n c cOllplers pm­ \ ideel for thc swcll dh'ision. Unnid:e<1 \-oicing with open toes and fairly high mouth!! in the 18th ccntury tradition is ulicd throughout.

Mrs. Herbert Saunders of Plainfield, NJ., GR£"\T has auum.d duties as organist and senior Quinlalnn 16 ft . 58 pipes choir dir.dor 01 the North Branch Reformed I',inclpal R h. ·Hi "ipo Rolarflocle 8 h . 58 pipo Church. North Branch. NJ. A graduate of O c:I;we .. ft . 58 pilles Syracuse Uni ... ersity. she has been organist Rohrpfcife 2 ft . 24 pipl" : ; " ." ~". ). ;: , of .....erol churches In that area. She is S I"5(l lI iahc~ n i8 Ilip" Mb:lun: JV-V 2«' " i"es ...... married to the Rev. Herbert Saunders, min­ "'~II ~ • ."...... -~. ! .,' ~ ..• htcr of the S.... enlh Day Baptist Church of T nUullet 8 h. 26 "iprs PloinfiAld, where she also serves as choir SWELL diredor and organist. Mrs. Saunders studied lIobAtdec11. ' 8 ft. ~ p'prs The United Presbyterian Church argon with the late Richard Harper, and GCllullom B fl. she continues he' studies wilh Kathleen Gemshnm Celesle. 8 h "6 pi)M'S Spiunnete .. It. 58 pi)M'S Cortland, New York Harpe, of Plainfield. Nasat 2Y, ft . 4fi pipe$ Oc:ta\'e 2 It. 58 pipes Quinlnoele IV, ft . 12 "ipes This organ of three manuals and S II ~mcb\' e I fl , 12 "ipc:s HOWES ORGAN TOUR Sdurf III.IV 220 "ipes fifty ranks, located in the Viola 14 Gamb.:t 8 ft. 58 piprs gallery, was custom·buill by MAKES SLIGHT CHANGES T remlilant Those who arc participating in thc PED,\L Northern European Organ Study Tour Suhbau 16 It. 12 pipes condUClcd by QuinblQn 16 ft. Arthur Howes should Quinlfloctc lOY, h. note the following changes. Although Prindrul 8 ft. 32 pipes a ~s tl rancc was gh'en beforc the lour Rohl'll'dcckt 8 It. of Northern Europe was announced in Ocl;wc 4 fe. 12 pipes O("loher that tickets to the Bayreuth Seh"'il'lJeI 2 ft, 12 ,,1110 Festival wuuld lie assigned to this Mi~ l urc: llt.tv 36 pipes group, the nayrcuth Fcsth'al Manage­ l'os:I.unc Hi ft. 32 "ipes l'nampel 8 ft. 12 pipes lItent laler found that thcir local de· Viola cb Camba ... ft. m:md for lickcts in series (such as the WICKS ORGAN COMPANY I Highland, Illinois 62249 fnllr 0PCr.lS of Thc R ing and perform· ORGANI 3.lIces immcdi::llcly proccding and fol· ARS SERIES Pipe Organ Craftsmen Since 1906 low ing them) madc it impossiblc for STARTED IN CHICAGO them to assign tickets to mcmbers of Ihe Organ Tour. An inlcrested group of organists has Accordingly, plans hne been changed, pooled thcir resources in Chicago to and the Ol'lr-lll Study TOllr of Northern start a scriC!i o[ fh'e recilals during the Europe will atlend the Munich Opera month of June. The series, called thc }o'(:sli\'al on July 25, aher ha\'ing Spelll .. Ars Organ i Series" is designed 10 ae· a night in Herlin. quamt lislcncn with Ofmln mll5ic from THE COLBY INSTITUTE OF CHURCH MUSIC "·urlher. Lufthansa has recent I)' Te · all era!', l'S pecially thc lilcrature of t he " i~d its schedule of transatlantic 1i lh ccnw!)·. The seric!! will abo fea· Sixteenth Season August 22·28 flighl !l . 5(J Ihat the tuur u[ Northern ture !ifllne of the newer organs iu thc Etlrnpc will now Il'a"e Kcnncdy Air dl)' flf Chic::tgo, Modeled aftcr the pmt un J ul y !i at :':15 p,m. instead o( ramed r.cri e~ of the !lame namc in thi. yoa, brings the roturn of MILDRED ANDREWS a. I.dur.r anel 7:00 p,lII. The reception for lour mem· Montreal . it is hoped that such a cl.monstratof in Organ who will join the following 1971 Siaff: heu at the Hold Wilubor in Ncw York :o;eries can become a part of Chicago's will he 3th'anced to 1:00 p.m., and the musical life. Thc programs. which will flutlnas Rlehnll', Diredor: Basic organ lechniques. ba.ic piano fo, orgoni.llf sped;ll limuminc will lea'-c for Ken· he heM on ,lune 2, 9. 16. 23. ami 30. r.gi.'ro,ion, articulation. ne:d}' Airpnrt at 3:00 p.m. arc Hued in the calendar pagcs. Phyllis M. Cobb, Dir.dor of Adivitills: Mellting music probl.ms of .mollor ••••••••••••••••••••••••••• portshes. youth choi .... • • Samu" Wall." Choral music-repertory, ,choa ...als , VDC:OI I.chniques. Con­ • • ducting. :Only at Peabody ! • Harpsichords Arlel H.in,ich: Conducting. Harpsichord. S.rvice playinl. Sp4Icial program,. Pl1ahml) ,,[fel's n l"lll'- •: Joltn Powell: Fundamentals of singing. tone production, poi.e. breathins. vowel formo'ion. rll'uJum wludl quahfies : Clavichords Daph". Powell: Actompanying- .olo and 1I"lIImbl • . Sight .inglng, Ear training. slmlenls to l'unllul'1 •: musk.1I programs in • CONCUrs DISCUSSIONS EXHIBITS BROWSING Iilurgil'nl churl'ill"s; i.e. RECREATION DOWNaEAn ClAMIAKE IlUnlEIIl. A n ~ li l'. m . Lu· thcrCl n. ,111<1 n cfol'mecl For information add,... : .Il.'",i<;h, as "'t'U as all Evere" F. Sirong Colby College Prol e~ tant denomina· Waterville, Moine 04901 i lion..; . Peahod~ offpl"!oo Ihe B:\I, i\ 1 i\I.. and n~' \, clegl'e("~ Itl lilllr­ gic'alllltlsil', organ, and CHRISTIAN THEOLOGICAL SEMINARY haJ'psichoJ'{1. ()rgan Music Workshop ! June 21·25 ra eull.,: Palll lJa \,ls. • • (Monday thru Friday) Arl11ll1" ' -Iones. Arlhlll' : "THE CHURCH MUSIC EXPLOSION" Hhl'H. Harpsil'hord fne.. : Sperrhake Exploration of contemporary responses to theological and • social changes. Techniques for improvising and performing • 1111.': Shir l c~ i\JathL'\\<; : Harpsichords semi-c:omposed anthems. Early American [olk hymns. Guitar. • • ERIK ROUTLEY : l'c'"IHMh' CUI1S('n -utun : • • • • ISABEL CARLEY : or ~Iush' / Baltll11url': Passau/Vf.-Gennany Write Prof. James Carley. Box 88267 • • Indianapolis, Indiana, 46208 •••••••••••••••••••••••••••• • Box 532

MAY, 1971 7 NUNC DIMITTIS MARY E. VOGT there before coming to the U.s. to Mary E. Vogt, organist at the John join the music faculty at John Carroll "'anamaker Store in Philadelphia, Pa .• University in 1938. Over the next go. for 55 yeat'!, died Tuesday. March 16 plus yean he was affiHated with John at the age of 86. Miss Vagt played the Carroll U .• Notre Dame College. West­ Wanamaker organ from the time of its ern Reserve University. and Gesu installation in 1911 until her retire­ Church in Cleveland. He held the MA ment in February of 1966. She was degree in musicology from Wcstern musical director at Wanamaker's and Reserve U., and the -'PhD degree from was associated with the store for 60 the University of Budapest, Hungary. years. She began her caner there as a He was also a violist as well as an pianist who played sheet music the organist and choir director and educa­ store was trying to sell. She was 16 tor, and his activities included playing and earned $2.50 a week. She began chamber musiC, playing in orchestras. giving recitals on the huge organ in and designing o~ns. His many com· 1917. She had by then become Wana­ positions. includIng religious choral maker'! chief mUSical scout, traveling music and organ pieces, won him a throul?houl Europe to sign up noled number of prizes. Surviving him are SCHANTZ orgamsts for recitals. She also ar­ his wire Josephine, a son and a daugh· ranged the purchase of finc stringw ter, and 10 grandchildren. instruments for Rodman Wanamaker's violin collection which became world STEPHEN PO·CHEDLEY ORRVILLE, OHIO famous. Miss Vogt grew up in Germantown 5lephen Po-Chedl.y. 78. chairman 01 in a musical family. She had no formal the board of Po·Chedley Be Son Inc., training and rebelled against going to Tonawanda. N.Y•• died Friday. March school. She learned to play the organ 26, 1971 in Tonawanda after a long from George ,V. Till. illness. In the pipe organ business Miss Vogt was an honorary alumna more than 60 yean. he had installed of the Fontainebleau Musical School and maintained hundreds of pipe or­ of Paris, a member of Local 77 of the gans in churches. synagogues. tIleaten American Federation of Musicians, and and private homes. Mr. Po.ChedJey a member of the Philadelphia Art was born in 1892 in Powhattan, Va.. Alliance. She is survived by a niece and started in the organ business with and a nephew. Conrad Preschley of Cleveland. He went 10 work for the Austin Organ Co. in 1912. He was married to Agnes Wall­ LOUIS L. BALOGH eohorst of Buffalo in 1916. and opened ~ ~ ".mb,,: A.... ,.,.d PIp. a.' .. B.lld ... or Am.... ~ ~. his own busine55 in Bu£faJo in 1919 Dr. Louis L. Balogh, professor as a representative for the Tellers Or­ emeritus of Notre Dame College and gan Co. His association with that finn ~~~ A~~ organist emeritus of Gesu Church. lasted 40 years until 1966 when his ______Cleveland. died March 22 in Cleveland. business became representatives for Ohio at the age of 76. Born in Hungary. M. P. Moller. Besides his wife and son he emigrated to Canada in 1923 and Robert, Mr. Po.Chedley is survived by / ~ ~ " held a succession of church music posts nine grandchildren. THE DIVISION OF SPECIAL COURSES In cooperation with McGILL UNIVERSITY - Faculty of Music THE SCHOOL OF FINE ARTS Montreal, Canada TEXAS CHRISTIAN UNIVERSITY presents a HARPSICHORD WORKSHOP ORGAN and HARPSICHORD SUMMER SCHOOL - June 29.30, July 1·2 Marilyn Olsen, Director JULY 18 to JULY 30, 1971 Joseph Payne, Boston University Donald Mackey • Raymond Daveluy Larry Palmer, Southern Methodist University Dale Peters, North Texas State University Kenneth Gilbert • John Grew ·featurlng lectures on Scarlatti, the Fitzwilliam Virginal Book, Interpretation of organ literature on tracker organs by the French Suites of J. S. Bach, pedagogy and Interpretation, Beckerath and Casavant keyboard history and design; Recitals. Tuition $50.00. Special studies for harpsichordists For brochure write: Dr. Leroy Lewis, Director, Division of Special For Prospectus please write to: The Director, Organ and Harpsichord Courses, Box 30815, Texas Christian University, Forth Worth, Texas Summer School, Faculty of Mllsic, McGill University, MontrealHO, Canada. 76129.

THE EVERGREEN SCHOOLS OF CHURCH MUSIC - 1971 UNIVERSITY OF WISCONSIN First Session - August 2·7 KEATES FOCUS ON CHURCH MUSIC Second Session - August 9 - 21 17th Church Music Conference Paul Manz, Organ Faculty: Rev. William Malottke ORGAN COMPANY Richard Vikttrom, Choir Rev. John O. Bruce Madison - August 4-.5006, 1971 LIMITED Richard Woods Alastair Cossels·Brawn • Eight Workshops on Thomas Matthews Music in the Small Church Lester Groom Arthur Cohrs ancl Edward Hugdahl Varioul locations In Wisconsin during Courses; Folk Music, Organ Music for Special Occasions, Service Play­ June 14 to July 23, 1971 ing, Improvisation, Chanting, Today's Liturgy • Write: U. W. Extenlion Art ..Madi.on For information, please write the Registrar, ACTON, ONTARIO 432 North laic. Street P. O. Box 366, Evergreen, Colorado 80439 Madison, Wlscanlln 53706

112 J. H. & C. S. ODELL & CO. Guilmant Organ School Y 12-14 Mornlngllcle Ave., yon...... New York 10703 Founded 1899, by Dr. William C. Carl E ONE llUNDRED & TWELVE YEARS A 1859 -1971 DR. GEORGE MARKEY, F. A. G. 0., DIRECTOR R FI,e &en.ratlo... bulldlnlJ OdeD Orlaao 1157 Lexington Ave. New York, New York 10021 212-472·9185 S 914 Yonken 5-2607

THE DIAPASON 6 Greenwood Builds for Schlicker Builds Unit Organ ORGANIST Greenville, S.C. Church For Carnegie Hall, New York The G1'ttnwood Organ Company. A unit organ housed In a rdlettive Charlutte. N.C.. is currently buikling case mounted on a moveable plalfonn CHOIRMASTER a two-manual orgoan for Ccntr.ll Baptist hilS bttn built for Carnegie Hall, New Church, Greenville. S.c. Installation of York City. by the Schlicker Orzan Co. the new instrument is planned for the of Buffalo, N.Y. The all-elcctric con· MllSIC TEACHER late summer of 1971. Specifications were sole is detachw from the organ :lIld it Itrcparcli IJ)' Douglas Dobson, organist is also mounted on a mm'eablc pillt. of (he church, and Norman A. Green. form. The organ has ~n designed to CLERGYMAN wood, lonal direclor of tilt: firm. be accommodated on an elev:ltor wat measures g·fret ll-inches, and stored GREAT in an area that is 6-rcet 2·indles high. Princip:11 8 It. 61 pipes The organ was first used on M:uch I Hoblnate 8 Ie. 61 pipe. for a performance of Solomon by the Voix Eolienne 8 ft. 61 pipes Handel Society of New York. Pratant .. ft. 61 pipes Ouvertellate .. It. 61 pipes SUMMARY Doublette 2 ft. 61 pipe. Untersatz 16 ft. 12 pipes Mixture 3 ranks 183 pipel Grdeckt 8 ft. 61 pipes Trumpet 8 h. 61 pipe. Octave ... rc. 61 pipes Catht'drnl Chimt'. 21 tubes RohrOoete 2 ft. 61 pipes Mixture 11·111 146 pipes SWELL ~nmllnhom Hi ft. 6B pip" U()urdou 16 ft. 8nunJon 8 h. 85 Ilip" CREAT Salicional 8 ft. 61 pipes Prineipal 8 ft. VOU: Celeste 8 h ...9 pipes Grdeek! 8 h. Vrincip.a' .. h. 61 pipes Ocu\'c 4 ft. Bourdon 4 It. Grded:t .. ft. Dwa:t '" h. 61 pipes Ocuvc 2 It. Naurd 2% It. Rohrfloete 2 h. Fl.1seold 2 ft. Mixtute 11-111 Larisot 1}S ft. Krummhom 8 (t. Krummhom 8 It. 73 pipes Krummhom .. ft. Krummhom .. It. Tremolo POSITIV Gedeckt 8 ft. PEDAL Rohrfloetc ... ft. Sub Bass 16 ft. 32 pipes Princip:al 2 ft. Lieblicb Gedeckt 16 h. 12 pipes Langot 1~ ft. FJatenb:m 8 ft. 12 pipe. SifOoete 1 It. FJate ... ft. 32 pipes Krummhom 8 It. Biockoate 2 ft. 12 pipes Tremolo Trumpet B ft. (sreat) a manthly Clarion" ft. (RrTal) PEDAL Uneersatz I' ft_ adventure in creative aedeat B ft. musical dimensions. THE NORDIC CHOIR OF LUTHER COL­ Octave" ft. LEGE, Decorah, Iowa, hu put to,ellau an RohrDoete ... ft. interutin, prognut for ill 1971 concert tour Rohrnoete 2 ft. under ill director, Weston. H. Noble. The pro. RawcbqulDt n gram includes Verbum cuo (utum est, If.asI.. Krummhom B h. MUSIClThe AGO-RCCO Magazine is the official publication of the leri I know that my Redeemer liYts, J. Y. Krummhorn .. It. B.~; Pater nOlter, Handd; Pulm 9, M.urice American Guild of Organists and Royal Canadian College of Organists_ Monhanh; Credo from the Mus in G mi­ RICHARD FELClANO'S GLOSSOLALTA TWENTY-THREE THOUSAND SUBSCRIBERS, those interested in nOf', VauRban Williams; A hymn to the Virwin, .md SIC TRANSIT for yOkci, orpa, elec· Britten; Pwm 90, Iv"; Dammi iI Paradiso, tronic t.ape and liRht tout"Cfel were featured the organ and church music find reading pleasure and professional Carl Orlf; Colleet for Peace lor choir and nn a prosram luns by the Cathedral Choir of knowledge in its pages_ This is a different kind of professional maga­ tape, Leslie Bassett i Milsa CrioU., Ariel Men and Boys All Saints Cathedr:ll, Albany, zine-"both musically and intellectually," to quote one of our sub­ Ramitez; Totent.i.nz. Hugo Outler, and three N.Y. on Aprii 25th under the direction of scribers. carol and spiritual arnnsemeab. Lloyd Cast, orpnist .and choirmasler. New Choral Music Received From Noveno & Co., London, England JUST A SAMPLING OF ARTICLES IN RECENT ISSUES ••• (Bel win Mills Inc., New York): From G. Schirmer, New York, N.Y.: John Joubert. The Mlut)'Tliom 01 St. Albll" • • Acousticsl A New Church-An Old Problem • Musical Memory John Chorbajian. TIt. LAmb. SATB, 11790, Cantata for .peUer. ten. and bar. lOti, chorus. • Interviews with great artists, both traditional and avant garde • 30,. chamber orcheslra.. Vocal orchest".. Vaal L. Stanley Glarum. Con,ide .1 Mory. Unison, Kore, no price. Choir Training • Performance Techniques • Articles on Bach and organ, 118:31, 30;. Iflt,n 0". Knows Th". Pop Rock • Reviews • Drama in the Church • Sacred Dance • SATB, 11823, 30;. From Shawnee Press, Delaware W31er Joseph Hayden. Lo, My SIr..pJurd Is Divine. New Organs. Organ Building. AlT. Walter Bame, SAB, orpn, !iI.S65, 30/. Gap, Pa.: Kent A. Newberry. Beltoli, I Startd lit 'he Howton Brisht. A"tiphoruU G/orill. SATB, Door. SATB, 11812, 30;. GUill 11 ,It. Lord. hrau I)r organ, A.I099, !O/. Tiaoll W&I, Ke., This is I.l magazine designed and edited to chronicle the events Ilnd SATB, nrg.an or piano. 11813, !IO;. Hi". i" Perled Pellu. SATB, A.nOO, 30;. people of the musician's world-your world. Subscribe today for just Edward A. Pedrelle. Almi,lt,y Coli. SATB, Jill Jackson and Sy Millet'. Goll Mtul. Ollr $7.50 per year ( IZ issues ). orpn or piano, 11816, 25;. 1I11"lIs. AlT. Hawley Add!, Tl'BB, piano, C215, Donald Swann. B1m,J B. Lord C,nl 01 35;. ,It. Royal Sbnton. VJ,JieriD •. SATB, A~ID96, Imul, SA or TB, piano or orpn, 11791, ~ . o CO"" Ld U, S;N, UNtO tit, Lor• . SA or "',...... TB, piano or arpn, 11792, 301. R.qui.m lor John Sweney. S.rultiu '" My So.,l. (Gotpel ,It. Lirn .. ,. Speaker, meuo-sop. or bar. toIo, Rock). SSA, piano, B·333, 50,. SA or TB. mixrd chorw, pen:Ulllon, clmbaiom, piano, piano, E.87, 301. nave Bf'Ubeck. HoUl G/oriolU Is Thy Narn. TO SUBSCIIU: fill in 'hit coupon: 28..?9, $1.75. Arthur Willi, PJIIltJI 24. Ps4lm. 67. P"drn 121. from Gales 01 }ru,ie•• SATB, orpa, A·ll00, Subscriptions $7.50 annually (12 Name Uniso n, accompanird, 11771, SO;. 35/. Issue.) in US lind Canada. $9.SO Tltil Liule Li,lt, o'Mi",. Arr. Hawley Ade., foreign. Street ______~ SATB piano, opt. banjo or !Uitar, A.I095, 30,. L W.· Sltall Overcome. AlT. Roy R.larwaJd. City State Zip piano 4-hands or band or orchestra: SATB, ADDRESS INOUIRliS & SUBSCRlp· A.I093, 35;; SSA, B~327, 35;: Tl'BB, C-214, TIONS to: MUSICI AGO·RCCO, 630 o $7.50 1 yr. 0 $13 2 yrs. 0 $18 3 yrs. 35t; SAB, n~124, 35;; SA, E-82, 55;. Fifth Ave •• New York, N.Y. 10020. (c heck must accompany order) THE TEMPLE Cleveland, Ohio 44106 DAVID D. S. WENTZ, INC. SCHLICKER GOODING Pipe Organ. P. O. Box 222 THE ClEVElAND ORCHBTlA Worth, /II. 60482 for excellence of de.ign, the fine.t of quality mote,iol., and the MUSICAL HEllTAGE SOCIErY hlghe.t order of craftsmanship in mechanical and electric action RECORDtNGS WA 5-05.1-4 G18-0534 pipe organs.

Buffalo, New York 14217 1530 Military Road McMANIS KANSAS CITY, KANSAS brochure oyailable member AP08A 66104

10 THE DIAPASON THE NAKED TRUTH

CHRISTUS VICTOR LUTHERAN CHURCH DEARBORN HEIGHTS, MICHIGAN

Designed by engineers, built by artisan craftsmen, voiced by musicians.

Everything accessible for tuning, adiustment, and tonal finishing.

Minimal space requirements.

BEfORE .nca.. men'.

HOLLOWAY FIRSTS:

1. Simplex slider chests unaffected by humidity and needing na pipe hole inserts (1958).

2. Self-contained blowers as standard (1959).

3. Advanced winding system for mast stable result. Double campanents an every manual and pedal chest (1959).

4. Salid state variable tremolo (1962).

5. Servo type electric swell engines (1963).

6. Salid state coupler switching and combination ac­ tions far pipe organs (1965).

We certainly welcome the recent trends in organ building, for it firmly sub­ stantiates our original pasitlan and requires from us Ullie change. One must be fallowed to be the leader, and it is with the utmost satisfaction for us to know that we were there first.

We solicit tha opportunity to make a quotation an your new instrument and you will laarn that true quality is within evaryone's reach.

E. H. HOLLOWAY (;08P.

P.O. Box 20254 Factory: 823 Massachusetts Ave. Indianapolis, Indiana NEWS OF CHAPTERS perromted aad iIlwtnted the variow inltru· titk of "OuIJtandin. m.h School Choir 01 Catherine Pendleton, mazo-toprano; Tbeedon: menul aCCGmpani~nts to each \"Il'rIf!. Mem· New Jency", which thcT W1::n: reantly Tbayu, frmch Itorni l.eftnard Gibbs, viola; AND ORGAN GROUPS ben of Ihe brus choir an:: Francis Thide, awarded. The Colleae 01 51. Elizabeth in aDd the brus elUoClDble of Virsinla Common. trumpetj James Ruppreclat, trumpet; Cbuck Con\'ent Station was the rracious host for the wealth UaJvenity. Worb br Wytoa, Read, Alamo Foult, lrombone; and Mike HOIkiQJ, bari. eveninr's propvn. Ives, LucRinr, Plautsch, and Bumbun Weft The Alamo Chapter met at Alamo HeiJbu toDe. Phyllil Van Nesl United Methodist Church, &In Antonao, Texas, wed. Thil WAI the third and lut prorram of Another lc:uure 01 the prnsram Wal the Indianapolis the series, "Festival Dr Americab Mwic". and on ).brch 29 ror the annual .tudent recital. Central United Methodist Church hanelbel! The eleven Itudents who pcnont\ed were The Indianapolu Chapter presented its own a most sratifyinA' one. choir under the direction of Mill Ellie Nay. anists, Robert and Janice Sc.hillinA' on Tues­ Ethel Baan WlUft'n H. Crain. Central Calhanc: 11.5.; lor. Both ncular and relisioWi aclectlona were Allred Tome, Trinity U.; Brother Tim day. March 9 at St. Luke', Methodist in a Ilivenide-Sua Be ....nlino played that .howed the variow mUlical efreets recital of Music for two keyboard inttrumenu. DrblNki. St. Mary', U. ; Henry Wu.hinrton, that C:tn be achieved by handbell choin. Num. The February I meetinl wu "An Adven. Compositions by Bach, Sweelinck, Gabrieli, San Antonio CoIlqe; Cynthia Sawyer, San ben included "0 Sacred Hud Now ture with a Theater O .... an" at the Califomia Antonio Cotk,ej lama GoIdaPP. Tau Lu­ and Soler were PrelCRted on orpn and harpei. Theater in San Beraanfino \lnckr the tki1lcd Wounded," "AUcluia." "Beautiful Ohio," chord, aod c:ompotltioas by' Sowetb, and theflln CoIIqe:; Mark Marty, Incarnate Wont and "Gr.mdfatherl Cloc.k." Memben of the ksdenhip of Profcuor Doaald VaUlhn 01 La Peetcn were performed OD orpn alMl piaao. CoUqc; Aurin Tesoro, Trinity U.; Nadine handbell choir arel Nancy AU, JO&II Cotton, Skrn CoJlqe. The 19'28 ten·rank WwliUer Arline Ward Kamas. Teu.s Lutheran CoIlepi HCl"InAn J. Jan Colton, Ann Hamnston, Dave Hindi, ,,"'U fully exploited and broullht nostalrfa to Fountain. Incarnate Word CoIIe,e; and Vic­ Ricky IkNOn, and Rick Thurley. Mootsomery Coaaty the older mc:mben of the audience, .. did the tor Sehapcr, Texas Lutheran CollciC. Works Memben of the audience participat~d in A modem AGO leMa wu held 10 .timu. duclCKure that on thi•• tare Will Rosen made by Baeh, Couperin, Lanrlab, llandc), Mes­ the playinl of "The Belli of St. Mary." late ideas lor AGO Sunday May 16 J971. his lut public appearance jwt before hit ,iaen. and Mourt wen: pcrfonntd. Carlis Andenen Bulletins from the Guild wen: wed, ~ were fatal 1935 plane cnuh in Aluka. Mary Onh, coile!!!: orpnitt and instructor anthcmJ and orpn music by AGO cam. The annual "MUlic for Olpn with Or­ in music at Texas Lutheran Collep, nportJ H ...... posen. The Ic.ons and lC1'mon cente~ chcttral Instruments" PrDA'nftl was held March that the restoration or the .lmOllI new Schlicker Interatin,. informative, and inspirinA' lee. around music in wonhip. The adult choir of 7 at Fint United Methodist Church in River· orpn which was damllllcd by fire in the TLC ture-demonltntion on Jewish musIc with an Takoma Park prahyterian Church under the .ide despite the rava.es of iIInw which struck Chapel 01 the Abidinl PreRnce. has bH:n ot'A' ln ",dtal was siven for the Howton Chap. direct,"", of Mr. Overton Parn:nt and Linda down lCYenl who where acheduled to play. completed. Thrft TCL Itudents wen: p~ ler AGO on Mareh 16 at First Methodist Hansen, ocwanitt, un.. With the Rev. Dr. Amerian COOIpoacn were rC!prelCntcd b, tent", in 'Pite of the bet that the tf'ad;r.r Church, Houston. Telu, by Dr. Baa HiCl'O­ Anhur Han ofnclatiDi and loin. Kartia., Sowerby'l Ballade 'Of' clarinet and DlPn and orpn at TCL will not be ~inll.lled until after nymu •• SIR Antonio, Tcr.u. She is a noted Meyer Aide at the arpll. all provided an Surk: Wrisht" Fanlasy on "Wareham" which the completion of ",moddinr in Ihe dtapet authority on Jew-uh mUlic. She is alto on eJ:pericnce I would recommend to C'Vt'ry concluded the concert. "Ole's" 10 them and to our Jtudenb of the the bcuhy 01 San Antonio Conqe, InQmate chapter. The tcrvice 'Wail beld at the rqular Malcolm BcnlOn Word Acad~my , and Our Lady of the Lake, an-a who presented the best annual Itucknt mtttinA' on Man:h 15. SL Joseph Valier tt'Cital e\'er for our chapter. and aho it of'A'anist-choir director for the Thomas A. But Flo Ellison Temple and the Pint Presbyterian Church, Recent evenu have included an Ol'lan recital San Antonio. Everyone enjoyed the formal Northcm Villlinla by Hector Olivera on the Conn CUltom or'A'an in St. John's Episcopal Churcb, Elkhart, and Ccntr:al Arirona PJ"OA'ram and th~ question and answer swion The Northern Virwinia Chapter, at ill Man:h Dearly beloved. on February 21, Ig7t, the which col1t1nued on into the rec.eptloa follow- 8 medinA' held at Dulin Methodist Churdi in a prorram employills aaroque instrumenb in Cent"'! Amona Chapter met at the Central ing. Falls Chun:h, C!njoyed a dcvcr prDA'ram JpOOf_ the library auditorium lit Notrt! Dame Univcr· .ity. United Methodist Chun:h or phoenb: for a Hazel Van Oentur ing dioir behaviour in a acmce. The choir weddln, mUlic prosn.m. Orranilt Gordon Mc­ unckr the direction of Mn. Helen Hanke, a.J Prowrams in the ..,rinl will include a recital Millan performed t"e mU1tc for the informal, t.:..c:uter the orpnilt, Mn. Mabel Broden, dcmonatrated by Itudmu of Guild mcmben to be: hekl in Jemi.flu".. l, and fo~1 ~"'lDOnies. At the ),Ir. Arthur Rhea of Peabody Comcrvatory numef'DUI typical aDd hilariously lunny antics the Fint Presbyterian Church 01 South Bend U Wf;Jl at by tima of the YOWl, the Rev. Chilton McPhtt· and the Chun:h of the Redeemer, Baltimore, (funny only when they are purposedly eJ:ecutcd one Michael Sdt""idcr at the ten presented .hort talb on the history of was the IlIcst apeaker at the March 8 meet. for a mcc::tinl and not a lervicel) The choir Sacred Heart Church, Notre Dame. lOme of tile weddinr tradition•• The publicity ins of the Lancaster (Penna.) Chapter of the completed the prnpm with "straiSht" tinl' A. P. Schnaible AGO, held at Zion United Churdt of Christ, ing of three anthems. was handled by Matt Dillon, the models were ):paru.nbu'W Millenville. The Chapter hosted an outstandinA' orzan fumi.hed by Piau Three, and ,he reception On Tuesday e\len;ns, March 30, The Spart. was caterfll by Chrystal Ice. The ProtJfam was In his lecture, "New Sounds for a New workshop by Wilma Jensen on February 27 anburz Cbapter pnscntcd a student orpn ~ 'Uttell, Church", Mr. Rhea cited Pope John XXIII'. at St. Christopher's Episcopal Chureh, Spri"l~ a tr~endOtU and the c.ommunity reo dtal at the Fint Baptdt Church. Thomu .ponlC was eJ:celient with over 6(X) people in innovation. :u the stimulus for the movemc::nt field. She discuJJCd the Interpretation or orpn toward more creative wonhip. He referred to playint', we of imprcMlao L)'les is orpnist of the c:hurch. M'.. Rachel attendance. I~tera!ure, Ie~ice Pierce, profetlOr 01 orpn, ConvlUV CoUeae, The March meetinA' wat held at the Fint Toynbce's "cyclic" view of history, eJ:pla.inintr tlon 1ft a service and how to bellin to crute lIo'aI chainnan 01 the followin. propam: Con· Presbyterian Church. Mn. Cleo Knox 01 North that we are now in a nco-romantic, more lnterludct, and hymn playinA'. ~el1O ill A Minor: Alktro (Vtvaldl.Bach), ~'angelical ale and that the services of the Ann Z'pp HollYWood. Catifomb, was the clinician for by Jane McCoopni "In DiI' itt Freude" • children's choir workshop. chun:h II", bqinning to 1T0000t thi •• Mr. Rhc..1 QIteCDS aad Naualt Marjorie Hus described the Clpc:rimencal wonhip lervice at (Bach) and "Hemich thul mich verlal1l'en" The Naaau Chapter and the Queens CJia;p.. the Churda of the Redeemer lind pvc !Duskal (8rahm.), Ruth Darr; "0 Gatt1.. du (rommer ter lporuored jointly a concert by lIeinz: Cincinnati SUSA'estiOftl for bqinninA' attcmplI at leu Gou" (Brahnu), Diana Ross: l"rc1ude in C Wunderlich on March 21 at the Cathedral of The members and friends of the Cincinn~ti tr.aditional acrvices in our own churches. lie Minor (Bach), Frances Greer; Adasio from Chapter AGO enjoyed a UTreat YouncJr' cautioned that we mwt know our COnlrq;l' the Incarnation. Carden City, Lons Island. Sonata No. t (Mendebaohn), Beverly Craw· dinner April 13 at the St. Georze Roman tions in order to propcrly evaluate where we A lull house thrilled to the fine piayinA' of ford; Sonata No.2: Lcbhaft and RubiS Wunderlich and the caneert was most def. Catholic Chun:h, Cincinnati. Ohio, after could bqin and how lar we could 10 in .uch bewest (Hindemith), Pamela Parker; "Vom which the Collq:e ConfCrv..tory Collellium experimenll. initely an overwhelminl IUCXCII. Plam have Himmel hoch. da komm Ieh her' (3 lettinp, Mutieum. of the Univenity of Cindnnati, At the conclusion of the meelinA'. members been finalized lor the members recital and PeppinA') aDd "SOUt' ich meincm Gatt aicht presented a ckmonstration and concert uDder were invited to see and play the new GundlinA' covered dish supper in April when nine of dnsen" (PeppinA'J. Jacquelyn Griffen: and the direction of Ikn Bechtel. '"1Ian in the church. the Nallau Chapter't membC!n will perform Pftludc:: and Furue in G minor (Duprf), Wil­ The winnen of laIt month's .tudent orpn on the new Wicb orpn at lIemplteo.d Metho­ liam Rainey. All of the pcsformcn are stu· Rebea:.a S. Harriton dist Church. pbY;,,! competition wue: fmt plsce winner, dents of Mw Picn:e, with the esupUon 01 Michael A. Manui KCOnd place winner. J.ehich Valley Grea Funrreld Mr. Rainey who ;, a .tudent ol the North Denise Troendle. Both are studenu of Dr. Alter an e\luinA' meal at Holy Trinity Lu· Pittsbu,.1a Carolina School of the ArtI. Judith Klasen Roberta Gary, member of the faculty of the theran Church, Bethlehem. Pa., Mr. John C. The Pittlbuf'A'h Chapter held its part of the CoIlett:·Coruervatory of Music, Cincinnati. Gumpy, tonal director of the Lchilh Orpn nalional Orpn competition on March 22 on T..... Ruby Stephens Company, .poke on tome of the 10011 com· the new Schanu orpn in the chapel o' Pitt.­ Trinity Episcopal Chun:h waa bost to the mon dlinp that could R'O wrong with a pipe burgh Theololical Seminary. Howard Ralston Tulsa Chapter AGO for the February meetins. Dall» orpn and how the organist can often COtTelCt was the host orpnut. The winner of the com. Followinr dinner and the rerular bwincu The Dallas Chapter of the AGO he1d their them. Hil calk was entitled "You, too, can petition was Patricia McAwley. a student of meeting, the protJram wa. presented by Dr. dinner meetinA' Man:h IS at St. Stephen fix your .well .hoc." Donald WilkiN at Camqie.Mdlon Univeni. ThOlna, Matthews. Hil .ublect was "How to United Methodist Churdt in Mesquite. TM Cantor JCKotph Bach presented a ptoJfUD ty. The runner·up was Marpftt Evan. ftorl! O ....an.ue ),our Piano MUlie". Dr. Matthews, prosr.am was the annual studt'nt recitat. Par· of Jewish mutic for our Chapter in Temple Chalham CoUqC!, a stucient of RlIItCU Wich. FAGO, i. of'A'aniit-direc:tor of Trinity Episcopal ticipants were studenu of tcKhen in area Beth EI, Allentown, Pa. He traced the his­ man. The winDer will ftpresent the Chllpter Church and alit. profcssor of orpn aad theory, c.oIJqes and univenitict and they perfonncd toey of the mUJic. from aacient times, throtlah lit the AGO rqional conve:ation in Harrisbu,.. Univcnity of TulM. on the fine Sipe.Yarboroulih ocpn. PrDlram the captivity to the prescnt time, abowinl the duritIS the month of June. Ma..,. Unwin co-onlinator wat John L. Hook ..... orpnilt. nlatio",hip of Jewish music to modern Amen. A PrDJlnlm of ch.onl and JOIo literature choinuster of St. Luke'a Epilcopal Cburdt. can liIe. St. Joseph Valley "''as presented April 19 at Eda:ewood Praby. A recital by .tuden.. 01 Chapter memben Dorothy Peoples Dr. Robert Baker, dean of the School of terian Church with dean Wayne Galbn.ith Sacred Music, Union Theolosical Seminary, "''AI ri\len at Fint !'rabyteria Church, South Fort Wayne hostinr the Chapter. Wayne Lenke and Betty Bend, on March 2B. Cynthia Eck, ttudent spoke .t our orzanist-c:lergy dinner. He Maier performed a repertory' recital on weddin. Concordia Senior Collele and the Fort ,tated that JllOIt wonhip patterns are dull and of Mn. Thomas Miranda, Eric ROlen and Wayne AGO joined tOA'ethcr in presentinA' a and funeral music on April 26 Ilt the Beverly Paul lIochstetler, studetlu of Orlando Itereotyped. Aa • protest the folk.rock DW:I HeiA'hb United Presbyterian Church. most luccessful workshop and recital by Alec mast Schmidt. Jane Flora and Ma..,. Leahy, .tu· has been introduced. This is .imilar to Mary C. Hanly Wyton the weekend of January 50-31. Music the rospel hymn except that it hat an im· denu or Arthur Lawren", and Linda WIld· was performed with which mOlt woukl not proved (modern) rh)'lhm and bat the ,uttar Redwood EmpiA! IIUlI and Ruth Ann Plue, .tudcnu 01 War­ have othcrwile been acquainted. for QCcompafliment. Some reali, NEW music At the mcetill, In Sebattopol of the Red· rC!n Becker performed worb by Bach, BarJow, A wod._hop pa-'onnana: 01 CODtcmponry it Rftdcd to revitaltu the church ICI'Vke by wood Empin: Chapter AGO on M.rch 2, Mr. Walcha, and Mendelaobn. A rettptioa for aAd a\'ant pnte church mwic wal presented joininA' the fOt'Ces of music and theolosT. Ifarold Mueller, rt:I'ional chainnan, pve a the atudcnb and tlx tUebeR wu held fol­ March 15th by the s:tnctuary choir of Fint Mr. Marvin Beinema won lint prlle in the \'ery helpful blk with demorutrations of oryan lowing the pros:ram. Wayne St~t Methodist Cllun:h, under the Diocese of Bethlehem competition for a rnwi. repetoire for the church musician. Arthur P. Lawrence direction or John Loessi, or'A'anist-c:holrmas· cal settins 'or its Centennial Hymns. At a meetin. on February 9 the mcmben SL Louis IU. To add A'reater interest, the music was The Chapter ,ponsored Mr. Georre C. and friends heard an interestins redtal of projected by slides onto a screen In order that The Apn1 26th meetin, or the St. Louil Baker III. in recital at St. John's Lutheran sonp by Schumann, Schubert and WoUf, .unl Chapter AGO was he1d on the campw of all could follow the sinlinA' o. eath number. Chureh. Allentol4"', Pa, on March 21. by Dan Runlca, the put dean, accompanied Mary Anne Arden The Principia Collese. Elsah, Illinois. Dr. Karl H . Femtermaker by June Bean. O .... an numben by Couperin, Franklin Perkins, dean.elect, pvc a lecture· Vivaldi·Bach and Mencklssohn were played by HiaWoltha Valley rn:ilal on contemporvy orran psalms. Martinsville Taylor D. Ruhl. Henry Glaa Jr. The Hiawatha Valley Chapter AGO met The Marcins\lilk Chapter AGO heard the E. Helen Peftdleton Monday, M:tn:h 15. at the Centnl United openinl recital on the new 34-rank W'Kks Sa.La Barbara R~ Methodill Church in Winona. orpn in Vaushn Memon.l Chapel of Ferrum On ~bn:b 9, D... Peter Raciftf! FrickC!r. An iDtrreslins and varied PrDIram WlU pre· Junior Co1Jtle Mareh 23. The recital was The K'COnd of our PrDlralDl on "Mwie in chainnal1 of the drpartmcnt of IIIUlic, Univer­ "nt~ on the role of instrumental music in siven by 'lames McConnell. coilerC! orpnilt America" was presented lifter our dinner meet. .ity of California, Santa Barban, aDd inler. the wonbip acr'lice. Memben or the Winona. and dean or the Martinsville Chapter. inr February 9 at Saint Gilca Presbyterian nationally known compolll'r of orpn and choral State Collere bran choir, under the direction Judith R. SlrieWand Church. Dr. Robert C. Lawes, who is on the worb, pvc a lecture presentation for the of Dr. Donald Mocly, perfonned leven.1 Ie' music f.culty of Vlrsinia. Commonwealth Uni. memben of the Santa Barbara Chapter AGO. lection. combinins the bran choir and orsan. Melnlpolltaa New Jersey venity, Richmond, .poke on "Early MusK: in Dr. Frider disawed hi. viewpoints on the The composition, "Toccata" by Aurelio Memben of the Metropolitan New Jersey Virginia." It was interesting to learn that correct desiA'n and .tructure of ofJllln com­ Bonelli provided the .timnl antiphonal acttinr chapter were held .pellbound at the Man:h 8 Virginia hu sudt a ridt cultural heritalle. positions. their adaptalion to variouJ types ol bct~'f'Cn brass choir and orpn. A trumpct meedn, by the JinginA' of the Bernards Hi,ll An unUlual and varied prDA'ram was p~ installations, and some of the problems in· ,010, "Trumpet Tunc" by Heary Pun:ell, waa School Choir of Bernardsville, New Jeney. lented by the Richmond Chapter aher dinner volved in composin.. for the arpn. He iIIus· played by Dr. Moely. The \&Ie or the brass The DUlltaodinA' ,If'Oup , under the .en.itive di· on Man:h 9, 1971 at St. Stephen'J Episcopal trated hil talk with rec:ordinp of hit mmpoai. choir with Drlan in tbe accomp.animent of rection of Mr. Robert Volbrecht, .howed, Church. Chapter maabe.n who performed tioru all pc.rfonaed on lCYerai bfle wtru­ bymlU waI also discuucd by Dr. Moely. The throuab thdr be:t.uli(ul tone. blend, and under. Wf;1'e Ardyth LobUli. William Stokes, Gnnville ments in EnA'land aoo Holland. hymn, " JctW Christ Is Riten Today." Wail ltandinl of the mwie, that they dcxrve the Munlnn. and Bernard Riley. Gunt performen Stirli.. R. Price

CHARLonE WILLIAM ARTHUR C. BECKER, Mus D., A.A.G.O. O'IO"lst THE ATKINSON DUO flutist fiRST PRESlYTIIIIAN CHUICH ARMY AND NAVY ACADEMY DE PAUL UNIVERSITY OCEANSIDE, CAUFOIINIA CAR WAD, CAUFOIINIA ST. VINCENTS CHURCH, CHICAGO L-BOX______785, CARLSBAD, CA 92008 • 714/729-2990 _

12 THE DIAPASON WEST COAST ORGANIST MARRIES

Eil~n Coggin. prominent organist and active AGO member, and Raymond From the 17th Century to Today P. Britton, both of Alameda, Calif.• were married April 24- in the Church of the 'Vayfarer in Cannel·by.the·Sea, NEW ORGAN MUSIC Calif. Eileen is the widow of Austin Coggin. a teacher and concert pianist. She has been organist of the First FOR CHURCH AND RECITAL Church of Christ, Scientist in Berkeley. Calif. • for the P3.!t .7 yean. and she Use the coupon below to send (or single copies on 30-Day ApproVilI is also organist·dirtctor of the Temple andl or to send Cor the new Harold Flammer Organ Music Catalog Beth Sholom in 5:10 Leandro, C31if. She at no charge. is also on the faculty of the College of the Holy Names in Oakland, and Six New Pieces From the Pasl arranged by Alfred H. Johnson. active as a teacher of piano and organ. Prelude in A Major (\V.F. Bach), Lullaby (17 th C. She is a past dean of the San Francisco English), Samband. (Couperin), Ciaccona (Handel), Chapter AGO and has concertized New Cannarsa for New Prelude in D minor (Vivaldi) and Trumpet Tune in D throughout the U.s. In recent yean she ( Clarke). Easy. has made a specially of presenting the Beaver Springs, Pa., Chureh works of Brahms in masterclasses and Cannana Organ!, Inc., Hollidays­ Passacaglia, Andante and Scheno Ostinato by Neveu Bartow. playing the complete works in recitals. burg. Pa. has completed a new two­ This is a challenging suite (or organists who work Mr. Brillon is president of the 'Vest­ manual and vedal organ (or the new ot the concert artist le\·el. Although it will "stretch" em Finance and Thrift Co. in Alameda lkaver LuU.cran Church. Beaver :md he has his own business of real Springs, Pa. The choir and organ are both the imagination and the hands and feet, the estate, insurance, ::md personal loans. located in the rear gallery of the A· . piece was conceived "organistically," and you will He is active in the Republican party. In frame structure. The African ma­ find that the notes lie well for the hands and feet his spare time he is an ardent sailor hogany case is free standing on a once you know where they are supposed to be. A and a member of the Encinal Yacht raised platform. The organ is voiced brilliant showpiece (or those who are able. Club. Since he is prc5ident-elect of the on 2!A: inches of wind pressure, with Alameda Rotary Club, the couple will the reed and pedal division voiced on honeymoon in Australia where he will 5 inches. The dedicatory recital was I ------atlend the International Com'ention of performed by Dr. James Boeringer of Rotary in Sydney. \\fhile Ray is busy with Swquehanna University and Mr. Vic· I tor Rislow. trumpeler. ,. HAROLD FLAMMER, INC. Rotary meetings. Eileen will be pre­ I sented in recital by the Sydney Or· CREAT ganisL's Association aL St. Stephen'!! Principal 8 ft. 61 pipet I DELAWARE WATER GAP. PA. 18327 Presbyterian Church in downtown Syd­ Hol.lnoete 8 ft. 61 pipes I W Dulciana 8 rt. 61 pipes ney. After the convention, they will Octave 4 ft. 61 pipes I travel to Canberra, Melbourne. both Please send the new organ music I have indicated below on 30.<1ay Mixture III 183 pipes Appronl. Islands of New Zealandt and conclude SWELL I their trip with a week m the Fijii Is· Hob Gedeckt 8 (t., 61 (l ipcl I o Six New Pieca From the Past, Al£red H. Johnson, $1.75 (HF35). lands before returning to their home in Viol Dolce 8 ft. 61 pipes I in Alameda. Cele:lle 8 ft. (prepared ) o Passac:I!;1ia, And.mtc and Sc:heno o,tinato by Neveu BarlOW, $2.00 Principal .. ft. (prepand) I Ftoele a Bee 4 It. 61 pipes (HFS6). THE CHOIR OF ST. PAUL'S CATH· Blocl:f1ot:le 2 ft, 12 pipes I EDRAL, London, Ontuio, completed its Lango! ty, rt. 61 pipes Name _ ------_._- 4th annual tour rnnn MAtth 20 through 23. Zimbd II ( prcpa~ ) I Sinsin, at the Cathedral or Christ the Kiol, Hautbois 8 ft . 61 pipes I Address Kalamazoo, Mich,: St. Thomas' Church, PEDAL ______. State ______. ___ Zip ___ _ Baule Creek; St. John" Church, Ionia, Mich.: Bourdon 16 fl. 32 pipell I Ci ty and at All Saints Church, Windsor, Ont.: the Gcdcckt 16 ft. 12 piplE:'l choir, under the dira:tion of Malcolm Prind pal 8 ft. (gnat) I 0 At no charge, please send the complete Harold Flammer Organ Mwic Wechsler, performed woru by Bach, Vaughlln Ftoele 8 ft. 12 pipet Catalog. I Wnliams, Attwood. Knilht, Stanford, Men_ Choral Bass '* ft . (StUl) delssohn, Handel, Bryant, nassler, and Hewin - Fagott 16 fl . (prc,.,red) I U 571 "FO" I 1..... Clarion 4 ft, (swell) ~------

Northwestern University School ofMusic Et'atISJolI, JIIi".is Summer Session 1971 Summer Courses Featuring Internationally Renowned Performers, Lecturers and Teachers, in addition to an Outstanding Resident Faculty. Two-week Workshops COMPREHENSIVE MUSICIANSHIP SYMPOSIUM FOR CONOUCTORS PIANO PEDAGOGY AND REPERTORY The study of music through ana lysIs. Choral rehearsal and conducting tech· Master classes in contemporary plano June 21 toJuly2 performance, listening and composition. nique, score analysis of large works for music. Also pedagogy on piano tech· Warren Benson, William Thomson, chorus and orchestra. Margaret Hillis nique. Easley Blackwood, Arrand Parsons George Kochevitsky BLACK MUSIC IN AMERICA MASTER WORKSHOP IN VOCAL LITERATURE FOR A survey of the black man's contribution. Materials and tech­ SINGERS ANO ACCOMPANISTS July 5 to July 16 niques of teaching. Venoris Catos, Lona Mclin Concerned with various aspects of vocal literature. The class will be under the direction of the Chorus Master of the Metropolitan Opera. Kurt Adler

NEW DIMENSIONS IN MUSIC EDUCATION THE CRAFT OF ORGAN TEACHING Electronic music, tape recorder composition, audio-visual Lectures. demonstrations and master-class presentations July 19 to July 30 equipment and materials, programmed learning and other dealing with the historical and stylistic considerations of current developments for music teachers. Virginia Halemann, organ teaching. Catharine Cro"er, Harold Gleason Donald Shotlor Special Six-week Courses ------­ MICROTEACHING CLINIC STAGING OF THE PERFORMING ARTS TEACHING MUSIC APPRECIATION For graduate students with little or no School presentation of music. drama Materials and presentation of musical June 21 to July 30 professional teaching experience. or col­ and dance with the performing arts elements, form, style, with a renowned lege teachers supo,rvising student teach· classes at New Trier High School. author-teacher. Joseph Machlls ers. Video and audio tape recording as William Potorman well as other sources of Informational feedback will be utilized. Jame. Moore .. For A Summer Bulletin and .,. Living Accommodation Brochure, write: Office of the Summer Session PI US .. . A resular six-week Summer Session offerin's Northwestern University th i ~ courses of study. Summer Band and Summer Chorus. applied music in all areas. and a lively performance 1740 Orrington Avenue schedule. June 21 t. July 38 Evanston, Illinois 60201.

MAY, 1971 13 JOHN GEARHART NAMED TO CELESnAL Edward D. Berryman, 5MD Warren L hrryman, SMD WILLIAMSBURG POST Gamba 16 ft. Viala Pomposa 8 It. BERRYMAN John Gearhart ha!! been named a!I' Viola Celeste II 8 ft. si!!tant organist to James S. Darling. Flauto Dolce 8 It. Organist.chairmaster Head, Organ·Church Music Dept. organist of Bruton Parish Church, VioUna Celeste 11 .. It. WESTMINSTER PRESBYTERIAN CHURCH BALDWIN·WALLACE COLLEGE Flauto Amabile .. ft. Williamsburg, Virginia. Mr. Gearhart Piffaro Celeste Il -4 ft. Minneapolis Berea,Ohia is a junior at the College of William Piccolo 2 ft. and Mary in Virginia where be is Dolce Cornet III presently studying with Mr. Darling. Chalumeau 8 ft. Margaret Melvin He also !!tudied previously at Guil· Tremulant ford College under Claude K. Cook. DICKINSON l\[r. Gearhart leaves his \ pmition as BOMBARDE organist of Fint Baptist Church. Bombarde 16 ft. Univenity af Lauisvili. Greensboro, N.C. Already active as a Trompctte 8 ft. Laulsvllle Bach Society recitalist, Mr. Gearhart will be playing Trompclle Heroique 8 ft. Clairon 4 ft. Calvary Episcapal recitals at 9 a.m., 12 noon, and 5 p.m. St. Francis-in-th ..fields EpiKapal daily on l\[ay 5 through 8 at the Wana· maker organ in Philadelphia. PEDAL Untersau 32 ft. Primipal 16 ft. Subbus 16 ft. WAYNE FISHER Houston Church Orders Violone 16 ft. Gemshom 16 ft. College-Conservatory of Music Two Allen Instruments Quintawn 16 ft. Lieblichgededt 16 h. University of Cincinnati St. Thomas Episcopal Church, Hous­ Grouquinte 1~ h. ton, Tex., ha!l ordered two Al1en instru· Oktave 8 ft. ments ror planned installation in No· Spitzflole 8 (t. vember, 1971. A three·manual instru· Pommer 8 ft. ment will be located in the chancel, Choralbau .. It. Naehthom 4 ft. DAVID HEWLETT and a smal1er two· manual will be in­ Hellnole 2 It. stalled in the gallery. The chancel in· Albtur IV stmment, with drawknob console move­ Scharf IV MARSHALL BUSH able ror special music recitals, also in­ Bombarde 32 fl. cludes a swell antiphonal division, per­ Dulzian 32 ft. The Canservatary af Musk Bombarde 16 ft. at Christ Church, Fitchburg, Man 01420 mitting stops or thi!! division to be played from the gaUery independently DuWan J6 ft. Basson 16 fl. £rom the gallery instnlment. TromptUe 8 ft. . '" ,r. , , : ,:tr, . , "Iii R Hautbois 8 ft. a II I GREAT Clairon .. ft. E Zink 2 ft. C -JOHN HOLTZ Spiuprincipal 16 fl. I ff Prinzipal 8 h. GALLERY MANUAL I T Faculty: HARTT COLLEGE, University of Hartford !:i "p;l:rnale 8 ft. A Bordun 8 It. Gededt 16 ft. L Organist: CENTER CONGREGATIONAL CHURCH, Hartford IR' Oktave -4 ft. Spiuprinzipal 8 ft. • Rohrfliite -4 ft. Gedeckt 8 ft • .. f.' Quinle 2~ It. Oktaye .. ft. Prinlipal 2 It. FlOle 4 ft. Flacllnate 2 ft. Nasat 2~ ft. Comet V Blockfl3te 2 ft. Mbture IV Ten H ft. Scharf IV Mixtur IV Pmaune 16 h. Trompelc 8 ft. GALLERY MANUAL II Gedeckt B h . SWELL Oktaye 4 ft. Bourdo" Doux 16 ft. F16te 4 ft. Monln! B ft. Supcroktaye 2 ft. Flute Couverte 8 ft. BlockniSte 2 ft. Flute Harmonique 8 It. Quintlein 1~ ft. MARILYN MASON Viole de Gambe 8 ft. SilOate 1 fL Z;m&.I m CHAIRMAN, DEPARTMENT Of ORGAN Gambe Celeste n 8 ft. Prestant 4 It. UNIVERSITY Of MICHIGAN Flute a Pavilloa 4 fL GALLEll.Y PEDAL ANN ARBOR Doublette 2 fL Prinzipal 16 It. Larigot l~ ft. "MIss MaICNt ploy_ wi,II austerity ancl reserve, demon.,nrtlnl' anew Cededt 16 It. Plein leu V Prinzipal 8 ft. IIer aJdraorclinary facility •• , " D.. Main .. Rllli"." October 5, 1964 Banon 16 ft . Gedeckt 8 ft. Trompette 8 ft. Choralbau .. It. Hautbois 8 ft. Flote 4 ft. Clarion 4 ft. Blockn3te 2 ft. Tremulant Mbtur n GEORGE POSITIV MARKEY Hoh-gedeckt 8 ft. TIlE CHOIR OF ST. LUKE'S CHURCH, Records Markey Enterprises 201-762-7674 Quintade 8 ft. EVANSTON, ILL., Karel Paukert, director, Primipal .. ft. sanl a program DI contemporary warb for Recitals 42 Maplewood Avenue Koppcm3te 4 ft . the Lenten season on March 28. The program Maplewood, N,J. 07040 Nasat 2~ ft. included lhe CwaKo premiere 01 "Impropcri." Instrudion Oktave 2 ft. by the Danish composer Bemhard Lewka­ Blocknate 2 It. witch, " Vexilla ReaD Produent" by Gerhard Ten IYs ft. Wuensch, and an improvisation for choir, ar· Quintlein 1% ft. pn, IOprano salout. reader, and electronic KJ einpri nlipal I ft. synthalzer. Thomas Willis was in c:harse of * * * PITMAN CHESTS * * * Zimbel IV electronics. and Noriko Fujii WllJ the IOprano Our production capabilities permit Duman 16 ft. IOloist in lhe improvisation, .. well .. in An· Krummhom 8 IL ton Heiller's ··Oplayi." Mr. Paukert abo per. excellent delivery on our fine Krummresal .. It. formed " In te spernvi, Domine" by Klaw quality Pitman and Unit Chests Tremulant Huber on the prosram. - selectlan af Kales and pressures - - competitive prices - •••••••••• Rostron John Kershaw Company "ORGANERIA ESPAIiIOLA" (Madrid) 68 Washlngtan Street • The Inl.rnation.1 Sodety of Organ Build.n (~odd membln) al tIIelr 1967 Congr.u "ot.d tills organ manufacturer on. of Ihe world's fl"e b.sI. Tap quality, any action typa re­ Lowell, Massachusetts 01851 • quired, most camp.titl"l1 pridng, and comparati"ely early d.Uvery. S.nd us your specs, and Id UI mab a Bid. D. Whltln9, aep ...s.ntati". (A.G.O.) WW S. Grand Av •• , Los Angeles 901117 "specializalon mabs Ilia cliffe renee" • •••••••••••••••••• ~------, LOUIS F. MOHR & COMPANY HANSEN E. H. HOLLOWAY ORGAN ORGANS CORPORATION G. F. ADAMS MAINTENANCE 2899 Valentine Av~ Constructors Organ Builders, Inc, Builders of New York 58, N. Y. & Tdephane SEdgwick 5-56211 Tracker and Electro-pneumat;c Rebuilders 01 204 West Houston Street £!Deqeacy Senfc:o Yearly Coatrac:b slider chest organs. Harps - Chimes - Blowen QUALITY New York, New York 10014 _ <>-redwdhoc PIPE ORGANS INDIANAPOU5, INDIANA -.4n Or,.. Pro,,", Moi.lCilui II_au Telephone ORlllon 5-6160 QUINCY, ILLINOIS 62301 ref. 637-2029 P. O. Box 20254 B""n MW'"

14 THE DIAPASON abundance of mU5ically pJa)'cc.l orna­ Diane Bish ments. Bach's flight of concentrated Prelude and Fugue in G minor, Bux­ fantasy was subdued. serious, and flay. tehude; Plein chant, Fugue sur lcs jeux ed with the most subtle grouping 0 two d'anches (rom 2\lesse ~r les Parowes, 8th·notes. For a change, the Haydn Tierce en taille, OUcrtoire sur les grands pieces for a flute clock were played on jeux from 2\lesse pour les Couvents, ap{Jropriate SlOpS. ,'cry deltcate and Couperin; Herzlich tut mich vcrlangcn, qUiet. sprightly and exquisite as minia­ Brahms; Improvisation on Victimae tures. Paschali, Tournemire; Fantaisie in C Perhaps the two high points of the minor, Bach; Two Noels, Dandrieu; Noel evening were the closing pieces of each Organ Workshop Elranger, DaquiD; Adagio in G minor, part of the redtal. Miss Blsh's handling Albinoni-Giazottoj 5 movements for of Toumemire's flight of fantasy on the Flute Clocks, Haydn; Introduction and great Easter hymn was grandiose. mys. August 15·20 Passacag1ia in D minor, Reger. teriOllS in the quiet sections, anti free enough to capture Toumemirc's fantas­ Exclusive North American Diane Bish, instructor of organ and tic harmonic Imagination without losing harpsichord at Midwestern University, the sweep of the whole piece. We were Summer Appearance ,Vichita Falls, Texas. a very talented also remlOded at the end of the program young organist. appeared Mard. 23 be­ that Reger's Introduction and Passa­ fore a slim Chicago audience at the caglia in D minor. even though it is Chur,"h of the Ascension. Coupling this not his largest, is one of his very best recital with a lecturc-recital for the pieces. As Miss Bish played it, we were Marie-Claire Alain MTNA convention during the same Impressed that the piece is so much week. she brought to those who cared more "organistic" than other works by enough to go to the Church of the the same composer. at Ascension a varied program of French Two pieces on the program could and Gennan music. It was a program have been easily omitted - at least wide in stylistic scope, and one that dis­ one of them. The Alblnoni adagio move­ played all the things that she plays well ment has little to recommend it musical· at their very best. Iy for the organ. evm though it was Ascension is a lovely place. aesthetiCaI. played well in neo-Romantic style. ly pleasing to the eye. and uncluttered Bmhms' chorale prelude is a £inc piece, with unmeaningful artifacts. It also has but did not settle between Couperin good acoustics and a very lively {Jresence and Tournemire. It also required more ror sound. a help for any orgamst. The tension rhythmically than 11 got, and C%rodo Stote University large Schlicker. although somewhat loud perhaps it was only a perfonnance slip with full organ. and also shrill to some that produced a 4-fool cantus fi nnus in degree. was handled with great care the p'edal against an 8-foot manual reg­ by Miss Bish. Her registrations were as istration. thus inverting the hannony. Ft. Collins, Colorado authentic as the organ would allow Miss Bish is to be thanked for bring­ (not very in the early French music) ing her knowledge and abilities to Chi· and offered the listener the variety that cago. and for playing such a wide vari­ University credit available Casavant Organ the Jarge instrument offers the per­ ety of music so well. We hope that she fonner. One hallmark of her playing is will have an opportunity to show off Campus Housing 34-stop, mechanical... ction the use of careful and subtle freedom these talents to a wider audience in of rhythm. articulation, and phrasing. the near future. She deserves it. - RS Enrallment limited Buxtehude's improvisatory fantasies: sounded spontaneous, and his ~t G TIMOntY E. ALBRECHT of Milwaukee, minor fugue was livened considerably Wis., and a junior at Oberlin Conservatory of by an overdotting of the dotted notes Music, was named winner of the orpn play­ For information write: and shortening of the notes following. ins competition sponsored by the Clcvdand All of the early French music was Chapter AGO. He will receive a prize of $300 and will be presented by the Chapter in reo Robert Cavarra, Music Department played with excellent variations of cital May 2 at Plymouth Church, Shaker rhythm - unequal notes of several types, Heishts. Ohio. He is a Itudent of HaskeD Colorado State University, Ft. Collins, Colo. 80521 French overture rhythms. and an Thomson at Oberlin.

ANTHEMS THE GOSPEL TRUMPET G. Winston Cauler. Feslivol anthem for adult I KNOW NOT WHERE THE ROAD MAY LEAD choir and sola trumpel. Difficult. SA18. APM-672. David H. Williams. A general anlhem for unison 45, or four pari harmony. SATB. Moderate. APM· 869. JSe VOCAL SOLOS LORD JESUS. THINK ON ME BLESS THE LORD, 0 MY SOUL G. S. Freestone. A familiar lext for SAT8 voices Alice Jordan. A sensitive selling of a great text. set to an original tune. Moderate. APM·BIB. 3S~ Moderately easy. Medium voice. APM·BOO. $1

MARY, MARY NOW WILL I PRAISE THE LORD Arr. Lloyd Pfaulsch. FoIk·style arrangement of Philip R. Diellerich. Solo selling of Psalm 34 by a Christmas anthem for youth or adults. Mod· one of America·s prolific composers. Mildly can. erately easy. APM·892. SATB. 3S~ temporary 'or church or studio use. Moderate. APM ·904 (low Voice): APM·90S IHigh Vaicel. PRAISE TO THE LORD $1. each. Lester H. Groom. A hymn-anthem with pseudo. chanl thematic flavor. Moderately easy. SATB. ORGAN APM·840. SSe FANTASIENNE AND FUGHmA SING WITH THE SPIRIT Warren Schmidt. Sola for church. studio. or Arthur E. Hall. Based an transliteration of Paul's recital use. Abstract. but nol overly contempor­ leiter to Corinthians by Fairfax Downey. Mod­ ary. Moderate. APM-706. 7St: erate. SA18. APM-728. JSt:

mAHES musIc FOR

At Your Book or Music Store ABinGDOn

MAY. 1971 ·15 inadequate tonally. and in a dismal THE DIAPASON state of disrepair with literally dozens of cyphcn singing. We know that many American cities have an abundance of inadequate and A NOTICE TO E miserable org:lns which organists are D supposed to play (Chicago being one of the foremost), but there is hardly a I city that does not have at least onc or SUBSCRIBERS two organs in dose proximity to the T center city (where amvcntions are usually hCOldqu:utered) that would be o ::adequate for such .. program. ,Vc would R also think that, since MTNA is made OF THE DIAPASON lip of musicians, musical performance I would be panmount to a program. To provide an artist-teacher with such Inflation has finally caught up with THE DIAPASON. Costs A an imtrument (or rather. a non· In. L strumc"') is an insult to his abilities. have been steadily rising each year, but our SUbscription We think that it is to Dr. StapUn'J price has remained the same for ten years. We are sorry S cr~it that he actually was able to play nn'lthing Ih3t 3ftemoon. OrganiuJ to have to do it, but we now find that we must raise our should stand up and shout loudly their subscription price in order to keep pace with rising cost complaint when such things happen. and spiraling inflation. Effective immediately (May I, 1971), Th. opinions, Ideal and Iltgu.,tlon, A Sign of the Our new subscription price will be $4.00 per year, 40 cen.,. .11 the .dltorlal pag. are the re'poIItI­ American Mentality btllty .f the .ditor, of this publication. for a single copy, and 7S cenls for a back number more When we: were younger and aspiring to be a musician, we were told that than two years old. We think that $4.00 per year is still Europe was the aadle of our civiliza­ a very low price (these days) for 12 issues of news, reviews, Stravinsky tion (which it is), that Europe: was The quiet and generally unremarked when: all things mwical were better articles and comment of value to the organ profession. quality of Igor Stravinsky's passing is than in America_ We were young then. in a way a measure of his greatness. and we: belieVed it_ We are much older In order to show our present subscribers how much we Obituaries. commemor.ativcs. and the now, tmd we do not believe it any more. value their readership, we are making a definitive biography will surely ap­ America is a young rountry. and pear. But for the moment to list his American. hequentty think childlshty. Special Offer to Present Subscribers Only: achievement.!. to recall the incidenl5 Th3t is the case hom a cultur.aJ view­ of pUblic furor, to describe his wide­ point. True, there are some things that Renew your present subscription for two years for $7.00 ranging mind would seem almost are better in Europe - government before Odober 31, 1971. If you send us your renewal be­ redundant. subsidy of art ::md cultural Institutions However. a curious anomaly S09n roster an abundance of activity in fields fore Oct. 31, this will save you $1.00 on a two-year sub­ becomes evident. where we struggle to get any activity scription renewal. A one-year renewal will be accepted at Stravinsky'S choral legacy is signifi­ going here. As a result, church building! cant both in respect to specific rom­ are beautiful and expensive, public the regular price of $4.00 per year. So - ·make your re­ positions and to a manner of expression. buildings are covered with art, and newal for two years before the end of October! Sympllony 01 PSlJlms and CtJnt;cum oper.a and the theatre thrive. And, more Sacrum are undeniably major works. organs get built from government lOb­ Yet. like the trumpet-fanfares in sidy than here in the U.s. OedipuJ Ru which spawned a whole We used to think that European or­ generation of Hollywood imitations, we ganists were better than Americans. We do not advocate that lOU mould Those Were the Days find Stravinsky'S choral technique and Well. some are and some aren't. And get out and hate the Europeans now, sound ideal existing today in the liter- some Americans are and some aren't. or th3t import.! .hould be .topped or 50 years ago, in the May, 1921 ;nue­ 3tme a!l an on-going influcnce. After studying in Europe twice. after severely controlled. We do not ask you George Ashdown Audley's new book. to use the popular myth in revene "Organ Stops and Their Artistic Regis· What. then. of the organ music? making the pilgrimage to the sacred tration" was reviewed. "Foolish question." someone wi1l sny. places of European organ art. we can (like American organists and organs Articles included "Choir Training _ "We all know there is no organ music." say that we sirnply do not believe it because they are American). That and Some Other Thln8!" by Henry The calm accept:J.nce of this fact is all any more. American organists are lOme would continue the lame folly. But we Roney. and a write-up of the forth­ the more puzzling when one considers of the best in the world. as are our do plead for everyone to recognize what coming meeting of the Organ Builders the activitics, at times approaching is of value here, and then to get be· Assoc. of America by organ builder oTchestr.ls, our musiciam. and our Adolph Wangerin. (renzy, of revival. renewal and restora­ artists. hind it and IUpport it. Then. go out, and teach othcn to do likewise. -RS The 25th anniversary jUbilee te:mtes tion in the organ world. What then is our trouble? Europeans of the AGO were described on page I. Why did StraVinsky write nothing grnuinely support art. Americans do for the organ? Can we long afford to not. Subsidy to orchestras and artistic New Choral Music 25 years tJgo, in the MtJy, J946 issue- have the organ largely ignored as a endeavor here means that people will B5ck. Sven-Erik. Motets lor the Noel Bonavia-Hunt wrote a Jetter asking whether Bach was satisfied with musical medium by eminent com- have to support that endeavor with dol· Church Year. SATB a cappela. "Lo, we posen? go up to Jerusalem" for Quinquageslma the o!pn for hb day and discussing the lan, as we:ll as with their care and Sunoay, No. 118M; "I am the Bread question. These are questions worth pondering concern. It is quile evident that one of Life" for Mid-Lent Sunday, No. Gilman Chase', translation of Toume­ in the wake of a mind such as sign of the: American mentality is that 11857: "-'esu, think of me" for Good mire's analyses of Franck'. Chorales is Stravinsky". -wv most people simply do not care about Friday. No. H8SS: !O_ each, WUhelm continued. art that much_ Hansen-G. Schirmer, New York.. Born in 1919. Sven·Erik B!lck is 10 years ago, in the May, 1961 illue­ Organs and organists in America Inadequate Organs well·known as a rom~r in Sweden. The large new Beckeralh organ at St. On Wednesday, March 24, we hustled are ,'cry much involved in this. Other­ He has headed the Swedish Radio Joseph's Oratory, Montreal, Quebec was ourselves over to the Methodist Tem­ wise. European organists and organs Music School since 1958, is an aecom· pictured and described. ple in downtown Chicago to hear a would not be imported to this rountry pUshed violinist, and he has written Robert Wolfenteig won the Fort lecture· recital on Bach's Clavieilbung, under the philosophy that they are music of all genres. These short motelS Wayne First Presbyterian Organ Play­ part !. given by Dr. Carl Staplin as better simply brcause they are Euro­ display a rcmarkable kind of aaftsman .. ing Competition. R. J. S. Pigott wrote 2n article. "Engi­ part of the MTNA's national conYen­ pean. But it is nevertheless a popular ship, and one is reminded of Swedilh art and film creations as one studies neer Cites Some Facts About the Or­ tion. Our anticipation was rewarded by beUef, and it is what keeps a goodly the KOt1!S of these: short moteU. They gan," and John Hamillon described con· an excellently planned lecture with amount of the movement of European share with other rontempo~ Swe .. certs held at Paris', Palais de Chamot. mimeographed notes in abundance. artisLs and organs rolling to America. dish creative effort a Simplicity of including roncer13 by Gaslon Utaize. all of it interestingly put together and It is not our intention here to deni­ statement, starkly spare structures, re-­ Marie·Claire Alain, Andre Marchal, 3rticulated well by this infonned mem­ gt'iIte our European hiends and col­ serve and undentatement in the ex· Noetie Pierront, and Jean- JAcques ber of Drake University's organ faculty. treme, a kind of cool sensuousness, and Gruenwald. leagues. They are fine people, skilled an absolutely r,lanned progression of Our intention in going. however. was in their work. and they should receive the least mater also are heightened by more "orid writinlJ. to hear Dr. Staplin play these fine due Cl'edit and interest from us for The music is contrapuntal, only Repetition of pordons of the text IS works, and with the hopes of writing the work that they do. Our roncem is vaguely tonal and definitely not ded minimized, although some is necessary a short review. Unfortun3tely, fairness to rommon triadic harmonic structure. to the coun~'nt . The texts are let not with the Europeans and their work, forth in a dear manner, and cao be preYent! us from doing that. but with Americans who faU to see Each melody bas Its own character is made to move carefully and sing ;Alb· heard clearly because of the clean and The playing of this organist sounded wh3t is actually here in their own back out a great amount of floridity, and is spare texture. Important poinll in fine enough - what we could discern yard. We know hundreds of organists carefully made: to provide IOnorltJes the text combine two or three voices of it It wasn't Dr. Staplin's fault at a11. here who are among the finest any­ from the hannony which, although db· t~ether for emphasis. The effect of aU The organ given him to play at the where. We know of many American sonant, sounds as though It could be thu is music which is sensuow but Methodist Temple is an early vintage organ bullde" whose instruments an: no other W3y. These IIOnorities bloom not sentimental, abstract but not mean­ at points of the !

16 THE DIAPASON ate dearly. Such things as vowel color, • PrtJy~book of Jewish WOf3hip, 1961. Chihara, Paul Stiko. The 90th Psalm. Klein, Lothar. An Exaltation. SATB, consonant articulation, breathing and Chorus and solo , conclude tJie work l~iPart mixed voices. organ, and op. sop. or ten. solo, organ. Waterloo Music phrasing are abo critical to the per­ with a setting of James Rwse11 Lowell's ttonal brass quanet. Shawna: Pres:!l, Inc.• Co. Ltd., 5Oc. loonance of these pieces. For those who "Once 10 Every Man and Nation" from Delaware: Water Cap, Pa. A-10gB, score Two useful additions for the small can do this, we recommend these pieces, The Present Crisis. $2.00. parish choir. easy (0 sing and appro­ for they will produce musical rewards The composer is not maudlin in put­ Mr. Chihara, presently teaching at priate for the small church. Though far surpassing their size and arpear. ting all this to music. The organ UCLA, provides us bere with a thor­ simple. they are free of cliche, and tex­ anee on score paper. The bibJica texts chorale prelude on three spirituals is oughly fine and masterful setting (25 turally clean. Mr. Hilty bas attached and the loving care in their structure spaTe in its materiab, and, although minutes in length) of Psalm 90. Having a sparse, somewhilt modern accompani­ and expression also recommends these the songs can be recognized. forms a studied with Cunther Schuller, Robert ment to Merbecke'l setting. Mr. Klein motets, in our opinion, in a time when sort of lri.tonal hannony, each song Palmer, Nadia Boulanger and Ernst sets lexts from Psalms 105 and 148, 50 much church music is designed to having its own tonal center apart from Pepping. his credentials alone would alternating two· part phrases of men's use "sledge· hammer" affects to com­ the other. The Dies Irae Usell the tra­ pomt to some ability, but one look at and women's voices in anthem style. municate to the listener. These pieces ditional chant melody in the accom­ this score convinces us that he is a com­ will not do that, but they may, like paniment - it is hinted at, not sung Gabrieli. Giovanni. Dentn es Virgo. p?ser o[ lalent, craft, ;md very strong SSATBB. organ, 11809, 45c. ,ubi/emus Bergman" [ilms, make the hstener think by the choir in a straight.forward man­ Ideas. Psalm 90 was written in 1965 for lOme time aflerward. ner, although much of the melodic Singuli. SSAA TrBB, organ, 11810, 5Oc. while the composer w:u on a Fulbrigbt Ed. Dale Jergenson and Daniel Wolfe. choral materiill uses the melody as its fellowship in West Berlin. germ. It is a dissonant letting. Ulel G. Schinner. New York. Beveridge. Thomas. Once in whlsrrs on "Mors scupebit et natura" No easy piece to perform, skHled sing. Excenent editions of Gabrieli's motets, memoriam Martin Luther King. Jr. fuga writing in the "Liber scriptw" en will be needed. There must be at within the range of the average church Cantata for solo soprano, namtor, and "Judex ergo" sections. The tradi· least 12 lingen: a large chorus is not choir. The editors have provided ~ mixed chorm and organ (or bra", bass tional melody shows up more toward! absolutely necessary if all of the singers and instructive notes on tbeir C'(hting viol, percussion and organ). Shawnee: the end of the text in both soloist and are capable of singing on pitch. listen­ and the businC!S of perfonnance. Care­ Press, l>elaware Water Gap. Ga., Organ choir melodies. The final section is ing to othen, and finding their way in ful directions for tempi and rhythm are score A·I089, $2.00. harmonic and declamatory in the a large score. Quasi parfando, Sprechs­ given. and an English translation of the Commissioned and first oerfonned by choral parts. The tune '"Ton-Y-Hotel" timme, glissandi, whisper. long sustained text is given in the nOles. The underly­ the Choral Arts Society, Washington, is alluded to only once in the organ notes, and potyrhythms are used in the ing text. however, is Latin only. D.C., this Jar~ work (approx. 40 min­ accompaniment, and there are several score, much of which is a cappella. Leo, Leonardo. Mass in F Major. Ed. utes) gets its lmpetoU! from a combina­ references to the traditional "Dies lrae" Each of the 17 verses of the psalm by Vabe Aslanian. Mixed chorus, solo· tion of Black American music. tra­ melody in the choral parts. is set to a separate movement of music, ists, keyboard. Lawson·Gould Music ditional Christian hymns. and texts 'Ve wonder whether all of these dis­ most of them very brief. The music is Publi5hers (G. Schirmer). New York. constructed from both a progression of which praent the ideas of freedom tinct stylistic elements can be gotten $2.50. and prophetic judgment side by side. together at all welt. There are such dis­ three chords and a 12·tone row, both of It is a work which was obviously gen­ parate characters to the styles of these which are triadically generated. and botb Handel, George Frideric. Coronation erated by the events of the late 1960's tunes that they seem to want to kccp of which form the germ of the entire Anthem No.2, The King Shall Rejoice. in the U.s., particularly the racial them and resist the composer's wish to piece. Verses I through 9 make up a Ed. 'William Henmann, 6-part chorus. struggles and the life and work of Mar­ blend them togeuJer into a whole. In larger ABA form, and venes 10 tbrough organ or piano. G. Scbinner, New York. tin L-uther King and the people whom our opinion, the union is not altogether 17 fonn three parts which alternate ly­ $1.25. Coronation Anthem Nf>. 5, My he represented 31 a leader. It is a work successful musictlly, even though the ric and static textures. Verses 4 tJnol1gh Heart /$ Inditing. Ed. William Har­ with an obviow message. 6 may be perfonned separately with a mann. !i·part chorus. solo quartet. organ non·musictl suggestions made by such or piano. G. Schinner, New York, $1.25. The cantata is made up of five sec­ stylistic characler is a powerful rderence SRialler choir. point ror the listener. The variow Haydn, Joseph. Mass in B-flat, The· tions, two of which inclUde readings. : \we recommend this piece lo experi. resienmeJSe. Ed. William Herrmann, 4- The prologue is a simple, unaccom­ melodies do evoke memories in the lis­ enced musicians. It i5 a fine setting of tener's mind. Then too, we are im· part chorus, solo quartet. organ or panied version of the Black spiritual the t~xt, it has most interesting har­ piano. G. Schirmer. New York, $2.50. "In-a that Morning." A chorale prelude pressed that the work is essentially very monic sonorities in it, and its overall af­ on three Black spirituals ("Free at last," "preachy" in its communication. It is fect is one of variety, cohesion, and Bruckner, Anton. Psalm 112. Ed. May· "We Shall Overcome" and "Balm in essentially a musical sennon. That pro­ marvelolls musictl expression of the nard Klein, double choru5, piano. G. Gilead'l for organ ~lo begins part 2. vides other problems. for a good deal o[ text. It is a hard piece, but well worth Schirmer, New York. $1.50. and thiS part is ended by a reading the creative eUort in the piece is not the effort. Competent editions of larger works. of a sefection from Rabindranath musical, but theological, sociological The Haydn and Leo works have Latin Ta$orc's poem. "Fruit-p,thering." Part and scnuonic. We [eel that it all might texts only. The Bruckner work is an 5 IS based on tbe spiritual "Free at have been expressed better in another English adaptation set under the orig­ Last" for chorus and solo. The chorus medium, without music, and with more inal Gennan text. These are 200d per­ and IOi0bt continue in gart 4. a mas· clarity. To us, the music is somewhat Briefly Noted fonning editions with playable reduc­ live setting of "Dies lrae in latin. The distracting to the obvious intent of tlle Merbecke, John. Tile Lord's Prayer. tions of the orchestral lcore. Mr. Herr­ section is concluded with the reading piece. even though there ·are interesting Arr. E\'erett Jay Hilty, unison choir or mann's notes on the Handel and Haydn of the prayer for the establishment of and, at limes, powerfUl mwical stale' solo voice, piano or organ. Oxford Uni­ works arc informative and instructive God's kingdom from The Union menU. -versity Prcu, 96·202, 2Oc. as well :u literate. -RS

HEN COMPETITORS pay us the compliment of copying one of our products, it often W confuses our customers. They find it difficult to decide which is better, the orig­ inal or the cheaper copy. Here, then. are some questions you can ask the competition when you specify a stop·action magnet.

o Are contacts solid silver alloy. or just plating that wears off in time to cause poor electrical connections? o Is the hinge pin solid to lake a beating without falling out, or is it only tubular? o Are all parts and sub·assemblies American made, or will you have to tolerate delays in service and delivery? o Is there a special plastic sleeve on the armature 'to eliminate noise? o Is a wiring guide supplied, or must you resort to "trial·and-error" installation? o Is the magnet available with or without engraved keys, or must they be pur· chased elsewhere?

Answers to these questions should enable you to make an intelligent buying decision. But, in case someone tells you that those features make no differellce in performance, ask them this very simple question :

DO YOU GIVE-AND STAND BEHIND-A FIVE·YEAR GUARANTEE ON MATERIALS AND WORKMANSHIP? "Actually, both magnets pictured are Reisner C3's, but it takes a sharp eye to detect the differmces between a C3 and a cheaper copy. Constructed of heavy-guage nickle·plated steel, the C3 is available THE rr~ nPl in 2B and 40-0hm coils (special resistances to fJ) 6ft:. 70.~ MFG. CO. order), or without coils for manual operation. WrkJ;)v INC. Bracket angles are 15°, 19°, 32°, or straight armature for tilting tablets. P. O. Box 71, Hagerstown, Maryland 21740, phone 301·733·2650

MAY, 1971 17 was built by an American commercial An Unknown American Organ Builder: firm have long since deteriorated. Although George Till's province was supposed to be that of tonal work, he sometimes produced brilliant solutions William Boone Fleming to mechanical problems. The first win­ ter the organ was used in the Phila­ delphia store the heating system dried out the woodwork. causing numerous splits in wind trunks and chests. It by Edward W. Flint was feared that the organ would be a total loss. Till proposed tIIat a small stream of water be introduced into each blower intake. Fleming objected that it would ruin the organ. Till countered that the situation couldn't be any worse than it was. The experiment was tried: it worked: and it is still working today. Fleming was a little man but he had great energy. On one occasion, in order to win a point about chest construc­ 1900 Tallman Organ tion, he came to the shop very early for several days and single.handedly Relocated in New York milled the lumber according to his A two· manual tracker organ built in specifications and then confronted his 1900 by Francis J. N. Tallman of opponents with a fait accompli. He in· Nyack, New York. has been relocated ".... riably wore a white necktie which through the Organ Clearing House, belied his true character. He had made Cornwall·on·the·Hudson, N.Y., at Cal­ many of his own toots, including an vary Episcopal Church. Burnt Hills. ingenious geared screw driver that N.Y. Originally built for the First Bap­ tist Church, Port JerviS, N.Y., the or­ turned a right angle, and beautiful gan. TaJ1man's opus 50, was "discovered" tools they were. In the early 192O's he by Tallman's daughter, Mo. Elizabeth suffered a shock which would have put T. Kampf of Newton, New Jersey. She most men out of action, but he pres· had remembered holding keys for her ently appeared in the shop on crutches, father white he was finishing tbe in· soon completely recovered, and was as strumenL The organ has been rebuilt William Fleming at the Wanamaker Console usual the first man to appear in the and installed at Calvary by the Chase Organ Co., Worcester, N.Y.. utilizing morning and the last to leave at nighL two sets of pipes from the 1874 Johnson The recently published Two Centuries ten. In 1915 there began in the ,Vana­ He used to boast that he had never Organ Co. opus 415 which stood pre· 0/ American Organ Building refen maker Shop, located on the top floor fired a workman. Perhaps not, but he viously at Calvary Church, and which (page 88) to the Wanamalter Organ. of that vast building, the construction made life so miserable for the incom· had been badly damaged by fire in The omission of the name of Fleming of a large addilion 10 the instrument petent that they quit. He was opposed 1966. Mr. Chase refurbished the me· chanical action and provided a new in this reference prompts me to record and in 1924 yet another. Fleming re­ to drinking, not on moral grounds but because he had observed that workmen case for the instrument. Duncan T. certain facts about the life and per. tired in 1927 to Pasadena, CalifornIa. Gillespie. organilt and choinnaster of soDality of this craftsman, who, although and died in Altadena, Cal. at the age who drank were undependable. Never· the church. played the dedicatory reo he never built under his own name, of ninety on April 26. HMO. theless, he hIred at Wanamaker's a cital. cockney English pipernalter whom he deserves to be remembered in the bis­ The collaboration of Fleming and had known at Roosevelt's and who was GREAT tory of American organ building. Till was an uneasy one. Both were an unusually fine woodworker. Once Open Diapaaon 8 ft. (35 pipeJ, new, rat 'Villiam Boone Fleming was born in stubborn, egocentric men. They had old nvoiced) a month this fellow would go on a New Brunswick, Canada, on November begun the organ business in the days Gcdackt 8 ft. (12 pipa: original, rut old week-long bender, and Fleming, know­ nvoiccd) 2. 1849. He began work in organ build­ of tracker action (Fleming with Ry­ ing that he could not find as good a Principal 4 ft. (original, revoIced) ing for George Ryder on October 4, der, Till with Odell), but had readlly man elsewhere, grimly tolerated the Firteentb 2 ft. (orisinal, revoked) 1874 In Boston. On July 26, 1881, he taken up electro.pneumatic action by Hautbois 8 ft. (from JohDSon opus 415) went to work for the Roosevelt firm in the tum of the century. Fleming's ac­ absence. I.. Phlladelphia br.lnch and in 1889 As young man Fleming bad read SWELL tion work was "massive." He insisted on a SaJicional 8 ft. (original st. Dulciana re­ moved to the New York factory. Frank the finest materIals and generally wed Tom Paine, whose innuence, augmented vol,",,) Roosevelt sold the business, but not the "five screws where four would do." He by some unhappy dealings with the Slopped Diapason. 8 fl. (original) name, in 1893 to Farrand &: Votey. Flem­ clergy, led him to hold churchmen in Principal 4 ft. (original Violin Diapuoa 8 boasted that his magnets would sus­ ft., 12 pipa: added. revoiced) ing worked for this finn in Detroit un· tain a weight of ten pounds, which low repute. He had a tart. sardonic, WaldflSIe 2 ft. (orisinal Salicional 8 ft., 12 til 1900. when the business moved to was true but functIonally quite un­ sometimes ribald. sense of humor. He pipa: added, rescaled and revoiced) Garwood, New Jersey under the name relished a tale of once going to the Larisot 1~ fl. (from Johnson opus 4.5, 15 necessary. His design for the present pipes added, revoiced) Votey Organ Co. six-manual console allowed a man to Hook &: Hastings factory in Kendal In September. 1900, Fleming went to walk inside. Till scornfully asked Green to look up a youthful acquaint­ PEDAL Califoma, where he joined Murray M. "Where are you going to put the ance. On inquiring if the man was then Bourdon 16 ft. (original) Harris. The first Hanis instrument with toilet, Fleming?" When charged that working there. he was told, "Ah, we which he was involved was that buUt some of his action work was inaccessl· had to let him go; he used to use church for Stanford University. The Harris ble for repair, he retorted, raising his pews for improper purposes." As a crafts· New Wicks Organ Goes firm was reorganized in 1903 as the right arm in a characteristic angry ges­ man Fleming ranked. among the finest. to Cortland, New York Los Angeles Art Organ Co., Fleming ture. "Damn it. I build it so it doesntt His ideas about action were ultra·con­ hemmIng superintendent and director. need repair." He demanded sterling servative, though it never occurred to A fonnal dedicatory recital was pre­ It was this finn which built in 1904 him to revert to tracker action. His sented on the new 50·rank Wicks organ silver for both members of all con­ in the United Presbyterian Church of the 140·stop Louisiana Purchase Ex.. tacts. His junction boards were made mwical sense was nil and his tonal position Organ to Audsley's basic speci. Cortland, N.Y., on April 30 by Alec of machine· threaded brass plates, let ideas negligible. But he had integrity - \\Tyton, organist and master of the fication. In 1905 the business was moved into maple pane1s. The chests of the integrity of craft and integrity in hu­ choristen at the Cathedral of St. John to Hoboken, N.J., and a year later was 1904 organ were of the ventil type, and man relationships. One always knew the Divine, New York City. The new reorganized as the Electrolian Organ only under pressure did he adopt in the exactly where he stood. His retirement organ was made possible through the Co., of which Fleming was vice· president latter additions a modified pitman from the Wanamaker shop at the age generous gift of Mr. lohn Ward West, a and superintendent and of which of 79 was the result of his unwilling· former member of the church, in chest. The wind supply was copious, memory of his wife Dorothy Lake West nothing further is apparently known even extravagant, the several blowers ness to compromise on points which today. he deemed important, and he offered and daughter Judith Lake West. After having, as of 1928, over 150 horse­ a careful stuefy of the limited possi­ Following the Exposition, the organ, power. In 1924 Henry Willis III visited his resignation with stoic pride. Rod­ bilities. it was decided to place the new which had been intended to go to the shop and expressed surprise that man Wanamaker presented him with organ in the rear central portion of Kansas City, lay in storage until 1909, so much horse power was needed, as a handsome loving cup, and on Decem· the balcony which extends on three when on the advice of George Till it compared with his Liverpool Cathedral ber 17, 1928. the night before he left sides of the room. Except for the positiv, was purchased by John 'Vanamaker. organ which was blown by far I.... Philadelphia, Charles Courboin and the entire organ is encased in a shallow, reflective wood case. The great and Fleming was hired to supervise the In· Fleming's right arm went up as he re­ Mary Vagt arranged a farewell dinner staUation in the Philadelphia store and party. There some of his shop associates. pedal divisions are in the right half of plied, "Willis, any thIng you can do in the case; the swell division. which incor­ began work there on September I, England, we can do here." Some of mellowed by (bootlegged) martinis, porates Wicks new aluminum expression 1909. Henceforth his role was that of the 1904 pneumatics, sized with egg_ wine, and benedictine. buried past dif­ shades, is in the left half of the case. designer of action work, George Till white, are still in use, whereas those ferences and bade him an affectionate The positiv division was to be located being chiefly concerned with tonal mat. of the 1927 combination action which farewell. at the edge of tho balcony. but it wa5

RANDALL s. DYER Reid Organ Co. Felix Schoenstein ORGAN SERVICE· J, E. Lee, Jr. P.o. lax 363 KNOXVILLE, TiNNESSEE 37901 Pipe Organs and Organ Service & Sons Pipe Organ Builders Box 2061 (408) 24803167 Box 489 SAN FRANCISCO, CAUF. Tuning - Main.enonce - Ie&ullcllng 1/1 Santa Clara, California Consultanh Jefferson City, Tennessee 37760

THE DIAPASON deCided edrly in the planning stage that POSITIV Flachfloete 2 ft. 61 pipes due to structural problems it would be Abbott & Sicker Build Singendaedeckt 8 ft. 61 pipes Sesquialtera 2 ranb 122 pipes placed closer to the other divisions. Low for Los Angeles Church KoppelO6le " ft. 61 pipet Mixture .... 5 nnu 281 pipea wind pr05Ures and minimal nicking of Principal 2 fl. 61 pipes Trompette en cbamade 8 It. 61 pipOl' the pipes are employed throughout the Abbott and Sicker, 0rpnbuilders, Laript I~ ft. 61 pipt:l have been selected to rebulld and en­ Zimbel nt 183 pipes SWELL instrument. The action is 'Vick.s direct­ Duman 16 ft. 61 pipes Ftute a Cheminee 8 ft. 61 pipel electric. Miss Judy Hunnicut serves :u large the 1924 E. M. Skinner Organ of Krumhom 8 flo 61 pipes V~le de Gambe: 8 It. 61 pipel organist and director of the choirs, and St. John's Episcopal Church, Los Ange­ Tremulant Viole Celeste 8 ft. 61 pipes the Rev. Hugh King Rose is minister les, California. The original instrument SOLO Pratant ... flo 61 pipes of the church. was installed during the tenure of the Doppeln6te 8 It. 73 piper Flute Harmonique .. It. 61 pipo late Roland Riggle as organist and Cello 8 It. 73 pipes Octavin 2 ft. 61 pipel GREAT choinnaster. The more characteristic Gamba Celeste 8 ft. 73 pipes Plein Jeu !-4 rana 226 pipes Quintaton 16 ft. 61 pipes tonal colors of the Skinner organ will Orchestral Flute ... ft. 73 pipes Trompette 8 ft. 61 pipes Principal 8 ft. 61 pipes Cbiron ... ft. 61 pipes be retained and revoiced for the low Clarinet 8 It. 61 pipes Borduft 8 ft. 61 pipes Vo:r; Humana 8 It. 61 pipes Trompette en chamade 8 It. Enahler 8 ft. 49 pipes wind pressure of the new chests, while Tuba MinbiJis 8 ft. 73 pipes TremuJaut Pratant .. fe. 61 pipes new principals, flutcs. and reeds wiH be Traawaat Nacbthom .. ft. 61 pipa installed. The Solo Division will be re· CHOIR (ktave 2 ft. 61 pipes PEDAL tained intact and an Antiphonal Di· Bourdon 32 Ilo 32 pipes Pommer 8 ft. 61 pipes Mixture IV-V 281 pipu Flauto Dolce 8 It. 61 pipes vision is prepared at the con501e. The Principal 16 Ilo 32 pipes Rohr Schalmei 8 ft. 61 pipes pipe chamber of the reverberant Ren· Fbuta Celeste 8 ft. 49 pipes Violone 16 ft. 32 pipes Gemshom 8 fL 61 pipes SWELL Bourdon 16 ft. 12 pipes aiwncc·style building is being ream· N~lhom 4 h. 61 pipet Robrf]ote 8 ft. 61 pipu to POlIlJDer Gedec.kt 16 It. Viole 8 Ie. 61 pipes structed to pennit each division Principal 2 fL 61 pipes speak more directly into the Great Principal 8 ft. 12 pipes Quiale l}i ft. 61 pipel Viole Celate 8 ft. 49 pipa Gemshom 8 ft. 32 pipes p~ared Octave 1 ft. 61 pipes Geigen Principal 4 n. 61 pipes Choir. The specification was Gedeckt 8 It. 12 pipes KoppelDole .. ft. 61 pipes by Harold Daugherty, Jr., organist and Krummhorn 8 fl. 61 pipes Choral B ...... ft. 32 pipes TrtmulaDt PlachOote 2 fl. 61 pipes choinnaster. with Mcssers Abbott and Mature IV 128 pipes Qwnt l~ fl. 61 pipes Sieker of the organbuilding firm. Posaunc 32 ft. 32 pipes: Scharff III 183 pipes PEDAL Posauoe 16 It. 12 pipes Principal 16 It. 32 pipes Bauon 16 It. 61 pipes Pagotta 16 It. Trompette 8 ft. 61 pipa GREAT Bordun 16 ft. 92 pipes Posaune 8 fL 12 pipes Spitdioele 16 (t. Hautbois .. ft. 61 pipes POQUller Gedeckt 16 fL 61 pipes Clarion f It. S2 pipes TremWaat Principal 8 flo 61 pipal Octave 8 ft. 92 pipes Clarino 2 flo 12 pipes Bomun 8 (t. 12 pipes POSlnV Rohrnote 8 ft. 61 pipes EnJ.hIer 8 It. 61 pipes SpitdToete 8 ft. HoIzlcdedr.t 8 h . 61 pipa Choralbul .. fl . 32 pipes Gemshorn 8 ft. 61 pipes Oeb"e 4 ft. 61 pipes Schantz Builds New Organ HohlOBte .. ft. 61 pipes Mixture ... rana 128 pipel Gemshom Celeste 8 ft. 49 pipes Posaune 16 Ilo 32 pipes Spillpfeire 4 ft. 61 pipes Twelfth 2% fL 61 pipes for Dallas, Texas Church Fifteenth 2 ft. 61 pipes Trompele 8 It. 12 pipes Nasat ~ It. 61 pipes Krummhom .. h. IIa.Jian Principal 2 It. 61 pipes Mixture IV 2.... pipes The 5th"".. Organ Co., OrrvlUe, Trompe-tie 8 It. 61 pipes Ten I~ Ilo 61 piper Ohio. iJ to build a 5·manuaJ organ for THE LOUISVILLE BACH SOGlETY, Silnate I ft. 61 pipes the new chapel of Park Cities Baptist Cymbel II 122 pipes Melvin Did:iosoD. conductor, performed SWELL Church, Dallas, TexilS. The organ is a Haydn's "Missa B~ St. JouuU:t de Dea," Regal 16 It. 61 pipes gift to the church from Mr. Gordon Mc­ Krummhom 8 ft. 61 pipes Geisen Principal 8 IL 61 pipes Bach', Cantata No. 169, "Cott IOD aJIda Tremulant Gedeat 8 flo 61 pipes Graw and wHl be placed in a shallow mein Herze hahn," Caatata No. 106, "Gatta Gamba 8 flo 61 pipet chamber aaoss the front of the colonlaJ Zeit ist die allerbate Zeit," aDd V'avaJdl', PEDAL Viole 8 ft. 61 pipes design building. InstaHatIon is planned Concerto GroIIo in D minor at Cbritt CbW"Ch Contrabau 16 h. 32 pipu Voa 8 61 pipet Celeste ft. for early summer of this year. Spedfica~ Cathedral, Louisville, Ky., on Feb. 27. SoIo.tII Subbass 16 h. 32 pipes Flauto Dolce: 8 It. 61 pipes for the perfonnance: wen: Chrildaa Price, 10- Quintaton 16 ft. Flute Celeste 8 ft. 61 pipes tions and details for the building of prano; Antoinette Hanlia contralto; Sharon 1 Prindpalbau 8 ft. 32 pipes Principal .. ft. 61 pipes the organ were prepared by Roy Pen-y. Lawrence, contralto; David BfOWD. te.Dor; aad GedeatpoQlmer 8 ft. 32 pipes Flute 4 ft. 61 pipes consultant for the church. and AJ&ed Arnold Epley. bus. Choralbau ... It. 32 pipet Uncia M.ris 4 h. 122 pipes E. Lunsford of the Schantz staff. SpitdJOte ... fl . 32 pipes Nuard %}i It. 61 pipes THE TENTH INTERNATIONAL CAR· Bloeknllte 2 It. 52 pipes Doubleue 2 ft. 61 pipes GREAT ILLON FBSTIVAL will be: held from JUDe Mixture In 96 pipes Tierce 1% ft. 61 pipes Spib:noete 16 It. 61 pipes 19 to June 30 at Sprinsfjeld. Illinois, and wiD Contre B:won 32 ft. 12 pipet PIela Jeu IV 244 pipes PrindpaJ 8 ft. 61 pipes hrinS together 14 artists from The Netherlandl, Posaune 16 ft. 32 pipes Fasouo 16 ft. 61 pipes Boroun B £I. 61 pipes Germany, Belgiulb, Switzerland. Canada, Buson 16 ft. TrompeHe 8 h. 61 pipes Spit1ftoete 8 It. 12 pipo Fr.tonce, and Braz.i1 .. wdl as the Uaited States. Trumpet 8 ft. 12 pipes Clairon 4 ft. 61 pipes Octave of ft. 61 pipes The 'CitivaJ is .pomored by the SpriDgficld Zink .. ft. 32 pipes Trauulaot Koppelfloete f ft. 61 plpea Park District and the Rea CariUoa Society.

THE VILLAGE CHAPEL Pinehurst, N.C.

A beautiful Colonial style church, built 1924 on the Chancel plan. The new organ has Great & Pedal profected into the Chancel to achieve direct tonal egress 10 Ihe nave.

Shown here ore the Pipes of the Pedal, (with Choir Organ behind), On the opposite side of the Chancel are exposed pipes of the Great Organ (with Swell Organ behind).

3 Manuals 45 Ranks Mr. Theodore H. Keller Organist & Minister of Music

AUSTIN ORGANS INCORPORATED HARTFORD, CONNECTICUT 06101

Member, Associated Pipe Organ Builders 01 America

MAY, 1971 19 editions are virtually the laDle as to degree of accuracy. All three remain Some Editorial, Formal and Symbolic "cry close to the original, displaying only tlight variations in markings, no· tation of restJ and editorial suggestions. Three differences of some importance Aspects of J. S. Bach's Canonic Variations do occur as follows: Vanalio I, Ilun in upper voices (m. 15) of different duratlon in Pelen vis·a-vis BC and NBA editions, original not exact; VarJatJo II, m. 10. upper voice, lixth on "Vom Himmel hoch da komm Ich her" 16th note marked eI in Be instead of t!, as in original, Peters and NBA; Variatlo IV. m. 27, third 16th note is Part 1 marked with a WI in NBA instead By Kim R. Ka.llng of an apPDta:iatura as in the original, Peters ana BC, Dupr6's edItion presents sevenl in­ stances of editorial tying together of l!inige Cdnonirche Verinderungm abu Before presenting arguments pertain. Bach's very inclusion of the autograph independent inn~r parts. ~e sometimes das Weynacht-Lied: Yom Himmel hoth ing to whkh version of the Canonic in a collection of TCvi5td works indicates diSTeg:ards original slurrings and ma.rk­ da komm Ich her, vor die Orgel mit 2. f'"rialions should be played, a 5uney its stature as a revisai venion of an ings 3S well. His notation of orna­ Clavieren und dtm Pedal von Johann of the work's genesis and revisions is earlier composition (even if in this case, menu is less consistent with the origi­ Sebastian Bach ••• Nilrnberg in Verle­ imperative. the originaf was only three or four years nal than the BG. Peten and NBA, but gun, Btllth: Schmids, No. XXVIIP Bach left at his death a collection older). Of particular misfortune was as far as note accur.lCY is concerned, of organ music known today as the editor Nauma.nn's publication in BG his edition is approximately the same "Lclprlger S ammelhandschrift" or No. 40 oC the engraving as the last and as the othen. The Utle pal!" of the fint publlJhed "leipzig ManU5CI'ipt Collection." With· final venion. This, in spite of the fuct The differences between the original version of Bach', Canonic Variatlonl, in It were contained the six trio that Wilhelm Rust. in his foreword to publication and the autograph are. as as it Is USually designaled, gives little mentioned before, great. The most sonatas, 17 chorale preludes, the BG No. 25 (Band 11, p. XX) writte·n clue as to practical purpose or date. Canonic Varlctions and the single obvious of these: concerns the arrange­ Indeed. the hiltory 01 the Variations' in 1878, had already advanced the auto· ment of the order of variations and chorale prelude, J'or deinen Thron graph as Bach's last reworking of the fint appearance, subsequent revisions. Ire" ich. All of these, 5ave the Varia· the manner o( notation. The two ver· and later editions has proven onc of tions (although the J'ariation.t were r'ar;ations. The Peters edition also lIions praent the (ollowing orden: the more troublesome problems of Bach indeed revised - their first appe:arance scholarship. Bach's own revisioltl of the took place no earlier than 1746) and work resulted In a cattfully written· J'err deinen ThTOn were earlier works out autograph left among his papen which had been revised, probably for &om the last Lelpdg yean. The lint eventual publication. The story of F.'grav/., o!ulogroph published venion and the autograph. P'or deinen ThTOn is well·known and the only remaJDing versions left by need not be repeated here.- The Yario­ Octave canon - Variatio 1 Octa.ve canon Bach himself. reveal profound dif£er­ lions autograph, however. represents Quint canon - Variatio n Quint canon cneel, yet editions of the VlJriations up Bach's last venion of a major work Canon at the ICventh - Variatio lIt Cantus firmus canon to 19'5 were based almost entirely on which had oa:upied him p

CR!AnY! OttOAN IUllDING FOtI AlnmC MUSICAL RUULlS BERKSHIRE ORGAN COMPANY Green1J1(}()(] Organ Company 68 So. Boulevard, Wes' Springfleld, Massachusetts CHARLOTT!, NORTH CAROUNA 21205 Member: Intemadonal Society of Organ Builders '7HRff GfNfRAFlONS Of OIIGAN aUIlDlNO"

20 THE DIAPASON For p UrpDMS of brevity, the Bach·Gesdl· baritone, and Jacob Berg, flute, Mr. lChait will be desisnated from DOW OD as BG, Sparks performed the following pro· the Neue Bach-Gesellscbatt nJ NBG and the gram: L. /aloux, C1l!rambault: La Neue Aiupbe as NBA. Superb~ (au 1.4 Forqueray), Sarabande 'Han, Klott (cd.), KritiJeiler B.rkhr IUP' plement to Johann Sebastian Bach, Ne.,. l'Vnique, L'Arlequine, Le.s Ondu, AWlebe See""Ucher Werli!", Serle IV, Band 2 Fran~i. Couperini In Ie Domine (LeipU,: DcutlChcr Verlag (ilr Musik, 1957 ). jperavi, Nichofu Bernier; L'Awon;ene, pp ••s. •.f. Sacul' Monique, Les Baricade.s Mis· 'For a n::print of the Ndrolo,. ICe BlleI,· tcriewu, LeI Mwelu de Cho4J et dtJ jGArbwd. Jahrpna 17 (Leipr..i,: Breitkopl Tavern;, franQlis Couperin: Fairest Ij/e und Hit1d, 1920) . pp. 13·29. (from King ~rthur), Purcell; A Dia· IfIB.cA.j./..,bMd. JAhrpoB 17. pp. 25·26. logue on a Kiu, Henry Lawes; Th~ Tnllulation or quotation above made by author. "or full sirnificance or the "compleldy Duchesse 01 Brunswick.'j Toye, John Bull; The Fall 01 the ualc, and The worked out" statement. ICe diKussion below Where lllusical conc.c.min, the actual published cnrravins· Primerose, Martin Peerson; My Ltldy UCcors Kindty. Di. O~uI.au,de" Jer Carey'j Dom~, Hugh Ashton; Shep· W.,l. jola.,.,. Se"."i4. Iuds (Wicn, Lcip­ herd in Faith I Cannot Stay, Nicholas lis. Zurich: Hubert Reichner Verlag, 1937), Laneare: Mwic lor a While, Henry res1.J]ts pp. 67·71 . are PurceU: Tile Tinker, Dr. John Wilson; VKJou, Kritiu her Btricht, p. 87. /n Going to My NiUted Bed, ascribed loJfor delll.iled Itslinp and COIDpuUoDJ 01 to Richard Edwards; Mock Nightingale • known copies made durin, the 18th century _ : Klotz , Krituel"'r Bendt, pp. 86-101; and and The Niglltingak (Elisabeth Rogers' Friedrich Smend. "Bacha Kaoonwerk tiber Virginal BoOk); Ground in C minor, UllpOrtant ... 'Vom Himmel boch da komm ich her.·.. in Purcell; The Contrivances (imponed Beclt.jeh,bMcA, Jabrpns 30 (Leipzis: Breit· and ,ung at Williamsburg, Va., m the kopr und Hind, 1933), pp. 1·29. company of G~. Washington and uFricdrich Smend, B.cA'/Ghrbuch, Jahrpns TJlomas Jefferson, Esq.,) Henry Carey; 30 (Leipzi,: Brehlr.opf und Hartel, 1933), pp. 7". Shepherds Deck Your Crooks, John "Klott in Kritueh.r B.ric-hr. p. 86. Blow; and the Air and Doubles hom the Suite in £ Major, Georg Frederick Handd. People tuln Larry Palmer, harpsichord, and William HybelJ violin, played this p~ gram for the Texas Chapter, Amencan Mwicologic:al Society on April 16, in to Caruth Auditorium. Southern Metho· Allen. dist University, Dalla.: Fran~is Cou· perin: Vingt·clnquieme Ordre, Pieces de clQlJt!dn; Johann Sebastian Bach: Sonata in B minor for violin and harpsichord BWV 1014: Bach: Chromlltic Fantasy arid Fugue BWV 905; Marlinu: SontJu pour cltnlecin; and Walter Puton', Sonatina for violin and harpaichord (1945). Amoog the new releases announced ORGAN COMPANY, by Composen' Recordinr' Inc., 170 West 74 Street, New Yor 1002!, i..!I a Aum Macungie, Pennsylvania 18062 Sonata lor Harpjichord by Nicholas Of( the Soundboard ROIWakls, played by Harold Chancy. The :record number is CRl SD 255. The Rice Univcnity Baroque En· Two new harpischord builden have Kmbte, Ma!¥aret Bragg. violinist, Paula sent brochures recently. They are Baker. eelhst, ;md Klaus·Christhart B. W. M. Bena, 4424 Judson Lane, Kratunstein. harpsichordist. played a Minneapolu, Minnesota, M4!5; and concert on the campus March 17. The Richard KinplOo, P.O. Box 5393, Ar· program included SontJla Quinta in E lington, Texou, 76011. Each of these minor, Carl Abrogio Lonati: Sonala in builden is working in the style of the I), Te1emann: r'arillliom, C.P.E. Bach; American "Boston School" harpsichord Sonata 4 in D. Heinrich Biber: and maken, specialiting in historic.copy in· Sonata StcOfJda OPUj 6 in F, J..ocatilli. struments. For inlonnation about the instruments each man builds, waiting Lise Carbon, soprano. ::md Robert time, and prices. write for brochures imart, organist and ha.rpsichordist di· from the above addreSSH. PITMAN CHESTS yided a program of musIc by Bach at rrinity Church, Swarthmore, Pa.. on Featwa and new, ltenu for thex pagca March 21. Mr. Smart played the Trio· ,hould be sent to Dr. larry Palmer, sonata 5 irl C. three chorale preludes, Division of Music, Southern Methodist The ERNEST M. SKINNER CO. 'Prelude lind Fugue in E minor, and Univenily, Dallas, Texas, 75222. Toccata arid Fugue in F on the organ. - Chests of the highest quality workmanship and Various pieces from the NOlmbilchlein materials lar Anna Magdalena Bach were per. Harpsichord Music fanned ;md Junl{ by Mr. Smart and Miss Carlsen, usmg Swarthmore Col· GyOrgy Ligeti. Continum lor - Five-year warranty lege'l Rutkowski and Robinette instru· Harpsichord. Edition Schott 6111, $2.25. One of the most distinguished and - SpeCializing in variable scales and custom layout ment. succes.sful composen to emerge since The First Presbyterian Church in 1960, Ug.1i (born 192~) became best - All leather silicone treated Wilmington, N.C., was the scene for a known when some of his choral music :recital by £hristian Hrge on March 28 was used (or the JQund·track of the which included Passacaglia in B mi· film 2001 - A Space Ody"ty. Among - Expanded production capability nor, Fr. Couperin: Prelude and Fugue organists his JloiumitJ4, the tone-cluster in D ,"inor, C minor from the WTC, sonority piece, is also increasingly well· - Bass, offset, and unit chests and FanlGJia in C minor, Bach; Sonata known. We confess that, having heard 5 in G, Arne: Suite 7 in G minor, the ma»el of sound u~ by Ligeti. Handel: and Sonaltu in D minor and we were most curious to hear his P. O. Box 363 Manchester, M .... 01944 F, Scarlatti. harPJichord piece Continuum. We wondered how, on an instrument George aDd JClTic LUcktcnbux, whicb is distinguished for the fast de· harpsichord and Violin duo, were pre· cay of its sound. the mmposcr would .en ted in concert at Dallas Baptist create a continuous sound cunain. Collet;:e on March 16. With notable He has succeeded marvelously - by ntstnllnt and perfect balance. the Luck· IakinlS a figure most idiomatic to the tenbergs played J. S. Bach's Sonaln in harpSichord, the trill or tremolando _ 1J minor, Samuel Adler's Sonata Num· and extending it to last for four min· BERNARD &MIREILLE LAGACE ber 2, and Tartini's So,.ala in A mi· utes (or less - a note in the score ORGAN - HARPSICHORD SEMINARS nor opw 1. Mr. Lucktenberg played a says that the correct tempo has been group of solo pieces from the Piece.s de achieved when the piece IS performed clQ1Jcdn of Rameau (MweUe en within this time span). The printed July 18·31 roudcau, Tambourin, La Poule, La score resembles iOmewhat a page of Livri, LeI Cyclopes). Czcmy - constant 8th'note motion VIctOt Wolfram, Oklahoma State sustained "prestissimo" through seven Master Classes, Lecture-Demonstrations Unlvenity. Stillwater, played Bach', pages. TedtnicaJ.ly difficult, certainly, Cl4Vierllbung, ParI 11' (The Goldber« but not impossible. Yariatioru) at the Univenity on April The work bu been recorded by -CONCERTS- 20. The arne program ill adleduled for Antoinette Vilcher (to whom it b Trinity Univenity, San Antonio, on dedicated) on Wcrgo 2549 011. w. French·Classic, Mechanical Actian, Casayant '68 Sunday afternoon. May 9. checked the record to aec if a page were missing in our copy of the SChott Jam ...A1bert Sporlu, harpsichordist, ICOre (page ax opens out next to page Write: Duncan Phyfe, Diractar presented a program of French and five, page seven Is omitted), but, as Chaat. Music Seminars English mwic at Washington Univer· closely as we can tell. all the notes are P.D. Ba. 788 aily. St. Louis, on March 22. Assisted there and thi. is limply a device to by Holly Outwin. soprano, Willard alleviate an awkward page tum. Wallingfard, Cann, 06482 Cobb, countertenor, Timothy Adami, -LP

MAY, 1971 21 LUDWIG ALTMAN robert anderson Organ Recitals SMD FAGO San Francisco Symphony Orchestra Temple £manu.. EI Southern IMthodist University Richard Bouchett, New York, NY - West· Recital programs for inclusion In these minster College Fcb. 26: Fanfare, Jackson. CaUfornla PaJaee of the Legion of Honor Dallas, Texo. 75222 pa'ges must reach THE DIAPASON within Fantasia on Wie schon leuchlet, Buxtehude; Prelude and Fugue in G BWV 541. Bach; six weeks of performance date. Cortege et Litanie, Dupre; Chorale in B minor, Franck; Impromptu. Vierne; Mnlita­ Joseph Armbrust HEINZ ARNOLD David Craighead, Rochester, ~y - Carle· tion from Suite Medievale, Langlais; Dieu ton College, Northfield, MN Fcb. 28: Sonata Parmi Now, Messiaen. Mu •• M. F.A.G.O. D.Mul. 3 in A, Mendelssohn; Nun !tomm del' Hciden Heiland S 599, In du1ci jubUo S 608, CluiJu: George Markey, New York. NY - Fint STEPHENS COLLEGE du Lamm Galles S 619, Heut' triumphirct Congregational, Oakland. CA April 23: Prel­ Church of the Holy Comfort.r GoUes Sohn S 630, Sonata. 4 S 528; Prelude ude and Fugue in E mInor. Bruhns; Von Golt COLUMBIA, MO. and Fugue in A minor S 543, Bach; Fantasy, will ich nieht lassen. Buxtehude; Prelude and Sumt.r, South Carolina Near; Four Noels, Dandrieu; Triptych opus Fugue in G S 541, Bach; Fantasia in F minor 51, Dupre. K 600, Mozart; Ut Queant Laxis, Bingham; Scherzo from Symphony 2. Vieme; Toccata Frederick O. Grimes, New York, NY - from Suite opw 5, Durune. WILLIAM H. BARNES Saint Thomas Church, New York March 7: John Barry Marih-n Mason, Ann Arbor, MI - National ORGAN ARCHITECT & DESIGNER Partite IOpra la Aria della Folia. da £Spagna, Pasquini; Toccata in D minor, Jacinto; Partita Shrine of the Immaculate Conception, Wash· Author of ST. LUKE'S CHURCH on What God ordains is Illways good, ington, DC Mardi 26: Suite for Organ, THE CONTEMPORARY AMERICAN ORGAN Pachelbel. Suite du premier ton, O Cr-am­ Haines; Magni£icat. Jeu de c1airon, Le Clerc; bault. Toccata, Adagio and Fugue, Bach; Trois 901 W. SamaJayuca Driv., LONG BEACH, CALIFORNIA danscs, Alain; Pneuma, Albright; Concert Tucson, Arizona 85704 Later H_ Groom, Seattle. WA - St. Variations on Austrian Hymn, Paine. George's Episcopal, Roseburg, OR Feb. 13 : Prelude and Fugue in G, 0 Mensch bewein'. niane Bish, Wichita Falls, TX _ for MTNA Bach; Two Sonatas, Scarlatti; Partita on Convention, Church of the Ascension, Chi· BRUCE P. BENGTSON Jesu Meine Freude, Walther; Prelude cago, IL Marth 25: Plein chant du premier Through All Major Keys, Bethoven; Three Kyrie en taille, Fugue sur les jew:: d'anches S.M.M. - A.A.G.O. ROBERTA BITGOOD Psalm Voluntaries, Slumber Song, Groom; from Mcsse pour les Paroisse, Tiuce en taille, Piece Heroique Franck; Improvisation. St. Offertoire sur les grands jeux from Messe pour Westminster Fir.t Congregational Church Margaret's Episcopal, Palm Desert, CA Feb. Ics Counnts. Coupe-rin; Noel Etranger. Daquin; Presbyterian Church 14: same Searlatti, Waltller, Beethoven; Chanlon de VOU: Hautaine, Dandreiu; Allegro BATTLE CREEK, MICHIGAN Prelude and Fugue in E-fiat BWV !52, Vor from Symphony 5, Widor; Chornle Improvisa­ Lincoln, Nebraska, 68502 deinen Thron BWV 668, Wir glauben all' tion on Victimae paschali, Tournemire; Varia­ BWV 680, Bach; Gothic Fanfarc, Three tions Sllr un theme de Clement Jannequin, Psalm Voluntaries, Groom: Voluntary on Alain; Scherzo from Symphony 6, Vieme; Tu Fight on my lOul. Powell: Impnn.'isation. es Petra, Mulet. Wm. G. BLANCHARD Carpinteria Community Church, Carpinteria, Gary O'Neal, DaIl:u TX - student of CA Feb. 16: &elections same as above; Toc­ ORGANIST JOHN BOE Robert Andenon, graduate recital, Southern cata on Gaudeamw parher. Groom; In­ F.R.C.O .• ChM., A.D.C.M. Methodist U., Dallas March 29: Prelude in POMONA COLLfGE troit. Kyrie and Gloria from Organoedia, Kodaly: Chorale in E, Franck. F minor, Kittel; Noel Elranger, llaquin; CLAREMONT GRADUATE SCHOOL Muncie, indiana Chanton de VOU: Hautaine, Dandrieu; Prel­ THE CLAREMONT CHURCH ude and Fugue in B minor BWV 544, Bach; Claremont California Ball Slate University Jerry F. DavidlOn, Palatine. lL - Pres· byterian Church of Roseland, Chicago, IL ToccaUl. 8 in G, Murrat; Prelude, Samueuilh; March 28: Toccata from Plymouth Suite. Suite FranC3ise, Langlais; Finale from Sym­ phony 6 opus 59, Vieme. Whitlock; Prelude and Fugue in E. Bach; Berceuse, Carillan, Vierne; Improvisation on Rebeca Alaander. Dallas. TX _ student DAVID BOWMAN ETHEL SLEEPER BREIT .ubmiued theme; Prelude on Brother james's of Robert Andenon, srnduate recital, South. Air, Wright; Fanfare. Leighton; Pastorale and D.M.A. em M l:thodist U ., Dallas Man:h 26: Pange Aviary, Roberts; Prelude and Filgue on BACH. Lingua GloriOi!lI. Titelou%e; Prelude and Fu­ Organist and Recitalist Liszt. gue in A minor BWV 5-l3, Bach; Parlita on Metropolitan Methodist Church Wachet auf, Duder; Triple Choral, Tourne· Robert M. Finster. Denver. CO - Air Fint Methodist Church, Sacramento, Cal. mire : Petite Piece, Alain; Hymne aux Detroit, Michigan Force Academy Chapel. Colorado Springs MEfJlDires Heroiques, Gruenenwald. March 28 : Prelude. Fugue and Chaconne in C, BWl:tehude ; Mein junges Leben, Sweelinclq James Autenrith, Potsdam. NY - State Pardta on 0 Golt du frommer Golt, Baeh ; Uni\'enity. Potsdam March 7: 0 Tnurigkeit. Sonata I , Hindemith; Laudation, Delio JGio; Bnahms; Fantasia in F minor K 600, MotarI.; Adagio from Symphony 3, Vieme; Chor.ale in Sonata 3. Hindemith; Chorale in B minor, Henry Bridges A minor. Franck. Franck; Prelude and Fugue in D BWV 532. EDWARD BREWER Bach. Emma Willard School, Troy, NY March First Presbyterian Church Brian FiUg'erald. Decatur, IL - Itudent 16 : same Hindemitb; Prelude and Fugue in horpsichord organ of Theodore W. Ripper, junior recital, Milli. E, Lubeck: Wer nur den lieben Gott, Kommst kin U., Decatur March 26: Concerto 2 del du nun. Ach bleib bei UDS, Prelude and Fugue Charlotte, North Carolina si!P'. Gentilli. Walther: Three Noels, Daquio: 250 WEST 104 ST., NEW YORK, N. Y. II1C125 in G S 541, Bach; Fantasia in F minor K 594, Prelude lind Fugue in G minor BWV 535, Mozart: A Handel Suite, arr. Autenrith; Post· Bach; Toccata Piccola, Wuensch; Choral lude far the Office of Compline, Alain. Dorien. Second Fantabie, Alain. Earl Barr, Minneapolis, MN - Mizpah Christopher King, Braintree. MA - Fin t Congregational. Hopkins, loIN March 28 : Toc· JOHN BULLOUGH Congregational, Braintree March 21 : Trio cata and Fugue in D minor. Bach; The Musi ~ WILFRED BRIGGS A.B. M.s.M. Ch.M. Sonata 5 in C, Bach; Final in B-flat opus 21 , cal Clocks, lIaydn: Fantasia in F minor K 600, M.S., CH.M. Farlelgh Dickinson University Franck: Sonata on the Mth Psalm, Reubke. Mourt; BICS!ed are ye who live in laith, TeanHIe, New J.my Brahms; Toccata opus 59, Reger; Adagio from St. John's in the Village Mary Krimmel, Princeton, NJ - First Symphony 3, Vieme; Chant de Pais, Langlais; Memorial Methodist Church Presbyterian, Princeton Feb. 2: Prelude. Fu· Petite Suite, Bales. New York 14, N. Y. White Plain., New Yarlc gue and Chaconne, Der Tllg der ilt so freudenrekh, Buxtehude; Jesu geh' veran, Alta Bush Seh'ey - Broadway United Metho­ Karg·£lerti Sonata I, Hindemith; Nun komm did , Kansas City March 15: Kleine Priludien der Heiden Helland, Passacaglia and Fugue und Intermezzi, Fairest Lord Jesw. Schroeder; in C minor, Bach; Fantasia. in Echo Style, Dreams, McAmis; Prelude and Fugue in D, IARTHUR CARKEEK EARL CHAMBERLAIN Sweelinck. Bach; Scherzetto. Vierne; Chorale in B mi­ A.A.G.O. M.S.M. F.T.C.L nor. Franck; Song of Peace, Langlais; Lit­ W. Elmer Lancaster, Orange. NJ - Fint anies, Alain. Organist Presbyterian, Orange March 14: Elevation, DePauw UniveISity ST. STEPHEN'S CHURCH Gobin Memorial Church Frescobaldi: Toccata and Fugue in D minor, Edmund Shay, Pembroke. NO - Fint Bap. MaslGchuHH, Bach; 0 World I must leave thee, Brahms; tlst, Lumberton. NC March 3: Toccata in GrrenC15t1e, Indiana CohOSHt Bible Poems, Weinberger; Arabesque, Vierne; F-.. harp minor. Buxtehude: Concerto in G, Scherzo from American Suite, Langlais; Legend, Cancerto in F. Soler; Passacaglia and Filgue Karg·Elert; Antiphon 3. Dupre. Sacred Heart in C minor. Bach; Toccata rrom Suite ror Gmerutein Award SpoDIOr Cathedr.al, Newark, NJ March 23 : same Organ opw 5. Dumne: Vanadom on America, Bobert Clar" Frescobaldi , Bach, Weinberger, Langlais, Karg­ Ives. Assisted by Fay Cain, harpsichordist. CHICAGO Elm, Vieme; Agincourt Hymn, Dunstable: CLUB OF School of Music ToccatA In C minor, Murfat; Moselle from Sharon Smith, Forsythe. GA - Itudent or Suite 6 in A minor, Dandrieu; Finale from James R. Davidson, Tilt College. Forsyth WOMEN Symphony I, Vieme. March 8: Fantasy in C, Franck; Prelude and ORGANISTS University of Michigan Fugue in G BWV 541. Bach; Sonata 2. Hinde. Paul D. Laubengayer, Dallas, TX - stu­ mith. Anamay Owen Wales, President Ann Arbor dent of Robert Anderson, srnduate recital, Southern Methodist U., Dallas March 20: John Walker, Palo Alta. CA - First Unitnl Concerto in D minor, Vivaldi.Baeh; Sonatas Methodist. Palo Alto March 26: Fantasy in in D K 287 and 288, Scarlatti; La Rornanesca, F minor K 608. Mozart; Bergamasca, Scheidt; Valente; Passacaglia au tema di Hindemith, Komnut du nun, Pre1ude and Fugue in A DONALD COATS Tagliavini; Two Hymn Venets, de GrigRY; minor, Baeh; Prelude and Filgue in B. Dupd; Harry E. Cooper Trio Sonata 2 in C minor BWV 526, Bach: lIarmonies du Sair, Karg·Elert; Rhythmic ST. JAMES' CHURCH Chorale Fantasia opus 52, 3 on HalIelujal Trumpet, Bingham; Serene Alleluiu. Out· Mus. D., F.A.G.O. Golt zu loben. Reger. bursts of Joy, Messiaen. NEW YORK RAJ~EIGH, N. CAROLINA Richard W. Utterst, Rocldord. IL - Sec­ WiUiam H. Wharton. Easton, MD - Os'Jord ond Congregational, Rocldord March 28: United Methodilt. Oxford, MD Feb. 21: In Grand ChorUI Dialogue, Gigout; FantaiJie, Thee is gladness, Trio in C, Toccata and Franck; Five Antiphons, Dupd: Epitaphe. Fugue in D minor; Bach; Chorale in A mi­ Scherzo from Symphony 2, Vierne; Nuages nor, Franck; Fanfare, Paean, Leighton; 1m· (rom Nocturnes, Debussy; Prelude and Fugue promptu, Cooke; Chorale, Mathias: Im­ WALLACE M. COURSEN, JR. LEE DETTRA in D, Bach. provisation. F.A.G.O. S.M.1\[., F.A.G.O., ClLM. John Ogasapian, Lowell, MA - Fint COD' Robert Smart, Swarthmore. PA - TrinIty CHRIST CHURCH Fint Presbyterian Church gregational, Winchester, MA March 21: 6 Church, Swarthmore March 21: Trio Sonata Sharon, Pennsylvania BLOOMFIELD AND GLEN RIDGE, NJ. pieces from Meue des Paroisses. Couperin; 5 in C. Der Tag der itt 10 freudenreicb. Hen· 'Ibid College Prelude and Fugue in 0 minor BWV 546, Iich thut mich Verlangen. Allan Gott in der The Kimberly School, Montclair, N. J. Greenville, Pa. Bach; Fantasia in F minor K GOB, Mozart; 1I0h', Prelude and Fugue in E minor BWV Variation on America, Ives. 533, Toccata and Fugue in F. all-Bach.

22 THE DIAPASON DELBERT DlSSELHORST KATHRYN ESKEY Organ Recitals The University of DMA

Gene Hancock. Cincinnati, OH - Bethesda­ James Moeser, Lawrence. KS - U. of Colo­ University of Iowa North Carolina by.thc-Sea Episcopal, Palm Beach, FL March rado, Boulder. CO Much 7: Prelude ~ Iowa City ).1: Fantasia and Fugue OR BACH opus 46, Fugue in G BWV 541, SchmUcke dieb BWV Iowa at Greensboro Reger; Ach bleib bei uns BWV 649, Meine 654, Gigue Fugue in G, Bach; Four Noels, Sede erhebt BWV 6t8. Lobe den Herren BWV Dandrieu; Choral in E, Franck; Deusi&ne G50, Passacaglia and Fugue in C minor BWV Fantailie, Alain: Transports de joie hum 582, Bach; Variations on Mein junges Leben. L'Asccnsion, Messiaen. Colorado State U., Sweelinclt; Improvisation on Submitted Themes. Fort Collins March 10: same Bach. Dandrieu, GEORGE ESTEVEZ EARL EYRICH Franck and Alain; Herr Jnu Christ dich m ch.m. Bruce P. Bengbon. Lincoln NE - West· uns wend', 0 Lamm Gottes unscl1uldig, Bach. minster Preshyterian, Lincoln March 28: St. Michael aud All Angell EpiscDpal, Mission, Director First Unitarian Church Gloria, Pinkham; Voluntary for Double Organ, KS March 14 laIDe Bach, Franck, Alain and Purcell: Introduction, Passacaglia and Fugue, Messiaen: Concerto in G (or two keyboard CHICAGO CHAMBER CHOIR Providence, Rhode Island Wright; Scheno-Cats from American Suite, instruments, Soler. Assisted by J. Bunker Langlais; Fanfare pour Prcccdcr La Peri, Clark, barpsichordilt. Duw: The Exorcism for organ, brass and percus:sion. Waher Ross ; 0 Mensch bewein' Karel Paukert, Evanston, lL Euclid CharJes H. Ph. D., F. A. G. o. 5 622, Bach; Festival Musick for organ, brass Ave. Christian Chun:h, Cleveland, OH Man:h GEORGE FAXON and percussion, Sowerby. Assisted by brass '5: Toccata in F minor, Wiedermann; Toccata and percussion ensemble of the U. of Nebraska, alla Elevatione in D minor, Frobergu: Toc. FINNEY Jack Snider, conductor. cata in G, Cemohonky; Toccata, Verschrae­ TRINITY CHURCH gen; Meine Seele erhebt den Uern:n, Kommst Chairman, Division of Music & Art B. Lynn HEbert, Chicago, IL - Sacred du nun, Phantasy and Fupe in G minor, BOSTON Houghton Colleg., Houshton, N.Y. Heart Church, Notre Dame, IN Feb. 26: Bach: Second Phantasy, Alain: Moto Ostinato, Houshton W •• I.yan M.thodlst Church Concerto 2 in A minor BWV 593, Vivaldi­ Eben: Sonorities (Improvisation), Paukert; Bach; Echo FantasY in D minor, Sweelinck; Postludium, Janacek. Wheaton College, Whea­ Capriccio in D minor, Boehm; Four Pieces ton, IL March 8: Same Bach, Wiedermann, from Livre d'Orsue, de Grigny: Le Banquet Cemohonky, Venchnlegen, Alain and Janacek; Lacrimosa, Lutoslawski: Optavi, HeiUer: Gloria, Celeste, Chants d'Oi!eaus. Messiaen: Chorale Jolivet; Improvisation for voice, keyboard and Robert Finster HENRY FUSNER in E, Franck. electronic IyDthesizer. Assisted by Noriko Fujii, DMA IOprano and Thomas WiDb, electronics. S.M.D., A.A.G.O. Joanne Koerber Hiller, St. Louis. 1010 - St. John'. Cath.dral First Concordia Seminary, St. Louis March 21: Irene Robertson, Los Angeles CA - Fint Presbyt.rian Church Echo ad manuale duplex forte et lene Varia­ Congngational, Los AngcJcs March 28: Ut Denver Nalhvlll., T.nn..... 37220 tions on Wehe windgen wehe, Scheidt: Fan­ queant laxis, Bingham; Partita on Christw tasia and Fugue in G minor S 542, Bach: ist mdn Leben, Pachelbel; 0 Traurigkeit, Komm heiliger Geist Herre Gott, Krebs: Herr Brahms! 0 Lamm Gatta, Bach; Hymnes opus Gott dich loben aile wir. Kaufrmann: Sonata 58, Matine!, Laudes, Dupre; Sept Chonlte­ 3, Mendelssohn; Orxelsonate opus 18,2, Duder; PoelllJ opus 67, 1,2,4, and 6, Tourncmire; Choral varie lur Ie thmne du Vent Creator, Sonata 3 opus 65, Mendelswhn. Antone Godding RICHARD GRANT Durune. Assisted by Mark Bangert, English hombt. Carlton T. Russell - Grace Church, Mill. School of Music MEMORIAL METHODIST CHURCH brook, NY March 28: Sonata 2 in C minor, Harry Kelton, Lexington, MA - Busch­ Mendeluohn: 4 pieces (rom Messe pour lea Bishop W. Ansie Smith Chapel WHITE PLAINS, N. Y. Reisinger Mweum, Cambridge, MA March paromes, Couperin; A1Iegro from Concerto 2 Oklahoma City University 25: Eleven Chorale Preludes opus 122, Brahms. in A minor, Vivaldi·Bach; Even Son" La Montaine: Toccata and Fugue, GuinaJdo; Joseph D. La Rue, Chicago, IL - Metro­ Henliebster Jesu, Fugue in A-nat minor, politan Community Church, Chicago April BrahlIll; Toccata in F. Bach. 25: Alleluy'" preston: Organ Mass, Kodaly; LESTER GROOM NORBERTO Five Episodn in the Livn o( Jacob and Joseph, Frank T. Shomo, Buckhannon, WV - ltu­ Seattle Steams; Serene A1leluiu, Messiaen: Volumina, dent o( Robert E. Sharer, W. Va. Wellitcyan Ligeti; L'Ange 1 la Trompette, Charpentier. College, Buckhannon Feb. 28: Prelude in D Sentlle Pacific Churcb oC tbe minor, Pachelbel; Fantasy in G, Bach: Fugue College Epiphany h"lUl R. Licht, Rocky River, OH - St. in A-fiat minor, Brahms: Toccata, Andreillen; Le Banquet Celeste, Messiaen; Toccata, 98119 98122 GUINALDO Martin o( Toun, Valley City, OH March 21: Prelude and Fugue in G minor, Bach: Ach Vilancico T Fup, Ginulera. Gott erhlir mein Seuften, Krebs: Introduction and Toccata in G, Walond: Henlich tut mich Robert Oldham, Alton, IL - Fint Presby_ verlangen, Brahms; Wer nur den Iieben Gott, terian, Alton March 7: Introduction and Toc­ Walther: Sonata 1 in F minor, Mendelssohn. cata in G, Walond: Fugue in E·nat. Bach; DAVID S. HARRIS Sonata 6, Mendelssohn: Kleine Pritudien und E. LYLE HAGERT Intenncni, Schroeder: Ronde Francaise, Boell­ Church of Our Saviour Kathl1"J1 Loew, Kalamazoo, 1011 - Fint mann; Lied, Carillon de Westminster, Vieme. Getluemane Episcopal Church Presbyterian, Kalamazoo March 14: 2 settings Akron, Ohi~ In dule jubilo, Prelude and Fugue in A mi­ Thomas Peelen, Bethlehem, PA - St. Mary's Minneapolis, Minnesota 55404 nor, Bach; Noel Etranger, Daquin: The Abbey, Morristown, NJ March 21 Troisieme Organ Nativity, Langlais: Jesus ist kommen, RqJer: Choral, Andriessen; Sonata in D, Purcell; Fan­ Tumult in the Pnetorium, Maleingreau; Jesu talia in echn style, S'weelinck: Concertino in meine Freude, Marpurg; Crucilixion from F, Handel: PlDlm tl6, von Noordt: Helden­ Passion Symphony, Dupre: Gelobt sci Gott mwik, La Grace, Grave, La Vaillance, Tele­ im hacillten Thron, Pepping; Prayer from mann; Toccata from Suite in modo conjuncto, WILL O. HEADLEE Christ Ascending, Outbursts of Joy, Messiaen. \'an der Hont; ImprovilDtion on a submitted YUKO HAYASHI theme: Passacaglia and Fugue on hte Con­ SCHOOL OF MUSIC Michael Oary McGuire. Fllyette, 1010 - fessor. Assisted by Donald Spieth, trumpeter. faculty student of Luther T. Spayde, Central Metho­ SYR. \CUSE U::\]\'I:R ~ITY dist College, Fayette Feb. 7: Prelude, Fugue Ruth Pelton Richardson, Endicott. NY - new england conservatory and Chaconne," Bwc:tehude; 0 man bemoan Fint United Methodist, Endicott March 14: boston '1\ H. \Cl _<"F, :\I.\\' )()H h. 1:\210 thy grievous sin, Sonata 4, Bach; Chorale in Te Deum, Song of Peace, Dialogue for the E. Franck; Prelude on Brother James's Air, Mixtures, Langlaisj Kyrie a God Holy Ghost, Wright; Variations 1-4, &-10 sur un Noel, Come Saviour of the ,entiles, 0 sacred Head Dupre. now wounded, Come Sweet death, Bach; Choral in A minor, Franck: The Last Supper, Amelia McLendon, Fonyth. GA - aenior Weinberger; Woman, Behold Thy Son, Son LAYTEN HECKMAN WILBUR HELD recital, Tift Coltgee, Forsyth March 2: Fan­ Behold Thy Mother, Huston: Prelude and sM.D., F.A.G.O. tasia et Fuga in G minor BWV 542, Bach: Fugue on BACH, Liszt; Improvisation on Th. Church of St. Stephen the Martyr Sonata 3, Hindemith: Chorale in A minor, Were you there, Richardson. Ohio State UniversIty Franck; Toccata, Sowerby. Mlnneapoli. MlnnelOla Trinity Church Theodore W. Ripper, Decatur, IL - Mmi­ COLUMBUS, OHIO C. Ralph Mills, Roanoke, VA - Salem Bap­ kin U., Decatur March 7: Prelude and Fugue tist, Salem, VA Mardi 15: Suite Breve pour in E minor, Bnahns; 4 pieces from Messe du argue, Langlais; Prelude on the Ave Verum, Deuxiesme Ton, Raison: Nun komm der Hei­ Mozart-Biggs: Fugue in G minor, Bach; Vol­ den Heiland S 659; Von Himmel hnch S 700, SAMUEL HILL untary on the Dm:ology, Purcell·Bigpj Le Wir glauben all' S 680, Bach; 2 Noels, Bal­ Harry H. Huber bastre; Sonata 1 in F minor, Mendelssohn. jardin swpendu, Alain: Choral in A minor, 51. Paul'. Church M. Mus. Franck. Ruby Robbins, La Mirada, CA - ltudent Chicago, U1inols of Rayner Brown, senior recital, Biola College, Kansas Wesleyan University Robert R. Miller, Dallu, Texas - Fint La Minlda March 27: Prelude and Fugue in Carlhage CoUege University Methodist Church Presbyterian, Fort Worth, Texas March 7: F minor, Bach; Echo Fantasia, Sweelinck; Kenosha, Wisconsin SALINA, KANSAS Choral, Jongen: Adagio, Nyquist; Air, Han­ Fantasia on Hallelujah Gott zu loben, Rerer; cock: Sonata 2 in C minor. Mendelaohn; Sonatina 24, Brown; Passacaglia opw 56, Premier Choral, Andriessen: Rest Thou Con· Klebe: L'Orsue MYitique 51, Toumemire. tented, Zccbiel: Adagio (rom Symphony S, Saint-Saens; Carillon. Vieme. Roger R.oszell, ChicalfO. IL - Ewnsetical d. deane Community Church, Blue Island, IL March JOHN HUSTON August Maekelberghe, Detroit, Mich. - St. 21: Voluntary in D, Boyce; When in the FIRST PRESBYTERIAN CHURCH John'l Episcopal, Detroit Feb. 26; Sonata 1 hour of ubnost need, Prelude and Fugue in hutchison in F minor, Mendelssohn; Pastorale, Guitmant; D, Bach: ~ncerto in F opw 4,4, Handel; TEMPLE EMANU·EL Adagio, Vivaldi; Prelude and Fugue in C, Sonata 6, Mendelssohn; Rhosymcdre, Vaughan portland, oregon Bach. March 5: Prelude and Fugue in G, van Williams; Coronation, Langlais; Azmon, Goode; New York City den Gheyn: Night Piece, Eastham; Flutes et Tocata from Symphony 5, Widor. Mwettelll, Langlais; Suite Gothique, Boelmann. March 12: Concerto 10 in D, Handel; Putonlle Jack L. Noble, Vermillion. S.D. - Trinity Bercr:we, Vieme; Pila: H&oique, Franck. Lutheran, Yankton, S.D. March 7: FanFare, March 19: Chacone and Redt, Couperin; Proulx; Toccata in F, Bw:tehude; Kommst du ELLEN KURTZ Sonata 7 in A, Arne: Fantuy in C. Franck; nun, Praise to the Lord the Almighty, Bach; HOWARD KELSEY Prelude and Fugue on BACH, Ltszt. March Toccata for the Elevation, Zipo1i; Toccata, 26: Chaconne in F minor, Pachelbel: Come Mereaux: Concerto 13 in F, Handel; Prelude, JACOBSON Washington Unillenlty Saviour, Bwc:tehude; Symphony, Weitz. Apm Fugue and Variation, Franck; Prelude on M.Mus. A.A.G.O. 2: Sonata I, Hindcmith; Suite lor a Mwical Jam 101 recedit, Simomb; Improvisation on Saint Louis, Mo. 63105 Clock, Haydn; Intermezzo, R.egu; Impromptu Three Carols, Salberg; Premiere Fantailic, Concord, California Etude, Maekelbershe. Alain; Prelude and Fugue on ALAIN. Durune.

MAY, 1971 23 GEORGE E. KLUMP J. MAX KRUWEL A.a., 8, MUS., M.A •• B.D. DIVISION OF THE ARTS Organ Recitals Second Presbyterian Church Vesper Concert Organist DALLAS BAPTIST CoLLEGE Mjchlgan and 20th St. Martin Neary, London. Ensland - Christ Wolfpft3 RDbsam, Fulda, Gennany - DALLAS, TEXAS 75211 Chicago, 60616 Church. Westerly, RI Feb. 14: Two move· St. Mark's Episcopal, Shreveport, LA March ments {rom the Gloria, de Grigny; Prelude 21: Prelude and Fugue in E minor, Bruhas; and Fugue in C minor BWV 546, 0 Memch Alldn Gott in der Hoh' BWV 664, Toccata, bewein' BWV 622, Fugue in G BWV 571, Adagio and Fugue in C BWV 564, Allein Ba.::h; Et Resurruit. Leighton; Impromptu, Gott in der Hoh BWV 662, Bach: Chorale in RICHARD W. L1TTERST Toccata from Pieces de Fantflisie, Viemc; E, Franck: Second Fantaay, Alain; Fanwia ARTHUR P. LAWRENCE Choral in E. Franck. Sacred Heart Cathedral, on Straf mich nicht in deinem Zorn opw 40, Newark, NJ Feb. 16: Te Dewn. Langlais; 2, Reger. Doc. Mu •• Art., A.A.G.O., Ch.M. M. S. M. Prelude and Fugue in F ... harp minor. Buxte­ Sclint Mary" Callege and SECOND CONGREGATIONAL CHURCH hude; Herr jesu Christ BWV 653, Prelude William Sel(, New York, NY - St. Thomas Th. UniveRity af Notr. Dame and Fugue in E.nAI BWV 552, Bach: A run­ Church. Ne\" York March 14: Choral in E, Rockford, Illinois ning Fantasia, Gibbons; A sad Pavanne (or Frana: Symphonie Gothique, Widor. Notr. Da ..... , Indiana 46556 these distracted times, Tomkins; Voluntary 5 in G, Walond; Prelude, Allegro vivace, Fi· Gillian Weir - Wheaton College Norton, nal from Symphony I, Vicmc. St. Mark'. MA April 16: Toccata 7, Roai; Variations on Episcopal, Shreveport, LA Feb. 282 Sonata. in Sei gegrllsset Jesu sUcig, Bach; Concerto G fint movement, Elgar; Two Noels, Daquln; in D minor, Vivaldi-Bach; Sin[onietta, GunSou: William MacGowan CLARENCE MADER Dies ResulTI!ctionis, McCabe; Prelude and Redt de tierce en taille, de GriIDY: Trans­ Fugue in G minor. Dupre; Allein Gott DWV ports de Joie from L'Ascemion, Messiaen. All Saln•• Church 662, Prelude and Fugue in D minor BWV 538, 537·C Via Estrada Bach. Gary Zwicky, Charleston. IL - Fint United Church of Christ, Olney, IL March Paladena, California Laguna Hills, California 92653 William Ness. Ann Arbor, MI - Emmanuel 28: Lobe den I1erren, Walther; Fuga sop,.. Church, Hanover, PA Feb. 21: Suite du iI Magnifbt BWV 733, Meine Seele erbebt dewdeme ton, Clerambau1t; By the wate? or den Herren BWV 648, Bach: Prelude Through Babylon BWV 653, Prelude and .Fugue .~n E the Major Keys, Beethoven; 2 If!ttings Herz­ Frederick minor BWV m, Bach; Choral Ul B minor, lkh thut mich Verbngen. Brahms: Fugue in ASHLEY MILLER Franck' Scheno opw 2, Durunc; Introduc­ C, Buxtehude; Toccata, Sowerby. MARRIOTT tion a~d Fantasy on How brishtly shina tbe A.A.G.O. morning star, Reger. Bruce Bengtson, Salem, OR - Itudent of Organist, The Detroit Symphony William Fawlr, Fint Presbyterian, Salem N.Y. Society for Ethical Culture Slanley E. Tan, Piusburzh, PA - Church ldarch 14: Concerto in F. Handel; By the The Detroit Institute or the Auumption, Bellevue, PA Feb. 23: waten of Babylon, Toccata in F, Bach; Flute of Musical Art, Detroit. 2 West 64th St., New York City Carillon de Westmimter, Allegro vivace from Solo, Arne: Transporu of Jor, Messiaen: Symphony I, Vieme: Allein Gott BWV 662, Sonata on the 94th Paalm, Reublrei Capric:do Prelude and Fugue in D BWV 532, Bach: on the notes o( the Cuaoo, Purvis; Brother Symphonie Gothique, Widor: Choral in A James's AIr, Wright; Pageant, Sowerby. CATHERINE RITCHEY MILLER minor, Frana: Fantasia in F minor K 600, Mozart. Cathedral o( the Blessed Sacr.uaent. C1ark Friesen. Salem, OR - student of ORGANIST ROSALIND MOHNSEN A1toona PA March IS : lame Vieme. Bach: William Fawl! , F irst Presbyterian, Salem Wer nu~ den liellCn Gott BWV 647, 0 Lamm PEACE COLLEGE Westmar College March 28 : Toccata in G minor. Pachelbel; Goues BWV 656, B.ch; Study in the (onn Sleepen wake , Bach; Prelude in D minor, WHITE MEMORIAL PRESBYTERIAN Calvary Melhodist Church of a canon opw 56, 6, Fugue on BACH opw Krieger; Paslorale, Zipo1i; Prayer, Na1and: CHURCH 60 6 Schumann; Drop Drop Slow Tean, Hymn to Joy, Young; Three Early American Raleigh North Carolina 27608 LeMars, Iowa pe'nichetti. Serene Alleluias, Outbunt 01 Joy, Pieces, Spong ; Cantique, Rabey: Petite Suite, Messiaen. ' Eastmiluter United Pnsbyterian, Bales. Pitbburgh March 28: same Bach, Schumann, Mozart: Schmuck~ dich BWV 654, Bach; Susan L. Davidson, Banington, IL _ Floss­ L'Ascemion, Messlaen. moor Community Church, Flossmoor, IL Feb. HAROLD MUELLER WILLIAM H. MURRAY 16: Fugue on the Name BACH opus 60, S, F.A.O.O. George W_ Tobbs, Frankford, PA - Frank­ Schumann: Lord Jesw Christ with w abide, Mu •. M. F.A.G.O. fonl High School. Frankford March ~8 t . Prel­ Sleepen wake! , Bacht Five Lillie Chorale Trinity Episcopal Church ude and Fugue in D, Bach; AdagiO In G Preludes, Pepping: The Magi from The Nativity, Emmanuel Episcopal Church minor, Albinoni: Variations on "A!y Jesw. I'll Messiaen; Variations on Nettleton, Young. Temple 5herith Israel ne'er forsake. Walther; Chorale In A minor, , San Francisco La Grange, III. Franck: Rejoice ye pure in heart, Sowerby: Melvin Dickioson., Louisville, KY - Fint Prelude, Dyson : Three Preludes on Southern Unitarian, Louisville March 7: Partita on Was lIymm, Read: .Elegy, Oxley j TOCdta [rom Gntt tut, Pachelbel; Trio Sonata 3 BWV .527, Symphony 5, Wldor. Prelude Dnd Fugue in C BWV ~7 , Bach; Partila on Veni Creator Spiritus, Schroeder: Donald C. Unwin, Wichita Falla, TX - Da Jesw an dem KreUle stund', Scheidt; 2 NORLING frank a. novak student of Nita Akin, Holy Rosary Church, settings Henlich tul mich verlangen, Brahms. Shreveport LA March 21 : Litanies . Alain; EMMANUEL CHURCH Nun ko~ der Heiden Henand S 659, Aile SI. John's Episcopal Church Menschen ml1ssen sterben S 64' , Wachet auf Walter A. Eichinger, Seattle, WA - Hanover, Pa. 17!!U S &15 Fanwie and Fugue in G minor S 542, Plymouth Congregational, Seattle March 17: Jersey City Heights New Jersey Bach;' Introdw::tion, Passacaglia and Fugue, Plein jeu, Chromhorne lUI' la tallie. Dialogue sur les snnw jeu from Messe pour les Willan. CoUvalts, Couperin; 0 Traurigkeit, Brahms; Robert E. Shafer. Buckhannon. WV - o Trauriglreit, 0 Haupt vall Blut und Stephen J. Ortlip, AAGO W. Va. Waleyan College, Buckhannon March Wunden, David : Wondrous Love. Barber: JOHN KEN OGASAPIAN 28: Prelude Dnd Fugue in G minor, Buxte­ Partlta on The Lards Prayer. POlL hude; Prepare thyself beloved lOul. In the Chattanooga Boy. Choir hour of utmost need, Bach; Jesu my joy. Jeny W. Elmsren, Clearwater, FL - St. Saln. An ...', Church Karg-Elert; Adagio for Strings. Barber: Baro­ Paul'. Luthenn, Clearwater March 12: Ball· Lookout Presbyterian Church que Suite Young; movements 1. 4 from etto del Granduca, Sweelinck; Prelude aad MauachuHt•• $Iale Colleg. Ascension 'suite, Messiaen: Cathedrales, Caril­ Fugue in D, Jig Fugue in C, Bustehude; Sewanee Summer Mu.lc Center lon de Westmimter, Vierne. Ach bteib' bei um, Meine Seele erhcbet den Lowell Herro, Wachet auf Bach: How lovely dUnes Richard W. Slater, Glendale, CA - St. the mornilll ltar, Bender; Partita on Jesu Mark's Episcopal, Glendale March 28: Paean, meine Freude, Walther; Chorale, Fugue K. Leighton: Intonatione 7 tono, lUcen:are nel and Finale from Symphony 6, Mendelssohn. FRANK OWEN duodeclmo tono, A. Gabrieli; Elevuione, Zip­ Jack Ossewaarde Lessoru _ Recitals oli' Andante K 616, Mozart; Vier Emste G. Dene Bamard~ New York. NY _ Grace G~nge opus 121 , Brahms; Speculum Vitae Church, New York Mardi 18: Prelude and 51. Bartholomew's Church opus 36, l'eeten; Choral in A minor, Frana. Fugue in E. Ach Herr mich armen Sunder, St. Paul's Cathedral Assisted by Diane Thomas, mezroolOprano and Golt der Vater wobn' um bei, Kommt her zu Penny Forbes lIis, IOp rano. SI . George's mir spricht Gottes Sohn, Prelude and Fugue New York Lo. Angeles 17, California Episcopal, La Crescenta, CA March 31 : same in F, Fantasia on Wie sebon leuchtet, Prelude Leighton, Mozart and Brahms. and Fugue in F-sharp minor, Bustehude. RICHARD M. PEEK Franklin E. Perkins JOSEPH MARCUS St. John's Cothedrol Soc. Mus. Doc. A.A.G.O. - Ph. D. RITCHIE Jack Edwin Roqers Covenant Pre.byterian Church The Ladue Chapel St. Louis, Missouri TRINITY CHURCH 1000 Eo Morehead CharloH_, N. C. Univenlty of Missouri, St. Loui. NEW ORLEANS Jacksanvllle, Florldo

WILBUR F. ARTHUR A. PHILLIPS MYRTLE REGIER RUSSELL SAUNDERS AAGO Ch.M. F.T.C.L. RUSSELL Mount Holyoke Coll.ge Organi.t Choirmaster, Flr.t Pre•. Church Eastman School of Music LafoyeHe Avenue P,e.by'erian Church San Francisco theological Seminary South Hadley, MallachuseH, Brooklyn, New York 11217 San Anselmo, California Unlverslly of Rochester

ALEXANDER BOGGS Recital. and Ma.ter Cia .... K. BERNARD SCHADE Organ Consultation S.M.M. STATE COLLEGE RYAN EAST mOUDSBURG, PA. Cathedral Church af Christ the King Workshop. and Lecturu CONCERT ARTIST We.tern Michigan University at Kalamazoo The Kocialy Choral Method

24 THE DIAPASON Robert Shepler L. ROBERT SLUSSER Organ Recitals Organi.... Cholmta.t.t MUS. M., A.A.O.O. SECOND PRESBYTERIAN CHURCH Willi;1m Whitehead, Bethlehem, PA - Fint Indianapolis. 'ndlano 46260 IA JOLlA .RESIIYTERIAN CHURCH Baptist, West Palm Beach, FL March 9: T o ralrlct these paC" ro p_ Recital. IA JOLlA, CALIFORNIA Prelude and Fugue in G minor, Lii~clt; oI emenl In..... ~ RdIalJ mpclac Sonab in 8-11011, Arne; Trio Son3.l;l I in E· DrpDlItI nat BWV 525, Pauacaslia and Fusue in C more lhaa three will bere­ minor BWV 582, Bach; Sonata 2 in C minor, allOT DOt be IDdudcd. ROBERT SMART Mendelssohn; 3 tttti nJ1 0 Sacred Head now Swarthmore, Pennsylvania wounded by 83m, Brahms, Langlau: Litanies, Dennis G. Michno, New Yo rk, NY - Trinity Alain. Faith United Methodist, Montoun \'iIIe, Church, New York April 13: Tocc.ata and Trinity Episcopal Church ROLLIN SMITH PA March 14 : same L ubeck, Arne, Mendels· Fusue in F. Buxtehude; Pan:acaglia, Near: Swarthmore CoUege REPERTOIRE RECITALS sohn, Brahms and Langlais; Partita on Christ iJt entanden BWV 627, Bach: Suite du The Brooklyn Mweum Whate'er my God ordains, Pachclbel; Prelude Congregation Rodcpb Shalom, Church of Our Lady of ADleb premier ton, ClCrnmbault. April 20: Pulude 1150 Forty-fint Street, Drooklyn, NY 11218 and Fugue in A minor BWV SU, Bach; Toc­ lind Fugue in D minor BWV 539, Blch: Philadelphia cata, Villancico and Fugue, Ginaslera. Adagio, Nyquis t; Concerto in a minor opus 4,1, Handel : Le Jardin IUSpendU, Alain: Fan­ O"vid BachmaM, La Crone, "'I - .enior I;nia in F minor K 59-4. Moure. recital, Wisconsin Sia le U ., La Crosse Abrch ADOLPH STEUTERMAN 21: Fusue in E·n., BWV 552, Trio Sonata 5 Larry King, New York. NY - Trinity Carl Staplin Mu •• Doc., FAG.O. BWV 529, 83ch; Suite ror Organ, NUT; Vnion Church, New York April 15: Sanband (or of the Eternal Churd" Mes.siacn; Choral in A che Morning of Easter, Howells: Partita on 'h.D• • A.A.O.O. minor, Frana. Christ ist entanden, Purvis; Crucinxion, Res­ Drake UniversIty SouthweI'.rn at M.,.phlt urrection from Symphonie.PalSion, Dupre. Calvary Episcopal Church Frank Batllctt, Lansing, All - Brown U., University Christian Church Providence, RI, Marcia 2: Passacas:lia (mOl Lee Jessup, Provo, UT - lntentake Cen­ DES MOINES, IOWA Memphi., T.nn ..... Symphony in G, Sowerby; The AnSds, Eternal ter, Oakland, CA April 4: Toccata opus 59, Purposes, Jaw Acceptt Sorrow (rom La Reger: Sketch in D.nat, Schumann; Prelude Nativite, Mcssiatn; Variations on Flandrb., and Fu!tle in G, Bach: The Rm ·Grown Maekrlbcrghe; Btrceuse, Dupre: Incantation, Walen, hllrg.Elert: CariIJon, Dupre. Orrin Clayton Sulhem, II Langlais: Contemplation (rom Sinronia 3, FREDERICK SWANN Berlinski; Prelude and Fugue on BACII, Lint. John Fife, L.:ludenJale by l1Ie Sea, PL - Community Church, Lauderdale by 'be Sea ProlCllOl" 01 MtWc The Riv.r!ide Church Gwilrm BcV3n, Brock"i!le, Onto - 51 . March 21 : P~ l lonl and Allesro lrom Concerto Peter. Anglican, Brockvillt March II j Passa . in G, Handel: He who would .uUer Cod co Orpnist-Coaductor ,,"uide him, In death'. Itrong ~p, I catl to New York Oly caslia in C minor, By the waters of Babylon, Uniwenity. Pa. My hurt is filled with longing, 0 Lamb of Thee, Little FU!rUe in G minor. Pauacaslia Lincula God, Prelude and FUlJUe in B minor, Bach. and Fugue in C minOT, Toccata and Fugue March 18: Prelude and Fugue in G minor, in D minOT, Bach: Berceuse, Vieme: Romama. Abenwyth, Ebenezer. Intennezzo, Introduc· Purvis: Brother James'. Air, Wright. tion, PauacaglLa and Fugue, Willan. March LAUREN B. SYKES George Norman Tucker 25: Introduction :md Paslacas:lia, Rrgtri Harold A. Daugherty. Los An!eJes, CA - MOL Bach. Psalm Prelude 1, 1, Howells: Choral in A graduate m:ital. U. 01 Southern Calilom ia. A.A.G.O., a.. M. minor, Franck. at Herrick Chapel, Occidental College, Lo ST. LUKE'S CHORISTERS Angeles March 7: Prelude and Fu~e in D J;r,nice Boud, Louinille, KY - student 01 BII~tehlldc : Wathet allf RWV 6-15 Wo roll Warner Pacific College Kalamazoo Melvin Dickinson, U. of Louisville School k h niehen hin BWV 6fG, Meine Se

john h. schneider JOSEPH SCHREIBER JOHN E. WILLIAMS DONALD WILLING Ind.p.ndent Pr.... y •• rlan Church St. Andr.wI Pr.&bytanc.n CDII ... faculty Calvary Presbyterian Church Laurinburg Presbyt.rlan Chun:h 11"'10...... 50 ...... Col .... N.rth rUat S.at. u"r.,.,aity Laurinburg, North Caralina River!ide, California BJrmlngham, Atabama Denton

WILLIAM SELF Organist and Master of the Choir ST. THOMAS CHURCH Fift h Av.nue and 53rd Street william whitehead New York, N.Y. 10019 2344 center street, bethlehem, pennsylvania

MAY, 1971 25 The org:mist 0 '£ organ-lo\'cr who "isits Sweden is likely to be impressed by the ShCCT number of recently built or rebuilt inslrumcn1.5. This (!I particu. larly true in small towns and villages. Some Interesting Organs There ;IfC tllH.loubtcdly two reasons for tile large number of new organs: the Siale Church is \'cry :tdcqualcly financ~ . and church 3ulhorilil'S discourage strongly the usc of cJcclronic lnuni. In Sweden IUcnts. While there nrc many fine in­ strulllcn1.5 by Swedish builders, both in Stockholm and in lhe provinces, it is still true Ih

THE DIAPASON FERNWERK £kogamb:!. 8 h. Gcdach 8 h. Cem.hom .. ft. • Oktava 2 fL Si~'n6jt 1 {I. CHORORGEJ. ROfacd:!.kl 8 ft. Salicion:!.1 8lt. Spel1fi(jjl of ft. OBF.RWF.RK It. Principal 8 It. Rorflojl 8 fl. Ged,lCkt 8 h. 011.13"'" of It. ftl«kflojt .. h. O"inladena -1 ft. Okla1/J, 2 ft. Gcdacktllojt 2 H. KMat IYJ ft. WaldfliSjt 1 ft. M ix tllr IV Cymbel It ~kalmeja 8 It. VI'J,!( humana 8 ft. Trcmul:J.nl CRESCF.. 'iDOWERK Ccdllckt 16 rt. Fl . harm. 8 h . Spcug3mba 8 It. Grdukt 8 ft. Ok(::ln, .. ft. Tf:lo\'enflo;t .. ft. Quinta 2~ fl. Waldflojt 2 ft. Tcn tv, ft. FhRroIett I II. MilillUr V Cymbcl III F ... !ntt 16 It. Trumpet 8 ft. OfMle 8 It. (,lairon of ft.

PRDAI. Principal 16 II. ""bb,. 16 It. GCllackt 16 It. Qllint3 10Ys fl. Ok! ... " ... 8 ft. Grdac"t 8 ft. Ok11"'3 .. ft. Koppeln(ijt of ft. NllcJllhom 2 rt. Rorfiojl t ... y. It, RaulChquint IV Mililiur VI 8:1ollln 32 It. ~nrdlln 16 ft. Tnlmpet 8 ft. Tnlmpet of It. Coronet 2 ft.

Frobeniul in Kriltianstad, Sweden All unison cftuplen. One "'rft cambinatioo" Inr 1ll:lonu,,1s "nil thfH! (nr ~dat, Tutti, Gef\C",1 mupTu.

The l:ey action is tTacker except ror rhc Fcnltl '~rk and Cllororge/. which arc plil}'ilhle (electric ilelinn) from the: rnurlh manual. The 5top action is cleclric. main church or Kristianstad, Sweden. Pnndpal " It. PEDAl. There illi al~ a small two·manual Bloknojle 4ft. The original organ by Johan Lorentz or Principal 16 It. ;tUfI pedal organ by Paul alt or Got Lauricz (1619-31) was replaced by an Nasat 2~ It. Waldnajle 2 FI subbu 16 ft. tingen in a 5mall chapel. It was in· undistinguished tnstrument in the 19th Oktav 8 ft. slilllcd in 1964 and ha!'l thr rol1owing Ten 1% It. century. but the Cl5e and the show Mixtlu' IV Gcdaktpommcr 8 ft. ~pcrinealion: pipes (Principal 16 rrom Hovedverk ilnd Cymbd tIl Gemshom of ft, Principal 8 from Rygpositiv) were pre· Dulcian 16 ft, :-lathom 2 ft, MANUAL 1 Rauschpreifc IV !len·cd. The case 15 orten considered Shimel 8 ft. Fagot 32 ft. Gedacltt 8 IL the most beautirul in Scandinavia. It ClaTino .. Ie. Balun 16 ft. Principal of ft. was carefully Testored when the present Tremulll.nl Trompet 8 It. Waldnolt 2 ft, organ was in~lalted in 1961 . The sJH!ci . Repl 8ItY~nrER.K 4 ft. K"'inb t~ It. fic.,tion: Camet 2 ft. Quinblon 8 fl. MANUAL It Rornajte .. fl. Unsion enuplen. Mcch2.nical .ctinn to both Tralcdacltt 8 h. Principal 2 ft. keys and Jtaps. Rartlajt of h. HOVEDVf..R.K Spidsquint I ~ ft. l'fincip2.1 2 It. Principal 16 ft. Okt:lv 1 ft. Oktav 8 II. Repl 8 ft. PEDAL Spillmjte 8 h. T~mu1ant I wish to thank Th. Frobenius &: Gcdacktpommtr 16 h, Oktav 4 fI. 5JSnner, MaTC\lSSCn &: S",n, :md the rec· Un.ion COlIpkn, Mechanical actJon. Jlulnajle .. h. flYGPOSITIV tory or SOh'csbcrg for assistance and ror Oktav 2 It, Principal 8 re. pro\'iding iIIustmtions. The mixture or SaquiaJtcra 11 It Ulay be mentioned that the firm of Gcdakl 8 ft. J;mguagC5 in the stop lisls is appar~nt· Th. Frobenius has been particularly ae· Mixtur IV Oktav 4 ft. Iy lllC result of Danish builders, Swedish Trampet 8 ft. Spidsnoj!c .. ft. rive in Sweden. They have been ,'cry church~5 and a tendency 10 me Genna" suceessrul in dcsifiI1ing modem inslTu, S\'cgd 2 It. SVELLEVERK Quint 1 ~ fL I~tms. I ha,'c reproduced the names menU 10 rit histone organ cases. A good KabbelnSjtc 8 fL Scharf IV either rTOm fhe console or fTom the e"ample of this can be round in the Spidspmba 8 fL Krumham 8 ft. nrganbuiJdcr's specifications.

Organ Builders and Inc. • Rebuilding * FRANK J. SAUTER SONS • Repairing Phones: 388-3355 * • Contractual Servicing 4232 West 124th Place PO 7-1203 Alsip. Illinois 60658 For Unexcelled Service

O.waW 0_ LARRY PALMER D. M. "- Orgon - HarpSichord R A G A T Z Sauthem Methodist University Professor of Organ Dallas, Texas 75222 Redttlls INDIANA UNIYU51TY ladu,"

MAY, 1971 71 In .t lecture on hymnody which was published in Vol. 7 of the Musical Heritage of the Church (Concordia, 1970) I dealt three yean ago almo!t exclusively with the history of hymnooic melody construction. For a modem Word and Tone in Modern Hymnody hymnody we should not, however, by­ pa.5.1 study of the hymn lextJ, their Conns and their inOuence on melodic con­ struction. Lei us take a glance back through history. It is well known that Marlin Luther By Heinz WeInel Zim,melmann was not only the ::luthor of the melodies • but also of the texts of his hymns. How did he compose his melodies? Let us study the melody "Nun komm der Hciden Heiland." This Luther hymn is We see in Luther's example how he however, corresponds 10 the form of Jines the second repeats the £inc a translation and a musical adaptation adapted a given melodic model ("Veni the following stanzas. of the Latin hymn "Vcui redemptor redemptor gentium'1to his new Gennan "If you ever love a woman fint you gentium", Luther's melody demonstrates lext, ]n this case the text rules so Dylan Thomas, Poem ill October his typical declamatory technique of give your soul to the good Lord above" strongly that e\·cry stanza contains ito; "It was my thirtieth }'c;lr to heaven" " If you ever love a woman fint you melodic construction: important syllables own rhythmic vanant. This TeCi1llS the appear on raised pitches. The melody give your soul 10 the ~ Lord above" old Meistcrsinger tcchnique which wa., Dylan Thom~, Fern Hill line follows the intonation and the ac­ "Give your time to die devil and give certainly very well known to Luther. "Now as ] was young and easy under your love to the girl you love." cent of the first stanla. As Luther him· Meistersinger Ham Sachs, the Nurem· the ;lpple boughs" self put it, "The notes enliven the text". berg shoemaker and ~t, was a con· temporary and sympaduzcr of Luther. In Poem itt October we find the This stanza, too, consis" of prose. We t The Meistersin);er technique docs nnt [ollowing scheme for the lines of every Clnnot discern a given poetic meter, but J ; I n J consider (he weight of the s}·II:1blt.'s. stanza: we find the line scheme AAB in all but rather only (ounts them. In this nine syllables stanl3J. Within indivIdual lines the Kwn tOIA d.r Hd- d.n H.l- 1l1.li2 poctr)' the character o[ prose is retained. twelve number of syllables does not always (saY!our or tn. naUon .... cOila) remain conSlant. ]n this respect the The accentuation remains without pre· nine three Blues Corm. is far less artistic, Jess strict How 3bout the rhythmic construction? determined scheme. 1t follows the Ihan Dylan Thomas. ]t is more strict, Here we should examine the comparison textual content. five twelve however, in that it contains rhymed between the shape of the Latin stanla The increasing familiarity with Latin, endings, Greek, Italian and French poetry which twelve and that of Luther. As usual the Latin ]n the Blues (arm, too, the depend­ hymn is texted in four-Hne iambic: the Renaissance hrought 10 Cermany five led to the end of Meistersinger poetry. three ence of melodic construction of text After 1624 a textbook, "Von deutscher nine is clear. Howe\'er, we mwt see a subtle Veni redemptor gentium dif£erence here. The scheme of the o,!ende partum virginis Poetery" - "Of Genom Poetry". by In Fem Hill we find the follOWing: Martin Opitz came IU dominate through. fourteen syllables stanza, consisting of three lines, de· mlretur ornne saeculum pends on the music. This scheme cor· talis decd partUi deum. out Germany. The author requested fourteen .- .-.-.- the abandonment of the syllable.count • nine responds to the cadential plan, to the .-.-.-.- ing Meistersinger verse. replacing it six so·called "Blues scheme": .-,-.-.- with regular alteration between accented nine - .- .-.-. and unaccented syllahles. fourteen first line: Ionic; 4 mea!. The consequence! for hymnody were rourtcen second line: subdominant &: conic; 4 m. Evidently Luther concei\'cd the last significant. From thit pOint on e\'ery seven third line: dominant &: tonic: 4 m. linc as being :1 trochee and ~ a result hymn poem ohsen'cd a particular poetic nine look the liberty of dispensing wich the meter to which the tUlle abo had to suh· Through the repetition in each st:Lnza Within this harmonic scheme, how. iambic stntcture of the regular latin mit i(sclf. The construction of the hvrnn the prose o[ the finc st.anl3 becomes in C!\'er, the melodic construction follows hymn. His own stanu abandons a pre· mcloo}' no 10n);t.' r follow(!1i the literal a way tmllsrormed fnto a sort of very che text. Let us note this In "SL LoUd detennlned order of accents and limits meaning of a ghel1 tc;xt line: now it compliGltcd poetic IUCler. Onc could Blucs", one of the most famous ex· itself to organizing the number of syl . followed merely hs poetic meter. Since also say the revene: stamas which cor· a.mples of this slyle. In lis sequence of lables; each line has seven, The ac· the (onn wa!i schematic the mclodit'!i respond exactly to one another in their stanzas. hOlVe\·er, it Is rather an ex· centuation of these sc:ven syllables is aim became morc and more schl'matic. lUlml>cr of syllables arc produced from ception since it POSSc:s5CS a four. line variable: These s£hematlc melodil's were suit· prose. The term "slanzas of prose" re[min. Apart from this rC£min it shows able for ali pOCIl1!i with identical meter. makes us aware of Ihe f::tet that Dylan all tbe normal traits of the Rlues form. Nun komm der Heiden Heiland In addition to this. the Rcformatibn Thomas observes only the number of der Jungfmuen Kind erkannt melodies were belatedly made regular syllables, not their Individual weight Blues scheme: dass sich wundert aile Welt as well , that i!i to sa).. their rh}thm was (precisely the same method which Lu· I. G · C · G-G Gall sold. Gebun. ihm bestellt. forced into a regul3r sequcnce of riling ther used in his hymn translation). ]n 2. C - C·G·G .-.-.-. and falling, :\s we may see by the ver· Poem in October each stanu b~ins 3. D - D · G - G .- .. - ,- sions which J. S, nuch had to usc when for example. with a nlne·syllable hne; -.-.-.- he arranged the Luther melodies. they these first Jines, however, demonstrate I. ] hate 10 see the ev'nlng sun go down. - .. -..- had become "trimmed". Bach compen· a \'ariety of accent pauerns: 2. Hate to see Ille ev'ning sun go down. sates for the lost rhythmical \'ariet"· 3, Cause my bab)'. he done lef' this This procedure leads to the singing through harmonic \'ariety. I) It was my thirtietb year to heaven town . of one and the s3rne line of melody with '\'hether we welcome or regret this 2) My hirthday hegan with the water varying rhythms in different vel'5Cs; the historical de\elopmcnt. we cannot re· (-bird,) It shows also tbe three·line stanza.. In rhythm of the melody is nexible and ject thc filct thilt hymnody is not to he 3) .A springful of larks in a rolling which the repetition of the first line adapts itself to the changing accentual .separated from the dC\'clopment of ·1) Pale rain over the dwindlin,IJ harbour (KCIIIS. While the first stanza begins constellations of the text. The last line poetry. If we arc going to study the 5) It Inrned away from the bhthe roun· with an up·beat line, the .econd be· of each stanza serves as a good example: situation of hymnodv toelay ,,·e mmt iT)" gins with a down·beat line: therefore also take inln consideration 6) And the twice cold [ichls of infancy contemporary lyrics. 7) And there could I marvel my birth. I . I hate (0 oKe the cv'Ding sun go down day 2. Feelin' tomorrow like I feel today I.~~~~~~~~~~~~~~J l JlJ" Nowadays lyrics ha\·e abandoned to a .-.- .-.-.- large extent the form31 poetic schemes . ... -.-.-. - ..-.-.-,- ~ Gatt Bolch Geburt ibm bestell.t, The most frequent [arm of pr~nt·day poems iSJ'TOse in lines. This is an in· .-..- .. - . teroation development: it is true of .-..- .. -. A further diffettnce between the fint Gottfried Genn a!i well as for Rene - ... - .-. and second stanzas in their accentuation Char and (or Ezra Pound. Please allow .-.-..- . can be seen in the last lines: ~ -.- .-.. J J J I J me to dispense with the mention of n German and French examples. Let us .-.. - .. -. I, Calise my baby. he done let' thls town 2 2. I'll pack my trunk, make my get'way Weg er zu laufen eil consider. howcver. three poems by Ezm 4 t. Similar differentiations are evident in -.-.-.-.- Pound. As in most of Pound's poems the other Jines as wcll. .-.-.-.- thcsc are williont poetic mcter and In Fern Hill, too, we find that the III. without ~tlbdivision in corresponding s}lIables of each stanza were in fact stanzas. Thoughts and images now counted without being considered in· The melody is adapted 10 such vari. t\tJ J F n J J frecl)· : dividuall)·, ants 3J "tomorrow" and "like I feel"l In Dylan Thomas we have found Our Blues analyses show that the und 3 wieder zu : Gottee Stuhl. verse form "stanzas of prose" is the 4 Ezra Pound, Canto LXXXI (Pisan again the prer~uisitc for hymnody, Contos) namely the diviSion into stanzas. No poetic form of our century also on the "What thou lon~~t well remains" popular level. Why ain't we apply the IV. hymn te'(t exists whIlom stanl3J. In Ihe form of "Slanzas of prose" hymnodic Blues form to hymned)'? t\¢J J r 0 J I J Ezra Pound. De Aegypto poetry is slil1 rSSible. even within the Indeed without more ado it can be " 1, even ]. am he who knoweth Ihe framework 0 conlemporary poetic staled categorically that it Is not appli. , ro:u15" der 2 Glaub bl . im!Der jm S:te!n. styles. cable. The Blues melodies ;lre not uni· 4 4 And now we have to answer the justi. fonn enough: they are a sort of song· Ezm Pound. Further Instructions Hable question whether or not it is s~ch within the context of the Blues v. "Come. my songs. let us express. possible to find also on a more popu· scheme. In correspondence with the lar le"'el the "stanzas of prose", which text not only the accentuation of the $t J J r 'n J IJ The free form of these poems may be on a hIgh artistic plane we found in Blues melody is varied in the different found tOday among poets of e\'erv Dylan Thomas. Only then can "stanzas stanzas, but also it is necessary to pro­ i immer und i n Ewigkeit. tongne. of prose" assume a practJcal relevance vide addiUonal melody notes for addl· Of great interest is an analysis of for hrmnody. Only then can this poetic tional text syllables. ThIs is only pD5!i­ some of Dylan Thom3s· poems. Poem fonn possibly sc:rve for modem hym­ sible in solo singing, and Indeed Blues in October and Fern Hill show in nody. is solo singing. Dr. Zimmermann is director of the their beginning lines such ,,'ariegated Examples of this fonn on the popular The hymn, on the other hand. is Berlin Churc/I M.uic School, BerUn, Ger· shapes that they are hardly di££erent level may be s~n in the (orm of the choral. Hence every note of the melody many. He is well.known in ti,e U.s. as from the lyrical prose which we found American Blues. 'Ve all know that the has to be fixed unalterably. Should a a lecturer and campau,. 01 choral and in Ez.I-a Pound. In the following two Blucs fonn nonnaJly consists of st:Lnzas "stanza of prose" be provided with such organ mwic. poems the form of the first stanza, with three lines each. Of these three a chorany-oriented melody, this melo·

28 THE DIAPASON dy wlll compel the following stanza's prose. Not only the number of sylla· blcs has to remain unchanged in the subsequent stanzas, as in Dylan Thomas. Gott. lit lin. fro. J[ these stauzas are sung to the melody of the first stanza, tileD the ~uence of accentuations in each line of prose must also remain unchanged. In other words. with "stanz.u of prosc" which arc to be sung, the syllables musl not only be counted but also scaled as to weight. Already when we discussed Dylan Thomas we saw that the faithful repeti­ tion of the syllables clc\'ates the first stanz.a's rrose to the r.mk of a poetic I!. uns, unci wir sa.tienui-ne Herr_lic:h_kdt, ei • ne meter. ] , over and above the number 2.botn,aus dem aus _ er ....lhl·ten Volk er. korn, kamst in 3.sandl.Gat-tn Sahn hat sie z.u • £~.w.andt. Got· tn of syllaltlcs. we retain tJlC accentuation un: o[ the first stanu in its repetition, we arc almost approaching a state of can· onizatlon. Every prose. whatsoever, CUt " I L'J J be "canonized" in this way. It seems, I JJIJ-->J .1 .1 howc ..'er, that the prose of the Bible is f.."pecially wonhy of this honour. Therefore in my own h)'mnodic at· tempts I always proceed (rom a Bible verse. The prose of tlus Bible nne occomcs the prototype in number of 'i. Herr_lich_kdt its des tin.r;e-bor_ntnSohnnom'i,r... ttr, syllables and sequence of accents ror 2.Knechuge.nalt, Licht und Le . ben in die Welt z.u brin-gen, the subsequent stantas. 3. Kin. der sind, die in Niebsten·lie • be .ieh TU$chen-ken, In practice we proceed this wa),: a suitable Dible vene is given a melody according to our declamatory {Jrind· pie. Not every Bible verse is sUluble; sollie 01 them are too dry, too didactic. ~~ J\(ost suitable are those whidl suggest a certain emphasis, those which betray the fact that they want to be sung rather than spoken. In a melody derived this way the rhythm of the Bible verse is railhfull)' copied. The subsrquent additional stan­ zas have to fit this melody. In this case the stanza structure corresponds auto­ matically to the Bible verse. The melo· dy is the standard for the complemen­ tary stanzas. Let us study this procedure in my hymn Und das Wort ward Fleisch, ("And the \Vord became flesh", John modern h)'mnody we adopt these two purel), and simply by the prosc decla· dDs Wort ward Fleisch 1 provided the I: 14). The Bible verse can be found modem principles and make them con­ Illation, the syncopation principle of text myself. In Gott ist unsre Zuver-­ here exacliy copied in the melody which crete in our own way. Jau is alluded to in my h)'mn lins ist sieht 1 was assisted by the fonner is one single extensive melodic span. While in Und dllS !Vcrl ward dn Kind gtboren ("Weichnachtslied'). Heidelberg students' p3Stor. For Um ;sl t'in Kind gtbortn the Munich poet. The important syllablH appear on "'l~isch the rhythmic foundation was Here, too, the s~ch declamation has raised nol~. El'en the h!petillon in the providf..'tl by a regular quarter note ix.'Cn at work. But in the open!ng css Usc Schnell wrote the added stanlOl!l. Is 100 middle of the text ilppoars again as :a movement in the bass, 10 Gatt isl batS, "'e see the same syncopauon this type of hymn difficult for the congregation? This remains to be melodic repetition. IHUTt' Zllversic111 (the Hymn of my three times: the second half of the seen, It is certainly no more diffiwlt By studying the subsequent stanzas Vespers) the rhythmic foundation used bar is anticipated through an 8th-note was a regular sequence of chords sep­ s)'ncopation: in this way it assumes a than some of Luther's melodies. Their we sec that their number of syllables certain measure of overemphasill. This only difficulty is their new rhythm. and sequence of accents correspond ex· arated by three quarter noles. The melodic voice, however, is allowed to fa\'oritism towards the second half of Tins ryhthm. however, being the actly to the Bible ,"erse since they fit the bar corresponds to the earlier Jau rhythm of the sung text, will prove to the melody jwt as well as the Bible declaim the Bible text in complete rhythmic freetlom. forms, where we may also see it. It be quiCkly understood. Such hymns verse. As in the else o[ the Bible verse, lends the beginning of the melody a should at lint be 5ung by the dlurch Ihey are prose. An inOuence of the This melody distinguishes it.self from ccrtain "swing". choir, then by the confirmands, and BJu~ (orm may be secn in the rhym­ the pre\ iOlls one through :1 refrain, The chief problem related 10 this later on in stanzas alternating between ing endings. Even it modem hymn which remains constant in all stanzas: t)"pe of hymn is the finding of poets choir and congregation. should not renounce the principle of "Der Herr Zebaoth ist mit uns, der who submit thcmsch'cs to the strict Afler having brought together six rhyme which makes the text so much Hcrr Zebaoth, der GOlt Jakobs ist unser discipline of Dible verse and melody more impressive, such hymns in the Gennan language, Schutz". The additional "'Cues arc a and consequently create additional ltan­ which appeared m;cntly in a Barcn· That the melody remains strictly trinitarian expansion of the first stanz.a. zas. As in the cases of Luther and reiter publication (Sechs nt'ut Lieder, syllabic in such hymns seems to me to Whereas the syncopation in Und Philipp Nicolai, the ideal would be narenrciter-Verlag Kassel, 1970). I was be o[ gt'cat importance - onc melody tlas Wort ward Fldseh and in Golt the "poet-composer" who devises both asked br. the American company Can· note for every text syllable. In this way isl mUTt' ZIlVlu;cht are explainable lext and melody. In the hymn Und cordia I ublishing House to write some the textual rhythm makes the melodic English hymn melodies of the same rhythm Stnsible and understandable. type. One of these English melodies is We know from Luther', examples that written on the first lines of Psalm II!. the dedamatory type of melody is more di[fjcult to learn than the schematic ,"qJJ P lDll ~ ~ A young American ~tess, Marjorie type of Ihe 18th and 19th century D J J) Jillson, wrote three additional stanzas hymnl. Therefore, every assistance Uns 1st eln Kind geboren, una 1st eln Sohn gegeben to my melody. "verses in prose". They whidl enables easier learning should be read: used. 2) Praise the Lordi Thanks and At this point we come back to the praiSes sing to Godl Day by day 10 musical problems of present-day hym­ 01,;0 ~ DjJ J "'. the LordI High above the naliorn is nody a(ler our excursion through the J J J m"'" God, high above Ihe nations is God. areal of hymnodic text fonns and of *Una iat ein Kind geboren. unB 1st eln Sohn gegeben ••• His glory high over earth and skyl the fonnl of modern ~try. In our Praise the Lord, praise the Lordi example Und das Wort ward Fleisch 3} II raise the Lordi Praise and it was striking that the melody was glory give to Godl Who is like unto occasionally syncopated. Let us look at him, Raising up the poor from the thill a little more closely. OJ J J Q) dust. Raising up the poor from the These syncopations emerge from the f r:t;1 J J J dust, He milkes them dwell in His coordination of the irregular prose heart and home. Praise the Lord, rhythm of the melody and its pre· PraiRe the Lord! Praise 0 servants of the Lord, praise the Lordi dominant 8th notes with the regular 4} Praise the Lordi Praise 0 ser· bass line rhythm. striding along in vants of the Lord, Praise the love of regular quarter notes. In the spot J J J J 1 Jj" Itti J lEt Wi the Lordi Giving to the homeless a where a melodic accent falls between f r hamel Giving to the homeless a home. the bass quarter notea we sense a syn· he fills their hearts with new hope copation. This syncopation emerges in· praise the naDe or the Lord! Blessed be the name of the L, and joy. Praise the Lordi •. • evilably; we feel it as a natural neces­ sity. Its effect is not arbitrary because • Should there be only contemporary it arises out of the natural meaningful J Er r' :oj: f> jJ J hymns in our present day services? By declamation of the text. ~'ctl r I J n no meansl An that we have inherited This principle is nothing other than cannot be thrown into oblivion. We that of splitting the musiell seuing into Bleseed be the nBlle of"" the Lord trom this tille torth and 1br- shall continue to Jive with the great "melodic section" ilnd "rhythm section", h)mnl £rom the pasL We shall not We can already recognize it in the throw Ihem away in an infatuated Spirituals. Hence it was willed to the iconoclasm. With all our efforts to cre­ , ate new songs for the church we ahan Blues and Jazz. Tust as today's lyria J it...,;--i 3 I r f- 8 breathe the air oC the "stanza of proae" ";0 J r continue to sing the old hymns. We princi,Ple. 50 today'. music breathes shall creatively carry forward the tra· the .ur of this splitting principle. For BV8ratOre! Praise the Lord! Praiae the Lord! dition of hymnody and not abolish it.

MAY, 1971 29 CLASSIFIED ADVERTISEMENTS

POSITION WANTED MISCELUNEOUS IVANTED-AfISCELUNEOUS Fon SALE

POSITION WANTED ORGANIST. HARPSICHORDS AND PEDAL HARPSI· ORGANIST NEEDED FOR FIRST CON­ FOR SALE - BUREAU PIPE ORGAN choinnastcr, school music teacher, popular Dnd chords _ the ide,,) in.siruments for organists, greg:rotional Chun:h, Woodbury. Connecticut to based on Sneulcr (1750) desi,n. 05 &tops dassical orpn teacher, 36 }'can old, 19 years indi\·Jduals, and ,d,oois. For bruchurc ,cnd 2!»; lIecompany one mid. week choir reheanal and £2,500. PhotoKf:'ph lrom Nod lbnder, Organ \'2.1uable experience {rom Gngorian to Folk, ti) S. S3bathil & Son Ltd., Dept. D., 10M Ho­ .one Sunday morning- .crvice. Good two-manual Works, London, E·2. Jill! Mas'll in EnKluh, Spanish, German And mcr, Vancouvcr, B.C., Canada. IIc\\'k & llauin81 pipe orpn. Ckallen.ing u tln. EU'dienl I'tfc~nca from present :1Ik1 millie J.mgram. $20-$30 per ",'eck. Slart im­ FOR SALE - FOUR.STOP, SIX· RANK IIAKI'SICIIORDS, CLAVJClIORDS IloUt poshion.l. Present JuJltimc position with mr-dialcl)·. Write; John W. Kllhner, Mwie "",i'i\'e. BIO\\'er self-contained in solid oak Magnificent tone & handsome appearance at parish of 25,000. Wuhes to relocate in Florida Dircclor, Upper Grassy Hill Ro~, Woodbury, C:UI:. M . A. LoriJ, RFD 2, Barre:, Vermont rea!ol1 nable cost. It-burice de Angeli, BOll: 190, or California in similar post. Refl'!rencf!i upon Conn. 06798 or call 201/263-3967. 05&l1. rt:qUCSI , I\ddrcu £.8, TUB DIAPASON', R.D. ;;:1 , Pell nsi.Ur'l, Pa. 18013 . ORG,\NIST. DlRECTOR PROGRES. TRACKER ORGAN "ARTS - RAWHIDE SI'ERRHAKE HARI'SICIIORDS AND POSITION WANTED ORGANIST· ,i\'e EpiKUI,,,1 parish WARU creative, dynamic linu, utra 'hin feh buthinp. .man bole clavichords. Excellent. dependable. beautiful. choir diroclor. Pr-den nOrth/ northwes t Chi­ music lor Iu ",'onhip life. Part-time. S3iall' leal her nUb, aluminum I·beam It'ctionl for Robert S. Taylor, 8710 Garfidd Bethesda, cago area or lumurbs. R.M. d~ree , majol"l pi. 51 •• good. ,\rea Offr-D leaching opportunitiCll. Flen. rackbnard JUpportJ. Andover Orpn Company, 3n%rgan-church music. G yean experience Md. 20034. trop Ol'lAn due August. Send f'CSume . Em. Box 36, Methuen, J.lass. OI8-H. director of music, 3 as orpnis t. Addrus B-2, HAKPSICHORD OWNERS - A FULL IUllnlld Church, \\'oton, Conn. 06880. TilE DIAPASON'. FOR SALE - METAL ORGAN PIPES. line of audio and visual Chromalic Tunen OI'ENINGS FOR PROFESSIONAL MEN. Fint d:us worlnnansl,ip. Helmut Hempel Or­ til now .:n.... ilable to help lOu with your tunins DIRECTOR OF MUSIC, 8M, MAR , PER­ "'?I,ly \\'icb Olpn COml)"ny, Fifth St., pn I'ipd, "I," West 50Ih SI., C1c\lCtand, Ohio. former's Certificate (Orpn), experience, de­ requirement.. For more infonn:rolion wrile Petcl'$()n Eledm·MU$ica) ProdUCb. Dcpt. 20, lI,shland, III. 62249, for /ul/.lim_ Ales posi­ .... 1'". sires new position. Lutheran prdcrencc. Mid­ tioll. All inquiries SlriClly confidential. Choice West or F.,a,t . A\'ailablc Sept. I. Address E-I, Worth. III. 60-182. territories a\·a ilable. FOR SALE - HARPSICHORDS AND THE DlAP.uoN. clavichords made by J. C. Neupert and S. SAVILLE ORGANS NOW HAS AN IN· EXPERIENCED METAL I'IJ'EMAKER _ s..bati.iI &: Son Ltd. Finest quality, lully par· ,tnllnent ready for demonstntion in WaJh· ,\11 reillies eonfitlen'bl. Apply: Austin Organs, :ronlred. L:lr]lcst 1C1«lion ava.ilable lrom our inSlon. D.C . melro aru. For deb.its contact MISCELL.fNEOUS IIIC , Hartford.. Connt'Clicut 06101. '~OW"'OIl1J. FilUHltilll NoUl .d~·osiltJble. Fne KII:hard O·C. GleMOn, Silver Spring- Piano Cat"lo",. J. W. Allcn. 500 Glcnwa)', Bristol, Co , 721 Sligo Avc., Sih'er Spring, Md. 20910. --- Va. 2"201, 703/669-8396. " TIIE HARPSICIIORD" , INTERNATION- 301 / 589·3039. WANTED - lIISTORICAL DATA ON 31 quarterly for loven of e:uly kcybo:ml in­ Aeolian and Dun-Art player pipe OrplU and liruments :and musk. ,\rlides, inlcrview1, rolls including the Concr-rtola. Abo want rolls, fOK SALE - UARPSICHOROS, CLAVI­ ORGAN OWNERS AND BUILDERS - ellard, by Nr-upert, wacld'. finest, oldest maker. IlhotoKf:'phs and iIIuslratioN by toeby's fore· St-nd 251 (coin or . tamps) lor 1971 Calodog onginal ,.ipework. chetts, and componcntJ for most artitts. $& per annum. " The Ibrpli­ abo,·e. A. H. RelKan, 6300 McPhersoD, St. C3.talop on reqUHI. MaAnamusic, Sharon, of kiu, p:rorts and accessories. (h'er 200 hcnu Colin. 06069. chord", 80:.; 4323.0, D~N"u. COLO. 802(». lor electronic and pipe orpn•• Dcpt. D., New_ Louis, Mo. 63130. port Organs" 1593 Monro\·i:t, Newport Beach, FOR SALE - 2·MAN. HARPSICHORD HARPSICHORD - COMPLETELY NEW Calil. 92660. WANTED - AEOLIAN DUO-ART OR· design six: feet long with d,h.. r one, I\\'n, or pn rolls or recordinp of sa.ne. Highest pnces kit-built. 2 x 8', 1 x 4', buH. Maoopny finuh. six turned Ie.,. $2995 or best oUer. three scts of IIrings. Kits ff(lm $175; abo com· TilE NEW 7-OCTAVE PETERSON CHRO· p3icl. R. Smith, 11~-Ust 51., BklYII, N.Y. Write: Choirm:uter, St. Anne', ChUKh. Low~II , plelal itutNntcnlS. C1.wichord kit from $100. m.:Itic tuner, mock) 300 is now 1l,-a.ibble from 11218. Wri,e for free brochure. ZlIckcnnann H:rorpli. stlX:k. Continuously ,·"nable Vernier control Mast. 01852 . chords. Inc., Department D. 160 Sixth A,·c., .allows you to compellJ.3te lor temperature or WANTED - MUSIC ROLLS FOR AUS· STEINER ORGANS, SUPERB INSTRU­ New York, N .Y. 10013 . IlInc celeste ranks with ease. For more de· tin, Wehe, Skinner, Aeolian, Duo-An and nllmll ranging h'Om small one·manlllli Positiv ta ib : Petersnn Electro·Mwical Products, Dl'lIt. 1-:tICy pil~ or'!:ron pla)"cn . J. V. Macartney, 10 the lar]lcst pipe organs to ~et ')'Our re­ HARPSlClIORDS - IN TilE FRENCH. 31, Worth, 111. 6O.f82. 40fi Jla\'erroro A,'e., N"rbcrtll, Pa. 19072. Englbh. ;and Italian m:r.nncr, roptttiveiy; have quiremenls. Writc eM' caU lor informatioo. rinislled apprenticeship with world's leading ORG,\N SERVICE MEN - WE WILL EaUl:'m represenlative "John W. Allen, 500 maker and :rom accepting oroeD: short waiting f"Ci:Ol'er Cas::n'3nt and Skinller pouchbo3rds, Glcn\\'3Y Avenue, Bristol, Viflini3 24201. Tele­ li,t at prescnt. Gcollle A. Stilphen, R.F.O. primary and of bel actions. Write Burness FOR SALE I,hone 703/669.8396. Ctr. Ouipee, Erringham F311s, N .H . 03814. A!.$OCi:ates, Box 4272, Phila., Pcnna. 191 ..... FOR SALE - GG ORGAN, BUILT C FOR SALE - AUDSLEY'S A.RT OF OR~ HARPSICHORD AND VIRGINAL KITS WOOD ORGAN DECORATIONS - DE· 1750. Incrcdible condilion. Mahogany casc, pn Building onginal t",·o lalJlC voluma, pal1emed ::after 171h « nlul'}' inltrumr nts. signal. can 'ed, restored, dupltu.ted. James Olle man..al, in 110ly Trillit, Church, Rother­ $275.00. How to build lrader chamber orpn. From $3"5. William Pos t ROil. HArplichord McCld l3n. Ipswich, Mass. 01938 . 61 7/356-527 1. hithe, London, England. FiBl offer oVl:'r J2,5oo Milne. $95.00 Violin M.aking, Alkn, nl'}' Maker, 791 Trtmont St., Room 5105.0 , Bos. ' CC Un'S. Thl:' Rev. Frank C3.rtcr. rare, $125.00. Addecs, 0.3, TH~ DIAPASON. lon, '-13$1. 02118. lI' AN7'ED-MISCELLANEOUS FOR SALE - 1897 F ARRON &: VOTEV' FOR SALE - -I- MANUAL E. M. SKIN­ FINE HARPSICHORDS, CLAVICHORDS d cctm-pneulllalic org;an complete. You re. nr r Ilil)t. orpn. Completel), restored. Appro:.;. m':lCk in dh'etse configuration and dUp<.sitioru. WANTED - REED ORGAN. 2·MANUAL IIMn'e, alter June 15. Best oUrr. For tpea $12,000 with iNbllalion. Stanley'. Pipe Or~ Wrile, phone, vitit .hop. E. O. Wilt. Rl, and pedal, prdrr undr-r 8' t"n. D"ly, Box \\·rile B. Tail. Fint Unitari:&n Church, 5650 gan Co ., 38 Brookhaven Dr., wt Long. Three Riven. Mich. 49093. 616/2.... -5128. 23061 , San Diego, CaM. 92123. So. 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PIANO TUNING DO IT YOURSELF PIPE ORGAN KITS Learn piono tuning ond repair wilh easy Conrad o. Durham AIKIN ASSOCIA TES Cullom sp.dfl~tlonl for church or to follow home study course. Wide open leddence, complete or p.rh, full in· lOX 144 CLOSTER, N. J. tfructlons by .tt.bll,h.d 0'"9a" bulld.n. field with good earnings. Make. axcel. Builde, • Consultant lent "extra" job. Write (201) 768-7231 CaLKIl MfG. C.. P.O. lax 112 Am..kan $'''001 of Piano Tuning 80x 2125, Tallaha"ee, Fla. 32304 Hiler Stetloll, Buffalo, N.Y. t4tn Dept. D, Box 707 Gilroy, Calif. Tuning· Maintenance. aebuilding

30 THE DIAPASON CLASSIFI ED APVERTISEMENTS C'assified advertising rates: per word, $.20; minimum charg., $2.50; box numb.r, additional $1.00. Replies to box numbers should b. lent c/ o Th. Diapason, .34 5, Wabash Avenue, Chicago, 111.60605,

FOR SALE FOR SALE FOR SALE FOR SALE

NUMALON AND PERFLEX ARE TWO FOR SALE - COLE &: WOODBURY FOR SALE - HINNERS TRACKER AND FOR SALE - KIMBALL 49-BELL RESO­ new materials w~ 10 replace lcathrr and rub­ 1892, 2-manual tracker, 19 mnks. Tape, photos, ,,"eumatic. 1900, dismantled Fall 1970. Pick nator theater revile chimes wilh damJnr ac­ ber-clolh in pneumatic actions. Numalon is a elC., on request. Other: 25 mnks o[ pipes, in­ up ,\thens Medical Center, Athens. Wisconsin. tion, built in tw~ stacb and on 5.inch wind. .OO-l woven nylon coated with airtight poi}"Ure­ cluding French horn, English hom, orchestral Swdh salicional 8'; stopped diapason 8'; Resonaton made 10 Enlland or bdI metal, and thane, used for "lllafC aud book pneumatics o[ llboe, Kinur.t, 16' Haskell string, $1,000 takes \'iolin diapason 8'; ,'ox celeste 8'; oboe 8'; nickel rlated. In lIom,t! ready to put on fOur all kinds. Pernex, a .002 polyurethane film thai Ihe lot, or send for lisi. Oth~n: Skinn~r French piccolo 2'; coupler to great and pedals. Great: truck - $250.00. Also one·rank. 32-nole Miiller cannot be broken by flexing, is used (or IlIIrn, tuba, 16' reeds, 8' & 16' Itrinp. Wur­ melodia 8'; open diapason 8'i dulieiana 8'i pedal 16' trombone, with wooden resonaton pouches and diaphragms. Because they are titler percussion, primarys recently recovered principal 4'. Pedal: 16' bourdon pneumatic, and chest complete, 5-ineh wind - $150.00. thoroughly tcued, impervious to atmospheric m polylon, 25'note chimes, 37-note tube coupler to grc.at and swell. Tremolo. Ideal Contact Siedle Organ Company, 1621 McMillen pollutanh. and age at much .Iower rates than resonator glock, 37·note xylo, sleigh bells, com­ for chamber organ in home or for free stand­ Road, Pittsburgh, Penn. 15241. 412/221·5484. leather, Numalon and PerOel: are used by plete traps including thunder. best orrer. ing ror demonslTation fonn. 15 x 15 x 15. major American organ builders to a'ioid pre­ Other: Wurliuer saucer bells. Ski,mer pipe Phone 715/2574121 14 p.m. FOR SALE 3-MANUAL I1.RANK mature deterioration in pneumatic actions. A organ player mechanism &. 140 rolls, $1,000. Wurliuer, honeshoe console, with chimes, Sample Kit containing Numalon, Perflex, adhe­ Call: 617/261-31(j(j, 5:00-7:00 p,m. EDST. FOR SALE - S-RANK MARR &: COL· barp, bells, drums and cymbab. Exccllent si,'cs and further infonnalion is available for ton chest. Mint 16 oJnn 44 pipes w chest. 5- condition, currently being used. Must be re. $7.50 postpaid from Barden and Clark Inc .• FOR SALE - 1948 KILGEN 16' WOOD mk. SeU playing-orchestrcon. Many player pi. mo\'ed at purchaser's expense within 60 dayl. 22 Rutland Square, Boston, Mass. 021l8. open diapason 32 pipes, with two windchcsts, ano parts. 2·mal'l . 8·mk. unit organ. Many KiI­ Rt·.;al buy at $2,500.00. Addresl E-6, TIm racked and small rC'Servoir; pipes mitered to fit Ren parts, ehesls , and I)ipework. Unit rela}'s for DI.\PAsoN. FOR SALE DIRECT ELECTRIC with chest in a ceiling height or 12'.10", all 5 mb. Harps 49 &: 61 notes. For information chests, slider chesll, 2' blocknote, Hi' quin' in excellent condition - Price $400.00 plw contact H . N. Hunsicker. 405 N. Front St., FOR SALE ALLEN RONDO, 3!4 tallena huelal), 8' stopped flule, action mag­ cmting and ,hipping. Write to Mount Olive Reading, Pol. 19601. 215/372·6591 or 929-1422. l'('an, like new, $1700 or make oUcr, lWell netl, 2M console, rectifier, Meidinger blow('r, LUlheran Church, 2nd and Omaha Ave., Nor· shutten: l' x 4' $10, 3!4' x 5%' $35, benches: reservoir. Martin MelichaTt'k, 1525 Placentia folk, Nehraska 68701. FOR SALE - 16 FT. BOURDON (WUR­ oak $35, \\'3.lnllt, small $25, misc. parts, state Ave., G-2, Newport Beach, Calif. 92660. litzer) w/action; 8 it. diapason; 8 ft. violin; wants. David Jennings Organ Service, SI6 FOR SALE - ROBERT MORTON 31.11 8 ft. flnte; 8 ft. "Olt humana; 3 liP blowerl Madison N.E., Albuquerque, New Mc:Dco FOR SALE - USED FOURTEEN·RANK 8R, excellent condition, refinished console, motor; 2·manuat Gene\'3. console. All items 87108. organ. Abo new nine rank tmcker organ with full tmps, ehrys, glock, xvlo, chimes, 5 HP FOB Mpls. Sp«ial deal for all. Ray-EI Organ ClUe. Contact Wicks Organ Company. 1100 Spellcer with phase shifler, Tt'lcathered, 2 sets Co., 614 E. 36th St., Mpb. Minn. 55407. FOR SALE MARR &: COLTON Fifth Strroet, Highland, III. 62249. $hutten. Russ Evans. 8606 35th N.E., Seattle, 612/832.2632 after 5 PM. theatre pipe organ. Honeshoe console, 2-mag­ Wash. 98115. 206/525-4822. lIal, 5.rank, chimes, bdb, xylophone, toy ALLEN 3·MANUAL RMW THEATRE FOR SALE - KIMBALL ELECTRONIC tOllnter. Marked and lagged when dismantled. organ wilh piano usrod by famous artisl who is FOR SALE - 1954 B.2 ALLEN ELEC­ player organ theatre console, walnut finish, Excellent condition. Price reduced to $2500.00. tronic organ with large gyrophonic speaker. 31 stops, two 44-note manuals, 13-note pedal. willing to Ime $3.000. For immediate sale. No letten, phone only 319/4654362. S. E. Organ in need or lOme rebuilding. $750.00 or board. Plays organ and piano rolls. Original Can be seen at Victor Planm &: Organs, 300 I'elen, 119 N. Maple, MonticeUo, Ia. 52310. N.W. 5t St., Miami, Fla. 33127. 305/751- best oHer. Contact Clerk, Fint Church or owner, perred condition. F. G. Harper, 157 7502. Christ, Scientist, 401 South EVCrwrrClI, Arling­ Woodland, Staunton, Va. 2+101. ton Heights, Illinois 60005. FOR S,\LE - OBOE HORN, LOW 16' FOR SALE - ESTEY PIPE ORGAN, 3- THEATRE PIPE ORGAN INSTALLED octave and chest (make unknown). Wurlitzcr manual console, presently in use. 33 stops, 32 FOR SALE - AUSTIN ORGAN, 1926 and working in home. 8 ranks struight, 2 cham­ 16' principal diapason and late model shutten, ranks. chimes. 12..Jtop swell and G-stop choir "intage, approximatcly 9 mnks. 14 geneml bers. Console basically stmight,2-manual W. W. ... eomJllete sectio", with individual action enclosed, 9.stop great and 6'ltop pedal un­ combons. A''3.i1abte fall or 1971. Buyer to reo Kimball Co. 1!}'1-5. Plays well hut could usc l)(Jltes. Bill Bmwn, 7243 N. Central, Phoenix, enclosed. $4,500. Buyer to remove and tran,_ mo\·e. Contact Organist, Church or the Holy lOme work - $1350.00. Vincent Downer. 331 ,\riz. 85020. Ph. 602/943.9532. I)OTt. Address E.5. TIlE: DIAPASON. Comrortcr. P.O. Bolt 338, Sumter, South Main Street, Binghamton, New York 13905. Carolina 29150. FOR SALE - 3M/9R KIMBALL THE­ FOR SALE - 2 WELTE SINGLE RI\NK FOR SALE - 2·MANUAL A!'JD PEDAL aler organ console, 91 stops. Kimball trumpet unit chests. Suitable ror 4' octa\'e, wood flule. FOR SALE - LOWREY 2.MANUAL. 92- Moller organ, 1926, 12 ranks. Some reo 85 noles, contra bass and peda1 bourdon with Ready to wire up and use. No pipes. Each pedal church organ. Perfeet condition, I year leathering done; new blower ami rectifier. De­ chests and drop languet and shades. Robert chest 61 notes. $75 each picked up. $100 each old. Price new $4,995.00. Will sell (or li"ery after Jan. I, 1971. JenlSalem E\'angelical Janney, 1.16 Willis A,·e., Mineola, N.Y. 11501. crated. ShipJnd FOB. W. H. ,]ost, 215 North $2,995.00. Mn. Robert Lane, 5312 A Gl1!at Oak Luther.m Church, 4605 Belair Road, Baltimore, 516/746-0069. A"enue, Fmnklin Lakes, N.J. 07417. Dr., Columbus, Ohio 43213 or phone 614/861. Md. 21206. 301/485.5750. 2.167 evenings. FOR SALE - 3·27 HOOKS a: HASTINGS FOR SALE - LARGE INVENTORY OF FOR SALE - 2-MANUAL AND PEDAL electro·pneumatic organ built in 1925, altered church and theatre pipe work. Wurliul'"r, Rob­ FOR SALE - ALLEN ORGAN, THEATRE Miiller organ, 1923. Some re''''athering needed. in 1960. To be removed early in 1972. Addres1: ('rt Morton parts and many olhen. Send 25f Ddux Modd, French walnut finish, 4 speaker Cuniaci St. James Uuiled Chllrch ol Christ, W('lIesley Hill5 Unitarian Society, Wdleslcy and S.A.S.E. (or large list. Crome Organ Co., cahinets. Selling due to death of owner. Con­ ith & l'enn A"emles, West Reading, Pa. Hills, Mass. 02181. Tel. 617/235-7423. 2fH9. N. Mariannl'" A\'I'" .• Los Angcles, Calif. tact R. C. Scbmder. 807 Pennbrook A,·e., 19602. hlSlICCtion ill\·ited. 90032. Lansdale, I'a. 19446. FOR S,\LE - 1925 MOLLER 3/11, OP. 4321, rebllilt and 1)laying, piano, Wurli vibes FOR SALE - SEVERAL FINE REED FOR SALE 2/i KIMBALLIESTEY FOR SALE - AUSTIN HARP, RE· pipe organ. Everything u excellent condition. and ,lcighbclb. Deagan harp celeste. many leathcr('d, $450. Austin Clarinet $100, English organs and melodeons. fupertly reconditioned. Reeds, re"oiccd and tuned. Also replacements. New Orgeleetra and Orgoblo. Make olrer. extras. Martcns, 4076 Lakespur. Palm Beach horn $100. 73 pipt'S, lIinnen "Olt humana $60. T('lT)' Hochmuth, 5921 E. 86th StTt'et, PuyalluJl. Gardens, Fla. 33403. 61 pipC!l . all 5" wind. R. G. Dial, 1131 So. 8th The Lillie Organ Shop, C. H. Gunzinger, Box :!76, Wiliiams\iIJe, VI. 0S362. Wash. 983il. Str., Springfield, III. 62103. FOR SALE - WICKS' ORGAN BUILDING l'UK SALE - 1917 RELYEN &: SON, ST. FOR SALE - SWELL SHADES & ES· FOR AMATEURS. 287 J18ges. $10.00 postpaid. FOR SALE - REBUILT TWO-MANUAL Louis pipe organ, dismantled. United Church ,ines, 3 sets; rectifier; melodia 8', string 8'; Urgan Litemture Foundation, Braintree, ~. Moller organ, 8 ranks, .lidcr chests with cI«· nf Christ. 16th and Hazel Strcets, Atlantic, make oncr on any. P.O. Bolt 22128, Dallas, 021114. tropneuntatic aetiom. B. E. Howard, 700 West 10\\'3. 50022. Texas 75222. Main SI., Palmyra, Pol . 17078. FOR SALE - ROBERT MORTON 2MI FOR SALE - NEW AND USED PIPE FOR SALE - MODEL 25 WURLITZER 7R, Ilf'alltiful condition, white a: gold, now FOR SALE - TIIREE·MANUAL AUSTIN, Oflam. blowen, new and used switehCII. Write organ, 2.manual, 25 pedals, $400.00. John 1)laying. Ha\'!:: other mnta &: chClits. R. Andre, 20 rank organ. Altha Filhback, Phone 916/ 4Sl. Frank J . Wagner Sr., Wagner Organ Co., Manuel. 29300 R('d Cedar Dr., Flat Rock, 611 Alhambm Circle, Coral Gables, Fla. 33134 7528. WIO Wue Ave .• St. Louis, Mo. 63199. Mich. 48134. 782·9704. or phone 305/446-0775.

OUR 1971 CATALOGUE ILLUSTRATING A COMPLETE LINE OF ORGAN SUPPLIES, PIPES & TOOLS IS NOW AVAILABLE Send $1.00 for your copy of this complete manual. The deposit is deductible from Ihe first purchase of $10.00 or more made during 1971. DURST & CO., INC. P. O. BOX 1165M • ERIE, PENNA. 'Keeum INC. "THE LARGEST AND MOST COMPLETE ORGAN SUPPLY HOUSE IN NORTH AMERICA" MANUFACTURERS OF QUALITY ORGAN COMPONENTS

CHESTER A. RAYMOND, INC. DELAWARE PIPE ORGAN BUILDERS ORGAN COMPANY, INC. Rebuilding, Maintenance and Additions a progressive company with traditional ideals P.O. Box 55 Princeton, N.J. 08540 designing and building custom pipe organs Phone: 609·924·0935 • 252 FILLMORE AVE • TONAWANDA, N. Y.

fOR SALE: New Organ Pipel, 51 % Let Wieks put a new heart into your existing instrument. spoiled metal, Mixturel, Scharff., Cym- bals, Odave., etc. promptly availoble. Your pe,.ona' wishes Eliminate existing problems permanently. Consultation Excellent worlemanship. Write to: Ex- are in good hand. serviees available, eon suIt home offiee for a field man pertl on Organ Pip.s, Gebruder Kas, 53 Bonn _ Beuel, We.t Germany. Ifa. Jacq. Stinleens ZEIST nearest you. Wicks Organ Company, Highland, Illinois 62249. Oruan pip. malee,. Holland

MAY, 1971 31 L I. 11. a. III )VI'~~.a._b. COI,ce1'"C )VI'a... , a.ge "" -c

FLOR PEETERS

NITA AKIN MARILYN MASON

NEXT AMERICAN TOUR ItUUEltT ANDEICiUN FREDERICK SWANN OcrOOEII - NOVEMOEII 1971

ItUUEHT BAKER WILLIAM TEAGUE

DAVID CRAIGHEAD JERAW HAMILTON WILMA JENSEN LADDTHOMAS

CATHARINE CROZIER GEnRE HANCOCK JOAN LIPPINCOTI JOHN WEA VEn

RAY FEUt;U:;uN CLYDE HULLUWAY DONALD McDONALD \V lLLIAM WHIT UH.AD

BOX 272 CANAAN, CONNECTICUT 06018 203-824-7877