His Eminence Confers with UN Secretary on Kosovo Duties of His New Position Include Handling Relations with the U.S
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September 2005
THE GREEK AUSTRALIAN The oldest circulating Greek newspaper outside VEMA Greece MARCH 2015 Tel. (02) 9559 7022 Fax: (02) 9559 7033 E-mail: [email protected] DIGITAL MOSAIC Where the AncientDISCIPLINE Faith + IN 21st THE century HOME media merge SPEAKPAGE 16/34 Doxology Service for the commencement GREEK of the new academic year of St Andrew’s Theological College PAGE 3/21 IN MARCH The campaign kicked off to an impressive start Official Opening of the S.A. Greek Welfare The “Speak Greek in March” campaign kicked off to an impressive start on Sunday, Centre’s new premises March 1 in Aus tralia. The campaign aims to raise awareness among Greek Diaspora Amidst an air of excitement, His Grace Bish- members on the issue of Greek language which is slowly losing ground in the country. op Nikandros of Dorylaeon of ficially blessed and opened the South Aus tralian Greek Wel- FULL STORY ON PAGE 2/20 fare Centre’s new premises on Henley Beach Road, Torrensville, on 17 February 2015. PAGE 10/28 FIVE REASONS TO GO TO GREECE THIS SUMMER! 1 A guided tour has been worked out for you 5 Join travellers who are already booking from between June 4-20, 2015, so y ou don’t have to Melbourne, Perth, Cairns and from anywhere in think of or ganising your flight with Emir ates, Australia, with the choice of s taying overseas restaurants or hotels for 2 whole weeks. for up to 6 months on the same ticket. 2 Combine travel with spirituality and e duca- For a c opy of the brochure via emai l, or f or tion as you follow the Journe y of St P aul and further information, contact: visit Classical Greek sites with pr ofessional guides to explain everything in English. -
The Term Soft Power Has Been Championed by Joseph S
Strategy for export of Kosovo’s cultural assets Olta Andoni* I. Introduction Kosovo, the NEWBORN state, is enjoying its independence. The long dreamed aspirations are more than real for Kosovo right now. Looking forward to the future and being recognized by more countries is another “war” for Kosovo. Seeking new avenues in this direction is the key to the newest state in the world. However, the next “war” of Kosovo has to be a muted and psychological one. Whether it will be successful or not depends on a series of factors. Kosovo, as a new independent state, is more focused on working toward the accession by new states, neglecting the relevance of the arts and culture in the process. But no development is expected without the interplay of the culture. If culture is defined as the entire system of beliefs, practices and customs that exist in a society, it is the foundation that supports every development.1 Economic development without cultural roots will never be sustainable.2 Relying on the power of art and culture is crucial for Kosovo’s future. This paper examines the importance of the art and culture on bridging the gap between a new state, its neighbors and the world. * LL.M. IP Candidate 2009, Chicago-Kent College of Law. Thank you to Prof. Perritt for encouraging the author to come up with a strategy to assist the export of cultural assets of the newest state in the world, Kosovo. 1The power of Culture, http://powerofculture.nl/en/theme/policy.html, (last visited on Dec.2, 2008). -
Youth Policy in Albania Council of Europe in 1997
ID 9540 Albania is the seventeenth country to have undergone an international review of its national youth policy, a series which was started by the Youth policy in Albania Council of Europe in 1997. The review was performed in 2009 during two one-week visits by a team of international experts working on the basis of the Albanian National Youth Strategy, published in 2007. The report focuses on three issues identified by the Albanian government: the law, delivery mechanisms and youth participation, and three issues identified as important by the review team itself: youth information, leisure-time activities and youth crime and justice. While reviewing the youth policy in Albania with special attention to theses issues, the international team came across a number of specific or cross-sectoral subjects (education, health, minorities, etc.) which helped depict a broad picture of the situation of young people in the country. Recommendations made by the international team, cover not only government action, but address steps to be taken by those who take part, at all levels, in the shaping of youth policy in Albania. Youth policy in Albania The Council of Europe has 47 member states, covering virtually the entire continent of Europe. It seeks to develop common democratic and legal principles based on the European Convention on Human Rights and other reference texts on the protection of individuals. Ever since it was founded in 1949, in the aftermath of the Second World War, the Council of Europe has symbolised reconciliation. ISBN 978-92-871-6823-8 Council of Europe Publishing €21/US$42 http://book.coe.int Youth policy in Albania Conclusions of the Council of Europe international review team Howard Williamson (Rapporteur) Zden˘ka Mas˘ková (Chair) Imse Nilsson Guy-Michel Brandtner Filip Coussée _ Srd Kis˘evic´ Council of Europe Publishing The opinions expressed in this work are the responsibility of the authors and do not necessarily reflect the official policy of the Council of Europe. -
(Egipt: 18. 9. 1986-16. 3. 1987; Kosovo: Večkratno Bivanje Od Leta 1983 Dalje) Po
Muzikološki zbornik Musicological Annual XXIV, Ljubljana 1988 MAGISTRSKA DELA M.A. WORKS Svanibor Pettan Sodobna ljudska plesna glasba v Egiptu in sorodni pojavi v ljudski glasbi Kosova Modern-day Folk Dancing Music in Egypt and Some Related Aspects of the Folk Music of Kosovo Avtor navezuje svoje delo na diplomsko nalogo „Vpogled v glasbeno življenje na tanzanijskih otokih Zanzibar in Pemba" (Zagreb, 1983), s katero je nakazal odklon od evropocentrizma in usmerjenosti na jugoslovansko ozemlje, ki je zakoreninjena v naši etnomuzikologiji. S pomočjo novega gradiva, zbranega pri terenskem raziskovanju (Egipt: 18. 9. 1986-16. 3. 1987; Kosovo: večkratno bivanje od leta 1983 dalje) po vezuje določen del ljudske glasbe na zemljepisno oddaljenih področjih, ki sta del kul turne sfere islama in ki sta bili stoletja v turškem imperiju. Poznavanje ljudske glasbe na ozemlju Kosova pomaga pri razumevanju „virov", podatki, zbrani v glasbeno najpo membnejši arabski deželi, pa omogočajo osvetlitev sorodnih pojavov na Kosovu. če prav bi osredotočenje na klasično arabsko glasbo pokazalo izrazitejše podobnosti z ur bano glasbeno prakso te jugoslovanske pokrajine, je avtor zavestno izbral še ne dovolj obdelano tematiko, ki nam daje koristen vpogled v vsako področje posebej in potem tudi primerjavo. Razprava obsega štiri dele. Uvod pojasnjuje izbor teme in opozarja na značilnosti metodologije dela za vsako področje posebej. Druga tematska enota je posvečena Egiptu. Potem ko so podani splošni podatki, je gradivo glede glasbe in plesa razporeje no v treh poglavjih. Ta zajemajo: stari Egipt do nastopa islama, islamizirani Egipt do srede 20. stoletja in drugo polovico XX. stoletja, kjer je tudi izvedena bolj temeljita obravnava glasbe, plesa in instrumentov. -
60Th Eurovision Song Contest 2015 Vienna / Austria 1St Semi Final 19Th May 2015
60th Eurovision Song Contest 2015 Vienna / Austria 1st Semi Final 19th May 2015 Country Participant Song My Notes My Points Rank Qualifer 1 Moldova Eduard Romanyuta I Want Your Love 2 Armenia Genealogy Face The Shadow 3 Belgium Loïc Nottet Rhythm Inside 4 Netherlands Trijntje Oosterhuis Walk Along 5 Finland Pertti Kurikan Nimipäivät Aina Mun Pitää 6 Greece Maria-Elena Kyriakou Last Breath 7 Estonia Elina Born & Stig Rästa Goodbye To Yesterday 8 FYR Macedonia Daniel Kajmakoski Autumn Leaves 9 Serbia Bojana Stamenov Beauty Never Lies 10 Hungary Boggie Wars For Nothing 11 Belarus Uzari & Maimuna Time 12 Russia Polina Gagarina A Million Voices 13 Denmark Anti Social Media The Way You Are 14 Albania Elhaida Dani I'm Alive 15 Romania Voltaj De La Capăt 16 Georgia Nina Sublati Warrior [email protected] http://www.eurovisionlive.com © eurovisionlive.com 60th Eurovision Song Contest 2015 Vienna / Austria 2nd Semi Final 21st May 2015 Country Participant Song My Notes My Points Rank Qualifier 1 Lithuania Monika & Vaidas This Time 2 Ireland Molly Sterling Playing With Numbers 3 San Marino Michele Perniola & Anita Simoncini Chain Of Lights 4 Montenegro Knez Adio 5 Malta Amber Warrior 6 N0rway Mørland & Debrah Scarlett A Monster Like Me 7 Portugal Leonor Andrade Há Um Mar Que Nos Separa 8 Czech Republic Marta Jandová & Václav Noid Bárta Hope Never Dies 9 Israel Nadav Guedj Golden Boy 10 Latvia Aminata Love Injected 11 Azerbaijan Elnur Huseynov Hour Of The Wolf 12 Iceland María Ólafsdóttir Unbroken 13 Sweden Måns Zelmerlöw Heroes 14 Switzerland Mélanie René Time To Shine 15 Cyprus Giannis Karagiannis One Thing I Should Have Done 16 Slovenia Maraaya Here For You 17 Poland Monika Kuszyńska In The Name Of Love [email protected] http://www.eurovisionlive.com © eurovisionlive.com. -
ENDRI AJBALS JULY 2016.Indd
ISSN 2410-3918 Academic Journal of Business, Administration, Law and Social Sciences Vol. 2 No. 2 Acces online at www.iipccl.org IIPCCL Publishing, Tirana-Albania July 2016 Modality in professional music in Albania and Kosovo PhD (C.). Kushtrim Jakupi Faculty of Music of Pristina University Abstract Albanian folk music, this great treasure preserved over generations is an expression of high con- sciousness of everything precious inherited from the past. In determining the typology of this folklore, Albanian Ethnomusicology rightly refers to two major ethnographic divisions, which, according to the natural boundary defined by Shkumbini River, are Gheg in the northern part and Tosk, south of it. In a general approach (even within these two large ethno music areas, folk- lore is presented with its striking diversity), it can be said, that: northern folklore, respectively Gheg one, is distinguished for its monodic singing, based on oj- and chromatic modes with 11 sounds, influenced by oriental music, while southern folk music generally appears unified iniso polyphony, which by modal perspective is built on pentatonic (Tole, 2007, 5). The types of degree’s steps that are encountered in Albanian folklore music can be divided in two categories, defined by their own origins. In the first group, the so-called diatonic modes, include older modes, in which did not penetrate the later influences that came from the Orient (when Albanian became part of the Ottoman Empire) (Koçi, 2002, 143), a part of which with ancient origins, like three, tetra, penta and hexachord, while the rest derived from church modes, like eolik and jonic, but also anhemitonic pentatonic. -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Kosova'da Roman Müziği Ve Kültüründe Kadın, Erkek Ve Ötesi
TOPLUMSAL CİNSİYET BAHAR 2013 / SAYI 6 KOSOVA’DA ROMAN MÜZİĞİ VE KÜLTÜRÜNDE KADIN, ERKEK VE ÖTESİ Svanibor Pettan Çeviren: Burcu Yıldız Kitabın editorü Tullia Magrini giriş bölümünde müzik araştırmasının; “toplumsal cinsiyetlendirilmiş etkinlik” ya da “toplumsal cinsiyetlendirilmiş kültür” olarak “kadınların müzikal pratiklerini ortaya koyup müzikal dünyamızın resmini tamamlama ihtiyacının ötesine” geçmesi gerektiğini savunur- ken kesinlikle haklıdır. Toplumsal cinsiyetin ikili algısının, kişiler tarafından ‘alternatif toplumsal cinsiyet tanımları” ile sorgulandığı müzikal pratikler beni özellikle şaşırtmıştır (Sugarman 1997: 32 ile karşılaştırın).1 Birçok çalışma bu durumun dünyanın çeşitli kültürlerinde var olduğunu öne sürer. Birkaç tanesinden bahsetmek gerekirse, Amerika Yerlileri (örn., Hill 1935; Whitehead 1981), Tahiti- liler (Levy 1971), Ummanlılar (Wikan 1977), Kenyalılar (Shepherd 1977), ve Türkler (Stokes, kitapta 13. bölüm) örnek verilebilir. Bu çalışmalar, kendi kültürlerindeki algılanış farklılıkların yanında, belli başlı durumlarda da önemli farklılıklar gösterirler. Cinsiyet ve toplumsal cinsiyetin eşleştiği erkek-kadın ikiliğine bir alternatif geliştirmek için, sistemi elinde tutan kültürel verilerle tanışıklık kurmak gerekir. Kosova’nın Balkan bölgesinde toplumsal cinsiyet bağlamında trans müzikal pratiklerine dair özel bir örnek durum üzerine yü- rüttüğüm tartışmalara, bölgedeki ve Roman (Çingene) nüfusunun içindeki toplumsal cinsiyet ve müzik tartışmaları ile başlamamın nedeni budur.2 Bu bölümde iki temel sebeple geçmiş -
Snt215e Balkan Musics.Pdf
İTÜ DERS KATALOG FORMU (COURSE CATALOGUE FORM) Dersin Adı Course Name Balkan Müzikleri Balkan Musics Ders Uygulaması, Saat/Hafta (Course Implementation, Hours/Week) Kodu Yarıyılı Kredisi AKTS Kredisi Ders Uygulama Laboratuar (Code) (Semester) (Local Credits) (ECTS Credits) (Theoretical) (Tutorial) (Laboratory) Güz-Bahar 3 4 SNT 215E 3 - - Fall/Spring Bölüm / Program Güzel Sanatlar Bölümü/Tüm programlar (Department/Program) Fine Arts Deparment/All Programs Dersin Türü Seçmeli Dersin Dili İngilizce (Course Type) Elective (Course Language) English Dersin Önkoşulları Yok (Course Prerequisites) None Dersin mesleki Temel Bilim Temel Mühendislik Mühendislik Tasarım İnsan ve Toplum Bilim bileşene katkısı, % (Basic Sciences) (Engineering Science) (Engineering Design) (General Education) (Course Category - - - %100 (SNT) by Content, %) Balkanlar’ın kültürel ve siyasi tarihi hakkında genel bilgiler, Balkanlar’daki kültürel Dersin İçeriği akımlar, müzikal bölgeler ve sınırları, Bulgaristan, Yunanistan, Makedonya, Arnavutluk, Sırbistan, Romanya, Macaristan ve Türkiye müzik kültürleri, örnekler (Course Description) Information about general cultural and political history of Balkans, cultural movements in Balkans, musical regions and its boundaries, Bulgarian, Greek, Macedonian, Albanian, Serbian, Romanian, Hungarian and Turkish music cultures and examples Bu ders ile, Dersin Amacı 1. Balkanlar’daki farklı müzikal kültürler ile ilgili farkındalık kazandırmak, 2. Müzikal kültürler arasındaki etkileşimler üzerine düşünmek, karşılaştırmalı (Course Objectives) metotlarla analojiler elde etmek, 3. Türkiye müzikal kültürlerini Balkan kültürü içerisinde değerlendirmek, 4. Türkiye müzik oluşumlarının kültürel tarih içerisinde konumlandırılmasına katkıda bulunmak amaçlanmaktadır. This course aims, 1. to provide awareness for various musical cultures of Balkans, 2. to think about the mutual effects of musical cultures of Balkans, to gain analogies by comparative methods, 3. to evaluate the musical cultures of Turkey in Balkan culture, 4. -
Roma in Albania Were the Big Losers of the Economic and Political Changes of 1989-1990
Center for Documentation and Information on Minorities in Europe - Southeast Europe (CEDIME-SE) MINORITIES IN SOUTHEAST EUROPE Roma of Albania Acknowledgements This report was researched and written by Maria Koinova, Researcher of CEDIME- SE. It was edited by Panayote Dimitras, Director of CEDIME-SE and Nafsika Papanikolatos, Coordinator of CEDIME-SE. English Language Editor of CEDIME- SE and Caroline Law. CEDIME-SE would like to express its deep appreciation to the external reviewers of this report, Claude Cahn, Staff Writer/Publications Director of the European Roma Rights Center in Budapest, Marcel Courthiades, researcher at the Institute of Rromani Studies, University of Paris, Krassimir Kanev, Chairman of the Bulgarian Helsinki Committee, who, with their critical comments, contributed substantially to its quality. CEDIME-SE would also like to thank all persons who generously provided information and/or documents, and/or gave interviews to its researcher. The responsibility for the report’s content, though, lies only with CEDIME-SE. We welcome all comments sent to: [email protected] 1 MAJOR CHARACTERISTICS Updated August 2000 State: Albania Name (in English, in the dominant language and –if different- in the minority’s language): Roma, Romanies, Gypsies. Their name in the Albanian language is Rom (official) and Arixhi, Gabel, Magjup, Kurbat (derogative), and in the minority language their name is Rrom (sg.) and Rroma (pl.) Is there any form of recognition of the minority? Roma are officially recognized through the Romani NGOs that have a judicial status in Albania (Kanev, 1999). Nevertheless, Roma are not recognized publicly as a distinct minority, unlike the Greeks and the Macedonians who are recognized due to a situation inherited from communism. -
Traditional Music of Multicultural Belgrade’, Held on June 21St, 2009 in Yugoslav Theater in Belgrade, Organized by Ethnomusicological Society of Serbia (ESS)
MÜZİKTE TEMSİL & MÜZİKSEL TEMSİL II STRATEGIES OF APPLIED ETHNOMUSICOLOGY FOR BETTERMENT Marija Dumnić OF CULTURAL REPRESENTATIONS: CASE Serbian Faculty of Music STUDY OF CONCERT ‘TRADITIONAL [email protected] MUSIC OF MULTICULTURAL BELGRADE’ On this occasion I will try to present a framework of applied ethnomusicology by giving an example of a concert organized for improvement of cultural representations of ethnic minorities in Belgrade, the capitol of Serbia.1 Applied ethnomusicology, in wider terms, includes almost every ethnomusicological activity: fieldwork, archiving of recorded material, publishing of papers, education of future ethnomusicologists, organization of parades, festivals and concerts, being a part of judging panel on music competitions, organization of music workshops with a specific purpose. Of course, not all of aforementioned activities define applied ethnomusicology in narrower terms, though their material dimension and a certain impact they have is undeniable. However, this can rather be understood as practical, empirical side of ethnomusicology, a side which exists in every realm of human acting and behavior. This paper deals with applied ethnomusicology in narrower sense. Before its official establishing, this discipline was practiced by scientists as well as the amateurs, but not under that name yet.2 Today ‘applied ethnomusicology’ means some acting of ethnomusicologists on people and situations which were up to this moment only observed, consequently, this young discipline deals with problems which were not familiar to earlier ethnomusicology. Although ethnomusicology exists for almost one and the half century, its application has been explicitly discussed for the past fifteen years, but not everywhere and not in large part (see Pettan 2009:63). -
A Men's Perspective on Gender Equality in Kosovo
A Men’s Perspective on Gender Equality in Kosovo Main findings from the International Men and Gender Equality Survey (IMAGES) International Men and Gender Equality Survey A Men’s Perspective on Gender Equality in Kosovo Main findings from the International Men and Gender Equality Survey (IMAGES) 111 This report is the result of a co-operation between the Organisation for Security and Cooperation in Europe (OSCE) Mission in Kosovo, United Nations Population Fund (UNFPA) Kosovo Office and UBO Consulting. The research and report production is financed by the Permanent Representation of the Netherlands to the OSCE, Folke Bernadotte Academy and UNFPA core funding. The views expressed in this publication are those of the authors, and do not necessarily represent the views of the OSCE, UNFPA, the United Nations or any of its affiliated organizations. © OSCE/UNFPA 2018 All rights reserved. The contents of this publication may be freely used and copied for educational and other non-commercial purposes, provided that any such reproduction be accompanied by an acknowledgement of UNFPA and the OSCE as the source. Published by: OSCE Mission in Kosovo UNFPA Kosovo Abdyl Frasheri 37 Zagrebi 39 10000 Prishtinë/Priština 10000 Prishtinë/Priština Tel. +383 38 240 100 Tel. +383 38 249088 [email protected] kosovo.unfpa.org www.osce.org/kosovo Proposal for reference/cite as: OSCE Mission in Kosovo/UNFPA Kosovo (2018): A Men's Perspective on Gender Equality in Kosovo. Main Findings from the International Men and Gender Equality Survey (IMAGES). Prishtinë/Priština. Acknowledgements The OSCE Mission in Kosovo and UNFPA express gratitude to the following individuals and organisations for their contributions and/or support: Promundo Institute, Ruti Levtov, Care International Balkans, Besnik Leka, John Crownover, Youth Education Center Sinergija, Peer Educators Network, all experts which took part in the research, focus group participants and the whole UBO Consulting team.