TODD TOON Supervising Sound Editor, Sound Designer

Total Page:16

File Type:pdf, Size:1020Kb

TODD TOON Supervising Sound Editor, Sound Designer TODD TOON Supervising Sound Editor, Sound Designer TOGO Ericson Core Disney SSE EL CAMINO Vince Gilligan Netflix SSE LATE NIGHT Nisha Ganatra Amazon SSE HELLFEST Gregory Plotkin CBS Films SSE TEEN TITANS GO! TO THE Aaron Horvath, Peter Rida Warner Bros SSE MOVIES Michail ACTION POINT Tim Kirkby Paramount Pictures SSE ARIZONA Jonathan Watson Imperative Entertainment SSE MOLLY’S GAME Aaron Sorkin STX Entertainment SD STRONGER David Gordon Green Lionsgate SSE THE SPACE BETWEEN US Peter Chelsom STX Entertainment SSE THE REVENANT Alejandro González Iñárritu 20th Century Fox Co-SSE POINT BREAK Ericson Core Warner Bros, Alcon Co-SSE TINKERBELL AND THE LEGEND Steve Loter DisneyToon Studios SSE, OF THE NEVERBEAST SD PLANES: FIRE & RESCUE Roberts Gannaway DisneyToon Studios SD, SSE MOCKINGBIRD Bryan Bertino Universal SSE THE PIRATE FAIRY Peggy Holmes DisneyToon Studios SSE PLANES Klay Hall DisneyToon Studios SSE, SD SECRET OF THE WINGS Peggy Holmes, Roberts Disney SSE, Gannaway SD SCREAM 4 Wes Craven Dimension Films SSE PROM Joe Nussbaum Disney SSE WINNIE THE POOH Stephen J. Anderson, Don Disney SSE Hall MY SOUL TO TAKE Wes Craven Rogue, Relativity SSE STEP UP 3D Jon M. Chu Touchstone SSE HANNAH MONTANA: THE MOVIE Peter Chelsom Disney SSE SYDNEY WHITE Joe Nussbaum Morgan Creek SSE Formosa Features www.FormosaGroup.com/Features 323.850.2800 [email protected] Page 1 GEORGIA RULE Garry Marshall Universal SSE MEET THE ROBINSONS Stephen Anderson Disney SSE, SD THE GUARDIAN Andrew Davis Touchstone SSE STEP UP 2: THE STREETS Jon M. Chu Touchstone SSE STICK IT Jessica Bendinger Touchstone SSE KEEPING UP WITH THE STEINS Scott Marshall Miramax SSE RED EYE Wes Craven DreamWorks SSE SKY HIGH Mike Mitchell Disney SSE CURSED Wes Craven Dimension Films SSE THE PRINCESS DIARIES 2: Garry Marshall Disney SSE ROYAL ENGAGEMENT SKY CAPTAIN AND THE WORLD Kerry Conran Paramount SSE, OF TOMORROW SD RAISING HELEN Garry Marshall Disney SSE FREAKY FRIDAY Mark S. Waters Disney SSE THE COUNTRY BEARS Peter Hastings Disney SSE THE PRINCESS DIARIES Garry Marshal Disney SSE MAX KEEBLE’S BIG MOVE Tim Hill Disney SSE DOUBLE TAKE George Gallo Touchstone SSE SCREAM 3 Wes Craven Dimension Films SSE DUETS Bruce Paltrow Buena Vista Pictures SSE MUSIC OF THE HEART Wes Craven Miramax SSE STIR OF ECHOES David Koepp Artisan SSE TEACHING MRS. TINGLE Kevin Williamson Dimension Films SSE THE OTHER SISTER Garry Marshall Touchstone SSE GEORGE OF THE JUNGLE Sam Weisman Disney SSE SCREAM 2 Wes Craven Dimension Films SSE ANNA KARENINA Bernard Rose Warner Bros SSE LITTLE BOY BLUE Antonio Tibaldi Castle Hill SSE THE WAR AT HOME Emilio Estevez Touchstone SSE D3: THE MIGHTY DUCKS Robert Lieberman Disney SSE PIE IN THE SKY Bryan Gordon New Line Cinema SSE Title SSE Supervising Sound Editor SD Sound Designer Co-SSE Co-Supervising Sound Editor Awards Icon Key Formosa Features www.FormosaGroup.com/Features 323.850.2800 [email protected] Page 2 Golden Reel Winner Golden Reel Nominee HPA Award Nominee Formosa Features www.FormosaGroup.com/Features 323.850.2800 [email protected] Page 3.
Recommended publications
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • Une Tragédie Gore / Scream 2 De Wes Craven]
    Document generated on 09/29/2021 11:05 p.m. 24 images Une tragédie gore Scream 2 de Wes Craven Marcel Jean Number 91, Spring 1998 URI: https://id.erudit.org/iderudit/23647ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (1998). Review of [Une tragédie gore / Scream 2 de Wes Craven]. 24 images, (91), 52–52. Tous droits réservés © 24 images, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Scream 2 de wes crave n tation finale se déroule sur la scène). Craven poursuit enfin son travail sur la représenta­ tion à travers quelques scènes où il isole l'image du son (recours au téléphone, à la caméra vidéo, puis aux espaces insonorisés d'un studio d'enregistrement). De tout cet étalage, deux éléments ressortent. D'abord la fonction cathattique du cinéma d'horreur, qui est en quelque sorte mise de l'avant par le cinéaste qui se plaît à confronter le spectateur à sa propre Sarah Michelle Gellar. Un film annonçant la fin du gore. jouissance face à l'expérience de la peur.
    [Show full text]
  • Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings.
    [Show full text]
  • A Cinema of Confrontation
    A CINEMA OF CONFRONTATION: USING A MATERIAL-SEMIOTIC APPROACH TO BETTER ACCOUNT FOR THE HISTORY AND THEORIZATION OF 1970S INDEPENDENT AMERICAN HORROR _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by COURT MONTGOMERY Dr. Nancy West, Thesis Supervisor DECEMBER 2015 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled A CINEMA OF CONFRONTATION: USING A MATERIAL-SEMIOTIC APPROACH TO BETTER ACCOUNT FOR THE HISTORY AND THEORIZATION OF 1970S INDEPENDENT AMERICAN HORROR presented by Court Montgomery, a candidate for the degree of master of English, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________ Professor Nancy West _________________________________ Professor Joanna Hearne _________________________________ Professor Roger F. Cook ii ACKNOWLEDGEMENTS I would like to express my deepest appreciation to my committee chair, Dr. Nancy West, for her endless enthusiasm, continued encouragement, and excellent feedback throughout the drafting process and beyond. The final version of this thesis and my defense of it were made possible by Dr. West’s critique. I would like to thank my committee members, Dr. Joanna Hearne and Dr. Roger F. Cook, for their insights and thought-provoking questions and comments during my thesis defense. That experience renewed my appreciation for the ongoing conversations between scholars and how such conversations can lead to novel insights and new directions in research. In addition, I would like to thank Victoria Thorp, the Graduate Studies Secretary for the Department of English, for her invaluable assistance with navigating the administrative process of my thesis writing and defense, as well as Dr.
    [Show full text]
  • Sunshine State
    SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY
    [Show full text]
  • A Field Research Site for Emerging Contaminants in Iowa
    Journal of the Iowa Academy of Science: JIAS Volume 113 Number 1-2 Article 3 2006 Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Douglas J. Schnoebelen U.S. Geological Survey Dana W. Kolpin U.S. Geological Survey Larry B. Barber U.S. Geological Survey Edward T. Furlong U.S. Geological Survey Michael M. Meyer U.S. Geological Survey Let us know how access to this document benefits ouy See next page for additional authors Copyright © Copyright 2007 by the Iowa Academy of Science, Inc. Follow this and additional works at: https://scholarworks.uni.edu/jias Part of the Anthropology Commons, Life Sciences Commons, Physical Sciences and Mathematics Commons, and the Science and Mathematics Education Commons Recommended Citation Schnoebelen, Douglas J.; Kolpin, Dana W.; Barber, Larry B.; Furlong, Edward T.; Meyer, Michael M.; and Skopec, Mary (2006) "Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa," Journal of the Iowa Academy of Science: JIAS, 113(1-2), 1-9. Available at: https://scholarworks.uni.edu/jias/vol113/iss1/3 This Research is brought to you for free and open access by the Iowa Academy of Science at UNI ScholarWorks. It has been accepted for inclusion in Journal of the Iowa Academy of Science: JIAS by an authorized editor of UNI ScholarWorks. For more information, please contact [email protected]. Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Authors Douglas J. Schnoebelen, Dana W. Kolpin, Larry B. Barber, Edward T. Furlong, Michael M. Meyer, and Mary Skopec This research is available in Journal of the Iowa Academy of Science: JIAS: https://scholarworks.uni.edu/jias/vol113/ iss1/3 Jour.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • Cinematic Emotion in Horror Films and Thrillers Routledge Advances in Film Studies
    Cinematic Emotion in Horror Films and Thrillers Routledge Advances in Film Studies 1. Nation and Identity in the New German Cinema Homeless at Home Inga Scharf 2. Lesbianism, Cinema, Space The Sexual Life of Apartments Lee Wallace 3. Post-War Italian Cinema Daniela Treveri Gennari 4. Latsploitation, Exploitation Cinema, and Latin America Edited by Victoria Ruétalo and Dolores Tierney 5. Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear Julian Hanich New York London First published 2010 by Routledge 270 Madison Avenue, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2010. To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk. © 2010 Taylor & Francis All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereaf- ter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trade- marks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Hanich, Julian, 1975– Cinematic emotion in horror films and thrillers : the aesthetic paradox of pleasurable fear / by Julian Hanich.
    [Show full text]
  • B Movies and Beyond: the Crippled Masters 2 (1980, Shia Yue)
    2/9/2011 B Movies and Beyond: The Crippled Ma… Share Report Abuse Next Blog» Create Blog Sign In MONDAY, JANUARY 24, 2011 ABOUT ME The Crippled Masters 2 (1980, Shia Yue) STARMUMMY My name is Starmummy. I am not from Earth. I do live here though. I like to review movies, particularly ones that will offend the average person. I review whatever movie I feel like reviewing whenever I want. I will gladly take suggestions and free stuff. VIEW MY COMPLETE PROFILE SITES YOU SHOULD CHECK OUT 3B Theater Micro-brewed Reviews Attack from Planet B B Movie Central B Movie Film Vault Bad Movie Realm Political correctness is a touchy subject in today's world. It seems BadMovies.org the only time you see anything politically incorrect nowadays is either deliberately offensive or an homage to the innocent days when the Basement of Ghoulish Decadence world just "didn't know any better". Sometimes when you are BugEyedMovies.com watching an older film, you have to take that into consideration. Cani Arrabbiati (Italian Genre Other times though, a film will just be so inexcusably/unbelievably Cinema) politically incorrect that you can't believe your eyes. This isn't always Classic-Horror.com a bad thing either, as this film proves. Darksider's Realm Dire Wit Films As the oh so politically incorrect title states, The Crippled Masters 2 DVD Holocaust (aka Two Crippled Heroes) centers around two martial arts experts Eccentric Cinema who also happen to be handicapped. The first (Frankie Shum) has Full Moon Reviews one (malformed) arm and the other (Jackie Conn) has diminutive legs Giallo Fever that don't work.
    [Show full text]
  • Race in Hollywood: Quantifying the Effect of Race on Movie Performance
    Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10.
    [Show full text]
  • 112 It's Over Now 112 Only You 311 All Mixed up 311 Down
    112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question
    [Show full text]
  • Scream If You Like His Movies Kevin Williamson’S Strange Ride
    spring 2012 EastThe Magazine of easT Carolina UniversiTy erber g scream if you . s like his movies Kevin Williamson’s strange ride Copyright 2011 by Max by 2011 Copyright from Dawson’s Creek to hollywood vieWfinDer spring 2012 EastThe Magazine of easT Carolina UniversiTy Construction worker Willie Joyner Jr. is part of the renovation of Tyler residence Hall, one of the older dorms on College Hill. Opened as a men’s residence in 1969, it was switched to all women in FEATUrEs 1972 and remained so for 20 30 years. it was named for sCreaM if YOU liKe his MOVIES Arthur Lynwood Tyler, a 2 0 His TV series became former university trustee. By David Menconi Dawson’s Creek Photograph by Forrest Croce iconic, then Kevin Williamson ’87 became king of the scary movie genre and now his scripts about teenage vampires fill primetime TV. He’s had hits and some misses, so now he’s hoping to find an elusive balance in his creative and personal lives. “I’m not good at highs and lows,” he says. hearT Throb 3 0 Professor Sam Sears, a leading 30 authorityBy Spaine onStephens the psychology of living with what are called implantable cardioverter defibrillators (ICDs), helps patients adjust to living with the constant worry that the device will deliver a 700-volt punch. “It’s a modern-day paradox of safety and fear,” he says. “I see more courage on a daily basis than anyone.” genTle gianT 3 6 For 24 years, Dean of Students James TuckerBy Steve laid Tuttle down ’09 the law on campus, from the time of the Big Yellow House Incident through the protests over the 36 Vietnam War.
    [Show full text]