Decades Sdx Instrument List
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PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Cover DRUMLAB.Ai
Presenting THE GEAR at A quick view to the gear available for you at DrumLab Studio 2 THE DRUMS DW DRUMS Collectors Series, Red Sparkle, Black Hardware (Year 2000 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x9”, 12”x10” • Floor Toms 13”x11”, 15” x 13” • Bass Drum 22”x18” • Hardware 9000 Series Tom/Cymbal stands (x3), Hi-Hat Stand, Snare Stand (x2), Boom Arms (x4), Dogbones (x4), Boom Cymbal stand (x2) YAMAHA DRUMS Recording Custom Series Cherry Wine Laquer (Year 1989 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x10”, 12”x10” • Floor Toms 14”x14”, 16” x 16” (both with legs) • Bass Drum 22”x16” • Yamaha CS 865 Boom Stand (x3), Yamaha YESS System for Rack Toms, SS 850 Snare Stand (x2) TAMA DRUMS Swingstar Classic Series Emerald Marble (Year 1986 Edition) Remo Heads (Ambassador / Emperor Coated on batter side, Ambassador Clear on bottom) • Rack Toms 10”x8”, 12”x9” • Floor Toms 13”x11”, 16” x 16” • Bass Drum 22”x14” • Yamaha YESS System for Rack Toms, SS 850 Snare Stand, HC33 Boom Cymbal stand (x3) A quick view to the gear available for you at DStudio OTHER HARDWARE: • Roc&Soc Drum Throne Hydraullic • Roc&Soc Drum Throne Spinnable • AXIS XL-2 Longboard Bass Drum double pedal • DW Drums 5000 Delta Hi Hat Stand • PDP Boom Cymbal Stands (x4) • Mapex Boom Cymbal Stands (x3) 3 THE DRUMS SNARE DRUMS AVAILABLE: Remo Heads (CS Coated, Ambassador Coated, Emperor Coated, Vintage Emperor on batter side, Ambassador Snare on bottom), -
Technical Rider
TECHNICAL RIDER CONTACTS Mob.: +39 339 5807 378 / +39 347 4681 287 [email protected] https://www.wonderland-band.com WONDERLAND PERSONNEL (primary lineup) Andrew Xeniadis Lead vocals Carlotta De Lellis Backing vocals Veronica Pandini Backing vocals Luca Varisco Piano and keyboards Renato Odierna Viti Guitar Ivan Padovani Trumpet Ivan Rota Alto sax Tony Santelia Percussions Luca Moroni Bass and backing vocals Raffaele Pellino Drums BACKLINE RIDER The technical rider is formulated as a guideline and should be treated as such. This means that, in consultation with the band, it can be possible to deviate from this document. DRUMS Please provide a drumset of the following brands (professional series): Sonor, Tama, Yamaha, Pearl. Cymbals: Zildjan, Sabian, Paiste, Ufip. DRUMSET (1) bass drum 22X18” + kick pedal (1) snare 14” or 13” + snare stand (1) tom 10” (1) tom 12” (1) floor tom 16” (1) hi-hat 13” or 14” + stand (1) ride 20” + cymbal stand (1) crash 16” + cymbal stand (1) crash 17” or 18” + cymbal stand (1) drum throne (1) bass drum foot pedal (preferred yamaha) HEADS Snare: Remo Coated Ambassador Toms: double ply (Evans Ec2 clear, Remo Emperor clear, Remo Pinstripe clear) Bass drum: Remo Powerstroke 3 clear PERCUSSIONS (2) congas + stand (1) stand for cowbell, woodblock, tambourine (1) chimes + stand (2) splash + stand BASS Please provide equipment of the following brands (professional series): Mark Bass, Ampeg, SWR, Trace Elliott, Eden, Mesa, Gallien Krueger HEADS (1) professional head capable of 300-400 W output power CABINETS -
2012 Acoustic Guitar Catalog
Ibanez Acoustic Guitars 2012 www.ibanez.com Discover your Voice, Tone, Style Special Thanks to Musicians : John Pickering Bryony Ollier Semi-On : http://www.semion.org Locations : golden child cafe' http://www.goldenchildcafe.com/ ZIGAR'S http://www.zigars-web.com/ www.ibanez.com NCA http://www.nca.ac.jp/ Ibanez Acoustic Guitars 2012 www.ibanez.com All colors shown are as close as four-color printing will allow. All specifications are subject to change without notice. ©2012 Printed in Japan OCT11872 1 2 Ibanez Acoustic Guitars 2012 www.ibanez.com The More Things Change... Anyone who loves music knows musical trends come and go now with almost frightening regularity. But behind the veil of musical fashion is a set of gears that are as unchanging as the works in a clock… The haunting melody… The baby-if-you-don’t-come-back-life-ain’t-worth-livin’ lyric…The build up to the final chorus… And for at least half a century, every time the dusty winds of change settle, there it stands at center stage: The acoustic guitar. What other instrument so readily morphs to the identity of its player? Soul mate of the lone troubadour… Life of the party ‘round a campfire… Sharply honed weapon of the virtuoso… and on and on. The character of the acoustic guitar is as unbounded as the imagination of the artists who play it. Musical trends may come and go, but the demand for a great acoustic guitar that every-man can afford will never change. The designers and luthiers of Ibanez endeavor to honor the artistic imagination by building instruments that are, at once, both reliable and inspiring. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
Jost Nickel Clinic Rider (1 of 5)
Jost Nickel Clinic Rider (1 of 5) Meinl Cymbal Preparations: 14" Extra Dry Medium Hihat 10" Electro Stack GX-8/10ES 18" Byzance Traditional Extra Thin Hammered Crash 8" Byzance Traditional Splash 22" Byzance Dark Spectrum Ride 12" Electro Stack GX-10/12ES 18" Byzance Extra Dry Thin Crash 6" Byzance Traditional Splash 22" Byzance Vintage Crash Meinl Percussion Preparations: 1x STB80S-CH (8" Cowbell) 1x Holder MC-1 1x TMPTS Percussion Table Stand 1x MEINL Drum Rug Sonor Drum Preparations (Prolite / Vintage Series / SQ1 / SQ2) 2x 14" x 6.25" SSD JN SDW 12" x 8" Tom (NOT: 12" x 9" or 12" x 10") 14" x 14" Floortom 16" x 16" Floortom 22" x 17" Bassdrum Sonor Hardware Preparations (600 Series) 7x Mini Boom Cymbalstands (MBS 673) 2x Snarestands (SS 677) 1x Giant Step Double Pedal 1x HiHatstand (HH 674) 2x Multiclamps (MC 676) 1x Single Tom Holder (Rack Tom) 6x Legs for Floortoms 1x Drumstool 1 Jost Nickel Clinic Rider (2 of 5) Remo Drumhead Preparations: Toms: 12" Emperor Coated (Top) & 12" Diplomat Coated (Bottom) 14" Emperor Coated (Top) & 14" Diplomat Coated (Bottom) 16" Emperor Coated (Top) & 16" Diplomat Coated (Bottom) Snares: 2x 14" Ambassador Coated 2x 14" Ambassador Snare Side Bassdrum: 22" Powerstroke 3 clear Please contact Jost’s equipment reps in case of any questions: Sonor: Thomas Barth [email protected] Meinl: Norbert Saemann [email protected] Vic Firth: Joe Testa [email protected] Remo: Christopher Hart [email protected] Music: Jost will be playing to pre-recorded tracks during the event, using his laptop computer and an audio device as the sound source. -
Milkmen's Serenade
e - ' ------------ ~ t . --=-==:7 "-~ '• Ahem, rock 'n' roll fans and practitioners. We hold this truth to be self-evident: That money can't buy you love, but it can certainly buy you ~--~~- . "=--~= .----=- ~ ---::-:....~ .-: :: a hit when applied in the right places. And a hit single, as we all know, is the apex of suc cess, the brick and mortar of fame, fortune and a fabulous sex life. But what if you've rejected that scenario for ~~--'-'"'- - - ~ - =--c_ - ~ - - ·•--'*"'.:""' "'" tr & &&'':.·;iiiisMi ~~!rt'-- one you think has more honor: the indepen dent label route, and all that that engenders? What if success to you consists of putting out your own records, playing hard-won gigs touring america for less than around the country, touring in a van, sleeping $12.06 a day, according to on floors, getting heard on college radio and camper van beethoven, the mentioned in the Village Voice? What kind of money does that sort of career accrue? Is it dead .milkmen and dag nasty even worth pursuing, in a purely monetary sense? by -gina arnold illustration by ju lie ross I --- I ·- - -----47'"~ ·.. \ , ---- \r J. ----- ------- - -t1' -··~ -.. -=-~=: - lli1 Well, on the indie-label front, you can make Truth is, the independent record industry money at it, if you are so inclined: enough to serves as an unorganized farm team system live on, enough to pay taxes on, enough to for the majors-a system whose players have appease your parents, enough-in some fewer allegiances and make less profit than cases-even to get your own Visa. But no those in the big leagues. -
Download Complete
CHUCK BURGI Drums & Percussion www.chuckburgi.com Chuck Burgi has been performing and recording internationally since teaming up with jazz- rock guitarist Al Di Meola for his first solo venture, theElegant Gypsy Tour. This opportunity led to his joining the English fusion group Brand-X. As a member of Brand-X, he replaced Phil Collins and recorded and toured for the classic album Masques. Returning to his rock and pop roots, Chuck joined Hall and Oates and recorded two platinum albums and did two world tours with the hit writing duo. Subsequent albums with Michael Bolton, Diana Ross, Balance and Bon Jovi followed. He next joined forces with Ritchie Blackmore’s Rainbow, recording two albums and hitting the road for another two world tours. After Rainbow, Chuck toured and recorded with various artists including Joe Lynn Turner, Glen Burtnick and the powerhouse vocalist Meat Loaf. Chuck toured extensively with Meat Loaf and recorded the Live at Wembley album. Directly after Meat Loaf, Chuck began working with Blue Oyster Cult, during which time he recorded the Cult Classics and Heaven Forbid albums, and began playing on national TV commercials. After Blue Oyster Cult, he was once again reunited with Ritchie Blackmore for sold out tours of Europe, South America and Japan for the album Stranger in Us All. In 2001, Chuck completed a three-year commitment to the Latin pop sensation Enrique Iglesias. Beginning with an extensive world tour for the album Vivir, he returned as musical director for the Cosas del Amour world tour and finished with a dense schedule of TV shows and concerts promoting Enrique’s first English album, Enrique. -
Goth the Goth Interface
CinematiC metal & industrial Virtual instrument ProduCt desCriPtion & manual GOTH is a virtual instrument created for use with Native Instruments Kontakt 5. It’s the first VI designed specifically for composers and producers who want to add modern Metal elements to films, movie trailers, television shows, promos, games, and other cinematic-style recording projects. THE GOTH INTERFACE The default front page of the GOTH Graphic User Interface (GUI) is very easy to use - if you don’t need to customize loop notes or rhythms, you can probably do everything you need to do from this page. The front-page controls include eight sliders, as follows: DISTORT adds distortion LOW-FI degrades audio quality LIMITER adds dynamics limiting & increases overall volume BASS adds low end TREBLE adds high end REVERB controls reverb amount FEEDBACK controls number of delay-repeats DELAY controls delay amount There are also two drop-down windows on the front page of the GUI: the upper one is for Reverb and the bottom one for Delay. Click in either window to open up a drop-down menu that allows you to choose one of ten different convolution reverbs, or ten different Delay pre-sets. Beneath the GOTH logo is the TUNE knob; use this to globally adjust the tuning of all loops in a given loop-player, or all samples in an instrument. Used on guitar and bass, this is an easy way to emulate the huge sound of modern Metal drop-tunings. In the lower left-hand corner of every loop-playing module is a tab marked, SLICE EDITOR. -
2017 Full Line Catalog for ASIA
2017 FULL LINE CATALOG Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2017 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com www.ibanezacoustic.com ©2016 Printed in Japan OCT161070 (ASIA) - All finishes shown are as close as four-color printing allows. www.ibanez.com - All specifications are subject to change without notice. www.ibanezacoustic.com Electric Guitars 2 for more information visit www.Ibanez.com for more information visit www.Ibanez.com 3 Ibanez Electric Guitars Ibanez Electric Guitars Paul Gilbert (Mr. Big) FRM150 Signature Models • FRM 3pc Mahogany/Maple set-in neck • 628mm/24.75" scale Jake Bowen (Periphery) JBM100 MADE IN JAPAN • Mahogany body • Rosewood fretboard w/White dot inlay • JBM 5pc Maple/Walnut neck • Narrow & Tall frets • Maple top/Mahogany body • DiMarzio® Air Classic™/Area 67™/Air Classic™ pickups • Bound Ebony fretboard w/JBM special inlay on 12th fret • Tight-Tune bridge/tailpiece • Jumbo frets w/Prestige fret edge treatment • Chrome hardware ® ™ TR • DiMarzio Titan pickups (Transparent Red) • Gig bag included • Lo-Pro Edge tremolo bridge • Black hardware • Sperzel Trim-Lok locking machine heads in gold • Factory Tuning: 1D, 2A, 3F, 4C, 5G, 6C NEW MODEL Paul Gilbert (Mr. Big) PGMM31 • String Gauge: .011/.014/.019/.032/.044/.056 • PGMM Maple neck • Hardshell case included • 564mm/22.2" scale Jake Bowen (Periphery) • Poplar body JBM20 -
Music and Art Equipment Anderson, Boyd H
Section 3: Music and Art Equipment Anderson, Boyd H. Senior High School 299,969.90 Instrument Qty Unit Price Total Vendor Acoustic Cabinet-Wenger-255A002.102 2 1,491.00 2,982.00 Wenger Acoustic Cabinet-Wenger-255A004.102 5 1,358.00 6,790.00 Wenger Acoustic Cabinet-Wenger-255A005.101 3 2,030.00 6,090.00 Wenger Acoustic Cabinet-Wenger-255A008.101 1 791.00 791.00 Wenger Acoustic Cabinet-Wenger-255A010.101 2 1,026.00 2,052.00 Wenger Acoustic Cabinet-Wenger-255A011.101 3 1,082.00 3,246.00 Wenger Acoustic Cabinet-Wenger-255A013.101 1 910.00 910.00 Wenger Acoustic Cabinet-Wenger-255A014.101 2 1,026.00 2,052.00 Wenger Acoustic Cabinet-Wenger-255A912.102 1 1,358.00 1,358.00 Wenger Alto Saxophone Performing-Selmer-AS42M 2 2,296.63 4,593.26 All County Music Alto Saxophone Training-Yamaha-YAS200AD 20 955.80 19,116.00 All County Music Baritone Saxophone-Conn-Selmer-SBS280R 1 4,314.94 4,314.94 All County Music Bass Clarinet-Yamaha-YCL221II 1 1,663.93 1,663.93 All County Music Bass Drum Marching 18"-Yamaha-MN8318FWC 1 613.44 613.44 All County Music Bass Drum Marching 20"-Yamaha-MB8320FWC 1 642.24 642.24 All County Music Bass Drum Marching 22"-Yamaha-MB8322FWC 1 683.52 683.52 All County Music Bass Drum Marching 24"-Yamaha-MB8324FWC 1 720.00 720.00 All County Music Bass Drum Marching 26"-Yamaha-MB8326FWC 1 748.80 748.80 All County Music Bass Drum Marching 28"-Yamaha-MB8328FWC 1 776.64 776.64 All County Music Bass Trombone-Yamaha-YBL620G 1 2,759.75 2,759.75 All County Music Cello 4/4-Eastman-VC80ST 6 669.00 4,014.00 All County Music Cello Rack-Wenger-148J002.104