Kepler's Planetary System and the Rudolphine Tables
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Prehistory of Transit Searches Danielle BRIOT1 & Jean
Prehistory of Transit Searches Danielle BRIOT1 & Jean SCHNEIDER2 1) GEPI, UMR 8111, Observatoire de Paris, 61 avenue de l’Observatoire, F- 75014, Paris, France [email protected] 2) LUTh, UMR 8102, Observatoire de Paris, 5 place Jules Janssen, F-92195 Meudon Cedex, France [email protected] Abstract Nowadays the more powerful method to detect extrasolar planets is the transit method, that is to say observations of the stellar luminosity regularly decreasing when the planet is transiting the star. We review the planet transits which were anticipated, searched, and the first ones which were observed all through history. Indeed transits of planets in front of their star were first investigated and studied in the solar system, concerning the star Sun. The first observations of sunspots were sometimes mistaken for transits of unknown planets. The first scientific observation and study of a transit in the solar system was the observation of Mercury transit by Pierre Gassendi in 1631. Because observations of Venus transits could give a way to determine the distance Sun-Earth, transits of Venus were overwhelmingly observed. Some objects which actually do not exist were searched by their hypothetical transits on the Sun, as some examples a Venus satellite and an infra-mercurial planet. We evoke the possibly first use of the hypothesis of an exoplanet transit to explain some periodic variations of the luminosity of a star, namely the star Algol, during the eighteen century. Then we review the predictions of detection of exoplanets by their transits, those predictions being sometimes ancient, and made by astronomers as well as popular science writers. -
The Astronomers Tycho Brahe and Johannes Kepler
Ice Core Records – From Volcanoes to Supernovas The Astronomers Tycho Brahe and Johannes Kepler Tycho Brahe (1546-1601, shown at left) was a nobleman from Denmark who made astronomy his life's work because he was so impressed when, as a boy, he saw an eclipse of the Sun take place at exactly the time it was predicted. Tycho's life's work in astronomy consisted of measuring the positions of the stars, planets, Moon, and Sun, every night and day possible, and carefully recording these measurements, year after year. Johannes Kepler (1571-1630, below right) came from a poor German family. He did not have it easy growing Tycho Brahe up. His father was a soldier, who was killed in a war, and his mother (who was once accused of witchcraft) did not treat him well. Kepler was taken out of school when he was a boy so that he could make money for the family by working as a waiter in an inn. As a young man Kepler studied theology and science, and discovered that he liked science better. He became an accomplished mathematician and a persistent and determined calculator. He was driven to find an explanation for order in the universe. He was convinced that the order of the planets and their movement through the sky could be explained through mathematical calculation and careful thinking. Johannes Kepler Tycho wanted to study science so that he could learn how to predict eclipses. He studied mathematics and astronomy in Germany. Then, in 1571, when he was 25, Tycho built his own observatory on an island (the King of Denmark gave him the island and some additional money just for that purpose). -
Space Travel to the Moon and Kepler's Dream
Proceedings of the Iowa Academy of Science Volume 79 Number Article 15 1972 Space Travel to the Moon and Kepler's Dream Paul B. Selz Parsons College Let us know how access to this document benefits ouy Copyright ©1972 Iowa Academy of Science, Inc. Follow this and additional works at: https://scholarworks.uni.edu/pias Recommended Citation Selz, Paul B. (1972) "Space Travel to the Moon and Kepler's Dream," Proceedings of the Iowa Academy of Science, 79(1), 47-48. Available at: https://scholarworks.uni.edu/pias/vol79/iss1/15 This General Interest Article is brought to you for free and open access by the Iowa Academy of Science at UNI ScholarWorks. It has been accepted for inclusion in Proceedings of the Iowa Academy of Science by an authorized editor of UNI ScholarWorks. For more information, please contact [email protected]. Selz: Space Travel to the Moon and Kepler's Dream SPACE TRAVEL & KEPLER'S DREAM 47 Space Travel to the Moon and Kepler's Dream PAUL B. SELZ1 PAUL B. SELZ. Space Travel to the Moon and Kepler's Dream. that the same conclusions would follow. This involved concepts Proc. Iowa Acad. Sci., 79(1):47-48, 1972. ~£ mass, inertia, gravity, acceleration, velocity, and the driving SYNOPSIS: Johann Kepler advocated Copernicus's heliocentric force in a trip to the moon. Twelve years before Newton's birth theory in his Dream and Notes. He imagined how a moon dweller in 1642, Kepler published in this little known dream ideas which would see the solar system and the conclusions he would draw. -
Big Data and Big Questions
Big meta Q:Visualization-based discoveries ?? • When have graphics led to discoveries that might not have been achieved otherwise? . Snow (1854): cholera as a water-borne disease Big Data and Big Questions: . Galton (1883): anti-cyclonic weather patterns Vignettes and lessons from the history of data . E.W. Maunder (1904): 11-year sunspot cycle visualization . Hertzsprung/Russell (1911): spectral classes of stars Galton (1863) Snow (1854) Maunder (1904) H/R (1911) Michael Friendly York University Workshop on Visualization for Big Data Fields Institute, Feb. 2015 2 Big meta Q:Visualization-based discoveries ?? Context: Milestones Project • In the history of graphs, what features and data led to such discoveries? . What visual ideas/representations were available? . What was needed to see/understand something new? • As we go forward, are there any lessons? . What are the Big Questions for today? . How can data visualization help? 3 Web site: http://datavis.ca/milestones 4 Vignettes: 4 heros in the history of data visualization Underlying themes • The 1st statistical graph: M.F. van Langren and the Escaping flatland: 1D → 2D → nD “secret” of longitude • • “Moral statistics”: A.M. Guerry and the rise of modern • The rise of visual thinking and explanation social science • Mapping the invisible • Visual tools for state planning: C.J. Minard and the • Data → Theory → Practice Albums de Statistique Graphique in the “Golden Age” Graphical excellence • Mapping data: Galton’s discoveries & visual insight • • Appreciating the rich history of DataVis in what we do today 5 6 1. Big questions of the 17th century Big data of the 17th century • Geophysical measurement: distance, time and • Astronomical and geodetic tables space . -
Jerzy Piotr Majchrzak
WYŻSZA SZKOLA PEDAGOGICZNA ZIELONA GÓRA IM. TADEUSZA KOTARBIŃSKIEGO 1992 ' STUDIA ZACHODNIE str. 47-55 Jerzy Piotr Majchrzak WALLENSTEIN JAKO KSIĄŻĘ ŻAGANIA Dnia 3 września 1627 r. Ferdynand II Habsburg zawiadomił Śląską Ka merę Domen we Wrocławiu , że jest zdecydowany sprzedać Księstwo Żagań skie Albrechtowi Wallensteinowi za sumę 150 858 florenów reńskich jako cesarskie lenno, z prawem dziedziczenia w linii męskiej 1 • Wallenstein wahał się, czy przyjąć Żagań jako lenno - cesarz winien był mu znaczne sumy z tytułu wynagrodzenia za służbę. Zanim zdecydował się przyjąć ofertę kupna Żagania zażądał od monarchy ustalenia wysokości należnych mu poborów. W połowie stycznia 1628 r. Ferdynand ustalił wysokość wynagrodzenia Wal lensteina na sumę 6 tysięcy florenów reńskich miesięcznie. Cesarskim posta nowieniem z dnia 26 kwietnia suma ta ma zostać wypłacona Wallensteinowi z wyrównaniem od 25 lipca 1625 r. Dług Habsburga wynosił 198 tysięcy florenów reńskich. Po odliczeniu kwoty za Żagań Ferdynand nadal zalegał z wypłatą poborów na sumę 47 150 florenów. Tych pieniędzy Wallenstein nigdy nie otrzymaF. Podpisanie aktu sprzedaży-kupna nastąpiło już 18 grudnia 1627 r. w Pradze. Obszar obejmujący zamek i ogród zamkowy w Żaganiu, wsie Łozy (Loos), Czernice (Tschiebsdorf) i Machnów (Polnischmachen) nabył Wallen stein jako cesarskie lenno pod nazwą "Księstwo Żagańskie" 3 . Ten szczątkowy twór, pozostałość rozciągającego się niegdyś na powierzchni 715 km2 księ- 1Regest tego dokumentu w: Stadtbuch, nr 23 , (1627-1711), Lehnsverhii.ltnisse des Fiirstentums Sagan (Akta m . Żagania Oddz. AP Żary , sygn. 12, p. 4). P ełne brzmie nie tego listu podaje A. H e i nr i c h , Wallenstein ais Herzog von Sagan, Breslau 1896, s. -
Art on Mars: a Foundation for Exoart
THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF CANBERRA AUSTRALIA by TREVOR JOHN RODWELL Bachelor of Design (Hons), University of South Australia Graduate Diploma (Business Enterprise), The University of Adelaide ART ON MARS: A FOUNDATION FOR EXOART May 2011 ABSTRACT ART ON MARS: A FOUNDATION FOR EXOART It could be claimed that human space exploration started when the former Soviet Union (USSR) launched cosmonaut Yuri Gagarin into Earth orbit on 12 April 1961. Since that time there have been numerous human space missions taking American astronauts to the Moon and international crews to orbiting space stations. Several space agencies are now working towards the next major space objective which is to send astronauts to Mars. This will undoubtedly be the most complex and far-reaching human space mission ever undertaken. Because of its large scale and potentially high cost it is inevitable that such a mission will be an international collaborative venture with a profile that will be world- wide. Although science, technology and engineering have made considerable contributions to human space missions and will be very much involved with a human Mars mission, there has been scant regard for artistic and cultural involvement in these missions. Space agencies have, however, realised the influence of public perception on space funding outcomes and for some time have strived to engage the public in these space missions. This has provided an opportunity for an art and cultural involvement, but there is a problem for art engaging with space missions as currently there is no artform specific to understanding and tackling the issues of art beyond our planet. -
Theme 4: from the Greeks to the Renaissance: the Earth in Space
Theme 4: From the Greeks to the Renaissance: the Earth in Space 4.1 Greek Astronomy Unlike the Babylonian astronomers, who developed algorithms to fit the astronomical data they recorded but made no attempt to construct a real model of the solar system, the Greeks were inveterate model builders. Some of their models—for example, the Pythagorean idea that the Earth orbits a celestial fire, which is not, as might be expected, the Sun, but instead is some metaphysical body concealed from us by a dark “counter-Earth” which always lies between us and the fire—were neither clearly motivated nor obviously testable. However, others were more recognisably “scientific” in the modern sense: they were motivated by the desire to describe observed phenomena, and were discarded or modified when they failed to provide good descriptions. In this sense, Greek astronomy marks the birth of astronomy as a true scientific discipline. The challenges to any potential model of the movement of the Sun, Moon and planets are as follows: • Neither the Sun nor the Moon moves across the night sky with uniform angular velocity. The Babylonians recognised this, and allowed for the variation in their mathematical des- criptions of these quantities. The Greeks wanted a physical picture which would account for the variation. • The seasons are not of uniform length. The Greeks defined the seasons in the standard astronomical sense, delimited by equinoxes and solstices, and realised quite early (Euctemon, around 430 BC) that these were not all the same length. This is, of course, related to the non-uniform motion of the Sun mentioned above. -
Johannes Kepler (1571-1630)
EDUB 1760/PHYS 2700 II. The Scientific Revolution Johannes Kepler (1571-1630) The War on Mars Cameron & Stinner A little background history Where: Holy Roman Empire When: The thirty years war Why: Catholics vs Protestants Johannes Kepler cameron & stinner 2 A little background history Johannes Kepler cameron & stinner 3 The short biography • Johannes Kepler was born in Weil der Stadt, Germany, in 1571. He was a sickly child and his parents were poor. A scholarship allowed him to enter the University of Tübingen. • There he was introduced to the ideas of Copernicus by Maestlin. He first studied to become a priest in Poland but moved Tübingen Graz to Graz, Austria to teach school in 1596. • As mathematics teacher in Graz, Austria, he wrote the first outspoken defense of the Copernican system, the Mysterium Cosmographicum. Johannes Kepler cameron & stinner 4 Mysterium Cosmographicum (1596) Kepler's Platonic solids model of the Solar system. He sent a copy . to Tycho Brahe who needed a theoretician… Johannes Kepler cameron & stinner 5 The short biography Kepler was forced to leave his teaching post at Graz and he moved to Prague to work with the renowned Danish Prague astronomer, Tycho Brahe. Graz He inherited Tycho's post as Imperial Mathematician when Tycho died in 1601. Johannes Kepler cameron & stinner 6 The short biography Using the precise data (~1’) that Tycho had collected, Kepler discovered that the orbit of Mars was an ellipse. In 1609 he published Astronomia Nova, presenting his discoveries, which are now called Kepler's first two laws of planetary motion. Johannes Kepler cameron & stinner 7 Tycho Brahe The Aristocrat The Observer Johannes Kepler cameron & stinner 8 Tycho Brahe - the Observer The Great Comet of 1577 -from Brahe’s notebooks Johannes Kepler cameron & stinner 9 Tycho Brahe’s Cosmology …was a modified heliocentric one Johannes Kepler cameron & stinner 10 The short biography • In 1612 Lutherans were forced out of Prague, so Kepler moved on to Linz, Austria. -
2 / Lunar Base Concepts
2 / LUNAR BASE CONCEPTS HE TERM "LUNAR BASE" can refer to a spectrum of concepts ranging from a mannable "line shack" to a multifunctional, self-sufficient, populous Tcolony. In general, the authors contributing to this book discuss the earliest stages of a permanently manned facility with the capability for scientific investigations and some ability to support its own operation with local materials. The exact form of the "final" configuration usually is not critical to the discussion until cost is included. Costs of a lunar base can be similar to the space station program or can be at the level of the Apollo project. Since cost is such a sensitive topic in the advocacy phase, it becomes very important to understand not only the total cost but also the spending rate and the basic assumptions about what is charged to the project. The costs derived by Hoffman and Niehoff in their study presented in this section differ from costs referenced by Sellers and Keaton in a later section. The final configurations in the two studies differ considerably, but in both cases the spending rates over the duration of the project are well within the rate of expenditure of the current space program and are substantially less than rates associated with Project Apollo. Because lower cost is a major strategy goal, design concepts generally adopt hardware from prior programs. For example, the studies conducted by NASA in the 1960's and described by Lowrnan and by Johnson and Leonard depict habitats inspired by the Apollo transportation system. Contemporary drawings show space station modules emplaced on the lunar surface. -
Moonstruck: How Realistic Is the Moon Depicted in Classic Science Fiction Films?
MOONSTRUCK: HOW REALISTIC IS THE MOON DEPICTED IN CLASSIC SCIENCE FICTION FILMS? DONA A. JALUFKA and CHRISTIAN KOEBERL Institute of Geochemistry, University of Vienna. Althanstrasse 14, A-1090 Vienna, Austria (E-mail: [email protected]; [email protected]) Abstract. Classical science fiction films have been depicting space voyages, aliens, trips to the moon, the sun, Mars, and other planets, known and unknown. While it is difficult to critique the depiction of fantastic places, or planets about which little was known at the time, the situation is different for the moon, about which a lot of facts were known from astronomical observations even at the turn of the century. Here we discuss the grade of realism with which the lunar surface has been depicted in a number of movies, beginning with George Méliès’ 1902 classic Le Voyage dans la lune and ending, just before the first manned landing on the moon, with Stanley Kubrick’s 2001: A Space Odyssey. Many of the movies present thoughtful details regarding the actual space travel (rockets), but none of the movies discussed here is entirely realistic in its portrayal of the lunar surface. The blunders range from obvious mistakes, such as the presence of a breathable atmosphere, or spiders and other lunar creatures, to the persistent vertical exaggeration of the height and roughness of lunar mountains. This is surprising, as the lunar topography was already well understood even early in the 20th century. 1. Introduction Since the early days of silent movies, the moon has often figured prominently in films, but mainly as a backdrop for a variety of more or (most often) less well thought-out plots. -
The Reception of the Copernican Revolution Among Provençal Humanists of the Sixteenth and Seventeenth Centuries*
The Reception of the Copernican Revolution Among Provençal Humanists of the Sixteenth and Seventeenth Centuries* Jean-Pierre Luminet Laboratoire d'Astrophysique de Marseille (LAM) CNRS-UMR 7326 & Centre de Physique Théorique de Marseille (CPT) CNRS-UMR 7332 & Observatoire de Paris (LUTH) CNRS-UMR 8102 France E-mail: [email protected] Abstract We discuss the reception of Copernican astronomy by the Provençal humanists of the XVIth- XVIIth centuries, beginning with Michel de Montaigne who was the first to recognize the potential scientific and philosophical revolution represented by heliocentrism. Then we describe how, after Kepler’s Astronomia Nova of 1609 and the first telescopic observations by Galileo, it was in the south of France that the New Astronomy found its main promotors with humanists and « amateurs écairés », Nicolas-Claude Fabri de Peiresc and Pierre Gassendi. The professional astronomer Jean-Dominique Cassini, also from Provence, would later elevate the field to new heights in Paris. Introduction In the first book I set forth the entire distribution of the spheres together with the motions which I attribute to the earth, so that this book contains, as it were, the general structure of the universe. —Nicolaus Copernicus, Preface to Pope Paul III, On the Revolution of the Heavenly Spheres, 1543.1 Written over the course of many years by the Polish Catholic canon Nicolaus Copernicus (1473–1543) and published following his death, De revolutionibus orbium cœlestium (On the Revolutions of the Heavenly Spheres) is regarded by historians as the origin of the modern vision of the universe.2 The radical new ideas presented by Copernicus in De revolutionibus * Extended version of the article "The Provençal Humanists and Copernicus" published in Inference, vol.2 issue 4 (2017), on line at http://inference-review.com/. -
CORRECTIONS of the RUDOLPHINE NUMBERS Since
CHAPTER FIFTEEN1 CORRECTIONS OF THE RUDOLPHINE NUMBERS Since that error which I have found in the Rudolphine Tables is far too great, I think it will not be unappreciated if I show here how the calcula- tion may be corrected so as to agree with this and other observations. I believe in the form of Kepler’s hypotheses, wholly agreeing with them. I earnestly embrace both the annual and diurnal motion of the Earth. The causes of the motions, I am sure, are not intricate arrange- ments of deformed circles, but natural and magnetic,2 to be attributed to the Sun’s rotation about its own axis. He does not understand true astronomy who does not know the shape of an orbit to be elliptical; and the center of it to be the body of the Sun itself and not some fijicti- tious point near it, that the motion of the planet is truly unequal in its course; and that its whole apparent inequality arises not from its eccen- tricity alone. Finally, that the inclination of all the planets to the eclip- tic is not a libration in an annual motion, but fijixed and constant; who denies these, has not carefully examined astronomical observations. For Kepler has sufffijiciently demonstrated them all, and I have also found them by subsequent examination to be completely true. But to labor toward greater perfection in the structure raised on these principles, for instance in the quantity of the mean motions, orbits and eccentricities, would this not please Kepler himself, for as he ingeniously confesses, these have not yet been deeply investigated.