Ernesto Lecuona
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Nr Titel Artist 1 12Th Street Rag (EL Bowman) Toralf Tollefsen Och Hans
Nr Titel Artist 1 12th street rag (E. L. Bowman) Toralf Tollefsen och hans orkester (1969) 2 12th street rag (Euday L Bowman) Dick Contino with Horace Heidt and His Musical Knights 3 12th street rag (Euday L. Bowman) Eric Silver Trio (1958) 4 12th street rag (Euday L. Bowman) John Molinari (1955) 5 12th street rag (Euday L. Bowman) Myron Floren 6 12th street rag (Euday L. Bowman)) Erik Frank med sextett (1951) 7 22-an Ann Kristin (E. Ahlin, Gus Morris) Nonne Hall. Carl Jularbos kvartett (1950) 8 5e danse hongroise de Y. Brahms Christian Di-Maccio 9 5me danse Hongroise (J Brahms) Yvette Horner & Championne du Monde d´Accordéon et son Ensemble 10 76 trombones (Willson) Jo Basile, Accordion and Orchestra (1962) 11 A fine romance (Kern) Jo Basile and Orchestra (1968) 12 A foggy day (Gershwin) Russ Messina (1958) 13 A foggy day in London town (Gershwin) Lill-Arne Söderberg 14 A gay ranchero (Espinosa) Dick Contino with David Carroll and His Orchestra 15 A gay ranchero (J. Espinosa) Charles Magnante (1973) 16 A guid new year William Hannah 17 A hupfata (Klarinettpolka) (Trad.) Ragnar Sundquist och Sven Hylén (1928) 18 Á hvalveidum (Pálmi Stefánsson) Jón Hrólfsson (1981) 19 A lustiger Erstfelder (Ländler) Urner Ziehharmonika-Duett 20 A Malva rosa e ´mniezo grano; Mallow; Amongst the Wheatfields Pietro Frosini 21 A media luz (C. Lentzi - E. Donato) Olle Johnny's orkester (1939) 22 A media luz (Donato) Philip Green and his Orchestra 23 A media luz (E. Donato) (1940) Tobis and his Gauchos 24 A Palermo (vals) Guido Deiro 25 A summer night (Hun är bare nitten sommrer) (Hans Erichsen) Arvid Franzén 26 A thousands and one nights (J Strauss) (arr by A Dellaira) Gene Ettore and his Accordion Ensemble 27 A toast to U.S.A. -
Seccion 06 V
1 SECCION 06 V NUMIDIA VAILLANT (Pianista) Ver: Esther Borja. Residió por muchos años en París, donde falleció. Ver wwwdesmemoriados.Com de Rosa Marquetti, para amplia información sobre esta artista. Lp Antilla 101 Reeditado casi inmediatamente como Kubaney 101.La Habana, 1955. Aunque se trata de canciones por Esther Borja, se incluyen dos solos de piano por Numidia. Danza cubana La hija de Oriente CARLOS VALADEZ (?) 8129 7/53 S 7316 Me la debes / b FR 8128 7/53 S 7317 Yiri yiri bon / afro-gu SM ABELARDO VALDÉS Ver: Orquesta Almendra de Abelardo Valdés ALFREDITO VALDÉS Y SU CONJUNTO (cu) La Habana, 1908 – New York, 10/28/1988. Cantante, hermano del también cantante Vicentico Valdés y sobrino del cantante y percusionista -más joven que ellos- Oscar Valdés, que estuviera con Irakere por mucho tiempo. Alfredito comenzó cantando en grupos soneros hasta ingresar en 1930 en el Septeto Nacional. Pero de ahí en adelante su trayectoria artística es muy variada y a veces, parece increíble: En 1936 reemplaza al legendario Pablito Quevedo en la orquesta de Cheo Belén Puig, y deja grabados una serie de danzones cantados antológicos, como Dulce serenidad, Ahora que eres mía y otros, pero con la misma destreza números movidos como Todos seguimos la conga. En 1937 se traslada a Nueva York y trabaja y graba con la orquesta de Cugat. Se atreve con números como Bruca maniguá, coto privado de Miguelito Valdés. Graba y canta también en 1938, con la orquesta de Nilo Menéndez y en ese mismo año, cambiando completamente de formato a dúo con Machito para el Cuarteto Caney. -
Lecuona Cuban Boys
SECCION 03 L LA ALONDRA HABANERA Ver: El Madrugador LA ARGENTINITA (es) Encarnación López Júlvez, nació en Buenos Aires en 1898 de padres españoles, que siendo ella muy niña regresan a España. Su figura se confunde con la de Antonia Mercé, “La argentina”, que como ella nació también en Buenos Aires de padres españoles y también como ella fue bailarina famosísima y coreógrafa, pero no cantante. La Argentinita murió en Nueva York en 9/24/1945.Diccionario de la Música Española e Hispanoamericana, SGAE 2000 T-6 p.66. OJ-280 5/1932 GVA-AE- Es El manisero / prg MS 3888 CD Sonifolk 20062 LA BANDA DE SAM (me) En 1992 “Sam” (Serafín Espinal) de Naucalpan, Estado de México,comienza su carrera con su banda rock comienza su carrera con mucho éxito, aunque un accidente casi mortal en 1999 la interumpe…Google. 48-48 1949 Nick 0011 Me Aquellos ojos verdes NM 46-49 1949 Nick 0011 Me María La O EL LA CALANDRIA Y CLAVELITO Duo de cantantes de puntos guajiros. Ya hablamos de Clavelito. La Calandria, Nena Cruz, debe haber sido un poco más joven que él. Protagonizaron en los ’40 el programa Rincón campesino a traves de la CMQ. Pese a esto, sólo grabaron al parecer, estos discos, y los que aparecen como Calandria y Clavelito. Ver:Calandria y Clavelito LA CALANDRIA Y SU GRUPO (pr) c/ Juanito y Los Parranderos 195_ P 2250 Reto / seis chorreao 195_ P 2268 Me la pagarás / b RH 195_ P 2268 Clemencia / b MV-2125 1953 VRV-857 Rubias y trigueñas / pc MAP MV-2126 1953 VRV-868 Ayer y hoy / pc MAP LA CHAPINA. -
Rhythm & Blues Rhythm & Blues S E U L B & M H T Y
64 RHYTHM & BLUES RHYTHM & BLUES ARTHUR ALEXANDER JESSE BELVIN THE MONU MENT YEARS CD CHD 805 € 17.75 GUESS WHO? THE RCA VICTOR (Baby) For You- The Other Woman (In My Life)- Stay By Me- Me And RECORD INGS (2-CD) CD CH2 1020 € 23.25 Mine- Show Me The Road- Turn Around (And Try Me)- Baby This CD-1:- Secret Love- Love Is Here To Stay- Ol’Man River- Now You Baby That- Baby I Love You- In My Sorrow- I Want To Marry You- In Know- Zing! Went The My Baby’s Eyes- Love’s Where Life Begins- Miles And Miles From Strings Of My Heart- Home- You Don’t Love Me (You Don’t Care)- I Need You Baby- Guess Who- Witch craft- We’re Gonna Hate Ourselves In The Morn ing- Spanish Harlem- My Funny Valen tine- Concerte Jungle- Talk ing Care Of A Woman- Set Me Free- Bye Bye Funny- Take Me Back To Love- Another Time, Another Place- Cry Like A Baby- Glory Road- The Island- (I’m Afraid) The Call Me Honey- The Migrant- Lover Please- In The Middle Of It All Masquer ade Is Over- · (1965-72 ‘Monument’) (77:39/28) In den Jahren 1965-72 Alright, Okay, You Win- entstandene Aufnahmen in seinem eigenwilligen Stil, einer Ever Since We Met- Pledg- Mischung aus Soul und Country Music / his songs were covered ing My Love- My Girl Is Just by the Stones and Beatles. Unique country-soul music. Enough Woman For Me- SIL AUSTIN Volare (Nel Blu Dipinto Di SWINGSATION CD 547 876 € 16.75 Blu)- Old MacDonald (The Dogwood Junc tion- Wildwood- Slow Walk- Pink Shade Of Blue- Charg ers)- Dandilyon Walkin’ And Talkin’- Fine (The Charg ers)- CD-2:- Brown Frame- Train Whis- Give Me Love- I’ll Never -
An Approach to the Cuban Institutions That Treasure Document Heritage Related to Music
An Approach to the Cuban Institutions that Treasure Document Heritage Related to Music CUBA Obrapía No.509 entre Bernaza y Villegas/Habana Vieja CP10100 Teléfonos: 7861-9846/7 863-0052 Email: [email protected] Lic. Yohana Ortega Hernández Musicologist Head of the Archives and Library Odilio Urfé National Museum of Music 2 The first institution in Cuba which aimed at compiling, studying and disseminating the Cuban music heritage was the Institute for the Research on Folk Music (IMIF), created in 1949 by Odilio Urfé González together with a group of outstanding musicians. In 1963 the Institute became the Seminar for Popular Music (SMP) and in 1989, the Resource and Information Center on Cuban Music Odilio Urfé. In 2002, this institution merged its collections with the collections of the National Museum of Music (MNM) (officially created on September 9, 1971). The MNM is the most important institution in the country dedicated to the conservation, study and dissemination of the Cuban music heritage. Its collections are housed in the Archives and Library Odilio Urfé. Other institutions that in Cuba treasure documents related to music are the National Library José Martí in Havana, the Elvira Cape Library in Santiago de Cuba, the Center for the Research and Development of Cuban Music (CIDMUC); the Alejandro García Caturla Museum in Remedios and the Museum of Music Rodrigo Prats in Sagua la Grande, both in Villa Clara province; the Resource and Information Center on Music Argeliers León in Pinar del Río; the Center for Information and Documentation on Music Rafael Inciarte in Guantánamo and; the Museum of Music Pablo Hernández Balaguer in Santiago de Cuba. -
H. Res. 1090 in the House of Representatives, U
H. Res. 1090 In the House of Representatives, U. S., December 6, 2006. Whereas Ruth Brown passed away on November 17, 2006; Whereas Ruth Brown, a rhythm and blues singer and song- writer known as Miss Rhythm, was one of Atlantic Records’s first recording and performing stars; Whereas Ruth Brown’s elegant voice made her a hit from the 1940s onward with such songs as ‘‘So Long’’ and ‘‘Tear- drops from My Eyes’’; Whereas Ruth Brown’s career spanned the post-World War II era through the Civil Rights Movement to the 21st century, a period which also saw the genre of ‘‘race’’ music move into the American mainstream; Whereas Ruth Brown helped found the Rhythm and Blues Foundation in 1988 to recognize, promote, and preserve rhythm and blues music; Whereas Ruth Brown worked with Congress to advance the cause of copyright royalty reform so that rhythm and blues artists could receive deserved copyright royalties from their music; Whereas Ruth Brown’s talent was recognized with a Tony Award for Best Actress in a Musical in ‘‘Black and Blue’’ in 1989, a Grammy Award for her album ‘‘Blues on Broadway’’ in 1989, induction into the Rock and Roll 2 Hall of Fame in 1993, and a Lifetime Achievement Award from the Blues Foundation in 1999; Whereas Ruth Brown’s autobiography, ‘‘Miss Rhythm,’’ re- ceived the Ralph J. Gleason Music Book Award; and Whereas Ruth Brown is survived by 2 sons, 4 siblings, 3 grandchildren, and a multitude of cousins, nieces, neph- ews, friends, and admirers: Now, therefore, be it Resolved, That the House of Representatives— (1) honors the life of Ruth Brown; (2) recognizes Ruth Brown for her efforts toward reforming the copyright royalty system on behalf of rhythm and blues recording artists; (3) commends Ruth Brown for her success in en- suring that rhythm and blues recording artists would re- ceive deserved copyright royalties; and (4) expresses its deepest condolences to Ruth Brown’s family and friends. -
Beautiful and Damned: Geographies of Interwar Kansas City by Lance
Beautiful and Damned: Geographies of Interwar Kansas City By Lance Russell Owen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Johns, Chair Professor Paul Groth Professor Margaret Crawford Professor Louise Mozingo Fall 2016 Abstract Beautiful and Damned: Geographies of Interwar Kansas City by Lance Russell Owen Doctor of Philosophy in Geography University of California, Berkeley Professor Michael Johns, Chair Between the World Wars, Kansas City, Missouri, achieved what no American city ever had, earning a Janus-faced reputation as America’s most beautiful and most corrupt and crime-ridden city. Delving into politics, architecture, social life, and artistic production, this dissertation explores the geographic realities of this peculiar identity. It illuminates the contours of the city’s two figurative territories: the corrupt and violent urban core presided over by political boss Tom Pendergast, and the pristine suburban world shaped by developer J. C. Nichols. It considers the ways in which these seemingly divergent regimes in fact shaped together the city’s most iconic features—its Country Club District and Plaza, a unique brand of jazz, a seemingly sophisticated aesthetic legacy written in boulevards and fine art, and a landscape of vice whose relative scale was unrivalled by that of any other American city. Finally, it elucidates the reality that, by sustaining these two worlds in one metropolis, America’s heartland city also sowed the seeds of its own destruction; with its cultural economy tied to political corruption and organized crime, its pristine suburban fabric woven from prejudice and exclusion, and its aspirations for urban greatness weighed down by provincial mindsets and mannerisms, Kansas City’s time in the limelight would be short lived. -
PROGRAMA Ernesto Lecuona in Memoriam (125 Años De Su Nacimiento)
MARTES, 29 DE SEPTIEMBRE | 20:00 H – AUDITORIO “ÁNGEL BARJA” TROVA LÍRICA CUBANA Daina Rodríguez_soprano | Ana Miranda_alto | Nadia Chaviano_viola Flores Chaviano_guitarra y dirección PROGRAMA Ernesto Lecuona in memoriam (125 años de su nacimiento) EUSEBIO DELFÍN (1893-1995): Y tú qué has hecho? -bolero JULIO BRITO (1908-1968): El amor de mi bohío –guajira EDUARDO SÁNCHEZ DE FUENTES ELISEO GRENET (1893-1950): (1874-1944): La volanta Negro bembón/N. Guillén -son GONZALO ROIG (1890-1970): EMILIO GRENET (1901-1941): Ojos brujos -fantasía guajira Yambambó /N. Guillén -afro ERNESTINA LECUONA (1882-1951): GILBERTO VALDÉS (1905-1972): Tus besos de pasión -bolero Ogguere - canción de cuna afro MARGARITA LECUONA (1910-1981): RODRIGO PRATS (1909-1980): Babalú -motivo afrocubano Una Rosa de Francia -criolla bolero María Bailén: Chacone –romanza ERNESTO LECUONA (1895-1961): Aquella Tarde -criolla-bolero MOISÉS SIMONS (1889-1945): Siboney -tango congo El manisero -pregón María la O -romanza TROVA LÍRICA CUBANA rova Lírica Cubana fue fundada en España en 1992. Desde Manzanares el Real; Universidad de Salamanca; Festival Inter- entonces ha ofrecido recitales en numerosas instituciones: nacional Andrés Segovia, Fundación Botín de Santander o Casa Instituto Cervantes, Our Lady of Good Church de Nueva de Cantabria, y en ciudades como Florencia, Barcelona, Valencia, York, Centro Cultural Español de Miami; Centro Cultural de la Vi- Segovia, San Lorenzo del Escorial, Aranjuez o Gijón. lla, Centro Cultural Conde Duque, Sala Galileo, Casa del Reloj, Sa- cristía de los Caballeros de Santiago, Ateneo de Madrid; Clásicos Desde su fundación ha centrado su trabajo en la difusión en Verano de la Comunidad de Madrid, Castillo de Los Mendoza, del repertorio más selecto de la canción lírica cubana. -
An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
The Ultimate Complete Michael Bloomfield Discography
The Ultimate Complete Michael Bloomfield Discography Photo ©: Mike Shea/Patrick Shea Michael Bloomfield December 7, 1964 “The music you listen to becomes the soundtrack of your life....” Michael Bloomfield Feb. 13, 1981 Compiled by René Aagaard, Aalekaeret 13, DK-3450 Alleroed, Denmark – [email protected] www.the-discographer.dk - Copyright September 2015 Version 10 Michael Bernard Bloomfield was born July 28, 1943, in Chicago, Illinois and was found dead in his car in San Francisco, California on February 15, 1981. Between these dates he made a lasting impression on the world of music. Today he is still considered one of the greatest and most influential white guitarists from the USA. He learned by listening to all the great black musicians that played Chicago in the ’50s and early ’60s - people like Howlin’ Wolf, Muddy Waters, Big Joe Williams, Sleepy John Estes and many more. He was always eager to join them on stage and made quite a name for himself. He also played with many white musicians his own age, like Barry Goldberg, Charlie Musselwhite, Nick Gravenites and whoever toured Chicago. In the early ’60s, barely 20 years old, he was the musical director of a Chicago blues club called The Fickle Pickle. Here he hired many of the old, black blues legends, and he treated them so well that Big Joe Williams even mentions him in a song about the club, “Pick a Pickle”. In 1964 Michael Bloomfield was “discovered” by legendary producer John Hammond, Sr., who went to Chicago to hear and record Bloomfield, and then invited him to New York to audition for Columbia Records. -
Amplified Music and Multimodality
Making Things Louder: Amplified Music and Multimodality PhD Thesis Johannes Mulder University of Technology Sydney Faculty of Arts and Social Sciences Supervisor: Professor Theo van Leeuwen Submitted April 2013 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Johannes Mulder ii Acknowledgments I am very grateful to Theo van Leeuwen who both inspired and supervised this thesis. In a relatively short time he has shared a vast amount of his own work and insights, forming the ‘roots’ of this work. Bert Bongers’ for his invaluable and continuing friendship, support and our never-ending critical dialogue. Tony Mitchell has kindly and patiently proofread this dissertation, which has been crucial in eliminating the inherent quirks of bilingualism (which in itself sounds like a Dutchism). Some of my best friends are live sound engineers: Paul, Joke, Bart, Jeroen, Carl, Marc, you are all part of this. Two people, Martje van Riel and Xander Lub were instrumental in making me go back to University. I particularly want to thank my friend Arnoud van Deelen (the self appointed chair of my fan club) for his long lasting support morally, and financially.