Kadaikutty Singam Collection Report
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Placement Brochure 2019-20
Suyaradatta Education Foundation’s SURYADATTA INSTITUTE OF MANAGEMENT & MASS COMMUNICATION, SIMMC SURYADATTA INSTITUTE OF BUSINESS MANAGEMENT & TECHNOLOGY, SIBMT PGDM : Approved by AICTE, Govt. of Maharashtra & Recognized by Ministry of HRD, Govt. of India MBA : Affiliated to Savitribai Phule Pune University, approved by DTE & Recognized by Government of Maharashtra L AC E M E N T B R O C H U R E P L AC E M E N T B R O C H U R E 2019-2020 Enriching Careers & Enhancing Lives’ Since 1999 PLACEMENT BROCHURE 2019-20 Invitaon for Campus Recruitment Program Estd. 1999 | Suryadatta Education Foundation’s GROUP OF INSTITUTES ISO 9001 : 2015 Certified Institutes & Accredited by NVT-QC, ANAB & IAF Regd. Office : 2074, Sadashiv Peth, Vijayanagar Colony, Pune - 411030, Maharashtra, INDIA Bavdhan Pune Campus : Survey No. 342, Bavdhan, Pune - 411021, Maharashtra, INDIA Tel. No. : 020-67901300 M. 9881490036, 9763266829 Fax No. : 020-67901333 Email : [email protected] / [email protected] Website : www.suryadatta.org Ranked as A Category Top 50 Group of Institutes in India for 17 consecutive years by the Leading National Surveys Ref. No. : SEF/ SGI / Placements Date : October 2019 Dear Recruiter, Subject : (i) Invitaon for Campus Recruitment Drive for final placement of MBA / PGDM 2018-20 Batch (ii) Summer Internship for 2019-21 Batch We take pleasure in introducing - Suryadaa Group of Instutes established under the aegis of Suryadaa Educaon Foundaon in the year 1999 with the objecve of developing self movated leaders, to be successful in the challenging and vibrant global economy. Courses : We have students from Pan India who are pursuing two years Full Time Post Graduate Courses viz. -
Masculinity and Transnational Hindu Identity
Nidān, Volume 3, No. 2, December 2018, pp. 18-39 ISSN 2414-8636 Muscular Mahabharatas: Masculinity and Transnational Hindu Identity Sucheta Kanjilal University of Tampa [email protected] "Hence it is called Bharata. And because of its grave import, as also of the Bharatas being its topic, it is called Mahabharata. He who is versed in interpretations of this great treatise, becomes cleansed of every sin. Such a man lives in righteousness, wealth, and pleasure, and attains to Emancipation.” - Mahābhārata (18.5) translation by K. M. Ganguli Abstract The climax of the Sanskrit Mahābhārata is undeniably muscular, since it involves a kṣatriya family fighting a brutal but righteous war. Many 21st century Mahabharata adaptations not only emphasize the muscularity of the epic, but also flex these muscles in an arena beyond the Kurukṣetra battlefield: the world. Through an analysis of texts such as Chindu Sreedharan’s Epic Retold (2015) and Prem Panicker’s Bhimsen (2009), I suggest that the increased visibility of epic warrior narratives across global platforms indicates a desire to re-fashion a hypermasculine identity for Hindus in the transnational religio-political sphere. I see this as an attempt to distance Hinduism from Gandhi’s ‘passive resistance’ and colonial conceptions of the ‘effeminate native’. Instead, it aligns with the nationalist and global aims of Prime Minister Narendra Modi, who emphasizes the importance of Hindu traditions and physical fitness for collective prosperity. While these new epic adaptations certainly broaden the reach of Hindu culture beyond national boundaries, I suggest exhuming only warrior narratives from the epic texts oversimplifies Hindu values and threatens a range of gender identities and religious affiliations. -
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Bhuma Akhila Priya Husband Divorce
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Weaving Partnerships and Growth
WEAVING PARTNERSHIPS AND GROWTH 27th ANNUAL REPORT 2014-15 Sponsorship Details You can express your love, affection and support for our Children, Senior Citizens, Dry Cows and our Community by sending donations. Sponsor Food for Children & Senior Citizens One Time (in Rs) Meals Full Sponsor Principal Sponsor Co-Sponsor Inside Breakfast 8,000 4,000 2,500 Who We Are Lunch 36,000 15,000 6,000 Dinner 16,000 8,000 5,000 n Management ................................................................................................ 1 Full Day 60,000 27,000 13,500 n Organisation .................................................................................................. 2 Endowment (in Rs) n Academic Heads ............................................................................................ 3 Meals Full Sponsor Principal Sponsor Co-Sponsor n Vision, Mission, Values .................................................................................. 4 Breakfast 1,00,000 50,000 32,000 n Our Activities ................................................................................................. 5 Lunch 4,50,000 1,87,500 75,000 n Our Co-ordinates ........................................................................................... 6 Dinner 2,00,000 1,00,000 62,500 n Our Associates .............................................................................................. 7 Full Day 7,50,000 3,37,500 1,69,500 n Our Auditors .................................................................................................. 8 Cost -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Page 7.Qxd (Page 1)
JAMMU | WEDNESDAY | APRIL 28, 2021 JB ENTERTAINMENT JAMMU BULLETIN 7 Aashka Goradia quits showbiz: ‘Would Dhanush film Jagame Thandhiram will rather call it moving on to a different phase’ start streaming on Netflix from this date hanush-starrer ashka Goradia has shocked did that when I took up acting two Jagame Thandhiram fans and television audience decades back, and I gave it my all. will be released on by deciding to quit acting to Right now, yes it’s a tough decision D A Netflix on June 18, the pursue her entrepreneurial dreams. and choices are always tough. I am not Having started her make-up brand a just walking away from a career I built streaming giant announced few years back, the actor wants to from the scratch but also the city, on Tuesday evening. Sharing focus on the same in a bid to take it to memories, relationships — I will miss a new poster of the movie in a new level. Calling it a ‘three year everything but I have always believed which a smiling Dhanush is plan’ as of now, Aashka however calls that you have to stride to make a mark seen sporting shades, Netflix it a ‘moving on’ decision rather than in your career,” she replied with a wrote, “Suruli oda aatatha ‘quitting’. The Maharana Pratap actor smile. paaka naanga ready! Neenga shared, “I don’t think you can give up And if you are wondering what ready ah? something that has been such an would Aashka Goradia miss the most, #JagameThandhiram coming important phase in your life. -
NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 23/08/2021 till 08:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. 1st-Merit List will be displayed on 26/8/2021 at 5:00 pm on our website. पहहऱी गुणळ配ता यादी हदनांक 26/8/2021 रोजी सं鵍याकाली 5:00 ळाजता आम楍या ळेबसाइटळर प्रद셍ऴति के ऱी जाईऱ. S.N. ARTS COMMERCE SCIENCE 1 Aastkar Rushikesh Kishor Aadavde Ninad Santosh Agnel Philips Nazareth 2 Admane Payal Somnath Aarya Anju Suresh Ahire Komal Krishna 3 Ahire Pallavi Rajendra Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Akerkar Prajwal Prabhakar Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Ansari Rajina Ahmad Adit Aditi Sanjay Almeida Nash Norbert 6 Aptekar Piyusha Yogesh Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Avasarmol Savita Narayan Adsul Priyanka Daulat Andher Ankita Jethu 8 Bade Daksh Rupesh Agavane Chinmay Chandrashekhar Arote Samiksha Santosh 9 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Ayush Kumar Dhananjay Kumar 10 Bankol Akshat Krushna Agre Suraj Sakharam Bagul Rushikesh Dhanraj 11 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bais Thakur Kajal Ratansingh 12 Baraf Bhumika Ahire Pankaj Vinayak Bamne Pranali Suryakant 13 Bhavar Neha Dinesh Ambavane Harsh Rahul Bangera Dhrithi Krishna 14 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 15 Bhoir Jay Kishor Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy -
Iruvar Tamil Full Movie Download
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Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std
Barve Education Society's NEW ENGLISH SCHOOL JUNIOR COLLEGE - VASAI Std. 11th Admission Registration List Year: [2021-22] As on: 20/08/2021 till 09:00 PM This list is only your Std. 11th Admission Registration List, not final Admission list. ही फ啍त तुमची 11 ळीची प्रळेऴ नⴂदणी यादी आहे, अतं तम प्रळेऴ यादी नाही. We will display Merit List and time table for admissions shortly on our website. आ륍ही ऱळकरच आम楍या ळेबसाइटळर प्रळेऴासाठी गुणळ配ता यादी आणण ळेलापत्रक प्रदर्ऴति क셂. S.N. ARTS COMMERCE SCIENCE 1 Admane Payal Somnath Aadavde Ninad Santosh Agnel Philips Nazareth 2 Ahire Pallavi Rajendra Aarya Anju Suresh Ahire Komal Krishna 3 Akerkar Prajwal Prabhakar Abhang Ishwari Shankar Alam Mohd. Rizwan Mohd. Riyaz 4 Ansari Rajina Ahmad Adak Amayeo Susanta Ali Fareen Musafir Khatoon 5 Aptekar Piyusha Yogesh Adit Aditi Sanjay Almeida Nash Norbert 6 Avasarmol Savita Narayan Adlikar Akshay Tulshidas Ambhore Swati Sunil 7 Bade Daksh Rupesh agavane Chinmay Chandrashekhar Andher Ankita Jethu 8 Bajya Vishal Ghanshyam Agrahari Rohan Sunil Arote Samiksha Santosh 9 Bankol Akshat Krushna Agre Suraj Sakharam Ayush Kumar Dhananjay Kumar 10 Bankol Harshad Prabhakar Ahir Dipesh Sanjay Bagul Rushikesh Dhanraj 11 Bhavar Neha Dinesh Ahire Pankaj Vinayak Bais Thakur Kajal Ratansingh 12 Bhoir Jay Kishor AMBAVANE HARSH RAHUL Bangera Dhrithi Krishna 13 Bhoir Aachal Laxman Amberkar Vaidehi Ramchandra Baranwal Hariom Rakesh 14 Bhoir Kalpana Dipak Ansari Aarzooobano Shabbir Ahamad Baranwal Nancy Satish 15 Bhoir Kunal Krushna Ansari Gulam Kamar Reja Baraskar Sayali Ajit 16 -
The Rhetoric of Masculinity and Machismo in the Telugu Film Industry
TAMING OF THE SHREW: THE RHETORIC OF MASCULINITY AND MACHISMO IN THE TELUGU FILM INDUSTRY By Vishnupriya Bhandaram Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Master of Arts Supervisors: Vlad Naumescu Dorit Geva CEU eTD Collection Budapest, Hungary 2015 Abstract Common phrases around the discussion of the Telugu Film Industry are that it is sexist and male-centric. This thesis expounds upon the making and meaning of masculinity in the Telugu Film Industry. This thesis identifies and examines the various intangible mechanisms, processes and ideologies that legitimise gender inequality in the industry. By extending the framework of the inequality regimes in the workplace (Acker 2006), gendered organisation theory (Williams et. al 2012) to an informal and creative industry, this thesis establishes the cyclical perpetuation (Bourdieu 2001) of a gender order. Specifically, this research identifies the various ideologies (such as caste and tradition), habituated audiences, and portrayals of ideal masculinity as part of a feedback loop that abet, reify and reproduce gender inequality. CEU eTD Collection i Acknowledgements “It is not that there is no difference between men and women; it is how much difference that difference makes, and how we choose to frame it.” Siri Hustvedt, The Summer Without Men At the outset, I would like to thank my friends old and new, who patiently listened to my rants, fulminations and insecurities; and for being agreeable towards the unreasonable demands that I made of them in the weeks running up to the completion of this document.