Juliol-Desembre 2011 Pública Alicante
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Uno De Los Mayores Referentes Del Pop Actual, En El Auditori De Girona
NOTA DE PRENSA GIRONA, 8 DE FEBRERO DE 2012 AMARAL - VIERNES 10 DE FEBRERO. 21 H. SALA SINFÓNICA UNO DE LOS MAYORES REFERENTES DEL POP ACTUAL, EN EL AUDITORI DE GIRONA Amaral presenta el su Sexto trabajo, Hacia lo salvaje, un disco que supone una evolución folk y eléctrica en su habitual línea pop La banda aragonesa ceunta con una gran trayectoria musical con más de 15 años de carrera y más de 4 millones de discos vendidos Más de 4 millones de discos vendidos. Premio Ondas a la mejor canción por Sin ti no soy nada , en 2002. Nominados al Grammy Latino el 2005, el mismo año que El País los declaró mejor banda española. Galardonados con el premio a la mejor canción, mejor álbum y mejor videoclip a los Premios de la Música, en el año 2006. Premio Nacional de Músicas Actuales del Ministerio de Cultura en 2010... Quedan pocas cosas por añadir al largo y brillante currículum de uno de los grupos referente del pop-rock español: Amaral, formada por Eva Amaral y Juan Aguirre, que el próximo 10 de febrero podremos escuchar en directo en la Sala Sinfónica del Auditori de Girona, donde presentarán su trabajo más nuevo Hacia lo salvaje . Llegarán a la ciudad después de cerrar la gira internacional 2010-2011, que les ha llevado a tocar por escenarios de Varsovia, Hannover, Toronto, Chicago, Austin, Nova York, París y Londres. Hacia lo salvaje , un disco que la banda se ha autoeditado después de romper su relación con la discográfica EMI, representa, en el plano musical, una descarada apuesta por la esencia de lo que es Amaral: canciones que explican historias y que, a la vez, enganchan y están llenas de fuerza. -
'Iphone' Y Disfruten Acompañase De Una Banda Ccjn Más Peso, La Próxima Vez Que Vl Niera a Málaga Llenarla Estadios
34 LUNES, 31 DE OCTUBRE DE 2011 • Málaga hoy Cultura y Ocio 98 pero actualizado. Yda la sen sación de que si Eva Amaral se Guarden el 'iPhone' y_ disfruten acompañase de una banda ccJn más peso, la próxima vez que vl niera a Málaga llenarla estadios. Porque la cantante apenas tiene a poco más que Juan Aguirre a " su lado. Y, sin despreciar a quie CRíTICA MÚSICA nesles acompañan en esta gira, falta una chispa más potente al AMARAl rededor. Otro fogonazo. Sin al ****ü go más que aportar en el escena S.I. P.rfs 15. Fe<ho: 29 de octubr~ Mdsl' rio, Amaral tendrá difícil pasar cos: Eva Amaral (VOl y guitarra), Juan Aguirre del sobresaliente a la matrícula (guitarras). Toni Toledo (guitarra). Ezequiel Na-' de honor en sus directos. Es sólo va, (balerla) y(hris Taylar (bajo). Aforo: Unas un escalón, pero hay que subir 3.000 persona, (lleno). lo. Aunque quizás sea todo eso sólo sea una estupidez: puede Pablo Plñero que lo único que haga falta a Me habían dicho que los directos Amaral para llenar La Rosa leda de Amaral merecían la pena. en sil próxima visit¡l a Málaga Que eran buenos, de calidad. sea tocar allí. O que en vez de ser También me contaban que su de Zaragoza y cantar en espa: música es de las pocas que aún. ñol, llegasen desde una vieja hoy evocan a los mejores soru ciudad remota con nombre an dos nacionales de los 60 o 70. glosajón y letras escritas en in Una delicia. -
Bluegrass Cavalcade
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1956 Bluegrass Cavalcade Thomas D. Clark Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Clark, Thomas D., "Bluegrass Cavalcade" (1956). Literature in English, North America. 20. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/20 Bluegrass Cavalcade ~~ rvN'_r~ ~ .,J\{.1' ~-.---· ~ '( , ~\ -'"l-.. r: <-n' ~1"-,. G.. .... UNIVERSITY OF KENTUCKY PRESS Lexington 1956 - Edited by THOMAS D. CLARK .'-" ,_ r- Publication of this book is possible partly because of a grant from the Margaret Voorhies Haggin Trust established in memory of her husband James Ben Ali Haggin. Copyright © 1956 by The University of Kentucky Press Paperback edition © 2009 by the University Press of Kentucky The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. -
Illinois for the Report Says Illinois Survivors to Offer Support Tions Against Them
Questions? Call 1-800-Tribune Thursday, December 20, 2018 Breaking news at chicagotribune.com 500 accused priests unnamed State AG report finds extensive abuse, says church yet to ID many By Elvia Malagon licly identified only 185 olic dioceses that govern ades. and moral responsibility to Chicago Tribune clergy with credible allega- parishes across Illinois for The report says Illinois survivors to offer support tions against them. their lack of transparency dioceses “have lost sight of and services, and to take A scathing report from The determination is and flawed investigations. both a key tenet” of policies swift action to remove abu- Attorney General Lisa part of a preliminary report Although the report says laid out by the United States sive clergy,” the report Madigan finds the number made public Wednesday by that “Clergy sexual abuse of Conference of Catholic states. of Catholic priests accused Madigan’s office, which has minors in Illinois is signifi- Bishops as well as “the most In a prepared statement, of sexual abuse against chil- been investigating Catholic cantly more extensive than obvious human need as a Chicago Cardinal Blase Cu- dren in Illinois is much clergy sexual abuse of mi- the Illinois Dioceses previ- result of these abhorrent pich acknowledged that higher than previously ac- nors following revelations ously reported,” it does not acts of abuse: the healing victims of sexual abuse by CHICAGO TRIBUNE knowledged. during the summer of wide- estimate how many of the and reconciliation of sur- Catholic priests continue to Attorney General Lisa Madi- The report said accusa- spread abuse and cover-ups allegations against the 690 vivors.” live with the pain. -
Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning. -
Magazine LAPARADADELBUS.COM .Entrevista
La ParadaNº 002 - Año 2020 DEL BUS · Magazine LAPARADADELBUS.COM .entrevista por puro imperativo sanitario. Lógico y necesario. Sea como sea el formato futuro queremos ver muchas sonrisas en las caras de la gente. > ¿Tenéis ya alguna sala en mente para ese Verona retorno? Se trabaja a diario en fechas y salas, pero Charlamos sobre haciendo equilibrios entre lo que nos gustaría y lo que se puede hacer. Tenemos a los amigos de 27 “Capital Silencio” ladridos dándonos cariño y preparando nuestro regreso a los escenarios. ace poco estrenaron «Capital Silencio». Imaginamos que la música lleva en vuestras Un nuevo trabajo compuesto por nueve venas muchos años ¿Recordáis que tipo de Hcanciones que podríamos encajar en el música escuchabais a los 16 años? marco rock independiente con una nueva deriva BENI: Yo siempre he sido y soy muy clásico con el electrónica que suma consistencia y fuerza, con rock. En el ’96 pegaban bandas como Oasis, Blur, una parte vocal acoplada de modo elegante a Weezer aquel sonido de melodías de Brithpop unas melodías que vuelven a ocupar grandes me flipaban. Aunque los estandartes como The partes de la canción. Beatles, The Who o los Stones no los perdía de Como pudimos apreciar en su adelanto vista «Símbolos» dotan sus canciones de un ANTONIO: En mi preadolescencia me pilló toda la aspecto sentido y elegante ensalzadas con la tribu “Planetas” asi que no puede escapar a sus determinación de quien sabe lo que quiere ¿Fue complicado elegir los temas? todas las baterías del disco. Tanto él como su tentáculos, Los Planetas, Australian Blonde, Los hacer. -
Niels Van Poecke Authenticity Revisited
Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) Niels van Poecke Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) Ph.D. thesis Niels van Poecke 1 Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) Authenticiteit Herzien De productie, distributie en consumptie van indie-folk in Nederland (1993-heden) 2 Authenticity Revisited Te production, distribution, and consumption of independent folk music in the Netherlands (1993-present) ~ Authenticiteit Herzien De productie, distributie en consumptie van indie-folk in Nederland (1993-heden) Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnifcus Prof.dr. H.A.P. Pols en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op donderdag 2 november 2017 om 11:30 uur door Niels van Poecke geboren te Terneuzen 3 Doctoral committee: Supervisors: prof.dr. C.J.M. van Eijck prof.dr. J. de Mul Other members: prof.dr. M.S.S.E. Janssen prof.dr. D.J. Hesmondhalgh prof.dr. W.G. Roy 4 For my grandfather Marinus van Stee – a true working class intellectual. ~ For my daughter Mance van Poecke who, in writing the story she wishes to live by, may discover the power of music. 5 Tis research has been funded by the sustainable humanities program of the NWO Publisher: ERMeCC - Erasmus Research Centre for Media, Communication and Culture Design by Eyesberg (Amy Suo Wu & Tim Braakman) Printed by Peterprint.nl ISBN: 9789076665337 6 Preface and acknowledgments Tis dissertation is about indie-folk – the indie of which stands for ‘independent’. -
The Faces of 2017
THE BEST OF THE U.S. AND INTERNATIONAL MEDIA The faces of 2017 FINAL ART TK DECEMBER 22/DECEMBER 29, 2017 VOLUME 17 ISSUE 853-854 ALL YOU NEED TO KNOW ABOUT EVERYTHING THAT MATTERS WWW.THEWEEK.COM 01 cover.indd 1 12/13/17 6:41 PM THE BEST OF THE U.S. AND INTERNATIONAL MEDIA The faces of 2017 FINAL ART TK DECEMBER 22/DECEMBER 29, 2017 VOLUME 17 ISSUE 853-854 ALL YOU NEED TO KNOW ABOUT EVERYTHING THAT MATTERS WWW.THEWEEK.COM 01 cover.indd 1 12/13/17 5:54 PM Contents 3 Editor’s letter This is the 16th time since The Week launched in 2001 that I’ve Never in my lifetime, even in the 1960s, has the country felt so used this little space to try to make some sense of the world at fractured—so close to a civil war. Our one nation, allegedly in- year’s end. Through this exercise, I’ve been surprised to discover divisible, has cracked open along fault lines of culture, class, re- that I’m an optimist, despite my veneer of journalistic cynicism. ligion, and partisan identity, creating chasms of mutual incom- My livelihood has immersed me in the rich, colorful evidence of prehension and disdain. Politics has devolved into a winner-take- our species’ foolishness, selfishness, and cruelty—sins I some- all blood sport. Virtually everything is politicized, from foot- times suffer from myself. Yet like many Americans, I am the de- ball to wedding cakes. In the coming year, special counsel Rob- scendant of immigrant strivers, bred to believe that tomorrow ert Mueller would seem likely to conclude that President Trump will be better than today, that human ingenuity can surmount obstructed justice in the Russia investigation. -
Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop. -
Medicalizing Edutainment: Enforcing Disability in the Teen Body, 1970-2000
MEDICALIZING EDUTAINMENT: ENFORCING DISABILITY IN THE TEEN BODY, 1970-2000 by Julie Passanante Elman B.A. English Literature and Hispanic Languages and Literatures, May 2001, Stony Brook University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy. January 31, 2009 Dissertation directed by Melani McAlister Associate Professor of American Studies and of International Affairs Robert McRuer Associate Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Julie Passanante Elman has passed the Final Examination for the degree of Doctor of Philosophy as of August 18, 2008. This is the final and approved form of the dissertation. MEDICALIZING EDUTAINMENT: ENFORCING DISABILITY IN THE TEEN BODY, 1970-2000 Julie Passanante Elman Dissertation Research Committee: Melani McAlister, Associate Professor of American Studies and of International Affairs, Dissertation Co-Director Robert McRuer, Associate Professor of English, Dissertation Co-Director Gayle Freda Wald, Associate Professor of English, Committee Member Abby L. Wilkerson, Assistant Professor of Writing, Committee Member ii © Copyright 2008 by Julie Passanante Elman All rights reserved iii Dedication I dedicate this dissertation to my mother, Kathleen, whose unique hands taught mine to grasp stars; to my grandfather, Joseph, who taught me the value of hard work; and to David, whose gentleness, support and unfailing love continue to teach me. iv Acknowledgments Adequately expressing gratitude for all of the intellectual and personal support I have received is a daunting task, and brevity has never been my strongest suit, especially when it comes to giving thanks. -
Previalia Magazine 07.Pdf
previaliamagazine la revista de los asegurados de Grupo Previsora Bilbaina nº7 diciembre 2011 Fogones del Arzak Una buena compañía Conoce Previsora Bilbaina Asegurados excepcionales Saúl Craviotto, Campeón Olímpico Eva Amaral. Cantante “El éxito es hacer lo que a uno le gusta” En Grupo Previsora Bilbaina tenemos 69 Más cerca oficinas a tu servicio de lo que imaginas También te atendemos en Previalia Contact 902 33 33 24 horas A CORUÑA, Juan Flórez, 40 JAÉN, Plaza de los Jardinillos, 8 SAN SEBASTIÁN, Plaza del Txofre, 21 ALICANTE, Reyes Católicos, 31 JEREZ DE LA FRONTERA, Lancería, 10 SANTANDER, Calvo Sotelo, 23 ALMERIA, Paseo de Almeria, 55 LAS ARENAS-GETXO, Negubide, 3 SANTIAGO DE COMPOSTELA, Rep. ARRECIFE, Triana, 50 LAS PALMAS, Prof. Agustín Millares, 7 Argentina, 40 ARRIGORRIAGA, La Cruz, 1 LEÓN, Avda. Independencia, 2 SEVILLA, Tetuán, 1 BADAJOZ, Paseo San Francisco, 13 LLEIDA, Gran Paseo de Ronda, 130 SOLARES, Alisas, 11 BADAJOZ, Avda. Sinforiano LOGROÑO, Vitoria, 2 TARRAGONA, Rambla Nova, 114 Madroñero, 21 LUANCO, Cruz, 2 TERRASSA, Rambla Egara, 311 BARAKALDO, Nafarroa, 7 LUCENA, Cabrillana, 1 TORRELAVEGA, Garcilaso de la BARCELONA, Gran Vía, 627 LUGO, Plaza de Santo Domingo, 3 Vega, 3 BERRIZ, Zengotitabengoa, 10-12 MÁLAGA, Avda Aurora, 55 TORTOSA, Teodoro González, 10 BILBAO, Barraincúa, 14 MALLORCA, Pere Dezcallar I Net, 13 VALENCIA, Moratín, 17 CANGAS DE ONÍS, Emilio Laría, 5 MATARÓ, D’en Palmerola, 12 VALLADOLID, Mantería, 20 CARAVACA DE LA CRUZ, Asturias, 7 MONDRAGÓN, Zerrajera, Blq. 4, Local 1 VELEZ, Pio Augusto Verdú, 6 CASTELLÓN, Plaza Burrull, 1 MURCIA, Gran Vía (esq. Conde San VILLAFRANCA DEL PENEDÉS, CASTRO URDIALES, Los Huertos, 7 Juan), 1 Rambla Sant Francesc, 21 CÓRDOBA, Plaza Colón, 18 OLULA DEL RIO, Avda Almanzora, 21 VIGO, Manuel Núñez, 3 DON BENITO, Avda. -
Rethinking Difference in Music Scholarship
Rethinking Difference in Music Scholarship Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distin- guished scholars is a major contribution to this field, covering the key issues and offering an array of individual case studies and methodologies. It also grapples with the changed intellectual land- scape since the 1990s. Criticism of difference-based knowledge has emerged from within and outside the discipline, and musicology has had to confront new configurations of difference in a changing world. This book addresses these and other such challenges in a wide- ranging theoretical introduction that situates difference within broader debates over recognition and explores alternative frame- works, such as redistribution and freedom. Voicing a range of perspectives on these issues, this collection reveals why differences and similarities among people matter for music and musical thought. olivia bloechl is Associate Professor in the Department of Musicology at the University of California, Los Angeles. She is the author of Native American Song at the Frontiers of Early Modern Music (Cambridge, 2008) and is writing a book on Opera and Politics in Old Regime France, which has been supported by an ACLS Charles A. Ryskamp Research Fellowship. melanie lowe is Associate Professor of Musicology at the Blair School of Music at Vanderbilt University. The author of Pleasure and Meaning in the Classical Symphony (2007), she is widely published on Haydn and other eighteenth-century subjects, topic theory, music in American media, teen-pop culture, and music history pedagogy. jeffrey kallberg is Professor of Music History and Associate Dean for Arts and Letters at the University of Pennsylvania.