Public Art Works
Public Art Works SEASON 1 - EPISODE #4 IN DIRECT LINE Tom Eccles, Lawrence Weiner & Lisa Frigand TRT 25:15 LAWRENCE WEINER: One, two, three, four, five, six, seven, eight. Eins, zwei, drei, vier, fünf, sechs, sieben, acht, neun zehn... TOM ECCLES: And, uno, due, tre, quattro, cinque, sei. LAWRENCE WEINER: Si. Let’s hope they don’t start ripping up the street. JEFFREY WRIGHT: Hi everybody. I’m your host, Jeffrey Wright. Welcome back to the Public Art Fund podcast Public Art Works, where we use public art as a means of jumpstarting broader conversations about New York City, our history, and our current moment. JEFFREY WRIGHT: In this episode, we time-travel a bit, back to the year 2000, when the Twin Towers still stood, and New York City was, in some ways, a very different place. JEFFREY WRIGHT: But first, a quick visit to the Whitney Museum of American Art downtown, where a subtle but important artwork by Lawrence Weiner is installed permanently on the museum’s front steps. It’s a manhole cover, albeit a “fake” one, but only in the sense that it doesn’t open up into the bowels of the city. Though it does look that way. And instead of bearing some civic crest or decorative motif, it says, in Weiner’s characteristic block lettering: PUBLIC VOICE 1: “In direct line with another and the next”. PUBLIC VOICE 2: “In direct line with another and the next.” PUBLIC VOICE 3: “In direct line with another and the next.” PUBLIC VOICE 4: “In direct line with another and the next.” PUBLIC VOICE 5: “In direct line with another and the next.” JEFFREY WRIGHT: Yes: “In direct line with another and the next.” But what exactly does that mean? PUBLIC VOICE 6: Maybe there is a secret passage down there? PublicArtFund.org #PublicArtWorks @PublicArtFund PUBLIC VOICE 7: I guess, are there manhole covers that are in line with this? No that would be too literal wouldn’t it? PUBLIC VOICE 1: I’ve never looked down.
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