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Columbia SCX 6157 Stereo, 5 Agosto 1967) (Columbia SX 6157 Mono)

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Columbia SCX 6157 Stereo, 5 Agosto 1967) (Columbia SX 6157 Mono) Album The Piper At The Gates Of Dawn (Columbia SCX 6157 stereo, 5 agosto 1967) (Columbia SX 6157 mono) Astronomy Domine` - Lucifer Sam - Matilda Mother - Flaming - Pow R. Toc H. - Take Up Thy Stethoscope And Walk - Interstellar Overdrive - The Gnome - Chapter 24 - The Scarecrow - Bike La versione stereo di questo disco differisce da quella mono nel missaggio dei pezzi. Sebbene si considerino quelli di Abbey Road gli studi di registrazione dell'album (le sessions si svolsero ufficialmente dal 21 febbraio al 18 luglio 1967) e` molto probabile che il gruppo abbia effettuato alcune prove anche ai Sound Tecniques Studios di Chelsea, nei primi giorni di febbraio di quell'anno. La disposizione originaria dei pezzi (come risulta dal recording sheet ufficiale della EMI), assemblati in un primo tempo il 13 luglio 1967, era la seguente: Astronomy Domine` - Lucifer Sam - Matilda Mother - Flaming - Pow R. Toc H. - Take Up Thy Stethoscope And Walk - The Gnome - Chapter 24 - The Scarecrow - Bike. "Interstellar Overdrive", registrata il 27 febbraio 1967 per essere pubblicata su 45 giri, venne inizialmente accantonata dal gruppo in attesa di incidere qualche nuovo brano. Alla fine, comunque, durante la session di missaggio del 18 luglio 1967, l'album venne assemblato correttamente (cioe` cosi` come si presenta ora) con l'inclusione di "Interstellar Overdrive" in apertura del secondo lato. I pezzi del disco vennero registrati varie volte e in occasioni diverse: Astronomy Domine`: 11/4/1967 (2 prove), 17/4/1967 (1), 18/4/1967 (1), 5/7/1967 (1); Lucifer Sam: 11/4/1967 (1 prova con il titolo provvisorio di Percy The Ratcatcher), 18/4/1967 (1),1/6/1967 (1), 5/7/1967 (1); Matilda Mother: 21/2/1967 (1 prova negli studi Sound Techniques di Chelsea), 23/2/1967 (1), 29/6/1967; Pow R. Toc H.: 20/3/1967 (1), 21/3/1967 (1), 19/3/1967 (1); Take Up Thy Stethoscope And Walk: 20/3/1967 (2), 29/3/1967 (1); Interstellar Overdrive: 27/2/1967 (al Sound Techniques studio di Chelsea), 1/3/1967 (1), 15/3/1967 (1), 16/3/1967 (1), 22/3/1967 (1), 18/4/1967 (in un pezzo intitolato Crossfades With Interstellar Overdrive And The Bike Song); The Gnome: 20/3/1967, 29/3/1967; Chapter 24: 27/2/1967, 1/3/1967, 15/3/1967, 5/6/1967; The Scarecrow: 20/3/1967, 29/3/1967; Bike: 18/4/1967 (nella versione missata con Interstellar Overdrive), 21/5/1967 (intitolata ancora The Bike Song), 1/6/1967, 29/6/1967, 3/7/1967. Soltanto al momento di assemblare l'album il gruppo decise di intitolare il pezzo semplicemente Bike. Durante la preparazione del disco, i Pink Floyd registrarono anche due pezzi che non sono mai stati pubblicati ufficialmente: She Was A Millionaire: 18/4/1967 (1 prova) Sunshine: 29/6/1967 (anche se potrebbe trattarsi di un titolo provvisorio di un pezzo poi pubblicato). Questo disco usci` anche in Italia con una copertina completamente diversa da quella dell'edizione inglese, che presentava la successiva formazione con David Gilmour anziche` quella con Syd Barret che aveva inciso l'album. L'edizione piu` ricercata e` quella americana (Tower ST 5093), che presenta una differente scelta di brani e un diverso ordine di assemblaggio: See Emily Play - Pow R. Toc H. - Take Up Thy Stethoscope And Walk - Lucifer Sam - Matilda Mother - The Scarecrow - The Gnome - Chapter 24 - Interstellar Overdrive. Tutti i testi sono di Syd Barret tranne "Take Up Thy Stethoscope And Walk" che e` di Roger Waters. Recentemente è stato ristampato dalla EMI per la serie Fame Records (FA 3065, 1983) e dalla Recommended Records (Recommended 23 stereo, 1983). A Saucerful Of Secrets (Columbia SCX 6258 stereo, 29 giugno 1968) (Columbia SX 6258 mono) Let There Be More Light - Remember A Day - Set The Control For The Heart Of The Sun - Corporal Clegg - A Saucerful Of Secrets - See-Saw - Jugband Blues Come per il primo album, anche la versione stereo di questo disco differisce da quella mono riguardo al missaggio dei pezzi. L'album venne registrato tra il 7 agosto 1967 e il 16 maggio 1968 agli EMI Studios di Abbey Road e ai Sound Techniques Studios di Chelsea a Londra. Il missaggio del disco venne effettuato ad Abbey Road il 15 (per la versione mono) e il 16 (per quella stereo) maggio 1968. Ecco in dettaglio le date delle sessions che portarono alla realizzazione del disco: Let There Be More Light: 18/1/1968 (con Syd Barret), 23/4/1968, 26/4/1968 (entrambe con David Gilmour); Set The Control For The Heart Of The Sun: 7/8/1967 (con Barret), 15/2/1968, 23/4/1968, 26/4/1968, 2/5/1968 (queste ultime quattro con Gilmour); Remember A Day: 24/10/1967 (negli studi di Chelsea con Barret), 9/5/1968 (4 prove con Gilmour): la versione pubblicata e` la prima con Barret alla chitarra solista; Corporal Clegg: 31/1/1968, 1/2/1968 (entrambe con Barret), 7/2/1968, 12/2/1968, 15/2/1968, 20/4/1968 (tutte con Gilmour); See-Saw: 24/1/1968, 31/1/1968 (entrambe con Barret), 22/4/1968, 26/4/1968, 3/5/1968 (con Gilmour): il titolo originario di questo pezzo era The Most Boring Song I've Never Heard; Jugband Blues: 24/10/1967 (con Barret probabilmente negli studi di Chelsea) e 9/5/1968 (con Gilmour): la versione del disco e` la prima. Durante le varie sessions di studio vennero registrati anche altri pezzi rimasti inediti in quanto scartati e mai pubblicati su dischi ufficiali: Scream Thy Last Scream: 7/8/1967 (con Barret); The Boppin' Sound: 12/2/1968, 13/2/1968 (entrambe con Gilmour); Richard Rave's Up: 12/2/1968 (con Gilmour) In The Beechwoods: 5/5/1968 (2 prove con Gilmour); Vegetable Man: 5/5/1968, 9/5/1968 (entrambe 2 prove con Gilmour); questo pezzo era gia` stato registrato in precedenza con Barret negli studi di Chelsea; Nick's Boogie: 5/4/1968, 10/4/1968, 23/4/1968, 24/4/1968, 30/4/1968 (rifacimento del missaggio del 24/4/1968: questo pezzo e` molto probabilmente la versione embrionale della lunga suite "A Saucerful Of Secrets", registrata proprio al termine delle varie sessions come per concessione data al gruppo dal produttore Norman Smith; John Latham: 9/5/1968 (con Gilmour); In base alle sessions di registrazione, Syd Barret (uscito dal gruppo il febbraio 1968) e` presente su questo disco solo in "Remember A Day" come chitarra solista e in "Jugband Blues" come chitarra e voce solista. Questo album e` uscito anche in Italia ed e` ormai da tempo fuori catalogo (Harvest 3C 062-04190 stereo, 1971). Tutti i testi sono di Roger Waters tranne "Remember A Day" e "See-Saw" che sono di Richard Wright e "Jugband Blues" che e` di Syd Barret. Soundtrack From The Film "More" (Columbia SCX 6346 stereo, 27 luglio 1969) (Columbia SX 6346 mono) Cirrus Minor - The Nile Song - Crying Song - Up The Kyber - Green Is The Colour - Cymbaline - Party Sequence - Main Theme - Ibiza Bar - More Blues - Quicksilver - A Spanish Piece - Dramatic Theme Anche se solitamente si considerano gli studi di Abbey Road come quelli in cui venne registrata questa colonna sonora, quasi sicuramente More venne realizzato in un'altra sala d'incisione: prova ne e`, infatti, che non esiste un recording sheet alla EMI Records che ne descriva le sessions. Il gruppo comunque registro` i pezzi in meno di una settimana verso la meta` del luglio 1969. Tra le edizioni pubblicate di questo LP, l'unica interessante e` quella apparsa in Giappone (EMI EMS 80319 stereo, 1975) con copertina apribile e foto all'interno della formazione con David Gilmour. Tutti i testi sono stati composti da Roger Waters. Ummagumma (Harvest SHDW 1/2 stereo, album doppio, 25 ottobre 1969) Live Album: Astronomy Domine` - Careful With That Axe, Eugene - Set The Control For The Heart Of The Sun - A Saucerful Of Secrets Studio Album: Sysyphys (parts 1-4) - Grantchester Meadows - Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict - The Narrow Way (parts 1-3) - The Grand Vizier's Garden Party (Entrance, Entertainment, Exit) Il primo disco di questo doppio album contiene brani registrati dal vivo durante il mini tour inglese che il gruppo affronto` durante il giugno del 1969 (a Manchester e Birmingham), mentre il secondo venne inciso in studio ad Abbey Road con pezzi interamente nuovi dal primo di agosto alla fine di settembre di quello stesso anno. Di questo disco sono uscite due diverse edizioni a distanza di brevissimo tempo e con il medesimo numero di catalogo (le originarie copie del doppio, prima di essere pubblicate su etichetta Harvest, erano apparse su label della Columbia): la prima stampa, infatti, presentava sulla copertina una foto del gruppo accanto alla cover del disco Gigi`, soundtrack del film omonimo diretto dal regista americano Vincent Minelli. La successiva, dopo che la prima era stata ritirata dai mercati a seguito della denuncia del regista, che non aveva gradito questo genere di pubblicita` gratuita, presentava la copertina del disco incriminato completamente bianca! La canzone "The Narrow Way" e` stata composta da David Gilmour, mentre "Grantchester Meadows" da Roger Waters. Atom Heart Mother (Harvest SHVL 781 stereo, 10 ottobre 1970) (Harvest Q4 SHVL 781 quadrifonico) Atom Heart Mother (Father's Shout, Breast Milky, Mother Fore, Funky Dung, Mind Your Throasts Please, Remergence) - If - Summer '68 - Fat Old Sun - Alan's Psychedelic Breakfast (Rise And Shine, Sunny Side Up, Morning Glory) Venne registrato durante il 1970 negli Abbey Road Studios, dopo che il gruppo l'aveva suonato in molti concerti di quell'anno (la prima esibizione live della lunga suite si era tenuta al Theatre Des Champs Elisees di Parigi il 23 gennaio 1970, mentre il pezzo conclusivo, Alan's Psychedelic Breackfast, era da tempo suonato e improvvisato sotto altro titolo all'interno della lunga suite The Man).
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