An Investigation of the Relation Between Television Violence
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
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“Can We Get a Cleanup On Aisle 2?” Previous: The Antisocial Fantasies of Jude the Obscure by Matthew Risling “Can We Get a Cleanup On Aisle 2?”: How Film Critics Mopped Up the Transgressions of Jenny McCarthy’s Dirty Love Sara Swain Pivot is published through Open Journal Systems (OJS) at York University 2 Introduction Dirty Love (John Asher, 2005) is the consequence of Jenny McCarthy’s fearless foray into the risky territory of the gross-out comedy. The film endured a long and laborious gestation period under the threat of financial ruin. The project began as a sitcom pilot that McCarthy had initially penned for Fox Television. Fox passed, deeming the project “too edgy and too controversial for TV” “Can We Get a Cleanup On (qtd. in Kevin Aisle 2?”: Williamson). But McCarthy and her How Film Critics Mopped Up the production team could Transgressions of Jenny McCarthy’s not be dissuaded. They Dirty Love bought the rights back Sara Swain from Fox and McCarthy went to work transforming the script into a feature film (Kates). She insists that she never wanted to be a writer but because of the dearth of onscreen comedic roles for women, she was forced to take matters into her own hands (qtd. in Sobczynski). Dirty Love eventually debuted at the Sundance Film Festival in late January 2005, where it was warmly received. John Cooper, the Festival’s Programming Director, lauded the filmmakers in the program notes for so brazenly travelling “across a comic minefield where few dare to tread.” Soon after the film was picked up for distribution. -
My Open Letter to Jenny Mccarthy Russ Davis
my open letter to jenny mCcarthy Russ davis From: Russ Davis, student/writer; Puyallup, Washington To: Jenny McCarthy, model/comedienne/actress/author/activist; Weehawken, New Jersey Subject: Why I Oppose You and Your Activism Dear Ms. McCarthy, Before all else, let me tell you exactly who I am. My name is Russ Davis, and I am an autistic. On the spectrum. Whatever you want to call it. In June 2000, I was diagnosed with Asperger’s Syn- drome; I’m now made to understand that’s not a thing anymore. No matter. I still tell people that I have Asperger’s, but my concern is not over what label my fellow autistics choose to use. My concern is that autistics keep in mind that we should not be enemies with each other–––we should be enemies with people who want to destroy who we are. Last night, I had the strangest dream. I dreamt that I final- ly had a chance to meet you in person and tell you everything I’ve always wanted to tell you. Because, for all the statements you’ve given on autism, I don’t think you’ve ever been willing to sit down with an actual autistic person to see how we really feel (except for your son, but the public doesn’t get to hear his side of the story). Well, last night, your dream self granted me that opportunity. Let me tell you right now what I told her last night. I am a human being with dreams. I want to be a published author. -
Resingularizations of the Avant Garde in East Austin, Texas a Dissertation
East of the Center: Resingularizations of the Avant Garde in East Austin, Texas A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Carra Elizabeth Martinez IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Sonja Kuftinec, Advisor May 2016 Copyright Carra Elizabeth Martinez May 2016 i ACKNOWLEDGEMENTS This dissertation would not have been possible without the support of the Department of Theatre Arts and Dance at the University of Minnesota. My committee generously provided their time and attention and feedback: Dr. Sonja Kuftinec, Dr. Michal Kobialka, Dr. Margaret Werry, Dr. Cindy Garcia, and Dr. Josephine Lee. My fellow graduate students filled my days at the U of M with laughter, conversation, and potlucks. Thank you Elliot Leffler, Jesse Dorst, Kimi Johnson, Eric Colleary, Stephanie Walseth, Will Daddario, Joanne Zerdy, Rita Kompelmacher, Mike Mellas, Bryan Schmidt, Kelly McKay, Kristen Stoeckeler, Hyo Jeong Hong, Misha Hadar, Rye Gentleman, David Melendez, Virgil Slade, Wesley Lummus, and Cole Bylander. Both Barbra Berlovitz and Lisa Channer provided so many pathways for me to stay in touch with the creative process inside Rarig. I will now always want to play both Agamenon and Clytemnestra in the same production. My fellowship at Penumbra Theatre kept me attune to the connection between practice and theory. And last but not least, thank you to my University of Minnesota Theatre Arts and Dance students, who were so willing to take risks and to work and to think. A special thanks goes to the Bootleggers. I always smile when I drive by any and all Halloween stores. -
A Wild Time Week New Tax the Crty Council Discusses Creating a Utility Tax to Help Pay for the Cost of Expanding the Sewer System
Section B — THIS WEEK: ARTS & ENTERTAINIIENT GUIDE I Section € — QUTSID£s NATURE NEWS, RECREATION, SPORTS J BULK RATE U.S. POSTAGE PAID SANIBEL, FL PERMIT #33 POSTAL PATRON Vol. 36, No. 40 Friday, October 10,1997 Three Sections, 56 Pages 75 Cents A Wild Time Week New Tax The Crty Council discusses creating a utility tax to help pay for the cost of expanding the sewer system. ..' ...3A Island Scene Island Scene expands to two pages — so send us your photographs and announce- ments! c ...10-11A '. Heigh Ho! Arts Editor Frank Wagner sends us a fax from London. .15A CROW Goif This is the weekend for the "Swing fore an Eagle" golf tournament to benefit Care and Rehabilitation of Wildlife. 3C. Classifieds 15A Commentary 12-13A Crossword 19B Environment 9C Fishing/Shelling 4-5C Golf. 3C Health 11C Island Dining 2-4B Night Life... 5B Outside/Recreation 5C Police Beat 11A Service Directory 19A Show Biz 15B Travel ....IOC Weather 2A Tide chart .4C This is National Wildlife Refuge Week, so it's a good time to visit the J.N. "Ding " Darling National Wildlife Refuge. Undoubtedly, you 'II Have A Great Week! see an ibis or two. Photo/Carlene Brennen. (Brennen is also the photographer of last week's Night blooming cereus cover photograph.) 2A • Friday, October 10, 1997 - ISLANDER y&AAZi > ^JC:; ,0; -^acA'/?, von-1 * AS ISLANDER - Friday, October 10, 1997 - 3A The Front Page City Council considers utility tax to fund sewers Dave Charlie GG Tom $ Ken Frey Jack George Wendy Angie Wiieu • Carmel George Samler Elisabeth Margie Eaton rjorothy Sobzak Robideau ByJILLTYRER WIley Kohbrenner Humphrey Lapi If Council approves the ordinance, the City would pass the expense to its customers. -
Fall 2009 – Spring 2010) • a Refereed Journal • ISSN 1545-2271 • ______
South Central Music Bulletin VIII/1-2 (Fall 2009 – Spring 2010) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ South Central Music Bulletin A Refereed, Open-Access Journal ISSN 1545-2271 Volume VIII, Issues 1-2 (Fall 2009 – Spring 2010) __________________________________________________________________________________________ Editor: Dr. Nico Schüler, Texas State University Music Graphics Editor: Richard D. Hall, Texas State University Editorial Review Board: Dr. Paula Conlon, University of Oklahoma Dr. Stacey Davis, University of Texas – San Antonio Dr. Lynn Job, North Central Texas College Dr. Kevin Mooney, Texas State University Dr. Dimitar Ninov, Texas State University Ms. Sunnie Oh, Independent Scholar & Musician Dr. Robin Stein, Texas State University Dr. Leon Stefanija, University of Ljubljana (Slovenia) Dr. Paolo Susanni, Yaşar University (Turkey) Dr. Lori Wooden, University of Central Oklahoma Subscription: Free This Open Access Journal can be downloaded from http://www.scmb.us. Publisher: South Central Music Bulletin http://www.scmb.us © Copyright 2009 by the Authors. All Rights Reserved. 1 South Central Music Bulletin VIII/1-2 (Fall 2009 – Spring 2010) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ Table of Contents Message from the Editor by Nico Schüler … Page 3 Research Article: Composer Stephen Lias: Biographical Notes, Musical Style, and Analytical Discussion of Songs of a Sourdough by April Stephens … Page 4 Composer Portrait: A Portrait of, and Interview with, Composer Kenneth (Ken) Metz by Aaron Carter-Cohn … Page 21 Book Reviews: Portable Music & Its Functions by A. Williams by Johanna L. Friedrich … Page 45 James K. Wright: Schoenberg, Wittgenstein and the Vienna Circle by Rebekah K. -
Such Stuff Podcast Season 8, Episode 2: Being Vulnerable [Music Plays
Such Stuff podcast Season 8, Episode 2: Being vulnerable [Music plays] Imogen Greenberg: Hello, and welcome to another episode of Such Stuff, the podcast from Shakespeare's Globe. Today, we're continuing with our series on the relationship between the arts and wellbeing. Throughout the series, we'll be exploring the ways the arts can enrich our lives, help us tackle mental health issues and help us find expression and connection again, after a year of isolation. Last week, we chatted to psychotherapist, Rachel Williams, who spoke extraordinarily about the importance of the arts for expression and empathy to help us to look after our brains. In this episode, we wanted to dig a bit deeper into this idea of expression and vulnerability. Whilst the arts and creativity can help us to find release for our feelings, that can also be very exposing, especially after a year when we've been very used to staying in and not expressing ourselves. How can we take care of ourselves as we head out of lockdown and back into the world? What can lessons from the arts teach all of us and how might the arts help us make some of these transitions? This week, Artistic Director, Michelle Terry, is joined by Director, Sarah Bedi and Drama Therapist, Annemarie Gaillard. For a number of years, Sarah and Annemarie have been working together, including here at the Globe, to make sure that wellbeing and mental health practices are part of rehearsal rooms and theater making processes. For theater companies, they have a brief six week window when they must access a lot of feeling, emotion, psychological depth and then share that with the world in a moment of acute vulnerability. -
Keane, for Allowing Us to Come and Visit with You Today
BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing. -
The Real Match Game Story Behind the Blank
The Real Match Game Story Behind The Blank Turdine Aaron always throttling his bumbershoots if Bennet is self-inflicted or outsold sulkily. Shed Tam alkalising, his vernalizations raptures imbrangle one-time. Trever remains parlando: she brutalize her pudding belly-flopped too vegetably? The inside out the real For instance, when the Godfather runs a car wash, he sprays cars with blank. The gravelly voiced actress with the oversized glasses turned out to be a perfect fit for the show and became one of the three regular panelists. Unsourced material may be challenged and removed. Behind The Blank: The Real Ma. Moviefit is the ultimate app to find your next movie or TV show. Grenvilles, Who Will Love My Children? Two players try to match the celebrity guesses. Every Saturday night, Frank gets picked up by a blank. There is currently no evidence to suggest that either man ever worked for the Armory Hill YMCA, per se. Eastern Time for an hour. Understand that this was the only completely honest version of Hwd Squares ever where no Squares were sitting there with the punch lines of the jokes in front of them. ACCEPTING COMPLETED APPLICATION FORMS AND VIDEOS NOW! Actually, Betty White probably had a higher success rate one on one. The stars were just so great! My favorite game show host just died, and I cried just as much as when Gene died. Jerry Ferrara, Constance Zimmer, Chris Sullivan, Caroline Rhea, Ross Matthews, Dascha Polanco, James Van Der Beek, Cheryl Hines, Thomas Lennon, Sherri Shepherd, Dr. Software is infinitely reproducable and easy to distribute. -
Sam Urdank, Resume JULY
SAM URDANK Photographer 310- 877- 8319 www.samurdank.com BAD WORDS DIRECTOR: Jason Bateman CAST: Jason Bateman, Kathryn Hahn, Rohan Chand, Philip Baker Hall INDEPENDENT FILM Allison Janney, Ben Falcone, Steve Witting COFFEE TOWN DIRECTOR: Brad Campbell INDEPENDENT FILM CAST: Glenn Howerton, Steve Little, Ben Schwartz, Josh Groban Adrianne Palicki TAKEN 2 DIRECTOR: Olivier Megato TWENTIETH CENTURY FOX (L.A. 1st Unit) CAST: Liam Neeson, Maggie Grace,,Famke Janssen, THE APPARITION DIRECTOR: Todd Lincoln WARNER BRO. PICTURES (L.A. 1st Unit) CAST: Ashley Greene, Sebastian Stan, Tom Felton SYMPATHY FOR DELICIOUS DIRECTOR: Mark Ruffalo CORNER STORE ENTERTAINMENT CAST: Christopher Thornton, Mark Ruffalo, Juliette Lewis, Laura Linney, Orlando Bloom, Noah Emmerich, James Karen, John Caroll Lynch EXTRACT DIRECTOR: Mike Judge MIRAMAX FILMS CAST: Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck, JK Simmons, Clifton Curtis THE INVENTION OF LYING DIRECTOR: Ricky Gervais & Matt Robinson WARNER BROS. PICTURES CAST: Ricky Gervais, Jennifer Garner, Rob Lowe, Lewis C.K., Tina Fey, Jeffrey Tambor Jonah Hill, Jason Batemann, Philip Seymore Hoffman, Edward Norton ROLE MODELS DIRECTOR: David Wain UNIVERSAL PICTURES CAST: Seann William Scott, Paul Rudd, Jane Lynch, Christopher Mintz-Plasse Bobb’e J. Thompson, Elizabeth Banks WITLESS PROTECTION DIRECTOR: Charles Robert Carner LIONSGATE CAST: Larry the Cable Guy, Ivana Milicevic, Yaphet Kotto, Peter Stomare, Jenny McCarthy, Joe Montegna, Eric Roberts DAYS OF WRATH DIRECTOR: Celia Fox FOXY FILMS/INDEPENDENT -
Afi-Soa-2008-Report
The Alley Flat Initiative Topics in Sustainable Development 2008 Report Editors Steven A. Moore Sergio Palleroni Legend LOT WITH ALLEY FLAT POTENTIAL* ALLEY NEIGHBORHOOD PLANNING AREA SECONDARY APARTMENT INFILL TOOL ADOPTION (BY NPA / SUBDISTRICT) NO YES MAJOR ROAD MINOR ROAD STREET LADY BIRD LAKE * ALL LOTS WITH ALLEY FLAT POTENTIAL SHOWN ON MAP ARE ZONED SF-3. csd Center for Sustainable Development i THE UNIVERSITY OF TEXAS CENTER FOR SUSTAINABLE DEVELOPMENT 1 UNIVERSITY STATION B7500; AUSTIN, TX DR. ELIZABETH MUELLER, DIRECTOR WORKING PAPER SERIES JULY 2008 ii CONTENTS ACKNOWLEDGEMENTS PREFACE EXECUTIVE SUMMARY 1. A BRIEF HISTORY OF ALLEY FLATS IN FOUR CITIES 2. CONDITIONS IN AUSTIN: LANDSCAPE OF OPPORTUNITY (ELIZABETH) 2.1 REVIEW OF LOTS WITH ALLEY FLAT POTENTIAL 2.2 REVIEW OF LOTS WITH POTENTIAL FOR SECONDARY UNITS IN GENERAL 2.3 BEGINNING WITH EAST AUSTIN BECAUSE… 3. A BRIEF HISTORY OF THE AUSTIN’S ALLEY FLAT INITIATIVE 4. NEIGHBORHOOD CONTEXT 4.1 THREE CASES OF AUSTIN NEIGHBORHOOD CONTEXT 4.2 REGULATION 5. OWNERSHIP AND FINANCING STRUCTURES 5.1 OWNERSHIP STRUCTURES AND THEIR SUITABILITY 5.2 FUNDING SOURCES AND THEIR SUITABILITY 6. DISTRIBUTED INFRASTRUCTURE 6.1 WATER 6.2 ELECTRICITY 6.3 TECHNOLOGY ANALYSIS APPENDICES A. GIS METHODS B. LIST OF KEY STAKEHOLDERS AND PARTNERSHIPS C. OWNERSHIP AND FINANCING STRUCTURES iii ACKNOWLEDGEMENTS This project was initially supported by a generous research grant from the Henry Luce Foundation and has subsequently been supported by the Austin Community Foundation, Perry Lorenz, and anonymous donors. Support for construction of the initial prototype has been received from Autodesk, Lincoln Properties, Wells Fargo Bank, Walter Elcock Family, HG TV, Suzi Sosa, Bercy‐Chen, Alexa Werner, Michael Casias, Meridian Energy, DXS‐Daikin, Z‐Works, Ecocreto, and Pat Flanary. -
The Right Place at the Right Time Braham Graduate Reminisces on Historic 50 Years of Basketball
FALL MEANS FORD SUV SEASON! FREE ISANTI-CHISAGOISANTI-CHISAGO Service Open 8 am - 5:30 pm M-F HWY. 65, ISANTI 763-689-5555 www.hayfordford.com THURSDAY, DECEMBER 3, 2020 VOL. 114 NO. 49 COUNTYSTAR.COM CHRISTMAS CHEER: Readers’ pictures of favorite holiday decorations to be featured. PAGE 2 The right place at the right time Braham graduate reminisces on historic 50 years of basketball BY JUDY HEGSTROM bors would come on bikes and [email protected] even horses to play. While they played many sports, ironically If it wasn’t for Minnesota basketball wasn’t one of them. Governor Tim Walz’s im- She credits her parents, who posed pause on all organized still live in the area, for their youth sports until Dec. 19, “support and encouragement this Monday would have seen to play sports at a time when it thousands of teenage girls was not the norm for girls.” hitting the hardwood as gyms Sherri graduated from Bra- get fi lled with the rhythmic ham High School in 1971 where sounds of dribbling balls and she was a stand out basketball swooshing nets. In 2020, this player. That was followed by scene is common-place, how- more basketball in college, ever 50 years ago, it was more playing on a women’s profes- of an anomaly, to the point of sional team, coaching and being viewed as something of a teaching the sport at a wide sideshow attraction. But while variety of levels. those attitudes would be con- sidered extremely sexist based THE TIPOFF OF A NEW GAME CONTRIBUTEDCONTRIBUTED on today’s standards, back Braham actually briefl y had Braham graduate Sherri Mattson (fourth from left) had to dye her hair red while playing for the professional then, it afforded one Braham a girls’ basketball team during girls basketball team “The All-American Red Heads,” which was a Harlem Globetrotter-like traveling exhibition graduate opportunities of a the mid 1920’s for about four team, complete with trick skills.