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Home , Anthony Newley, Billy Joel, Britny Fox, Buzzcocks, Curt Smith, Dave Sharp

Profile 2 Ä Interview 5A Discussing Schmoozin' Dance With Paul

.. With the Alvin Shaffer

The Arts and Entertainment Section of the Daily Nexus/For the Week of November 16-23, 1989

(L-R) Twist, Eddie MacDonald, , Sharp

MUSIC Top 5 This Week

at The Sound Factory

1. Soul II Soul, Keep on Movin’ 2. , Freedom 3. The B-52s, Cosmic Thing 4. Terence Trent D’aiby, Neither Fish Nor Flesh 5. , Mother’s Milk

at The Wherehouse

1. Soul II Soul, Keep on Movin’ 2. , Storm Front 3. , Crossroads 4. , Flying Cowboy 5. Milli Vanilli, Girl You Know It’s True

FILM Tonight: Say Anything, at I.V. Theater, 7,9,11 p.m.; $3 Ninotchka, at Campbell Hall, 8 p.m.; $3/students, $4/non-students

Tomorrow: When Harry Met Sally..., at I.V. Thea­ ter, 7,9,11 p.m.; $3 Saturday: Dead Poets Society, at I.V. Theater, 2.7.9.11 p.m.; $3 Sunday: Turner & Hooch, at I.V. Theater, 7.9.11 p.m.; $3 Field of Dreams, at Campbell Hall, Tired of Life in 's Shadow, Welshmen 7.9.11 p.m.; $3 Come to Santa Barbara With New □ The Artsweek Interview by Tony Pierce PERFORMANCE T onight* Music An Evening of Middle Eastern Music & Dance, at the Multicultural Center, 7:30 p.m.; Free Pub Nite Groov & Nobody's Busi- y old girlfriend used to call The ness, 8 p.m.; $l/students, Alarm “U-one-and-a-half.” $3/non-students Theater “Savage in Limbo”, in the Stu­ Eddie MacDonald, bass player of the Welch quartet dio Theater, Through Saturday, 8 p.m.; defended his claiming that people like her were ig­ $6 norant critics. Theater “Accidental Death of an Anarchist”, in the Old Little Theater, “When a group starts, when it’s in it’s infancy of its Through Saturday, 8 p.m.; Free career,” MacDonald started, “people often use compar­ Saturday: isons to easily describe what they’re about. I think Dance Aman International Music & we’ve outgrown that now, becoming a group known on Dance, at Campbell Hall, 2 p.m.; $9/11/13 their own right. We have our own sound and our own Lecture Remy Charlip, Regent’s Lec­ identity.” turer in Dance, discusses his work, at the Main Theater, 7 p.m.; Free See , p.4A 2Â TH E A R T S

■ Review: V- Ensemble's White-Hot Passion for Dance is Evident After Campbell Hall Presentation they do all these little things be­ By Charlie Denny cause they want to get in,” Jack- Reporter son said. It is understandable why they The heavy golden globe sunk would want to “get in”. These K T Y D S f low in the sky, saturating fall’s dancers are incredible. Seeing brittle orange leaves with a wel­ them in action last Saturday come warmth. An occasional night was electrifyingly inspira­ Www chill breeze or library-bound tional. Each dancer’s exquis­ student were the only ripple in itely toned body served as a the Saturday stillness lying over conductor for powerful volts of campus; the late afternoon si­ pure artistic energy. lence in front of Campbell Hall DANCE “Streams,” the opening was a great place to sit and talk. piece, was a display of tightly Lynn Jackson, assistant to controlled skill. Both choreo­ Alvin Ailey Repertory Ensem­ graphy and music ranged from a ble’s artistic director Sylvia Wa­ bility and talent. But since he is liquid flow to a more primal, al­ ters, was the perfect person to pictured alone, this dancer is most reptilian beat. sit and talk with. As a native of also a trademark of the Ensem­ “I See The Moon..And The in her twenties, she ble’s individuality. Moon Sees Me” portrayed vari­ appreciates this November Jackson stresses that indivi­ ous stages of the moon and its warmth more than most Cali­ duality as an important factor in effect on humans. At times be­ fornians. While enjoying the the group. “No one’s body witching and at times very fall sunlight, Jackson explained looks like anybody else’s. funny, this piece used dance to how she happens to be dancing Where like in ballet companies, explore both violence and with the troupe this time you can have ’em all lined up eroticism. around. and everybody looks the same. One phase in particular (en­ "Usually I learn all the wo­ Here we have tall women, short titled “Half Moon Gypsies") W O R L D T O U R men (parts), so if some woman women, blonde women, one was amazingly sexual. In this is hurt I can go in,” which is pre­ with black hair — so every­ phase, one woman in a hot- cisely what happened on this body’s different. And every­ pink leotard leads her two male tour. body’s special. And I think partners in an enticing frolic. WITH SPECIAL GUEST Normally, however, Jackson that’s why they’re in this Her body movements and would be “sitting in the ­ company.” loosely tousled hair contribute the kevin McDermott orchestra ence with the artistic director, Jackson goes on to explain to a very erotic effect. “taking the notes, ya know, that “you don’t audition for this The closing piece, "Isba,” with a pad — in the dark," she company. Our director Sylvia was the perfect way to end the said with a wry smile. Waters, she handpicks you evening. One couple, costumed ARLINGTON THEATRE Jackson’s small, tautly- from the (Alvin Ailey) school.” in pure white, swirled around muscled frame, clad all in black, The Ensemble gives its hand­ the stage in a manner reminis­ NOVEMBER 16,8 PM looks quite at home on the picked members a chance to ex­ cent of Cinderella’s ball; the Campbell Hall steps, even with perience what it’s like to dance ball took on an exotic quality the Alvin Ailey posters plas­ for a major company. The indi­ when the rest of the dancers, in tered all around her. viduals only remain with the bright colors, commanded the These publicity posters de­ Ensemble for one or two years stage with beautifully tribal pict a male dancer in before moving on so that others choreography. mid-air; his expression is deter­ can benefit from the experience It is obvious that the Alvin mined and fierce, his bodya vis­ as well. Ailey Repertory Ensemble ion of defined and sculpted Apparently, the selection knows their stuff. Yet below the & muscle arranged in an almost process is high-pressure experi­ slick cool clean surface of their contortionist pose. ence. “Anxiety sets in at the talent burns a white-hot pas­ This extraordinary poster is school because they know she’s sion for dancing. They take a representative of the group as a (Waters) gonna be looking for piece of choreography and whole — the entire company is three women or two men and so make it come alive — simply by demonstrates this divine fiexi- everyone goes on a diet and lighting it on fire.

w#- Editor's Note This is the last ARTSWEEK of the year, and we're both happy and bummed about

.sw.%%sv.NVAWAW.%WN%%v.swAS%sv..;.VAW.Y.%v.i.%%v^sv.Nsw.v.v.::w:ASv.s*.w*.:.:.v that There's a lot of AHT The Arts and Entertainment Section goin' on around here, which of the Daily Nexus gives us a lot to cover. We Nov. 16, 1989 only wish we had the space Contributors to get all of it So buy some Lucy Boswell Scott Lawrence more ads, goddammit! Jolie Clark Stephanie Linden Many thanks, though, to Charlie Denny effrey P. McManus to the liberalheads and "Mad" Max Donnelly itruce Murray conservativewanks who’ve Seana Fitt Tony Pierce fought for their right to Alistair Jeffs Jeffrey C. Whalen party all along the way. Kim Kasn Debbie Urlik GotaPhJ), Need a J-O-B Assistant Editor______Career prospects for UCSB's graduates in the arts. Brian Banks Editor______An ARTSWEEK Special Report r"e| 1 a n~"~e s Coming lari q. iqqo

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By Jeffrey P. McManus Staff Writer______The unnew guard What Are We To Make Of of perfect, inacces­ When Sigmund Freud asked sible swimsuit the misogynistic question “What do women want?” he blondes is gradu­ could not possibly have ex­ ally being swept pected today’s American maga­ zine publishing industry to away in favor of in­ loudly retort, “Why, glossy accessible swim­ fashion magazines half-filled m 'sH ip iK ? An Eclectic Local Radio Show and Its with advertisements and half- suit brunettes. filled with articles on how to Colorful Helmsman Celebrate 16 Years snag the lawyer of your dreams An Opinionated Guy Looks of Unconventional Life on the Airwaves via FAX machine while simul­ taneously doing low-impact eotape star Andie MacDowell. By Bruce M urray foreign-type music,” Guden’s aerobics, breast-feeding twins We must admit that not all of Staff Writer own quirky comedy, and and running a small architec­ at the Pseudo-Journalism our conceptions about wo­ many other strange sounds tural firm from your living men’s magazines were con­ and surprises. room, darling, of course.” firmed. For instance, although Every Sunday at midnight, "Space Pirate Radio is al­ While the knuckle-headed Foisted on America's Females women’s magazines are often Y-97 is "taken over” by Space ways what’s new, what’s pioneer psychologist certainly chided for having too many ad­ Pirate Guy Gu- cutting-edge, provocative, had his theories about anal re­ vertisements, our inquiry reve­ den, whose legendary show is electronic, experimental, tention and female penis envy, detail. there are female role models aled that women’s magazines in the midst of celebrating its avant-garde, surrealist; sonic never in his wildest dreams Gruesome detail, in fact. present in the rollicking, obses­ actually have fewer advertise­ sixteenth anniversary on the and celestial; theatrical and could he have come up with: Throughout the many wo­ sively sexual, well-dressed ments than other types of publi­ airwaves. philosophical,” says Guden, “Right now, I’m trying to men’s magazines we recently world of joumalism-with-an- cations (exact percentage fig­ ‘The concept of Space Pi­ who describes himself as a broaden myself, find some­ surveyed, such details typically unlimited-credit-line. Of ures appear in the accompany­ rate Radio,” says Guden, “lunar-tic.” thing to be passionate about. fell into two categories: facts course, there is the usual cabal ing table; as a control, we also “comes from my idea of an in­ Space Pirate Radio has Recently, I was a guest veejay which most women really want of all-time super-duper models. looked at the November 16th terstellar disc jockey circling been on the cutting edge ever on the music-video station to hear, and the facts which are But more importantly, there’s issue of with the earth in his spaceship, since it premiered in 1974 on VH-1. That was definitely all-too-obvious. For instance, the legion of emerging super- 71.2% ad space, and the ‘pirating’ the airwaves.” KTYD-FM. The station had more challenging than the fact that “Many men fail to duper models with which pros­ 1989-90 edition of the local Right as the show begins, just changed its format to the modeling." get fully erect much of the pective fashion trend-followers telephone book, which static and other sound effects free-form “underground” — Cindy Crawford on Cindy time,” according to Cosmopo­ must contend. weighed in at a whopping indicate the pirate’s “arrival.” style which abounded in the Crawford in “This Month’s litan, is a typically-earth- For just as the new flower 98.2% ad space, if you count In the five hours that follow, late sixties and early seventies. Cosmo Girl,” September 1989. shattering revelation certain to symbolizes the freshness of the Yellow Pages as one giant one may hear a broad sam­ Although getting “passion­ cause lower-jaw damage to wo­ spring and a new bottle of Mr. ad). pling of “imported and See SPACE, p.6A ate” about becoming a purveyor men nationwide. Clean means it’s time to mop Conceptions about the ho­ of an endless series of muzak- This dilemma is perhaps ap­ the dog poop and infant vomit mogeneity of women’s maga­ riddled, self-consciously propriately described under the off the kitchen floor for the zines are similarly unfounded. interview, we learn of her “cho­ prospective suitor is Islamic? yuppie-ish pseudo-tunes cer­ subhead "Problems and Semi- time this week, the aura While most tend to tip toward sen cause” — natural disaster What’s a tasteful way to recover tainly seems like a dream come problems,” in the article "His surrounding the cutting-edge the overtly-liberated side of the preparedness. from a sudden wind blowing up true to us, we sure hope we Sex Drive and How it Works”. fashion model serves to shed (reflecting a combina­ Pity she doesn’t realize she’s your skirt — revealing the feet aren’t in ol’ Cindy’s size 8 Hal- The article, dreamt up by Ste­ the special fear and misery wo­ tion of sexual obsessiveness, sleeping with the largest poten­ that you aren’t wearing under­ ston pumps in ten years. Be­ ven Carter and Julia Sokol, men — especially the models fashion sense, and snotty tial natural disaster this country wear? Information on all these cause although she is well- evokes images of bedroom dia­ themselves, to be Sure — feel at pseudo-high-class pretentious­ has ever faced — but that’s a and more could be found in the endowed, ("those are my real logue amounting to “Uh...not the prospect of growing old. ness), a sizable proportion of conjecture to be explored July issue of Self. boobs,” she candidly declares tonight, darling — I’ve got a C’mon, just look at Cheryl women’s magazines have a de­ another day, in another maga­ But even in the light of this on her cleavage-exposing semiproblem." Other no-duhh Tiegs’ crow’s feet, or Christie cidedly conservative, Barbara zine, perhaps. trend-dodging , it Cosmo cover photo), she also factoids from the same article Brinkley’s hips. There’s a rea­ Bush-like, faux-pearl prissy- Deserving of special mention seems clear that what we’re de­ admits that "gravity is starting include "Some men are ge­ son why they aren’t photo­ ness about them. is the left-field contender, Self. aling with here is more than a to strike...I used to say never to nuinely excited by women’s or­ graphed close-up anymore. Ladies Home Journal, for Promoting such kooky, offbeat cultural quirk. For as long as cosmetic surgery, but now I say gasms," and “Many men ... be­ They’re not old, mind you — instance, concerns itself not happenings as the Woodstock there are hair goops, face maybe in a few years I’ll get a come nervous when they are they’re just un-new. The un- with the sexual rejuvenating anniversary and the Elvis Inter­ mucks, feminine protection lift.” with new partners or in an unfa­ new guard of perfect, inaccessi­ powers of vegetables and fruit, national Tribute Week (it was products, innovative nontoxic Oh, how easy and clear miliar place." ble swimsuit blondes is gradu­ but instead tackles such topics in August, in case you missed Dirth control devices and things become when you have Although women’s maga­ ally being swept away in favor as the famed Bette Davis-Joan it), Self makes a self-conscious weight-control methods to be the important things (like food, zines seem steeped in both of inaccessible swimsuit Crawford feud and attempt to be the Mother Jones marketed, there will be wo­ clothing, otgasms, birth control yearning and disdain for this brunettes like would-be VJ an “exclusive” interview with of the femmezine bunch. men’s magazines in which to and sexually-transmitted dis­ oafish, walking semiproblem Cindy Crawford and L’Oreal Vice-Presidential spouse Mari­ How do you deal with wed­ sell them. And we men just eases) spelled out for you in we call the American Male, coverwoman/sex, lies and vid- lyn Quayle. From the Quayle ding invitations when your wouldn't have it any other way.

UPCOMING Come Discover SHOWS 11/17 Local Showcase Night: Clyde, Ariel Goleta s Only This Assension 11/25 KTYD welcomes: Enuff Z'Nuff Complete Bookstore! 11/26 KCSB welcomes: The 12/1 KCSB welcomes Third World Nov 25 12/2 K C S B welcomes Das Damen 12/8 Camper Van En uff Beethoven Z'Nuff 12/9 David Ruffin, Eddie Kendricks Nov 26 Dennis Edwards Formerly of: The Temptations Buzzcocks 12/12 KTYD welcomes: 12/14 KTYD welcomes: lan Hunter & Third World D e ci Mick Ronson w/special guest: o Meat Puppets Steve Jones u * * 1' Ä Das Damen 12/16 Richard Lewis 12/17 KTYD welcomes: 12/23 KTYD welcomes: Dec 8 Psychedelic Furs 12/29 Camper David Lindley El Rayo-X Van 12/30 KTYD welcomes: Eddie Money 1/2 Neville Brothers Beethoven Line ANDROMEDA BOOKSHOP For Ticket Information and Dinner Reservations (805) 648*1936 5748 Calle Real, Goleta • 967-8980 Call theVentura Theatre Box Office, 26 South Chestnut 7 X X • Friendly Service • Ample Parking • at (805) 648-1888 MAY COMPANY & MUSIC PLUS (80S) 883*8700 Special Orders Gladly Accepted or Heck Music or Video Tyme Continued from p.l “It sounds like an important Unfortunately, not everyone title,” he said. “It’s a challeng­ When Harry here in the States agrees. When ing title. I feel that a lot of the I was listening to ’s subject matter on the album Met Sally new record Change, people lends itself to the title of would pass by my door, stop Change.” N ov. 17th and say, “hey it that the new U2 Like I said, the songs almost record?” preach to the listener about 7, 9, 11pm I’d say, “no, it’s ’s new hardships and idealistic towns $3.00 solo album.” being run over by Suburbia and The worst part is people so on. Yeah, yeah. I know that IV Theater would actually believe me. this is all “bad” (7-11’s and so Spans, by: “They’re a hard group to beat on) but when I turn on my radio Ordor of Omega against because they’re so suc­ I don’t want to hear about it. & A.S. Underwrite cessful," MacDonald defended When wrote depress­ without being defensive. It ing, political diatribes you seemed like he’d been over this could still dance to ’em (“Radio before ... a lot. He’s been a Clash,” “Clampdown,” member and co-writer of the “Should I Stay or Should I TURNER&H00CH Alarm’s material for the last Go”). The wrote nine years. “It’s been jolly hard about similar problems sarcas­ work. U2 opened the door for a tically in “(Nothing But) Flow­ lot of groups, including our ers”. But The Alarm lays it on its Sun., Nov. 19] group, initially. And everybody listeners with no humor, no tends to be following in their ease, and giving no slack. IV Theater footsteps. It did take a longtime New Album 'Change' Marks “I look and react to things ar­ to weave away from that and do ound me,” MacDonald rea­ 7.9,11 pm our own thing. And we have a soned. “The Alarm has never great deal of enjoyment doing One For the Band as Well, kept its head in a cupboard ora what we do. And I think that closet. I think we’ve always $3.00 shows through in the music we been looking for things and Accounting Assoc. Says Eddie MacDonald make and the shows we looking at things. Problems perform." need to be dealt with and they The Alarm performed with sort of spur on songs that need The Multicultural Center in the summer of to be sung, I s’pose.” '88. They opened for him ar­ Mac Donald spoke elegantly, The Holocaust at Halabja ound the U.S. in a tour that de­ clearly, from his heart without veloped into the live EP, any crap or oppressive weight On Video “Electric Folklore” that came ot on his words— nothing like the W h at is known as T h e Bloody Friday" took place on the following fall. songs he helped write on the According to MacDonald, new record. the 18th of March 1988 in the town of Halabja, home the Alarm is a band that likes to “I believe that the people to 70,000 ethnic Kurds, situated in Northeast of Iraq. record their “live” in the make the change and music sort A chemical weapons attack by the Iraqis resulted in studio. This is what led them to of responds to the change or thousands of deaths and lasting iryuries. This video choosing Tony Visconti (David starts a good catalyst,” he said Bowie, guitar-stud T-Rex) as earnestly, convincingly. "I will focus on the aftermath of the bombing. producer for Change. know where my place is in that (57 minutes, color, 1988). “When we were looking for sense. And I feel that the A discussion moderated by Jamal Shasad will follow. producers for the album,” Mac Alarm’s music frees us of any­ Thursday, November 16/ 12:00 Noon/ FREE Donald said, “we wanted some­ thing that we want to do. I don’t body who had experience with feel restricted, either by other UCSB Multicultural Center working with who’d people’s opinions, or by peo­ Presented by the UCSB Multicultural Center recorded live in the past. The ple’s points of view. I’m a very and the Global Peace and Security Program. way we wanted to record the al­ open-minded type of guy, but at For more information call the UCSB Multicultural Center bum was live and use very basic the same time I’m very positive at 961-8411. equipment.” MacDonald said about what I do.” slowly, diligently as I imagined I believe that the peo­ MacDonald didn't seem to they tormented themselves over care very much that I wasn’t do­ the new album that took them 5 ple make the change ing flips over the new album, He was their inspiration. He made their Hves extraordinary. months to record "live.” and music sort of re­ and I can’t blame him. I didn’t “We wanted to get the real sponds to the change tell him what my old girlfriend sound of the band on tape, not thinks of his band and I don’t to be dependent on computers or starts a good think he cares all that much — or other people in order to catalyst. hell, I don’t even care about her sound good,” he explained. that much. DF.AD "That way, the moment we Eddie MacDonald But before he hung up the went into the studio next time, phone Tuesday afternoon from we could reproduce our sound ir: ’83, they blew off of Michael. Big deal. his Beverly Hills hotel suite at POETS without any difficulties at-tall, Bono’s band with passion and But if you remember, "Rain Ma Maison, he left me with a and feel comfortable in the idealistic energy that almost In The Summertime” was also little bit of hope. Even though I studio.” bordered on naivete. Strength on that record. Neither of these .may not like his new material, SOCIETY The result is a 12 song record followed it up a few years later are on the level of intensity of and critics may pan his group, (14 songs if you buy the CD or wit! i great songs like “Absolute “Marching On” or "Where and guys like me might talk shit cassette) that sounds, disap­ Reality”, “Spirit of ’76”, and the Were You Hiding When The about him after having a nice Saturday, Nov. 18 pointingly very similar to their terrific rocker “Deeside”. Storm Broke.” chat with him, I was left with 1987 album Eye of the Hurri­ Unfortunately, “Spirit of’76” Change, sadly, offers more of the comforting feeling that The cane. It features lots of tunes was the big hit and that sort of the same sort of sappiness. Alarm isn’t U2’s unloved step­ 2, 7, 9,11:00 pm about hope and disaster, pride overindulging, overstepping Which makes you wonder child anymore. In fact they’re and struggle. epic route of writing songs (a why the hell they named their pretty damn content being ex­ IV Theater It’s your basic Springsteen- style that earned them riches new album what they did. actly who they are. Chapman- album sung by with "68 Guns") is what the “We don’t look the same any “ has made up Dance Repertory Club your favorite Irishman in a cow­ boys decided to venture down more,” MacDonald said adding about one-third of my life,” boy hat with a ponytail. in Eye of the Hurricane. that if I wanted to observe that MacDonald said. “And every A. S. Underwrite Just like every other Alarm al­ Sure, “Rescue Me” made it change I’d have to “come and day I wake up to it. And I don’t bum, right? Well, sort of. big on the top 10 that year, but see.” feel bad when I wake up to it. I When Declaration came out so did and George But seriously. feel really good." gA i The Multicultural Center An EYening of Middle Eastern Music and Dance the special qualities each city has to offer, he seems capable of With The capturing only the scab of the town’s musical sore. Suave and debonair, with a Nobody’s perfect, and al­ Middle Eastern Ensemble touch of pizazz, Da­ though his first album is not an vid Letterman’s smooth right opus, has made his hand man has finally released own contribution to the world of Santa Barbara his very own record. And yes, it of music. Appearing in the late and Students of UCSB’s sounds exactly like you would as the centerpiece of the expect a Paul Shaffer album to band, Music Culture Class sound ... at its The la te Night’ Bandleader Asserts His Shaffer was a part of the origi­ cheesiest. nal Brothers skits and Thursday, November 16 Coast to Coast is Shaffer’s Musical Freedom With ’Coast to Coast’ helped to create the legendary attempt to use his “cool cat” sta­ sound. 7:30 pm • Free tus to recruit equally happenin’ - But With Such an All-Star Cast, You’d “It w eis quite exciting. There musicians for a few memorable was so much energy that I knew Multicultural Center jam sessions. The opening doo­ Probably Expect a Lot More From Him if we could just focus it we Presented by the Multicultural Center in cooperation with the Music Department wop song, “When the Radio is would have a hit ... John and For more information call the M ulticultural Center at 961-6411 On” invites the listener to join Dsuiny (Belushi and Ackroyd) Paul and a host of musical bud­ were so hot, first of all, we could dies on a trip exploring the un­ get anybody we wanted for this ique sounds of American cities. band. A band kind of fell “I tried to make a record that together that was better them I would get off on, and hoping any of us thought it would b e ... that people would relate to it it was a lot of fun.” and buy it,” Shaffer said in a “I tried to On Late Night, Shaffer and phone interview. his band have spent the last It’s a good thing Paul enjoys make a re­ eight yesirs teasing audiences it, because nobody else will. with groovin’ commercitil lead- THE What Shaffer does is assemble cord that I ins, and of course the Letter- an amazing host of musicians to man show’s theme. The band is JESUS waste their talents on really bor­ would get off also CEilled upon to back Dave’s AND ing pop songs. With this record guests. MINISTRY the sleek director of the World’s According to Shstffer, it’s PUPPY Most Dangerous Band proved on, and hop­ much more difficult them it ap­ himself to be the World’s pears. “Night Eifter night on Let- Shmooziest Band Leader. ing that peo­ terman people see me play my The cast of “Coast to Coast” heart out, as do all the guys in includes Ben E. , Joe Sat- ple would my band. Playing behind all riani, , Valerie these different performers. 11“ CD Simpson and . It relate to it Everybody from Jerry Garcia to, should be every music lover’s uh, I don’t even remember all of wet dream. Shaffer claims to and buy it the people we had.... You have have great respect for the artists to get it done very quickly. You 6“ LP & TAPE he’s gathered together, saying, only have less thsrn an hour to “I sincerely love their music and Paul Shaffer rehearse with the performers them.” that come on. They are usually So what went wrong? amazed with'how quickly we Shaffer's supposed deference ceui put these numbers together exists for all the wrong artists. ... I kind of pretend it’s like a Case in pbint; his opinion of club sometimes.” rapper extraordinare DJ Jazzy “CASH PAID FOR USED CD'S. CASSETTES & IP'S" Jeff: “Jazzy Jeff is so innovative. Chicago, , , New Orleans you just realize Shaffer will go down in tele­ The way he took the lines and New Orleans, Minneapolis, why Allan Toussant made those vision history as the Doc Sever- made them his own.” New York, Detroit, Memphis. syrupy records. In Miami you insen of the . He Like Jazzy say, “No need to They’re all here, along with feel when you’re there why the shouldn’t ruin his spot among morninglory argue, parents just don’t under­ some of their most exalted dance records that come out of other notable sidekicks by try­ stand.” Innovative, huh? Call artists. there have a sort of salsa aspect ing to be something he’s not. me trendy, but I don’t see it. “The towns have so much to to i t ... because there is that La­ Paul, don’t go chEtnging to try u s i c — - Coast to Coast is a tribute to do with the sound. The feeling tino thing down there.”- and please us — we love you 910 Embarcadero Del Norte, I.V. 968-4665 American bastions of music. that you get when you’re in Although Shaffer recognizes just the way you are. a now 1218 State Si, &B. 966-0266 ®

„ c a r g a s ra s TICKETS POR LOCAL AND SOUTHERN EVENTS

t M E T R O P O LITA N " f T H E A T R E S

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SANTA BARBARA SWAP MEET «OPEN EVERY SUNDAY 7 AM TO 4 PM TWIN DRIVE-IN For lafonsatioa Cal 944-9051 ARLINGTON THEATRE 907 S. Kellogg Ave.. Goleta NOVEMBER 16,8 PIW, EVERY SUNDAY 7 AM - 4 PM 964-9050 Santa Barbara TWin Dr ivo-In Swap Maat Information 907 S. Kellogg Ave., Goleta ARLINGTON COURT GIFT SHOP 966-3638 1317 State Street, next to the Arlington Theatre Gift Shop Information Tickets available at Arlington Center, Open 12-8 PM Daily Captain Video & Morninglory Music. 6A MUSIC of Wuv Adams and drum accompani­ is a success. , the Guys Behind ment by , was origi­ ‘That’s success, if you think this nally intended to be a feminist work is representative of you 'Shout,' Get Mature, and Are More song but they realized that be­ and you think it’s good ... first Than Happy to Tell You All About It cause it was written by a man, and foremost you’ve got to like the song actually is about men’s what you do yourself. I don’t American radio - , gospel repression of the female psyche make albums for other people, I By Stephanie Linden and R&B. They started to listen themselves. make them because I enjoy Reporter______to people like and them. I don’t do it for other peo­ , and basically “went And what about that catchy, ple’s praise because that would Moody introspection, pop back to go forward.” vaguely familiar, top-40 hit defeat the objective of being a and a veiy big chair And they met , “?” .” — these are the things one who was a kind of inspiration According to Smith, the song thinks about if someone were to when they saw her singing in a was written after the last gen­ Concerning future plans, shout, shout, let it all out: hotel bar in Kansas City with eral election in England to Smith has nothing set, except Tears for Fears! only a bass player and a drum­ voice their "displeasure” over “to carry on learning — you That is, these were the kinds mer. At the time, the duo was Margaret Thatcher's re- never know it all. There’s still of things that might have filled touring using the same stuff election. tons we can learn, as musicians, my mind until I had the oppor­ they had been using in the stu­ as artists.” tunity to talk with dio - all the machinery, the syn­ They wanted to catch their We can expect a debut album (the one with the short hair), an thesizers and sequencers - and words in what was a “vaguely from Oleta Adams which Or­ opportunity that led me to deci­ seeing Adams made them real­ humorous ,” zabal is currently producing sively alter those images. Smith ize their limitations. hence, the deliberate Beatle- due out in February — just in was the object of a recent “inti­ Seeing Adams perform “sud­ ism. But Smith insists the song time to capitalize on the tour. mate" press conference with denly made us realize that we was done all from memory. “It Southern California college were supposed to be musicians wasn’t intended to be like the So, Tears for Fears today are newspapers. and we tended to become com­ Beatles,” he said, adding that he a different band them the one After the event, held at the puter programmers, and we doesn’t own any Beatles that emerged in 1982 with a posh Hotel Mondrian in L.A. I wanted to change all that,” albums. single called “Suffer the Child­ might find myself filled with Smith said. ren.” They appear to have leapt ideas and images of maturity, In the last couple of years, For the twosome, the imag­ from the era of computer prog­ ’s long hair and their maturing turned the duet’s ery of their song's title and rammed pop to the realm of the seeds of love. vision to the world around comes from the late six­ passion and understanding. As Smith certainly has those them. Smith explains that the ties, when “love” was a revolu­ their press release says, “it’s ideas and images. first two albums were created at tionary word, “when it was OK high time to acknowledge that The Seeds of Love, the latest a time when they were “trying to to talk about that kind of thing, anything is possible, to sow the Tears for Fears album, isn’t like get comfortable with becoming before the modem Yuppie era seeds of love and to welcome its predecessors, an adult, being tom between Tears for Fears’ Roland Orzabal and Curt Smith. (where) it’s more important to back a band that has been and . being a and an adult and be successful and powerful.” reborn." It is the product of four years of trying to compromise the two we were the way we were in­ This maturing and sort of The Beatle-esque sound helped discovery and awakening. and make them integrated.” stead of just eventually accept­ awakening thus accounts for to further conjure these images It may be high time that this The British duet’s discovery The introspection of The ing it and dealing with it and the wider subjects and has something worth lis­ process came about when they Hurting and Songs “was that realizing there may be the odd Issues they confront on their as directly representative of that tening to, messages worth toured the U.S. three years ago. period of time where what we thing that’s probably more im­ new album. “Women in time, Smith said. understanding — at least I was While here, they tuned in to tried to do was work out why portant than yourself." Chains,” featuring the amazing As far as Smith is concerned, impressed.

for one of the gigs, Jonas) if we’d be interested in just doing some jamming. Artsweek: How do you decide “We’re one of what songs you want to cover? Barney: It’s primarily the old the fezv hands The Turn That Shit Down’ Blues Chicago-style blues. Harmo­ that actually ■ Interview: is not real stressed that record They will be playing tonight had been calling us. nica and . Every­ moguls aren’t ringing their at Art's Bar at 2611 De La Vina Burford: “Shut up assholes!” body has all kinds of favorites gets compli­ The Goleta Waters phone off the hook. in Santa Barbara at 9:00, and on Barney: "We gotta study down so it’s just a matter of working "We always laugh when we Saturday morning at 11:00 in here!” ments from Blues Band Rocks go to parties and people are like Anisq' Oyo’ Park. Burford: “Turn That Shit through everybody’s top ten ‘Oh my God!’... it’s funny,” said Artsweek met with the band Down” Blues. list. Pretty Hard, For a their , Mark Burford. and shot the breeze this week. Artsweek: Have any of you ever Artsweek: Is that why you’ve Bunch of IV Dudes Goleta Waters is a very laid The following is an edited played in bands before? been so successful in I.V.? when they back group of seven UCSB stu­ transcript: Jonas: I played in for Burford: We’re one of the few dents (six of them fifth year se­ a while. bands that actually gets compli­ shut us ments from the police when By Kim Kash niors): Jonas Baipsys on guitar, Artsweek: Where did the name, Artsweek: Tell me about play­ Barney Brennan drums, John “Goleta Waters,” come from? ing with Willie Egan and the they shut Us down. down.” Staff Writer "Chicken” Little on , Burford: As in Muddy.... My House rockers. Burford Paul Minasian on keyboards, grandfather, may he rest in Barney: I was talking to Peter Jonas: Everybody can relate to The Goleta Waters Blues Alex Griggs on bass guitar, Tom peace (laughter). Kraus, who does a radio show it. We’re so comfortable and lead singer, Goleta Band, the only band (as far as Dewell playing percussion and Barney: We were just trying to at KCSB. And he was getting that extends to the crowd. Waters Blues Band they know) in Isla Vista playing “Burford Burford Burford” think of what to call ourselves Willie back into the scene, so he John: We also have plenty of nothing but classic blues tunes, singing. ... other than what other people asked us (Bamey and John, and beer.

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WARREN MILLER'S 40TH ANNIVERSARY SKI FILM 1949- 198b Audi c i u a t t p a Space•1C ontinued Pirate from Radio Page 3 A Space Pirate Radio is a na­ ized opinions among just ab­ tural exponent of this era, and out anybody who knows of WARREN MILLHKS is by today’s commercial radio the show. standards quite unconven­ One group that Guden tional: there are no commer­ finds it particularly difficult to cials, no announcements after appease is radio station man­ each song or group of songs, agement: “I’ve been told by no dictated play list, and no everybody in the business rotation. who has come along with The music Guden plays is their little consultants and re­ similarly not characteristic of searchers, ‘you can’t do that. what one would normally It doesn’t fit our format; we’ve hear during the prime-time gotta change it.”’ hours. He features a wealth of Guden just says “no” to music from many lands, often that. So do his loyal listeners sung in “strange languages who at one point sent in mo­ you never learned in ney to the station in order to BOWLING school”—perhaps David prevent commercials from be­ Bowie singing in Japanese or ing put on the show. in German. The battles between Guden “Listening to Space Pirate Ra­ and station management dio is like going to a foreign reached a peak in 1985 when IT'S A film without subtitles.” he left KTYD to join Y-97, Guden believes American where he remains today. radio shies away from foreign Guden will definitely not music and asserts that it is his sell out his principles or his job to provide a counterba­ show, but he has practiced BLAST lance to this bias and to oro- enough compromise to keep vide an alternative. himself on the air for as long Guden’s surreal, often im­ as he has been. • AUTOMATIC SCORING provised comedy is interwo­ Indeed, longevity and sur­ • Minutes from UCSB • A Great Place To Party ven with the music. As much vival are Guden’s sweetest as he aims to amuse, Guden fruits of revenge against the • Billiards • Video Games • Coffee Shop seeks to educate in what he money-grubbing radio indus- • OPEN 24 HOURS calls a "revolution through tty. “Warren Miller is ski bum numero uno...a combination Jean-Claude Killy, Robert comedy.” “There have been so many Redford, Ingmar Bergman and Woody Allen“-!..A. Times "I like to put my politics general managers, program and philosophy out under the directors, and music directors NOV 16-22 VICTORIA ST. THEATER (Santa Barbara) ORCH/D BOWL = % guise of my comedy.... Com­ that I can’t even begin to re­ One Week Only 7&9 pm + Sun Matinee Nov 19 at 5pm • 33 w. v « * ™ s t • 5925 Calle Real • Hwy 101 at Fairview in Goleta • 967-0128 edy is a gentle revolution.” member them all. It’s like a re­ NOV 18 UCSB CAMPBELL HALL The eclectic and unconven­ volving door... and yet Space Sat 749 pm • Free Parking «Sponsored by Tau Beta P i* Info at ski shops tional nature of Space Pirate Pirate Radio continues to go SAVE $1,001 ADVANCE DISCOUNT TICKETS AT SKI SHOPS: UCSB UCen, Copelands (SB), Mki Air (SB). Goleta Sports Radio tends to produce polar­ on 16 years later. I love it.” THE ARTS TA

Britny Fox time on their special thanks than (King City, perhaps?) with cynical seller. “Cappucino,” is one of the ing to identify this posse of roman­ Boyt In on almost anything else. observations about mainstream best of the year, where Lyte is sip- tics apart from their duo of CBS Records — “Mad” Max Donnelly America made from the back of a pin’ some Joe at an outdoor cafe, “Rocky” soundtracks is trying to ★ * 1/2 squad car. But then the guitar jams gets shot, has a near-death experi­ find a cut without the word love’ Jesu* and Mary Chain Screaming Blue Messiahs and the energy remains through­ ence, comes back, and then ex­ A utom atic in it Britny Fox's Boys In Heat is Totally Religious out, as the Screaming Blue Mes­ plains what cappucino is for those Warner Bros. Records aptly titled. In fact, this album ap­ Elektra Records siahs demonstrate how fast-paced AM who don’t know. But Eyes On So it’s no surprise this album, a pears to have been cut in a verit­ ★ ★ ★ blues can make long drives a lot This also has songs where Lyte compilation of ten of the group’s able oven of adolescent sexual shorter. goes on and on about how she's The Reid brothers haven’t ex­ most heartfelt ditties of the last de­ frustration and redundancy. The If you’re looking for an album — Alistair Jeffs badder than anyone, male or fe­ cade, ends up swooning us like a actly succumbed to top 40 sap, the music doesn’t need much expla­ to drive home with, the Screaming guitars are still fuzzy, the words male. Lyte is certainly talented, cock in a henhouse. And we’re re­ nation. It’s largely fast, with the Blue Messiahs album might be it. MC Lyte and when she lowers herself to in­ still obscure, and the sound faintly gratuitous ballad thrown in. Lots minded yet again that the boys With the heavy bass/drum line, Eyes On This clude such unimaginative mater­ with the lovey-dovey Americana Cutty. Although the distortion is of “hooks” (apparently too dull to raw guitar and ’s angry First Priority Records ial, it shows. fading away as the Chain boys synthesizers and a hard-stepping take hold), leads and bridges. voice, this threesome’s third al­ *★ * 1/2 — Doug Arellanes grow more popular, Automatic is (their beat always seems to make “Dizzy” Dean Davidson provides bum is a version of the me walk fast) but passive sound, still a rockin hunk o’ wax. Espe­ a raucous and frightening voice, blues. In “Nitro,” and “All Gassed When MC Lyte is on, she rocks. Survivor cially “U. V. Ray,” whose thump­ will forever dwell, well in place, very much resembling that guy Up,” Carter's lyrics are obsessed She rocks the house, the bells, the Greatest Hits somewhere between a caffeined- ing drums and gnashing guitar from Cinderella. Unfortunately, with driving fast in big American boat, the Casbah and your world. Scotti Brothers Records high Journey and an REO Speed- rhythms are guaranteed to smash he also provides background voc­ care. The beat reflects this, with a Cáse in point is her new record. *** its way through your skull to your wagon fresh back from pillaging a als. There is a notable dearth of feeling of driving 150 m.p.h. down There are some slammin’ songs, leather shop. heart. lyrical creativity, not shocking Highway 101. However, in “Big like “Not Wit’ A Dealer,” where The only thing harder than try­ — Scott Lawrence when one peruses the albumcover Big Sky,” it seems Carter has seen Lyte tells the story of a girt she — Tony Pierce and finds that Britny spent more his time at the side of the highway knows who is in love with a crack LOWEST PRICES GUARANTEED! Boy, Does Her New Album Suck! It’s Bring Us Any Competitor's Ad a n d W e Will Like a Damned Four-Chord Nightmare! BEAT THEIR PRICE! Liza Minelli doesn’t know first time Sammy led her astray. deals-made-in-the-night mood Chords over and over again We Will Order Any C D from Anywhere in the World! that you can’t lift a sagging ca­ You can almost hear him say, to their music and image. But with Liza Minelli singing NO EXTRA CHARGE!!! reer as easily as you can lift a “Liza, babe. These Pep Boys are since then, hardly anybody in “Don’t drop bombs, baby/ sagging body part. You can’t hip, man, hip. They remind me the music industry has wanted Don’t drop bombs” on top Top 100 Always on Sale buy it, you can’t go somewhere of , and I mean to know why or what from while the drums go bap bap and have it done by that.” them. A few hits (that they bap. The album is called Re­ “professionals.” When the mid-’80s Euro-fad didn’t write) later and what do sults, and they are, certainly, NEW RELEASES Maybe she let her friend the first came you know, they’re writing and negative. If C. Everett Koop Sammy Davis, Jr. talk her into out with hits like “West End producing a Liza Minelli ever got ahold of these results, Always on Sale letting the Pet Shop Boys write Girls" and “Let’s Make Lots of album. Liza Minelli would never be al­ and produce her new album. Money,” they were successful The music is a swirling night­ lowed to operate heavy ma­ Lord knows it wouldn’t be the in attaining a certain quasi-evil, mare of Those Four Damned chinery againllL Jeff

Cash Paid For Your Used CD's, Tapes & LP's the public that what they see lar performance, and that is the THE B COMPACT ■ Preview: and hear from the media is not message of this play. New Production always the truth. And even the Velasco is a thoughtful direc­ contemporary media has lied to tor with a lot of enthusiasm Both Comic and us again and again and it is up to toward his craft. “Directing has us to make sure that these ac­ become quite addicting to me. disc &TAPE STORE189 N' F£ol1 a Tragic; Like ’Bugs PERFORMANCE tions are accounted for,” Vel­ When I’m directing I’m in con­ asco said. trol, I call the shots and if there (IN FARV1EW CENTER) Bunny on Speed’ if you are being beaten over the Velasco, a member of a Chi- is a mistake, I know it’s my 683-2272 head by a big stick labeled cano political theater called mistake.” By Luçy Boswell, “statement.” Teatro Campesino, originally Velasco promises that “the MON-THURS10 A.M.-9 P.M.; FRI & SAT 10 A.M .-10 P.M.; SUN 11 A.M.-9 P.M. and JoUe Clark It also features an eclectic intended to direct a campus actors in Accidental Death of NEW RELEASES: TAPE Reporters musical score, with music from production of Kiss of the 'an Anarchist touch the audi- Jane's Addiction, and Spider Woman, another play ' ence on both a physical and in­ RUSH ONLY Simon and Garfunkel. with powerful political ana so­ tellectual level, and that the au­ New MaterfaU'PRESTO’ -powered and ambi­ Set in 1969, the play deals cial overtones, but had to dience is very much involved in disc& W E STORE $5." tious play Accidental Death of with abomb that went off in Mi­ scramble for a new choice when the show.” PHIL COLLINS CD an Anarchist, which premieres lan, Italy, and how an anarchist the rights to the play were BUT SERIOUSLY ONLY tonight at UCSB's Old Little was picked up and incarcerated bought indefinitely for a possi­ Accidental Death of an 189N. FAIRVIEW Theatre, is both amusing and by the police for the crime. ble Broadway musical. Anarchist I AA3-9979 UMIT ONE PER c u s t o m e r challenging. At approximately midnight Velasco describes his pro­ Directed by Joseph Lee 0 0 0 - ¿ ¿ / ¿ COUPON . EXPIRES NOV. 20.1989 $9." Directed by senior Joseph on the same night he was found duction as 'like a Bugs Bunny Velasco Lee Velasco, this farcical play lying dead, having fallen from on speed with a political con­ Playing at the Old Little Thea­ contains a serious political and the fourth floor. His death was science,” and that he finally ter until Saturday. social message, but at the same officially called a suicide, or an settled on it because, “there is a Admission: Free. time is humorous and light­ “accident." fine line between responsibility For further information, call hearted so that you don’t feel as "This play demonstrates to and corruption in this particu- 961-3535.

Perhaps more importantly, three-dimensional setting. ■ Review: these photos, taken by people Royston gives his viewers a 'Contemporary who live in these countries, chance to become actively in­ help us learn about another volved in his art — art which Photographers’, part of the world with greater changes with its environment impact than a book might have. and with time. Royston Exhibit Besides, who wants to read In a talk before the opening, another damn book right now? Royston revealed his fascina­ in Limbo Well Worth Time tions with the relationship be­ BY JOHN PATRICK SHANLEY By Polly Schneider ART tween illusion and reality, ex­ If straight photography plaining that “a good artist can Reporter ______doesn’t turn your crank, how­ carry you out of the room into NOVEMBER 9-11 ever, and you’d prefer a good another space.” A crazy-looking young man dose of mind-altering fantasy, His paintings also have the NOVEMBER 14-18 with dreadlocldsh hair, hands story to tell. illusion and reality all mixed up ability to trip us out a bit, as he crossed across his chest in a There is sadness and humor in one room, I highly recom­ combines representative STUDIO THEATRE semi-symbolic gesture, stares mixed in many of these photos, mend Curt Royston’s "Multi- photography and contrived 8 PM - NO LATE SEATING intently. Meanwhile, a man esperially a group taken in a media Installations,” currently painted figures in one frame. THIS PLAY CONTAINS EXPLICIT LANGUAGE grins slyly as he peels an octo­ Venezuelan psychiatric ward — showing at the Santa Barbara His method is to take a 3-D ob­ pus off his back. one of which depicts a kooky Contemporary Arts Forum. ject, such as a beer bottle or a They could be in Anisq’Oyo old woman in a flowered house The exhibition highlights mannequin, paint it, then Park or out in the. Channel Is­ dress, seductively sprawled out two installations and several photograph it, sometimes app­ ACCIDENTAL lands, leading ordinary lives. on the floor of a cell in a pose paintings, all utilizing a lying additional paint to the But they are part of an eye­ more often attributed to Kathy plethora of different materials photograph as finishing DEATH of an opening new exhibit of photo­ Ireland. Ironically enough, on and media at once. touches, or including a real per­ graphs taken by Latin Ameri­ the opposite wall is a photo of a His five-panelled installation son in the photograph of the cans in their countries — one well-kept woman in a garden, “Ivory Tower” is painted as a painted scene. ANARCHIST whose strengths lie not only in simply titled, “Lady and Her section of a wall inside a house, Confused? So was I. The re­ the technical quality of the Servants.” with windows, a door and a real sult is kind of like watching Ro­ BY DARIO FO photos but also in the humanis­ In whatever scenario, be it TV and chair, both of which are ger Rabbit — half cartoon and ADAPTED BY RICHARD NELSON tic light they are presented in. weddings, somber and cheerful, also painted. Cameras are half real life. The Santa Barbara Museum bedrooms, bathtubs, or jungles, placed at strategic places in the of Art’s “Contemporary Latin the people all seem comfortable room so that when one enters Contemporary Latin Ameri­ N O V E M B E R 1 6-18 American Photographers” fea­ with themselves, and there is an the path of the camera, his or can Photographers NO ADMISSION CHARGE tures subject matter ranging excellent rapport between the her image is projected onto the at the Santa Barbara Museum from children and families to photographers and their screen, changing the scene en­ of Art until Nov. 19 OLD LITTLE THEATRE politics and war, but all of the subjects. tirely. The artist created this Admission: Free, but dona­ 8 PM-NO LATE SEATING photos share a strong intimacy The greatest thing about piece so that when one stands tions accepted between the photographer and these pictures is the facial ex­ back and faces the work head Phone: 555-1212 BOX OFFICE 961 -3535 his subject. Taken at uncomfor­ pressions — from the doubtful, on, it looks like a painting, but tably dose angles, they force the hilarious grimace of a man on when one looks in the TV Curt Royston viewer to make eye contact with his wedding day, to the stoicism screen, seeing the same scene Multimedia Installations DEPARTMENT OF DRAMATIC ART the characters within, each of of a Mexican woman with a from the camera’s point of view, at the Contemporary Arts UNIVERSITY OF CALIFORNIA whom seem to have their own "hat” of six iguanas. there is actually a realistic, Forum until Dec. 23. SANTA BARBARA, CALIFONRIA This pays provided and paid Jor by the Associated Student Program Board