DOCSLIB.ORG

Golden World

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Golden World DAILY EXPRESS Monday August 30 1993 Q SATELLITE WARS. Golden world UNIVERSAL APPEAL: Hanna and Barbera beat all the language barriers E HAS seven grand• children but that isn't a chore for William Hanna. Before they were born, he had alreadHy established himself as one of the world's busiest and best baby-sitters. On Saturday mornings, rightly or wrongly, nearly every American jarks the children In front of the elevision to watch a cavalcade of cartoons. For more than half a century, Hanna and his partner Joe Barbera have been responsible for 70 per cent of the animated action. And not just ordinary "Toons", but the superstars like Vogi, Huckle• berry Hound and Fred Flintstone. Hanna and Barbera worked as the creators of the madcap Tom and Jerry for two decades before MGM made them redundant. The partners left the company and "That's all folks" in 1957 and "in sheer terror" began their own studio which is now worth around S500 million. Yogi & Co Hanna, still quick and alert at 82, goes to work five days a week at the company's offices which cover branch out CASTING AROUND: Hanna and Barbera's stars are spreading their talents across the globe two-and-a-half acres of prime film• land in Burbank across the hill responsible for Turner rather than from the major studios. Murdoch winning the stellar air• He's the technical wizard and with a new waves war. with his ideas man Barbera has, lie "It really is another world for estimates, produced thousands of me. I still think of this as a small hours of cartoon television as well family business. We all work as 250 TV series and specials which TV network together and eat lunch together. have been dubbed into 20 lan• "I come here every day to work guages. on some story lines and keep in You cm It am They are the biggest cartoon From DOUGLAS touch with what's going on. We've company in the world. just, for some reason, maintained On September 17, their work THOMPSON our popularity with our characters will also dominate the cable for a long long time. I don't see any into the heart of a man by Cartoon Network when it in Hollywood point in stopping work now." begins broadcasting in Britain - EITHER does his audi• and the rest of Europe. When Harry Met Sally and the ence. Tom And Jerry — Atlanta-based Ted Turner, who Tom Cruise/Jack Nicholson/Demi The Movie is a major ooking at his tie. invented Cable News Network Moore success, A Few Good Men. summer box-office suc• (CNN) in 1980, has continued to In this billion-dollar world of cess here. And the live plunder the satellite goldmine in more than 700 TV channels desper• actioNn movie, The Flintstones, is the sky. In a clever marketing ate for viewer-attractive program• greatly anticipated. package, he has combined the Car• Starring John Goodman — Cen• toon Network with his Turner Net• ming. Turner needs to make the films which will feed his interna• tral Casting on form again — as work Television (TNT) which has a Fred, Rick Moranis as Barney, Eli• classic library of movies from tional cable networks and supply, the satellites in the sky witli zabeth Perkins as Wtlma and Bogart to Elvis and Westerns to Madonna's pal Rosie O'Donnell as musicals. options for the future. But that's not just his own eco• Betty, there's also a special appear• OR all those who argue nomics — mogul Rupert Murdoch ance by Elizabeth Taylor. that we live in a Mickey is chasing him in the sky like "That's fiin — she was at MGM Mouse world, it is the per• something from Star Wars. when we were there," says Hanna, fect combination. You can Murdoch owns America's Fox who teamed up with Barbera in watch Yogi Bear, Huckle• Television and with it has created a 1937 when Ted Turner and Rupert berrFy Fin n and Fred Flintstone for "fourth network". He also owns Murdoch weren't even aware of 14 hours a day and then, just when 50 per cent of Britain's BSkyB as cartoons. you're yabbaaabbadone, move on we 1 as becoming a hi-tech TV When he first met Barbera, to 10 hours of the likes of Bogart presence in the Far East. Hahna was immediately and Bacall. It's high noon in the cable TV impressed. Clever? Very. For the bottom business. And interestingly, the "He was and is one of the great• line, as always, is the dollar — product — quality and quantity est cartoon artists I have ever met," billions of them. Turner, who views — is proving as important as says Hanna, himself as a philosopher and the new technology. "I was able to do the timing and player in world events as much as a Joe, with his draughtsmanship, media entrepreneur, is involved in Which crazily makes the car• could make the story-boards. a high-stakes game. toon network a serious aspect of There were things ! could do that He owns that great classic. Gone Turner's international operations.. he couldn't do and vice versa." With The Wind, as well as the The channel will open in Europe Twenty years and seven Oscars MGM film library for which he with about a third of the program• later, their cartoon production paid Sl.4 billion in 1986. This ming dubbed into French and operation at MGM was closed month, he put up $667 million in Scandinavian languages. down. The film company realised cash and stocks for two highly Hanna, very much a Hollywood they could make 90 per cent of the successful independent Hollywood man of the golden days, ponders same money just by re-releasing film production companies respon• his place in 1993 television history. old cartoons. sible for The Ntehtmare On Elm He can only shrug and smile Hanna and Barbera broke out on Street series ana movies such as when you suggest that he might be their own. The budget for their !^ 0 T MGM cartoons- had been $45,000 for five minutes. Suddenly it was S2,700 for five minutes. How to ^Toon' in "It was a shock but it made us HOW can fans of Fred Flintstone and the other learn how to trim and cut — and Tie Racl«. American Express Cardmembers welcomed since 1981. characters pick up the Cartoon Network and TNT, how we trimmed. Instead of 26,000 the other new channel launched by American media drawings, we were able to do it Roy Bishko, Chairman. Cardmember since 1978. tycoon Ted Turner? vriih l.'iOO," says Hanna. Cable subscribers and owners of a satellite dish will "We did it out of desperation but it looked sharp because the action I I I r ' be able to receive both services free from was so explosive." '.' September 17. Today their contribution to the But viewers who want to watch the six new satellite cartoon networfe is a hand grenade That'll do nicely. channels launched this Wednesday must be in the ongoing satellite wars in the subscribers to a BSityB channel. sky. .
Load more

Recommended publications
  • Here Comes Television
    September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business.
    [Show full text]
  • The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
    Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman).
    [Show full text]
  • Fred & Wilma Flintstone
    Fred & Wilma Flintstone IMPORTANT DOCUMENTS TABLE OF CONTENTS 1. Asset Letter — Dated 2. Living Wills — Dated 3. Powers of Attorney for Health Care — Dated 4. Powers of Attorney for Finances — Dated 5. The Fred Flintstone Revocable Living Trust — Dated 6. The Wilma Flintstone Revocable Living Trust — Dated 7. Wills — Dated 8. Declarations of Trust (Fred) — Dated 9. Declarations of Trust (Wilma) — Dated 10. Transfers of Personal Property — Dated 11. Assignment of Beneficial Interest — Dated 12. Recorded Deed and Declaration of Trust (Bedrock)— Dated 13. Brokerage Accounts 14. Retirement Account Beneficiary Designations 15. Life Insurance Beneficiary Designations Sample Notebook Table of Contents — Married Couple with Revocable Living Trusts Barney & Betty Rubble IMPORTANT DOCUMENTS TABLE OF CONTENTS 1. Asset Letter — Dated 2. Living Wills — Dated 3. Powers of Attorney for Health Care — Dated 4. Powers of Attorney for Finances — Dated 5. The Last Will and Testament of Barney Rubble — Dated 6. The Last Will and Testament of Betty Rubble — Dated 7. Assignment of Beneficial Interest — Dated 8. Recorded Deed and Declaration of Trust (Bedrock)— Dated 9. Brokerage Accounts 10. Retirement Account Beneficiary Designations 11. Life Insurance Beneficiary Designations Sample Notebook Table of Contents — Married Couple with Wills (no Trusts) Pebbles Flintstone IMPORTANT DOCUMENTS TABLE OF CONTENTS 1. Asset Letter — Dated 2. Living Will — Dated 3. Power of Attorney for Health Care — Dated 4. Power of Attorney for Finances — Dated 5. The Pebbles Flintstone Revocable Living Trust — Dated 6. Will — Dated 7. Declarations of Trust — Dated 8. Transfer of Personal Property — Dated 9. Assignment of Beneficial Interest — Dated 10. Recorded Deed and Declaration of Trust (Bedrock)— Dated 11.
    [Show full text]
  • Imagining the Future Into Reality: an Interdisciplinary Exploration of the Jetsons by Jane Elizabeth Myrick a THESIS Submitted
    Imagining the Future into Reality: An Interdisciplinary Exploration of The Jetsons by Jane Elizabeth Myrick A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in Education (Honors Scholar) Presented April 30, 2019 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Jane Elizabeth Myrick for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate of Arts in Education presented on April 30, 2019. Title: Imagining the Future into Reality: An Interdisciplinary Exploration of The Jetsons. Abstract approved: _____________________________________________________ Eric Hill This investigation examines The Jetsons’ vision of the future and tracks to what extent the content of the show is relevant to the modern era, both technologically and socially. Much of the dazzling technology in the show feels familiar, and most of it is either already available or is in development, so the innovations of the present are largely keeping pace with the show’s vision. Culturally, the show reflects the values of the era in which it was created (in the 1960s), and despite the show’s somewhat dated outlook on culture and society, we can still empathize and see our own modern experiences reflected back at us through an animated futuristic lens. Therefore, The Jetsons serves as a touchstone for our hopes for the future as well as the experiences of the past and the values and goals of the
    [Show full text]
  • Being Fred Flintstone
    Being Fred Flintstone Stephen Balzac Remember the classic kid’s TV show, the Flintstones? Fred and Wilma Flintstone are a stone age couple who live in something that looks oddly like the 1950s with rocks. Lots and lots of rocks. Despite this, the show had nothing to do with either rock music or getting stoned. It did, however, have an episode which predicted that the Beatles were a passing fad. So much for prognostication! Fortunately, that episode is not the point of this article. In one episode, Fred complains to Wilma that he can’t understand what she does all day. How hard can it be to take care of a house? Of course, as Fred swiftly learns, after he and Wilma make a bet, the answer is very hard. Fred, of course, makes a total mess of the whole thing. Now, obviously, the cartoon was playing off of social issues of the time and was intended to make people laugh. The obvious lesson, that a “non-working mother” is a contradiction in terms, is hopefully one that most people have figured out by now. The less obvious lesson is the much more interesting one: it is often impossible to gauge from the results, or from watching someone work, just how difficult a job actually is or even how hard they are working! Conversely, how people feel about the results has little bearing on how hard you worked to get them. At one company, a manager told an employee that he wasn’t going to get a raise because he made the work “look too easy.” Of course, one might argue that most people who develop their skill in a field eventually become good enough that they manage to make the job look easy.
    [Show full text]
  • 42083 Product Copy.Docx
    21316 The Flintstones Ages 10+, 748 pieces $59.99 (USD) / $79.99 (CAD) Have a yabba dabba doo time at Fred Flintstone’s home! Modern Stone Age suburban life in Bedrock comes to life in LEGO® form with this LEGO Ideas 21316 The Flintstones collectible building set, the latest model designed by a LEGO fan, submitted to the LEGO Ideas community, and selected to become an official LEGO set! A wonderfully nostalgic building toy, it features The Flintstones house and iconic family car. The detailed house has a removable roof for easy play, an opening front door, sofa, TV, coffee table, bowling ball and bowling pin elements, plus a green garden baseplate with a buildable palm tree. Build your own Flintstones vehicle that seats 4 minifigures and features a new-for-March-2019 fabric car roof element and an attachable dinosaur rib for creative play. The first animated TV series ever to be aired in a prime-time slot, The Flintstones cartoon was first broadcast in America in 1960 and has become an enduring family favorite around the world. Recreate hilarious scenes with minifigure versions of Fred and Wilma Flintstone and their friends Barney and Betty Rubble. • Build and display this collectible construction toy or recreate your favorite scenes from the classic American animated sitcom The Flintstones • This LEGO Ideas building toy includes 4 The Flintstones cartoon character minifigures: Fred Flintstone, Wilma Flintstone, Barney Rubble and Betty Rubble • The Flintstones home features a removable roof for easy play, an opening front door, curtains
    [Show full text]
  • Carter Home After Pledge to Aid Allies
    Carter home Your neighbors’ views: Do you believe thst there are UFOs? after pledge to aid allies WASHINGTON (UPI) - announced they had hammered out a President Carter concluded a proposed compromise to the thorny wearying, nine-day trip to Palestinian question. seven nations Friday, And he made a touching, three- hour sentimental journey to the inva­ promising America’s allies to sion beaches of Normandy, greeted Rod Perry Rirliard Perraull Ernie Gauthier IMarilyn Biveinis Judy Doueelle John Wyse boost defense dollars and in­ by cheering throngs. He later called Rod Perry, 118 McKee not really. There’s no proof that it "one of the best days of my life.” thing." O riie, Eiisl H anford—"Yes. crease U.S. troop strength in Si.—“Yes. I've never seen one. makes me believe in them." Europe. But the trip was dogged by a Marilyn IliveiniN, 32 l.ilue Sl„ because there have been so many but I think there are many things Krnie Gaulliier, Gliislon- East Miirlford—"I think it’s Carter, who had promised on the number of embarrassing incidents — reports. We can't discount them” we believe in but can't see." bury—"No. It’S a pipe dream. possible. Anything is possible John W VHC, Broad Brook—"I campaign traii to cut Pentagon spen­ a botched-up translation of his air­ It i e li SI r il P e r r IIII11. 133 port speech in Poland, stem words I’ve traveled all over the world, these days.” believe there are. but most of the ding by $547 biliion, toid NATO Oxford S i .
    [Show full text]
  • PRICES REALIZED DETAIL - Animation 2017 Auction 94, Auction Date: 6/8/2017
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation 2017 Auction 94, Auction Date: 6/8/2017 LOT ITEM PRICE PREMIUM 1 WINDSOR MCCAY PRODUCTION DRAWING OF “GERTIE THE DINOSAUR”. $4,750 $950 8 (2) JAY WARD “QUISP VS. QUAKE” PRODUCTION CELS WITH MATCHING $225 $63 PRODUCTION DRAWINGS. 9 (2) JAY WARD “CAP’N CRUNCH” PRODUCTION CELS WITH MATCHING DRAWING $225 $63 AND LAYOUT BACKGROUND. 10 BILL SCOTT’S PERSONAL SCRIPTS (57) AND ARTWORK FOR THE ROCKY AND $9,500 $2,660 BULLWINKLE SHOW. 11 “CECIL” AND “BOB CLAMPETT” TITLE PRODUCTION CEL WITH MATCHING $850 $238 DRAWING FROM THE BEANY AND CECIL SHOW. 12 “CECIL” AND FRIENDS PRODUCTION CELS FROM THE BEANY AND CECIL SHOW. $300 $84 13 “TETSUO” IN HIS RED CAPE PRODUCTION CEL FROM AKIRA. $300 $84 20 “CAPTAIN STERN” AND “EYEBALL” PRODUCTION CELS ON A PRODUCTION $450 $90 BACKGROUND FROM HEAVY METAL. 23 “GLORIA” PRODUCTION CEL FROM HEAVY METAL. $400 $112 27 “THE SIMPSON FAMILY” “COUCH GAG” PRODUCTION CELS FROM THE $650 $182 SIMPSONS. 29 “HOMER” AND “MARGE” LIMITED EDITION CEL FROM THE SIMPSONS. $250 $70 31 “SPIDER-MAN” PRODUCTION CEL FROM SPIDER-MAN: THE ANIMATED SERIES. $200 $56 32 KEITH HARING FOUNDATION PRODUCTION CEL AND DRAWING FOR THE $850 $170 SESAME STREET SEGMENT “5 DANCING MEN”. 33 MYRON WALDMAN WATERCOLOR PAINTING FEATURING “POPEYE” AND $475 $133 FRIENDS. 34 MYRON WALDMAN CHRISTMAS WATERCOLOR PAINTING FEATURING “POPEYE” $250 $70 AND FRIENDS. 36 MYRON WALDMAN ILLUSTRATION FEATURING “SUPERMAN”. $475 $133 Page 1 of 24 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation 2017 Auction 94, Auction Date: 6/8/2017 LOT ITEM PRICE PREMIUM 37 “TEEGRA” PRODUCTION CEL FROM FIRE & ICE.
    [Show full text]
  • AUTHORIZATION for USE and DISCLOSURE of PROTECTED HEALTH INFORMATION 1. I, FRED FLINTSTONE, of Bedrock, Cobblestone County, Auth
    AUTHORIZATION FOR USE AND DISCLOSURE OF PROTECTED HEALTH INFORMATION 1. I, FRED FLINTSTONE, of Bedrock, Cobblestone County, authorize all health care providers, including physicians, nurses, and all other persons (including entities) who may have provided, or be providing, me with any type of health care, to disclose all of my protected health information at the request of any of the following individuals: (a) an agent designated in a durable power of attorney signed by me; (b) my wife, Wilma Flintstone; (c) my daughter, Pebbles Flintstone; (d) my friends, Barney and Betty Rubble; (e) any individual designated by me in writing to make health care decisions on my behalf; (f) the trustee, or designated successor trustee, of any trust of which I am a grantor, beneficiary or trustee when asked to do so for the purpose of determining my capacity as defined in the trust; (g) my lawyer, Harvey Birdman, for the purpose of determining my capacity for any purpose; and (h) an attorney or guardian ad litem, if one is appointed for me by a court, for the purpose of determining whether, and to what extent, a guardianship or other protective arrangement for me is necessary or desirable. 2. This authorization is intended to provide my health care providers with the authorization necessary to allow each of them to disclose protected health information regarding me to the persons described above. 3. I understand that information disclosed by a health care provider pursuant to this authorization may be subject to redisclosure and may no longer be protected by the privacy rules of the Health Insurance Portability and Accountability Act of 1996, 42 U.S.C.§ 1320(d) and 45 C.F.R.
    [Show full text]
  • Download Yogi Bear's All-Star Comedy Christmas Caper Mp4 Download Yogi Bear's All-Star Comedy Christmas Caper Mp4
    download yogi bear's all-star comedy christmas caper mp4 Download yogi bear's all-star comedy christmas caper mp4. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6693e20d1d2a1695 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Yogi Bear's All-Star Comedy Christmas Caper (1982) 1080p. Assigned IP address . Your ISP and Government can monitor you! Hide your IP with a VPN when downloading! Movie Description: Dear Jellystone Visitors, Happy holidays from the Big City! Boo Boo and I left Jellystone Park to spend the most wonderful time of the year metropolitan-style, with friends Snagglepuss, Quick Draw McGraw and the gang! Luckily, I outwitted Ranger Smith with my department store Santa disguise. Our adventure led me to Judy, a girl who wants to spend more time with her workaholic dad. Who knew my love of pic-a-nic baskets would reunite them at a big city Christmas picnic in the park? Join the merrymaking, but get here before the basket is empty! The Flintstones, Huckleberry Hound, Auggie Doggie, and more friends also join us, making this Christmas caper full of our favorites.
    [Show full text]
  • 'TOON IN, 'TOON OUT: AMERICAN TELEVISION ANIMATION and the SHAPING of AMERICAN POPULAR CULTURE, 1948-1980 by David Perlmutt
    ‘TOON IN, ‘TOON OUT: AMERICAN TELEVISION ANIMATION AND THE SHAPING OF AMERICAN POPULAR CULTURE, 1948-1980 by David Perlmutter A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Joint Master’s Program – Departments of History The University of Manitoba / The University of Winnipeg Winnipeg, Manitoba, Canada Copyright © 2010 by David Perlmutter ii ABSTRACT This thesis is a systematic study of significant American television animation programs produced between 1948 and 1980, with special attention given to selected works produced by three influential studios: Hanna-Barbera, Jay Ward and Filmation. It considers how outside forces such as television network censorship, grassroots political activism, and other social and political forces served to limit how the genre developed, and the extent to which producers chose to test the limits to get their points across. It provides a discussion of masculine images in television animation of the 1950s and 1960s, and of the reactions of television animation producers to outside concerns regarding violent imagery in children’s programming, and the threat of censorship related to this, in the 1970s. My thesis demonstrates that television animation producers, as a result of the need to remain actively involved in production, were forced to change and adapt with the times around them. iii ACKNOWLEDGEMENTS I would like to thank my family and friends for supporting me through this endeavor. I have appreciated their support especially in those times when I doubted my abilities, because they never did. I particularly want to thank Professor Churchill and Professor Elvins for giving me their advice and guidance in the long and arduous process of conceiving the draft.
    [Show full text]
  • PRICES REALIZED DETAIL - Animation Auction 99, Auction Date
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation Auction 99, Auction Date: LOT ITEM PRICE PREMIUM 1 DISNEY’S “OSWALD THE LUCKY RABBIT” PRODUCTION DRAWING FROM A $3,250 $910 THEATRICAL SHORT. 2 “MICKEY MOUSE” PRODUCTION DRAWING FROM STEAM BOAT WILLIE. $1,200 $336 3 “MICKEY MOUSE” AND “MINNIE MOUSE” PRODUCTION LAYOUT DRAWING FROM $2,000 $400 THE DELIVERY BOY. 4 “MINNIE MOUSE” PRODUCTION DRAWING FROM BUILDING A BUILDING. $400 $96 5 “MICKEY MOUSE” PRODUCTION DRAWING FROM THE DOGNAPPER. $400 $96 7 “PLUTO” PRODUCTION DRAWING FROM THE GODDESS OF SPRING. $325 $91 8 “DONALD DUCK” PRODUCTION DRAWING FROM THE DOGNAPPER. $225 $54 10 “MICKEY MOUSE” PRODUCTION DRAWING FROM MICKEY’S POLO MATCH. $300 $72 11 “MICKEY MOUSE” PRODUCTION DRAWING FROM MICKEY’S ELEPHANT. $300 $84 12 “PLUTO” MODEL DRAWING $1,900 $532 13 “MICKEY MOUSE” PRODUCTION DRAWING FROM THE WORM TURNS. $200 $48 14 “GOOFY” PRODUCTION LAYOUT DRAWING FROM MOOSE HUNTERS. $400 $96 15 “GOOFY” PRODUCTION DRAWING FROM CLOCK CLEANERS. $475 $114 19 “MICKEY MOUSE” AND “GRIZZLY BEAR” PRODUCTION CEL FROM A MICKEY $3,500 $980 MOUSE THEATRICAL SHORT. 23 “GOOFY” PRODUCTION CEL ON A STUDIO PREPARED BACKGROUND DRAWING $800 $192 FROM HOW TO RIDE A HORSE. 24 “PLUTO” PRODUCTION CEL FROM A THEATRICAL SHORT. $400 $80 Page 1 of 24 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation Auction 99, Auction Date: LOT ITEM PRICE PREMIUM 25 ANIMATORS (3) MODEL SHEETS FROM CINDERELLA, DONALD DUCK AND $475 $133 PETER AND THE WOLF.
    [Show full text]