A Challenge for Guides and Scouts Produced by 1St Jordanstown Guides
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Ll Be Your Huckleberry
I’ll Be Your Huckleberry It is amazing what will spark a memory. I was transferring a client’s film today and the Christmas scene that appeared on the screen was of a young boy who had just received an inflatable punching bag in the image of Huckleberry Hound. I had one of those. And I certainly remember Hanna-Barbera’s Huckleberry Hound being a favorite cartoon when I was growing up. But my memory played a trick on me. I would have sworn that the Huckleberry Hound Show that I watched as a youngster consisted of three segments: Huckleberry himself; Yogi Bear and Boo-Boo (whose segment eventually became more popular than those of the titular star); and (I thought) Quick Draw McGraw with his sidekick “bing bing bing” Ricochet Rabbit. But I was wrong. Quick Draw had his own show. The third segment for Huck, as he is familiarly known to his young fans, involved a pair of mice, Pixie and Dixie, and the object of their abuse, the cat Mr. Jinx. Just goes to show how memories can tend to distort and blend together over time. A few trivia tidbits about this cartoon from my past: Huckleberry Hound debuted in 1958 and featured a slow moving, slow talking blue dog who held a multitude of jobs and always seemed to succeed due to either luck or an obstinate persistence. Huck was voiced by Daws Butler who also provided the voices for Wally Gator, Yogi Bear, Quick Draw McGraw, and Snagglepuss. Daws Butler fashioned the voice of Yogi Bear after Art Carney’s portrayal of Ed Norton in The Honeymooners. -
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
RIDES, GAMES and SHOPS International Street 13
RIDES, GAMES AND SHOPS International Street 13. Portrait Drawings 28. Delirium™ - Spin out of control as you hurtle up to 137 feet in the air.... SHOPPING... 52. SpongeBob SquarePants™ 3-D - Take the plunge with SpongeBob and his Rivertown ATTRACTIONS... 14. Glass Blower - Glass blowers and candle carvers create unique gifts and collectibles! more than 13 thrilling stories at 70mph! 39. Airbrushed Shirts Bikini Bottom pals in the world's only 3-D ocean motion movie ride. ATTRACTIONS... 1. Eiffel Tower 15. Caricature Drawings GAMES (Pay as you play)... 40. Woodworks - Hand-carved wooden names and wood works 53. Paramount Action FX Theater™ - Check theater for current feature. (May be too 66. The Beast® - The world’s longest wooden roller coaster... 16. Sugarplum Candy Shop - Fudge, candy, lollipops and other tasty confections. frightening for small children.) 2. Grand Carousel 29. Action Blast Coney Mall 25 years and running! 3. The Paramount Story 17. Girl Space - Stuff for your own personal planet. GAMES (Pay as you play)... 67. TOMB RAIDER: The Ride™ The Sequel - Experience a longer and more SHOPPING... ATTRACTIONS... 4. International Showplace 18. Convenience Corner - Full of sundries, gifts, cameras, & suncare products! 30. On Location - Son of Beast™ and "Motor Heads" headquarters. 54. Hang Time Basketball thrilling adventure as mystery and mayhem collide in an epic battle of 5. International Street Bandstand 19. Carved Names and Rings 41. The Racer - Forward and backward wooden coaster 55. Center Games fire and ice. (Please, no food, drink or smoking inside the cave. Octoberfest 42. Scrambler 6. Paramount Theatre Paramount Action Zone™ 56. -
Media Release the Perth Mint Reaches the Stars With
Monday 5 February 2018 MEDIA RELEASE THE PERTH MINT REACHES THE STARS WITH WARNER BROS. CONSUMER PRODUCTS AGREEMENT BRINGS COIN COLLECTIONS TO FANS OF BELOVED FILM AND TV ANIMATED ICONS The Perth Mint under licencing agreement with Warner Bros. Consumer Products, a division of Warner Bros. Entertainment, will deliver a range of coin programs celebrating some of the world’s most loved movies and television icons. The second of many coins to be launched under this exciting licencing agreement features Bugs Bunny, one of the most iconic characters in Animation. Struck from 1/2oz of 99.99% pure silver and issued with a strict worldwide mintage of just 5,000, this coloured coin provides a rare opportunity for Looney Tunes fans to secure a unique piece of pop culture memorabilia. The beloved Bugs Bunny coin unveiled by The Perth Mint this month will be followed later this year by other Looney Tunes characters including Daffy Duck, Tweety, Sylvester and the Tasmanian Devil. Each 1/2oz coin will be issued as Tuvalu legal tender and individually housed in a clear acrylic case to view both sides with ease. The Perth Mint Group Manager Minted Products Neil Vance said the venture was a shining example of the Mint’s innovative approach to developing new markets for Australian-made coins. “This latest alliance will significantly expand our range of licenced commemoratives and introduce the world of coin collecting to fans of classic Warner Bros. movies and cartoons in Australia and internationally,” Mr Vance said “Having issued limited edition licensed coin products for more than 10 years in collaboration with entertainment industry leaders and independent estates, we have seen their popularity grow.” The first release in the Warner Bros. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Dukal Looney Tunes
Looney Tunes Adhesive Bandages Item # Description Packaging 1073737 Bugs Bunny & Tasmanian Devil, 100/bx, 12 bx/cs Featuring kid’s favorite characters including Bugs Bunny, Stat Strip®, ¾” x 3” Tazmanian Devil, Tweety, Daffy Duck, Wile E. Coyote, Road 1074737 Tweety, Spot*, 7/8” 100/bx, 24 bx/cs Runner and Sylvester. Long-lasting adhesive helps ban- dage stay on, to keep cuts clean. The unique, easy-open- 1075737 Bugs Bunny & Daffy Duck, 100/bx, 12 bx/cs ing Stat Strip® wrapper allows for aseptic Stat Strip®, ¾” x 3” application. 1076737 Wile E. Coyote & Road Runner, 100/bx, 12 bx/cs Stat Strip®, ¾” x 3” • Perforated, breathable bandage 1079797 Tweety and Taz, Spot*, 7/8” 100/bx, 24 bx/cs • Absorbent, non-stick pad for easy removal 1083737 Tweety Assortment, Stat 100/bx, 12 bx/cs • Multi-purpose family protection for cuts and scrapes Strip®, ¾” x 3” • Not made with natural rubber latex 1084737 Assorted Characters*, 2” x 3” 50/bx, 12 bx/cs • Sterile Patch 1085737 Bugs Bunny & Assorted 100/bx, 12 bx/cs Characters, Stat Strip®, ¾” x 3” Stat Strip® Opening Technology 1086737 Bugs Bunny and Sylvester, 100/bx, 12 bx/cs Stat Strip®, ¾” x 3” • Unique Stat Strip LOONEY TUNES and all related characters and elements are wrapper opening trademarks and © Warner Bros. Entertainment Inc. (s21). technology • Patented, easy opening process Find our full line of products at www.Dukal.com Dukal Corporation Phone: 1 631 656 3800 Email: [email protected] 2 Fleetwood Ct, Ronkonkoma, NY 11779 Toll Free: 1 800 243 0741 To Place Orders: [email protected] ART-00100-DOC Rev 1 Effective Date: 05/14/2021 1073737 1074737 1075737 Bugs Bunny & Tasmanian Devil Tweety Spot* Bugs Bunny & Daffy Duck ¾” x 3” 7/8” ¾” x 3” 100/bx, 12 bx/cs 100/bx, 24 bx/cs 100/bx, 12 bx/cs 1076737 1076737 1083737 Wile E. -
[Japan] SALA GIOCHI ARCADE 1000 Miglia
SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th. -
God on the Streets of Gotham GOD GOTHAM GOD on the STREETS of GOTHAM
GOD ON THE STREETS OF GOTHAM GOD GOTHAM GOD ON THE STREETS OF GOTHAM WHAT THE BIG SCREEN BATMAN CAN TEACH US ABOUT GOD AND OURSELVES PAUL ASAY TYNDALE HOUSE PUBLISHERS, INC. CAROL STREAM, ILLINOIS Visit Tyndale online at www.tyndale.com. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves Copyright © 2012 by Paul Asay. All rights reserved. Cover and interior photograph of city copyright © David Zimmerman/Corbis. All rights reserved. Author photograph taken by Ted Mehl, copyright © 2009. All rights reserved. Designed by Daniel Farrell Edited by Jonathan Schindler The author is represented by Alive Communications, Inc., 7680 Goddard St., Suite 200, Colorado Springs, CO 80920. www.alivecommunications.com. Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved. This book is a commentary on, but is not affiliated with or licensed by, DC Comics, Warner Communications, Inc., or Time Warner Entertainment Company, L.P., owners of the Batman® trademark and related media franchise. Library of Congress Cataloging-in-Publication Data Asay, Paul. God on the streets of Gotham : what the big screen Batman can teach us about God and ourselves / by Paul Asay. p. cm. ISBN 978-1-4143-6640-1 (sc) 1. Batman films—History and criticism. 2. Motion pictures—Religious aspects. I. Title. PN1995.9.B34A83 2012 791.43´682—dc23 2012000820 Printed in the United States of America 18 17 16 15 14 13 12 7 6 5 4 3 2 1 To Mom and Dad, who never gave up on me. -
The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Apatoons.Pdf
San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp. -
Animating Revolt and Revolting Animation
ChApter one Animating Revolt and Revolting Animation The chickens are revolting! —Mr. Tweedy in Chicken Run Animated films for children revel in the domain of failure. To captivate the child audience, an animated film cannot deal only in the realms of success and triumph and perfection. Childhood, as many queers in particular recall, is a long lesson in humility, awkwardness, limitation, and what Kathryn Bond Stockton has called “growing sideways.” Stockton proposes that childhood is an essentially queer experience in a society that acknowledges through its extensive training programs for children that hetero- sexuality is not born but made. If we were all already normative and heterosexual to begin with in our desires, orientations, and modes of being, then presumably we would not need such strict parental guidance to deliver us all to our common destinies of marriage, child rearing, and hetero- reproduction. If you believe that children need training, you assume and allow for the fact that they are always already anarchic and rebellious, out of order and out of time. Animated films nowadays succeed, I think, to the extent to which they are able to address the disorderly child, the child who sees his or her family and parents as the problem, the child who knows there is a bigger world out there beyond the family, if only he or she could reach it. Animated films are for children who believe that “things” (toys, nonhuman animals, rocks, sponges) are as lively as humans and who can Downloaded from https://read.dukeupress.edu/books/chapter-pdf/106945/9780822394358-002.pdf by TEMPLE UNIVERSITY user on 07 January 2019 1.