Catching Life by the Throat: How to Read Poetry and Why PDF Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
John Keats and Fanny Brawne Pages of an Enduring Love
John Keats and Fanny Brawne Pages of an enduring love Source images: http://englishhistory.net/keats/fannybrawne.html “When shall we pass a day alone? I have Read this short account of John Keats’s and Fanny Brawne’s thwarted love story. had a thousand Keats and Fanny, who were newly neighbours, first met in a troubled time for the poet: his mother had died of tuberculosis, soon to be followed by his youngest brother Tom. The teenaged Fanny was not considered beautiful, but she was spirited and kind and Keats was struck by her coquettish sense of fun. Her family’s financialkisses, difficulties influencedfor her with a strong sense of practicality. However, she did fall for young Keats, who was neither well off nor making money through his writing. Her mother against better economical judgement could not prevent a love match, though not without the opposition of Keats’s friends, the two got engaged. Yet, further obstacles were to come. Keats knew his only hope of marrying Fanny was to succeed in writing, since he was often asked by his brother George for moneywhich loans. Inwith February my1820, however, the couple’s future was threatened by illness: Keats had been troubled by what looked like a cold, but later turned out to be a sign of tuberculosis. He was well aware of his worsening condition so at some point he wrote to Fanny that she was free to break their engagement, but she passionately refused to Keats’s relief: “How hurt I should have been hadwhole you ever acceded soul to what I is, notwithstanding, very reasonable!” In an attempt not to upset the poet with too strong emotions, his friend Charles Brown nursed him diligently and kept Fanny at a distance. -
John Keats (P. 788) Literary Analysis (P. 789)
“When I Have Fears That I May Cease to Be” John Keats John Keats (p. 788) (1795-1821) Those who leave a lasting imprint on the world do not always live long. When the life of a groundbreaking figure is cut short, it leaves the world asking, What more might this person have achieved, if only he or she had lived longer? John Keats is such a figure. Although he died at age twenty-five, Keats left his indelible mark on literature, and this makes us wonder what more he might have accomplished had he lived longer. A Defender of Worthy Causes Unlike his contemporaries Bryon and Shelley, John Keats was not an aristocrat. Instead, he was born to working-class Londoners. As a child, he received attention for his striking good looks and his restless spirit. Keats developed a reputation for fighting, but always for a worthy cause. It was not until he and his school-master’s son, Charles Cowden Clarke, became friends that Keats developed an interest in poetry and became an avid reader. From Medicine to Poetry In 1815, Keats began studying medicine at a London hospital. He had already begun writing poetry, but he earned his pharmacist’s license before abandoning medicine for the literary world. In 1818, he published his first major work, Endymion, a long poem that critics panned. Their negative reviews were due in part to Keats’s association with the radical writer Leigh Hunt. The reviews also reflected the uneven quality of the verse itself. Despite the critical rejection, Keats did not swerve from his new career. -
Towards a Poetics of Becoming: Samuel Taylor Coleridge's and John Keats's Aesthetics Between Idealism and Deconstruction
Towards a Poetics of Becoming: Samuel Taylor Coleridge’s and John Keats’s Aesthetics Between Idealism and Deconstruction Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV (Sprach- und Literaturwissenschaften) der Universität Regensburg eingereicht von Charles NGIEWIH TEKE Alfons-Auer-Str. 4 93053 Regensburg Februar 2004 Erstgutachter: Prof. Dr. Rainer EMIG Zweitgutachter: Prof. Dr. Dieter A. BERGER 1 TABLE OF CONTENTS PAGE DEDICATION .............................................................................................................. I ACKNOWLEDGMENTS ........................................................................................... II ABSTRACT ............................................................................................................... VI English........................................................................................................................ VI German...................................................................................................................... VII French...................................................................................................................... VIII INTRODUCTION Aims of the Study......................................................................................................... 1 On the Relationship Between S. T. Coleridge and J. Keats.......................................... 5 Certain Critical Terms................................................................................................ -
The Streak of Sadness in Keats' Poetry: Understanding Meaning
The streak of sadness in Keats’ poetry: understanding meaning through his structures and lexis Dr. Sukanya Saha VSWC, Chennai Tamilnadu India Abstract Keats‟ short and tragic life left him with fewer options to enjoy and celebrate the colours of nature and fruits of love. His odes communicate a host of emotions which strived to find expression. Keats‟ preoccupation with self, his fear of pain and death, his unfulfilled desires of love, his tendency to escape from the agonising present to nature or to a world of fancy are some predominant emotions which find their place in different forms in his poetry. Through all his odes, there runs a streak of sadness which connects his odes in a very eloquent manner. The sorrow reverberates throughout his odes in different fashion and haunts the reader in the same way as it haunted Keats himself. Keats‟ poetry has been a subject of appreciation and criticism both. The genuineness with which he voiced his feelings capture attention. Keats did not obscure his writing by adding complex tropes or intellectual allusions and employing intricate structures. Agreeable rhythmic patterns, simplistic structures and lexis retain interest and are prime reason for the admiration of his odes. The present paper studies the theme of sadness in Keats‟ odes. As we go through his famous odes we understand how his world was revolving around his lone self, its fears, desires and wishes. We also understand the way he handled sadness and pain and wished to escape repeatedly. The paper is an attempt to observe the structure and lexis of his odes and understand a connection between his style and theme. -
The Poetry of John Keats: Lamia, Endymion, Poems 1817, and Poems 1820
Keats’ Poetry: 4 Books The poetry of John Keats: Lamia, Endymion, Poems 1817, and Poems 1820 AN ELECTRONIC CLASSICS SERIES PUBLICATION Keats’ Poetry: 4 Books by John Keats is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State Uni- versity assumes any responsibility for the material con- tained within the document or for the file as an elec- tronic transmission, in any way. Keats’ Poetry: 4 Books by John Keats, The Electronic Classics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File pro- duced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis Copyright © 2010 - 2012 The Pennsylvania State University is an equal opportunity university. Contents LAMIA .................................................... 6 ENDYMION: ....................................... 27 PREFACE..................................................................28 -
Some Remarks on Keats and His Friends
SOME REMARKS ON KEATS AND HIS FRIENDS By SIR ROBERT ARMSTRONG-JONES, C.B.E., M.D., D.L. LONDON, ENGLAND HE function of poetry is to of short stature, with a long and oval express and embody beautiful face, arresting features even to the and elevated ideas in language casual passer-by, every lineament that can stir the emotions and strongly cut and delicately alive. His Tit has an orderly, methodical wayhead of was well shaped, his eyes were presenting its creations, generally with dark, sensitive, large and glowing. His metrical and rhythmic periods. Ebe hair was golden brown, thick and curly. poet is a creator, who begins with the Severn said his eyes were like the hazel concrete and leads on to abstract eyes of a wild gipsy maid. Haydon said thought, so as to arouse pleasurable he had an eye that had an inward look sentiments in combination with a feel perfectly divine like a Delphic priestess ing of power, wonder, curiosity, respect, that had visions. affection, exaltation and love or some He was born on October 31, 1795, in times of envy and hatred. a posting-house, the Swan and Hoop, Probably no poet has ever kindled now 85 Moorgate, London; opposite a deeper feeling of pity and sympathy the entrance to Finsbury Circus, and for than Keats, mingled as this has been this accident he was taunted as the with a compelling admiration for his “cockney” poet as contrasted with the brilliant but short life’s work, shorter “Lakists.” His father, Thomas Keats, than that of any noted English poet. -
John Keats 1 John Keats
John Keats 1 John Keats John Keats Portrait of John Keats by William Hilton. National Portrait Gallery, London Born 31 October 1795 Moorgate, London, England Died 23 February 1821 (aged 25) Rome, Italy Occupation Poet Alma mater King's College London Literary movement Romanticism John Keats (/ˈkiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bysshe Shelley, despite his work only having been in publication for four years before his death.[1] Although his poems were not generally well received by critics during his life, his reputation grew after his death, so that by the end of the 19th century he had become one of the most beloved of all English poets. He had a significant influence on a diverse range of poets and writers. Jorge Luis Borges stated that his first encounter with Keats was the most significant literary experience of his life.[2] The poetry of Keats is characterised by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analysed in English literature. Biography Early life John Keats was born in Moorgate, London, on 31 October 1795, to Thomas and Frances Jennings Keats. There is no clear evidence of his exact birthplace.[3] Although Keats and his family seem to have marked his birthday on 29 October, baptism records give the date as the 31st.[4] He was the eldest of four surviving children; his younger siblings were George (1797–1841), Thomas (1799–1818), and Frances Mary "Fanny" (1803–1889) who eventually married Spanish author Valentín Llanos Gutiérrez.[5] Another son was lost in infancy. -
POPULARIZING CHAUCER in the NINETEENTH CENTURY by Charlotte C
POPULARIZING CHAUCER IN THE NINETEENTH CENTURY by Charlotte C. Morse Charles Cowden Clarke (1787–1877), Charles Knight (1791–1873), and John Saunders (1810–1895) were the most effective boosters of Chaucer’s common readership before the university in the mid-1860s took over the care and promotion of Middle English language and literature, includ- ing Chaucer.1 All three popularizers came of age in the wake of the French Revolution, which reinforced and magnified whatever nationalist impulses were already at work in nascent pan-European Romanticism. Ideas of a people united by shared culture rather than by allegiance to a king made the invention and promotion of a literary tradition a desideratum for every nation. Thanks especially to J. G. Herder, the nationalism produced by and in reaction to the French Revolution gave language a newly impor- tant role in defining the nation and granted exceptional political value to the nation’s literary and folk culture for its capacity both to unify and to stimulate continuing negotiation with tradition, essential to the per- petuation of the national community.2 In England the Revolution exerted contrary pressures, to reaction or to reform. Those in favor of reform understood that the political class, those with political rights, had to expand. Some asserted literacy as a basic human right.3 In this yeasty atmosphere, Cowden Clarke and Knight came of age; Saunders came to manhood in the run-up to the Reform Bill of 1832. All three identified with the reformist politics of the early decades of the century, when Henry Brougham, later Chancellor, led the parlia- mentary committee that aimed to improve mass education in England.4 The three popularizers believed that Chaucer’s poetry, like Shakespeare’s drama, should belong to all Englishmen. -
Romanticism in English Poetry
ROMANTICISM IN ENGLISH POETRY A MLiCT AHfMOTATeO BiaUOQRAPHV SUBMITTtp m PARTIAL FULFH-MENT FOR TNf AWARD OF THE OCQflEE OF of librarp aiili itifarmation i^tteme 19t344 Roll Mo. t3 LSM-17 EnroliMM No. V-1432 Undsr th* SuparvMon of STBD MUSTIIFIIUIDI (READER) DEPARTMENT OF LIBRARY A INFORMATION SCIENCE ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1994~ AIAB ^ **' r •^, '-fcv DS2708 DEDICATED TO MY LATE MOTHER CONTENTS page Acknowl edg&a&it ^ Scope and Methodology iii PART - I introduction 1 PART - II Annotated Bibliography ^^ List of Periodicals 113 PART - III Author index ^-^^ Title index 124 (i) ACKNOWLEDGEMENT I wish to express my sincere and earnest thanks to my teacher and Supervisor . kr» S. Mustafa Zaidi, who inspite of his many pre-occupations spared his precious time to guide and inspire me at each and every step/ during the course of this investigation. His deep critical understanding of the problem helped me in conpiling this bibliography. I am highly indebted to eminent teacher professor Mohd. sabir Husain, Chairman/ Department of Liberary & Information Science/ Aligarh Muslim University Allgarh for the encourage ment that I have always received from him during the period I have been associated with the department of Library Science. I am also highly grateful to the respected teachers of my Department Mr. Al-Muzaffar Khan, Reader, Mr. shabahat Husain, Reader/ Mr. Ifasan zamarrud. Reader. They extended their full cooperation in all aspects, whatever I needed. I am also thankful to the Library staff of Maulana Azad Library, A.M.U., Aligarh, Seminar Library Department of English, AMU Aligarh, for providing all facilities that I needed for my work. -
© in This Web Service Cambridge University Press Cambridge University Press 978-1-108-06687-7
Cambridge University Press 978-1-108-06687-7 - Recollections of Writers: With Letters of Charles Lamb, Leigh Hunt, Douglas Jerrold, and Charles Dickens Charles Cowden Clarke and Mary Cowden Clarke Excerpt More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-06687-7 - Recollections of Writers: With Letters of Charles Lamb, Leigh Hunt, Douglas Jerrold, and Charles Dickens Charles Cowden Clarke and Mary Cowden Clarke Excerpt More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-06687-7 - Recollections of Writers: With Letters of Charles Lamb, Leigh Hunt, Douglas Jerrold, and Charles Dickens Charles Cowden Clarke and Mary Cowden Clarke Excerpt More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-06687-7 - Recollections of Writers: With Letters of Charles Lamb, Leigh Hunt, Douglas Jerrold, and Charles Dickens Charles Cowden Clarke and Mary Cowden Clarke Excerpt More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-06687-7 - Recollections of Writers: With Letters of Charles Lamb, Leigh Hunt, Douglas Jerrold, and Charles Dickens Charles Cowden Clarke and Mary Cowden Clarke Excerpt More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-06687-7 - Recollections of Writers: With Letters of Charles Lamb, Leigh Hunt, Douglas -
“Quiz 2 on John Keats”
Subject: ENGLISH Class: B.A. Part 1 English Hons., Paper-2 Topic: QUIZ 2 ON JOHN KEATS Lecture No:91 By: Prof. Sunita Sinha Head, Department of English Women’s College Samastipur L.N.M.U., Darbhanga Email: [email protected] Website: www.sunitasinha.com Mob No: 9934917117 “QUIZ 2 ON JOHN KEATS” 1. Blake, Wordsworth, Coleridge, Byron, Shelley and Keats are sometimes called the Big Six English Romantic poets. Who was the youngest? Lord Byron William Wordsworth John Keats Percy Bysshe Shelley 2. Charles Cowden Clarke described 5th May, 1816 as the red-letter day in the life of his friend, John Keats. Why? Keats's first poem was published Keats received an apothecary's license Keats first met Fanny Brown Keats' first volume of poems was published 3. John Keats was condemned as a member of "The Cockney School" of poets. Who coined that derogatory phrase? John Wilson Croker Leigh Hunt P. B. Shelley John Gibson Lockhart 4. 'Bright Star' was a famous love sonnet by Keats. To whom was the poem addressed? Lady Jennings Fanny Brown Queen Elizabeth Isabella 5. John Keats is renowned today as a writer of odes. How many odes did he write? 6 56 28 108 6. "Beauty is Truth, Truth Beauty" is considered to summarise Keatsian aesthetics. In which poem did John Keats write the line? Ode to Autumn Ode to a Nightingale Bright Star Ode on a Grecian Urn 7. 'Ode to Psyche' is believed to be the first ode written by John Keats. Who is Psyche? A Hindu goddess A Babylonian goddess An Egyptian goddess A character in 'The Golden Ass' by Apuleius 8. -
January 2017
Registered Charity: 1147589 THE KEATSIAN Newsletter of the Keats Foundation - January 2017 This issue of ‘The Keatsian’ looks forward to forthcoming Keats Foundation events for the spring of 2017. Reported here too is a Keats Foundation lecture at the Plymouth Athenaeum, and a visit to Charles Armitage Brown’s home at Laira, Plymouth, where the first full-length biography of John Keats was written. As this issue of The Keatsian reaches you, we are finalising the development of the new Keats Foundation website – scheduled to go ‘live’ later in the spring of 2017. Dates for your diary: Wednesday, 17 May 2017 at 7 pm: Dr. Margot Waddell and Dr. Toni Griffiths will repeat their acclaimed evening discussing Keats and Negative Capability, at Keats House, Hampstead, in the ‘Nightingale Room’. Tickets will be £5. 00 from Eventbrite; Keats Foundation Supporters, free. Friday 19 May-Sunday 21 May: The fourth Keats Foundation Bicentenary Conference at Keats House, Hampstead: ‘John Keats, 1817: Moments, Meetings, and the Making of a Poet’. See further information in this Newsletter. Thursday 21 September 2017: The Keats Foundation annual Keats House Lecture. Dr. Jane Darcy of UCL will speak on ‘Primrose Island: Keats and the Isle of Wight’. Stop Press! Keats Foundation Photographic Competition announced: go to http://keatsfoundation.com/photography-competition/ Annual Wreath Laying at Westminster Abbey, 31 October 2016 The Keats Foundation organized the laying of our annual wreath for John Keats at Westminster Abbey on 31 October, on the 221st anniversary of the poet's birth. Members of the Keats Foundation and staff and ambassadors of Keats House were joined by Poetry Society and Young Poets Network members.