CHAPTER VIII Shakespeare in Animation
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Resume-08-12-2021
Mike Milo Resume updated 08-12-2021 • OBJECTIVE: • To create stories, characters and animation that move the soul and make people laugh. CREDITS: • DIRECTOR- Warner Bros. Animation-HARLEY QUINN (current) • WRITER and PUNCH-UP on unannounced Netflix/ Universal- WOODY WOODPECKER movie • Supervising DIRECTOR- Age of Learning/Animasia- YOUNG THINKER’S LABORATORY • Story Artist- Apple TV- THE SNOOPY SHOW • Story Artist- Warner Bros. Animation SCOOBY DOO HALLOWEEN • DIRECTOR- Bento Box/ Apple TV- WOLFBOY AND THE EVERYTHING TREE • Freelance Animation DIRECTOR for Cartoon Network/HBO Max’s TIG ‘n’ SEEK • SHOWRUNNER/DIRECTOR- Universal’s WOODY WOODPECKER • DIRECTOR-Warner Bros. Animation- SCOOBY DOO AND GUESS WHO • Freelance Animation DIRECTOR for Warner Bros. Animation LOONEY TUNES 1000-ongoing • Freelance Animation DIRECTOR for Cartoon Network's CRAIG OF THE CREEK • Story Artist- CURIOUS GEORGE- Universal/DreamWorks • Creator, Writer, Director, Designer, Story Artist- GENIE HUNTERS- Cartoon Network • Freelance Animation DIRECTOR for Cartoon Network's UNCLE GRAMPA • Freelance Animation DIRECTOR for Cartoon Network's Justice League Action • Freelance Animation DIRECTOR for Netflix’s STRETCH ARMSTRONG • Storyboard Supervisor/Director/Teacher/Technology consultant: storyboards, writing, animation, design, storyboard direction and timing- RENEGADE ANIMATION • Freelance Storyboards and writing- THE TOM AND JERRY SHOW- Renegade Animation Freelance Animation DIRECTOR for Cartoon Network's BEN 10 • Freelance Flash cartoons for PEOPLE MAGAZINE and ESSENCE MAGAZINE • Flash storyboards, Direction, animation and design- Education.com on BRAINZY • Freelance Exposure Sheets for Marvel Entertainment- AVENGERS ASSEMBLE • Flash storyboards for Amazon pilot: HARDBOILED EGGHEADS • •Character Design and Development- Blackspot Media NYC- IZMOCreator, Writer, Director, Designer, Story Artist- Nickelodeon development BORIS OF THE FOREST with BUTCH HARTMAN • •Story Artist at Nickelodeon Animation Studios- FAIRLY ODD PARENTS • •Freelance Character Design at Animae Studios- LA FAMILIA P. -
Parade Rewind with Al Roker: His Idea of Perfect Weather and How Oversleeping Inspired His First App MAY 2, 2014
Parade Rewind with Al Roker: His Idea of Perfect Weather and How Oversleeping Inspired His First App MAY 2, 2014 By ERIN HILL @ErinHillNY America’s favorite weatherman, Al Roker, stopped by to chat with Paradeabout his brand new app, Al’s Weather Rokies (available on iTunes), his early morning routine, growing up in Queens, New York, and having a spouse in the same industry. Check AlRoker.com for all the latest! Tell us about your new app, Al’s Weather Rokies. “Al’s Weather Rokies is unlike anything out there. There are gaming apps, there are weather apps, but there isn’t anything that puts the two together. So you get a forecast, you get information you need to know, but there’s a little game involved. Of course I do early morning TV, both Wake Up with Al and the Todayshow, and there was a little episode last year when I overslept for the first time. There’s a game that involves these cute little weather characters that you have to use to wake me up and help me get to the studio. So it’s both a game and a weather app.” And it incorporates your love of animation. “Yeah, I have loved animation ever since I was a little kid. I wanted to be an animator. What’s been great is that I’ve been able to use some of that in designing these apps and working with the programmers to get the animation right. It’s kind of addictive’ it’s fun. I think each of these little weather icons, these Rokies, whether it’s a cloud or a sun or a windstorm, all have their own little personality.” What were some of your favorite cartoons as a kid? “The classics, Tom and Jerry, The Roadrunner, Bugs Bunny, all the classic Disney feature animations, and then even as I got older, I still loved animation, The Animaniacs, and you move forward into Batman and Batman Beyond. -
Dee Dees Imaginary Friend Koosalagoopagoop
Dee dees imaginary friend koosalagoopagoop click here to download Koosalagoopagoop also nicknamed Koosy or Koos is Dee Dee's imaginary friend who is a rainbow. Koosalagoopagoop is the second part of the 21st episode of Dexter's Laboratory. In this episode, Dee Dee's imaginary friend Koosalagoopagoop tells about being the king of Koosland. 2 Dee Dee · 3 Justice Friends · Everything You Ever Wanted to Know About Snoke (But Were Afraid to Ask) FANDOM · Koosalagoopagoop (character) Dexter's Laboratory Wiki · 'The Walking Dead': Why We're Bummed About the Morgan Crossover News FANDOM · Koosalagoopagoop (episode) Dexter's Laboratory Wiki. "Deep in imagination lies a little girl's creation. He's her best friend. She's the only one who sees him. Don. Anyway, for those who don't remember, Koosy (short for "Koosalagoopagoop") was Dee Dee's imaginary friend. He appeared four times in the series; twice in the original run (with the original art style and before Dexter's voice actress got replaced), and twice in the revival. In Koosy's first appearance, "The. Koosalagoopagoop. Watch Dexter's Laboratory episodes online. Dexter's Laboratory online. Dexter's Laboratory - Season 2 - Episode Dexter's Laboratory - In this Dexter's Laboratory episode, Dee Dee enters the land of her imaginary friend Koosalagoopagoop after he lies to her that he is the king of his land. About this Dexter's Laboratory episode: Dexter's Laboratory - The Koos is Loose is the 10th episode of the Dexter's Lab season 2. In this Dexter's Laboratory episode, Dee Dee's imaginary friend, Koosalagoopagoop (Dom DeLuise), suddenly comes to life and starts annoying Dexter, prompting him to take measures against. -
Warner Brothers Cartoon Series Presented by Steven Spielberg
Warner Brothers Cartoon Series Presented By Steven Spielberg Which Nahum famed so digestedly that Erasmus profanes her well-being? Thin Rickard peptize that buttheologue lamenting rigidifying Marlon dirtily parchmentized and lessen sovereignly considerately. or pash Sometimes yesteryear. murrey Kenton eyes her ledger ditto, Download Warner Brothers Cartoon Series Presented By Steven Spielberg pdf. Download Warner brothersBrothers byCartoon steven Series spielberg Presented is a higher By Steven production Spielberg as one doc. Trademarks Portrayed as are guitierrez you for warnerand warner brothers blocked.cartoon presented Regain custody by steven and spielbergwarner brothers has a party series for presented sfist and spielbergby spielberg persevered is wrong andwith logos him about are spielbergthe toughest did prisonstan lee in inthe honor brain. and We comic are looking confusion, for warner many thoughtbrothers it cartoon appears series before presented going into steven hasproducing changed, the whereinterruption. he never Superhero lets up forcartoon the family. created Marketing the warner communications series presented from by the steven warner spielberg asbrothers a home. series Brandis presented and the by warners steven spielbergbrothers cartoonno matter series where presented he had toby watch steven many spielberg will also had served many thefilms warner are the brothers plan was cartoon a daredevil series pilot steven who spielberg watched and more directors. than double Feels that it into is the that century. warner Episodesbrothers are approachedcartoon presented williams by to steven laugh. spielberg Canon so you in warnerwatch the cartoon third mostseries of presented warner bros steven animation spielberg studio and warner brothersbros animation series qualitypresented of mrc by stevenmedia franchisespielberg andhad nominateda party hat forto winyour for mind sale and and dc. -
A Study on Disney Princesses and Their Influence on Oungy Women and Their Personal Love Narratives
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives Brittany Danielle Minor University of the Incarnate Word Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the American Film Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Minor, Brittany Danielle, "Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives" (2014). Theses & Dissertations. 1. https://athenaeum.uiw.edu/uiw_etds/1 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THEIR INFLUENCE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR Presented to the Graduate Faculty of University of the Incarnate Word in partial fulfillment for the degree of MASTER OF ARTS December 2014 Communication Arts HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THE INFLUENCE THEY HAVE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR APPROVED: Dr. Valerie K. Greenberg - Ph.D. Cpnikiittee Chair Michael L. Mercer - Member ABSTRACT Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and the Influence they have on Young Women and their Personal Love Narratives Brittany Danielle Minor, B.A., University of the Incarnate Word This study discusses the issue of whether the influence of Disney films affects the girls who watch these films once they become adult women. -
Tribute to Chuck Jones at the Museum of Modern Art. Animator
NO. 25 The Museum of Modern Art FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart TRIBUTE TO CHUCK JONES AT THE MUSEUM OF MODERN ART ANIMATOR WILL BE PRESENT CHUCK JONES: THE YEARS AT WARNER BROTHERS, a special four-day program honoring this famous animator and director of such stars as Bugs Bunny, Daffy Duck, Porky Pig, the Roadrunner, and Wile E. Coyote, will take place at The Museum of Modern Art from March 19 through March 22. The program includes a screening of 12 cartoons on Saturday, March 19 at noon, two showings on Sunday, March 20 at noon and 2:30 at which Mr. Jones will be present to discuss his work, and repeat showings of the Sunday programs on Monday, March 21 and Tuesday, March 22 at noon. The film programs, selected by Greg Ford, historian of the American an imated film, are designed to show Chuck Jones' development at Warner Brothers, where he was director of animation for 26 years. Jones began his career in a representational style heavily influences by Disney, but soon developed a more abstract, zanier style of cartooning, shown in "The Dover Boys" of 1942 with its lurched-tempo motion, and "The Aristo-Cat" of 1943 with its expression- istic backgrounds. It was during the fifties, however, while working with Warner's stable of cartoon stars, that Jones fully developed his style, based not on exaggeration but continual refinement. It is a "personality animation," according to Greg Ford, "marked by logical application of space, movement, and editing ideas, and by very subtle drawing that keenly deliniates character attitude." Among the films to be shown during this tribute are "What's Opera Doc," (1957), "Duck Amuck" (1953), "Ali-Baba Bunny" (1957) and "To Beep or Not to Beep" (1964). -
Das Nintendo-Schummelbuch
AÄ«i8®Ä' INHALTSVERZEICHNIS VORWORT 1 TAUSEND DANK 2 DER AUTOR 2 CAME BOY CHEATS 4 ADDAMS FAMILY 4 DEAD HEAT SCRAMB 14 ADVENTURE ISLAND 4 DR. FRANKEN 15 ADVENTURES OF LOLO 4 DR. FRANKEN II 15 AFTERBURST 4 DYNABLASTER 15 ALLEYWAY 4 ELEVATOR ACTION 15 BART VS THE JUGGERNAUTS 5 F-15 STRIKE EAGLE 15 BATMAN 5 FACEBALL 2000 |6 BATTLE BULL 5 FERRARI GRAND PRIX CHALLENGE |6 BATTLE PING PONG 6 FINAL FANTASY LEGEND II 17 BATTLETOADS 6 FLAPPY SPECIAL 17 BATTLE UNIT ZEOTH 6 FORTRESS OF FEAR i8 BEST OF THE BEST 7 GARFIELD i8 BILL £ TED’S EXCELLENT GARGOYLE’S QUEST 19 ADVENTURE 7 GODZILLA 19 BLASTER MASTER BOY 7 GOLF 20 BOMBERBOY 7 HUDSON HAWK 20 BOMBERMAN 8 HUMANS 20 BOOMERS ADVENTURE 8 JAMES BOND JR. 21 BUBBLE BOBBLE 9 KID DRACULA 21 BUGS BUNNY 10 KID ICARUS 21 BURAI FIGHTER 10 KING OF THE ZOO 21 BURAI FIGHTER DELUXE II KIRBY’S DREAMLAND 22 BURGER TIME DELUXE II KIRBY’S PINBALL LAND 22 CAPTAIN PLANET II KLAX 22 CAPTAIN SKYHAWK 12 KRUSTY’S FUNHOUSE 22 CASTLEVANIA 12 LEMMINGS 23 CASTLEVANIA II 12 LOCK’N’CHASE 23 CATRAP 12 LOONEY TUNES 24 CHESSMASTER 13 MEGA MAN 24 CHOPLIFTER II '3 MEGA MAN 2 24 CRAZY CASTLE 2 '3 MERCENARY FORCE 25 DEADALIAN OPUS 14 METAL GEAR 25 AAICKEY AAOUSE 25 TINY TOONS 2 40 MICKEY’S DANGEROUS CHASE 25 TOM 8 JERRY 40 NARC 26 TOP GUN 40 NINJA BOY 26 TOP GUN II 40 NINJA GAIDEN 26 TURRICAN 41 OPERATION C 26 ULTIMA 41 PARODIUS 26 WHO FRAMED ROGER RABBIT 41 PIPE DREAM 27 WIZARDS & WARRIORS - POWER MISSION 27 THE FORTRESS OF FEAR 41 PRINCE OF PERSIA 27 WORLD BEACH VOLLEY 42 PROBOTECTOR 28 WORLD CUP SOCCER 42 PUZZNIC 28 ZELDA - LINKS -
Generic Cartoon Toon World Introduction Cartoons, in Most Places They Are Just Viewed As Comedic Shows and Are Just Watched As Entertainment
Generic Cartoon Toon World Introduction Cartoons, in most places they are just viewed as comedic shows and are just watched as entertainment. However, here in this reality “Toons” are people, a minority group with strange powers who generally work as actors and entertainers producing the various shows that people love. Through cartoon shows such as Bonkers, Animaniacs, Tiny Toons and the Looney Tunes show, you get a glimpse of “the real” world behind the scenes where Toons are people and have there own problems. Unfortunately, the reality is that Toon’s were badly treated for most of their history and for most of the early nineteen hundreds Toons were considered to be nuisances or treated as property to be locked away in their own segregated area. (This is an attempt at covering a wide-variety of cartoons, shows and movies that displayed or had episodes that showed a similar Toons-are-actors-in-a-world-with-humans “behind the scenes”) Animaniacs, Harvey Birdman: Attorney at law, Bonkers, Disney’s house of mouse, Drawn together, Freakazoid, Looney Tunes, Looney Tunes back in action, The Looney Tunes Show, Pinky and the Brain, Space Jam, Space Ghost: Coast to Coast, Son of Zod, Tiny Toons, Who framed Roger rabbit. Sections available Race Companions Background Perks Items Drawbacks Scenarios -contains starting year, tasks, scenarios Timeline - history of this world and some of the major events inside of it Start with: 1000cp Race Human: (free) You start off as a human, you're a boring human. Pick how you look and your sex for free. -
The Influence of Media on Views of Gender
Article 7 Gendered Media: The Influence of Media on Views of Gender Julia T. Wood Department of Communication, University of North times more often than ones about women (“Study Re- Carolina at Chapel Hill ports Sex Bias,” 1989), media misrepresent actual pro- portions of men and women in the population. This constant distortion tempts us to believe that there really THEMES IN MEDIA are more men than women and, further, that men are the cultural standard. Of the many influences on how we view men and women, media are the most pervasive and one of the most powerful. Woven throughout our daily lives, media insinuate their messages into our consciousness at every MEDIA’S MISREPRESENTATION OF turn. All forms of media communicate images of the sexes, many of which perpetuate unrealistic, stereotypi- AMERICAN LIFE cal, and limiting perceptions. Three themes describe how media represent gender. First, women are underrepre- The media present a distorted version of cultural life sented, which falsely implies that men are the cultural in our country. According to media portrayals: standard and women are unimportant or invisible. Sec- ond, men and women are portrayed in stereotypical White males make up two-thirds of the popula- ways that reflect and sustain socially endorsed views of tion. The women are less in number, perhaps be- cause fewer than 10% live beyond 35. Those who gender. Third, depictions of relationships between men do, like their younger and male counterparts, are and women emphasize traditional roles and normalize nearly all white and heterosexual. In addition to violence against women. We will consider each of these being young, the majority of women are beauti- themes in this section. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Third Wave Feminism and the Powerpuff Girls Evie Kendal Introduction the Popular Children's
There’s No One Perfect Girl: Third Wave Feminism and The Powerpuff Girls Evie Kendal Introduction The popular children’s television series, The Powerpuff Girls, was originally conceived by animator Craig McCracken under the name The Whoopass Girls in 1992.1 Following a name change and three alternative pilot epi- sodes, the series was picked up by the Cartoon Network and ran from 1995 through to 2005. During this time the show won several awards, including two Primetime Emmy awards for Outstanding Individual Achievement in Animation (2000 and 2005), and two Annie awards for Production Design and Musical Score in an Animated Series (2001).2 In this article I will be exploring The Powerpuff Girls from a feminist perspective, focusing on what is unique about this series and where it is positioned in popular media culture, before addressing some of the common criticisms of the show and identifying some of its major strengths. It will be my contention that The Powerpuff Girls embraces third-wave feminist ideology, with its focus on “Girl Power” and consumerism, while also abandoning the more individual- istic aspects of this brand of feminism by exploring the meaning of sister- hood and female empowerment through community. COLLOQUY text theory critique 24 (2012). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue024/kendal.pdf ░ Third Wave Feminism and The Powerpuff Girls 235 Background: The relationship between the second and third waves of feminism According to Lise Shapiro Sanders, one of the major distinguishing features of third-wave feminism is the privileging of the “diversity of women’s experi- ence over the similarities amongst women,” with a particular focus on ad- dressing the inadequacies of second-wave ideology to deal with women’s experience beyond its “white, middle-class biases.”3 In this way, women of colour and those from the developing world were recruited into the fight for equality, while at the same time a radical reclamation of the symbols asso- ciated with traditional femininity was initiated.