DOCSLIB.ORG

Pop up Cinema

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pop up Cinema www.portobellofilmfestival.com 1996 –2015 20 Years A Free Festival PortobelloFreeFestival-20thBirthday FREE ENTRY To all EvENTs 1996-2015.Whoooppee!Wemadeitto20! 20yearsoffreefrontlinestateoftheartfutureof London,UK,andInternationalfilmherein PortobelloRoad.Theysaiditcouldn'tbedone(but theywerewrongasusual).Theplanetneedsmore freefestivalsrunningonloveandvocation. Manymanymanythanksnowespeciallytomaster programmerandWorldCinemasupremoRay MyndiukwhohasbeenwiththeFestivalsince1999 andCoordinatorLeonaFludewhohaskeptitall togethersince2004. AlsolongtimesupportersKenMacdonaldwho PoRTobEllo PoRTobEllo kickstartedtheFestivalin1996andnowdoes Press,PhilUnderwood-BrochureDesign-since loNDoN woRlD CiNEma 2005,BarneyPlatts-Mills,GhanimShubberand Film FEsTival Film FEsTival AngeliMcFarlaneforthefirstthreeyears,Hugh GullandTroubleshootersupreme,CourttiaNewland HHHHHHHHHHHHHHH HHHHHHHHHHHHHHH -authorofourfirsteverintroductionandstalwart PoP-UP CiNEma ThE mUsE supporter,themightyThomasSzaboour 3 acklam road, W10 5tY 269 Portobello road, W11 1lr webmeisterfrom(andin!)Leipzigsince2000, DavidPittlandlordoftheInnOnTheGreenand Under Westway adjacent to Portobello Road Events on 7th, 8th & 9th are at the theFestivalbarandeverreliablephoneafriend, 6.30 –10.30pm (Sun 7pm start) PoP-UP CiNEma 3 Acklam Road, W10 5TY JohnHampsonandRoyalBoroughOfKensington Programmes run 6–10.30pm &Chelseasupportersofthiscrazyanarchicevent Friday 4 september 4 (andCarnival),TonyElliottatTimeOutfor oPeninG PartY Friday 4 september 11 patronageandfreeadsaboveandbeyond,Tim withTheDevils spain BurkeandBarneyagainfortheirwonderfulPop saturday 5 september 11 UpCinema,AnneWindsorattheMuse-art saturday 5 september 5 Germany sponsorsnowsince2005,JanetRSmithourTwitter W10/W11 local showcase 1 maestro,nottomentionallthevolunteersstaff sunday 6 september 5 sunday 6 september 11 artists-youknowwhoyouareweloveyou-and W10/W11 local showcase 2 romania sponsors(inc.ArtsCouncil,JVC,Apple,DrMartens, (7 –9 sept - see World Cinema listing) monday 7 september 12 AgnesB,MountgrangeHeritage,WestwayTrust, Canadian thursday 10 september 7 PaddingtonDevelopmentTrust,London monday 7 september PoP-UP 12 DevelopmentAgency,SimonsMuirhead&Burton, the mask You live in & Uk documentaries mutoid Waste Company in berlin Workspace,VincePower,PortobelloBrewery,50 & German Films Golborne,eventheEuropeanRegional Friday 11 september 7 DevelopmentAgency)withoutwhomnoneofthis music tuesday 8 september PoP-UP 12 international art, animation, wouldhavebeenpossible. saturday 12 september (8pmstart) 7 & experimental Enjoyour20thBirthdayandreadallaboutour sci Fi & Fantasy Wednesday 9 september PoP-UP 13 historyonpages18-20bylocalauthorandregular sunday 13 september 8 international shorts PFFbrochurehistorianTomVague. animation & art thursday 10 september 13 tuesday 15 september 8 Director:JonathanBarnett international Comedy Comedy Programmers:RaymondMyndiuk&AlanSmithee Friday 11 september 13 Wednesday 16 september 8 Coordinator:LeonaFlude spanish & international shorts SpecialProjects:HughGulland london Calling 1 BestOfLatestLondonFilm saturday 12 september 14 Website:ThomasSzabo thursday 17 september 9 international documentaries/drama Technician:GregEdwards london Calling 2 BestOfLatestLondonFilm Press:KenMacdonald sunday 13 september 14 Friday 18 september 9 Security:MarkJackson international documentary london Calling 3 BestOfLatestLondonFilm Troubleshooter&Bar:DavePitts monday 14 september 14 saturday 19 september 10 PhilUnderwood:Design Usa london Calling 4 BestOfLatestLondonFilm tuesday 15 september 14 AlsobigthankstoWadeBayliss&VickyCaplinfor sunday 20 september 10 sponsorship,SimonsMuirhead&Burton,LouiseWorsley international Features andLindaRosenioratWDT,AnneWindsor,VickyRussell, awards Ceremony – OpenToAll PaulSmith,AllyCapellino,PortobelloBrewery,Tim Wednesday 16 september 15 Burke,andDermotCadogan. belgium AndspecialthankstoPascaleRevertandthewonderful FamilY Film show thursday 17 september 15 new50GolborneGallery,GolborneRd,W11forpartici - international drama 1 pationandaseasonofAfricanArtMovies. PoP-UP CiNEma 3 acklam road, W10 5tY 2pm Friday 18 september 15 Portobello saturday 5, 12 & 19 september 6 French Films Film Festival saturday 19 september 15 Portobello Film Festival, Unit 11, ACAVA, international drama 2 54 Blechynden Street, London, W10 6RJ viDEo CaFE [email protected] ThE mUsE History of Portobello Film Festival 18 /PortobelloFilmFestival 269 Portobello road, W11 1lr byJonathanBarnett&TomVague xx –xxpm. You choose the films... 16 art at the muse 21 f o t SomeofLondon’sfinesturbanartists r o p p u s e h t london h t i Film makers w Convention 3 Getting it straight in the devils Portobello notting Hill Gate (KenRussell)117mins Film Festival (JoeGannon)26mins IntroducedbyVickiRusselland Legendarylookatpsychedelic60sPortobello RichardStrange oPeninG PartY PoP-UP CiNEma HHHHHHHHHHHHHH Fri 4 september 6–10:30pm entry Free PoRTobEllo loNDoN Film FEsTival PoP-UP CiNEma 3 ACKLAM ROAD, W10 5TY (where the Westway crosses Portobello Road) HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH Fri 4 - sun 14 september 6:30–10:30pm (Sun 7pm start). Entry Free . Bar, food, & non stop screenings. Suitable for over 18s only. Films are shown in order listed. More precise screening info can be worked out by adding timings from start. Fri 4 sept tribUte to ken rUssell PoP UP Cinema 6:30 –10:30pm my Fare lady (SaloumN’je)withSeanBrosnan SaloumcollaboratedonthefirstPortobelloFilm Festivalin1996.HehassinceworkedwithBill Murray,IdrisElba,andGuyRitchie.Hewillspeakon gettingabreakinthefilmindustry. the devils – 4 sept the swing, the Hole, byRussellas‘mymost,indeedmyonly,politicalfilm’. boastingacommandingcareer-bestturnfromOliver and the lie (BarryAdamson)10mins Aboldlydramatictreatiseupontheunholymarriage Reed,andaperformanceofsustainedandtwisted “GolfNoir”:Jane’sfragileworldteetersonthebrink ofchurchandstate,TheDevilspresentsastunning brilliancebyVanessaRedgrave. ofmadnessassheseekstouncoverwhetherboyfriend depictionofhysteriaandbrainwashinginwhich SamirisuptonogoodwithgolfingbuddyJulie.Tobe Machiavellianforcesconspiretomanipulatefalse ThefactthatTheDevilsstillhasthepowertoshockis introducedbyBarryAdamsonwhohascomposedfilm religionfortheirownhellishlyearthyends. atestamenttoitsbrilliance,butitsrealstrengthslie musicforDavidLynch(LostHighway).Comedy intheseriousundercurrentsofstorywhichstillhas Kenwasalwaysdeeplypassionateaboutthefilm contemporaryresonancetoday.Thisisamasterpiece Getting it straight in whichcausedoutrageintheearlyseventies,andto fromoneofthegreatestfilm-makersofthetwentieth notting Hill Gate (JoeGannon)26mins whichboththecensorsandthestudiotooktheir century,anditdeservesanddemandstobeseenin Legendarylookatpsychedelic60sPortobellobyPink scissors.Fordecadeshebelievedthatthematerial theformwhichKenintended. Floyd’soriginallightingmanfeaturingthelatter,the excisedfromTheDevilshadbeenlostordestroyed, MangroverestaurantonAllSaintsRoadandCaroline andsoitwaswithahugesenseoftriumphthateditor MarkKermode CoonofRelease.Documentary. MikeBradsellwasabletoreconstructa‘Director’s Cut’whichpremieredattheNationalFilmTheatrein 2004.ItwasKen’shopethatthismagnificentrestored versionwouldbemadeavailabletothepublic,butin thedecadethathaspassedsincethen,thestudiohave remainedtooalarmedbyitsfierypowertoreleaseit. WithDerekJarman’sMetropolis-styleproduction designs,ShirleyRussell’sawe-inspiringcostumes,and the devils (KenRussell)117mins PeterMaxwellDavies’sdizzyingscore,TheDevils IntroducedbyVickiRussellandRichardStrange.Ken providessasensoryassaultwhichoverwhelmsthe Russell’sfilmofTheDevilsis,quitesimply,oneofthe viewer.LikePowellandPressburgerbeforehim, greatestworksofBritishcinema.InspiredbyAldous Russellunderstoodthemagicofcinemaandwasn’t Huxley’sbookTheDevilsofLoudonandJohn afraidtopushattheboundariesoftheform.His Whiting’sstage-play,thefilmwasfamouslydescribed magnumopusisasymphonyofsightandsound, 4 FREE ENTRY To all EvENTs sat 5 sept noise – 5 sept mon 7 sept W10/W11 loCal mUtoid Waste sHoWCase 1 ComPanY in PoP UP Cinema berlin & German Films 6:30 –10:30pm PoP UP Cinema more Hot For no 5 (DigitalWorks)40mins 6:30 –10:30pm HistoryofNottingDaleW11featuringJoeRush, SeeInternationFilmFestivallistingsstartingpage12. Frestonia,andJohnChristie.Thefilmwasmadeby Year5pupilsfromBarlbyPrimarySchoolwithsupport fromdigital:worksandwasfundedbyHeritage tue 8 sept LotteryFundandRBKC’sLocalWardFund. Fuseli (RandyKent)12mins Crossroads (KatieSmith)20mins Documentary. Henryisseizedbyparalysisandsomethingunseen Adepressedfatherdiscovershissonisgay.Drama international, whilecatsittingforhisgirlfriend.Horror. vision of Paradise satan Has a bushy tail animation (ConstantineGras)28mins noise (PaulSurety)7mins (LouisPaxton)15mins EmbeddedinNorthKensington,anartistsjourneyin & exPerimental Theworldfromtheperspectiveofawithdrawnand Grandparents,bereavement,andademonicsquirrel PoP UP Cinema searchofhomeandcommunity.SponsoredbyV&A lonelygirlsurroundedbyarguingparents.Drama. calledClive.Comedy. Museum.Documentary. strawberries (PaulSurety)11mins my dog (JoeWhitney)5mins Anadulterouscouple’lovenestisfullofsurprises. 5minsofferalphilosophyfromJakeVegas,theduke 6:30 –10:30pm Drama. ofDeanStreet.Comedy. SeeInternationFilmFestivallistingsstartingpage12. the real myra Hindley (JackMurton)30mins Anex-armedrobberconsidershischanging Wed 9 sept perceptionofchildkillerMyraHindley.Documentary. international touch 4 love (JoBeckett)7mins sHorts Achildprostitutefindssolaceata15thcenturyburial siteanddreamsofabetterlife.Drama. PoP UP Cinema lava (JoeTucker)96mins
Load more

Recommended publications
  • The Last of the Hippies
    The Last of the Hippies An Hysterical Romance Penny Rimbaud First published in 1982 as part of the Crass record album Christ: The Album, Penny Rimbaud’s The Last of the Hippies is a fiery anarchist polemic centered on the story of his friend, Phil Russell (aka Wally Hope), who was murdered by the State while incarcerated in a men- tal institution. Wally Hope was a visionary and a freethinker, whose life had a pro- found influence on many in the culture of the UK underground and be- yond. He was an important figure in what may loosely be described as the organization of the Windsor Free Festival from 1972 to 1974, as well providing the impetus for the embryonic Stonehenge Free Festival. Wally was arrested and incarcerated in a mental institution after hav- ing been found in possession of a small amount of LSD. He was later released, and subsequently died. The official verdict was that Russell committed suicide, although Rimbaud uncovered strong evidence that SUBJECT CATEGORY Music-Punk/Subculture-UK he was murdered. Rimbaud’s anger over unanswered questions sur- rounding his friend’s death inspired him in 1977 to form the anarchist PRICE punk band Crass. $12.00 In the space of seven short years, from 1977 to their breakup in 1984, ISBN 978-1-62963-103-5 Crass almost single-handedly breathed life back into the then moribund peace and anarchist movements. The Last of the Hippies fast became PAGE COUNT the seminal text of what was then known as anarcho-punk and which 128 later contributed to the anti-globalization movement.
    [Show full text]
  • OZ 35 Richard Neville Editor
    University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD.
    [Show full text]
  • Access Technology: a Guide to Educational Technology Resources for Visually Impaired Users
    DOCUMENT RESUME ED 399 715 EC 305 046 AUTHOR Lodge, John, Ed. TITLE Access Technology: A Guide to Educational Technology Resources for Visually Impaired Users. INSTITUTION Royal National Inst. for the Blind, London (England). REPORT NO ISBN-1-85878-083-7 PUB DATE 96 NOTE 121p. AVAILABLE FROM Royal National Inst. for the Blind (RNIB), National Education Services, Garrow House, 190 Kensal Road, London W10 5BT (10 British pounds). PUB TYPE Guides NonClassroom Use (055) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS Assistive Devices (for Disabled); Braille; *Communication Aids (for Disabled); *Computer Uses in Education; Educational Technology; Electronic Equipment; Elementary Secondary Education; Foreign Countries; *Low Vision Aids; Partial Vision; Speech Synthesizers; *Visual Impairments IDENTIFIERS *United Kingdom ABSTRACT This book presents an introduction to the range of technology that can be used to assist in the education of students with visual impairments, with descriptions of the main features of approximately 45 systems. After an introductory chapter, Chapter 1 identifies four key uses for technology: in communication, in the production of materials, to provide access to information, and as a curriculum tool. Chapter 2 explains different computers and accessories including expansion cards, ink printers, scanners, CD-ROMs, special access systems, and overlay boards. Chapter 3 describes large display systems, including large text on screen, large print word processors, computer magnification systems, magnification system hardware, closed circuit television systems, and large print (paper). Chapter 4 reviews a variety of Braille systems such as electronic Braille displays, Braille note takers, mechanical Braille keyboards, and translation software for Braille. Chapter 5 evaluates speech systems, including screen readers, speech synthesizers, talking word processors, and different speech devices.
    [Show full text]
  • Hawaii Stories of Change Kokua Hawaii Oral History Project
    Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga ..............................................
    [Show full text]
  • Last of the Hippies — an Hysterical Romance
    Library.Anarhija.Net The Last Of The Hippies —An Hysterical Romance Penny Rimbaud 1982 In this cell that is ours, there is no pity, no sunrise on the cold plain that is our soul, no beckoning to a warm horizon. All beauty eludes us and we wait. ‘No answer is in itself an answer.’ Oriental proverb. Penny Rimbaud On the third of September 1975, Phil Russell, alias Phil Hope, alias The Last Of The Hippies — An Hysterical Romance Wally Hope, alias Wally, choked to death on his own vomit; black- 1982 berry, custard, bile, lodged finally and tragically in the windpipe. www.spunk.org Blackberry, custard, bile, running from his gaping mouth onto the This was scanned in from a copy of this essay printed by DS4A,it delicate patterns of the ornamental carpet. originally appeared in booklet that came with album ‘Christ the He died a frightened, weak and tired man; six months earlier he Album’ by CRASS had been determine, happy and exceptionally healthy; it had taken only that, short time for Her Majesty’s Government’s Heath Depart- lib.anarhija.net ment to reduce Phil to a puke covered corpse. ‘The first dream that I remember is of myself hold- ing the hand of an older man, looking over a beauti- ful and peaceful valley — suddenly a fox broke cover followed by hounds and strong horses ridden by red- coated huntsmen. The man pointed into the valley and said, “That, my son, is where you’re heading.” Isoon found that out, I am the fox!’ Phil Russell, 1974.
    [Show full text]
  • Teachers Association Project Volume 40, No
    A publication of the Massachusetts Teachers Association project Volume 40, No. 5/June-July 2010 connected therapy started Facebook using run seriesthings think photos future important trial tags librarian page language want Skype post connect help interesting toolsinternational program communication last like science know 21st century find created educators education paperless found upload FB insights activities avatar timeTeachingGlogster cloud friends & reach YouTube 2.0 hashtag blog media Ustream connection physical therapy community lab visibility example Learningshare #edchatwith map personal worked tweet class first VoiceThread teacherbookmarks skills learning feel value excited idea join able try going Socialinformation meanssee Mediayear comfortable audience PLN create Twittertags ways message conversation work exchange video peoplesocial PD new investment group @ connections blogged training Delicioususe reputation get Ning write goodthink onlinewaylearn classroom teacherscolleagues school need Two top teachers honored at State House loris Wilma Ortiz-Marrero, who teaches English language learners at Amherst-Pelham Regional Middle School, has been named the 2011 F Massachusetts Teacher of the Year. “The central question for Wilma is always, ‘What is best for the kids?’” Ortiz-Marrero’s principal, Michael Hayes, wrote in a letter recommending that she receive the honor. Ortiz-Marrero was recognized on June 11 during a ceremony at the State House. Also in the spotlight was Easthampton High School social studies teacher Kelley R. Brown, the state’s 2010 Preserve America History Teacher of the Year. “I thank the teachers here today and those in the profession around the Commonwealth for delivering the best results in student achievement in the country and the best results in math and science in the world,” Governor Deval Patrick said during the ceremony.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Shifting Focus of the Traditional Centres of Contemporary Art: Scotland’s Evolving Position from Periphery to Prominence Deborah Jackson Ph.D The University of Edinburgh 2013 "I hereby declare that I am the sole author of this thesis; that the following thesis is entirely my own work; and that no part of this thesis has been submitted for another degree or qualification". Signed ……………………………………………………………………………………… 2 Abstract My thesis considers the distinctive characteristics of contemporary artistic production and display in Scotland from the 1960s to the present. The main objective is to make manifest the diversification of global sites of contemporary art away from traditional centres by examining less exposed aspects of art practice in Scotland. My methodology is driven by a set of case studies of artist-run initiatives (ARIs), which provide models of enquiry into alternative methods of production and display of contemporary art and that demonstrate the role of ARIs in producing art scenes, and not merely representing those that already exist.
    [Show full text]
  • CAL 139 2270 Schools Within 400 Metres of London Roads Carrying
    CLEAN AIR IN LONDON Schools within 400 metres of roads carrying over 10,000 vehicles per day Received from Transport for London on 060411 List of Schools in Greater London within 400 metres of road link with an All Motor Vehicle Annual Average Daily Flow Estimate of greater than 10,000 Name Address Easting Northing 1 A B C SCHOOL OF ENGLISH A B C SCHOOL OF ENGLISH, 63 NEAL STREET, LONDON, WC2H 9PJ 530,095 181,207 2 ABACUS EARLY LEARNING NURSERY SCHOOL ABACUS EARLY LEARNING NURSERY SCHOOL, 7 DREWSTEAD ROAD, LONDON, SW16 1LY 530,206 172,648 3 ABACUS NURSERY SCHOOL ABACUS NURSERY SCHOOL, LAITWOOD ROAD, LONDON, SW12 9QH 528,997 173,343 4 ABACUS PRE SCHOOL ABACUS PRE SCHOOL, NIGHTINGALE LANE, BROMLEY, BR1 2SB 541,554 169,026 5 ABBEY PRIMARY SCHOOL ABBEY PRIMARY SCHOOL, 137-141 GLASTONBURY ROAD, MORDEN, SM4 6NY 525,466 166,535 6 ABBEY WOOD NURSERY SCHOOL ABBEY WOOD NURSERY SCHOOL, DAHLIA ROAD, LONDON, SE2 0SX 546,762 178,508 7 ABBOTSBURY PRIMARY FIRST SCHOOL ABBOTSBURY PRIMARY FIRST SCHOOL, ABBOTSBURY ROAD, MORDEN, SM4 5JS 525,610 167,776 8 ABBOTSFIELD SCHOOL ABBOTSFIELD SCHOOL, CLIFTON GARDENS, UXBRIDGE, UB10 0EX 507,810 183,194 9 ABERCORN SCHOOL ABERCORN SCHOOL, 28 ABERCORN PLACE, LONDON, NW8 9XP 526,355 183,105 10 ABERCORN SCHOOL ABERCORN SCHOOL, 248 MARYLEBONE ROAD, LONDON, NW1 6JF 527,475 181,859 11 ABERCORN SCHOOL ABERCORN SCHOOL, 7B WYNDHAM PLACE, LONDON, W1H 1PN 527,664 181,685 12 ABINGDON HOUSE SCHOOL ABINGDON HOUSE SCHOOL, 4-6 ABINGDON ROAD, LONDON, W8 6AF 525,233 179,330 13 ACLAND BURGHLEY SCHOOL ACLAND BURGHLEY SCHOOL, 93 BURGHLEY
    [Show full text]
  • Explore the Neo Naturists
    The Neo Naturists 8 July – 28 August 2016 The Neo Naturists are a performance art group founded in 1981 by Christine Introduction Binnie, Jennifer Binnie and Wilma Johnson. The group emerged from a subculture – connected with but not limited to the New Romantic club scene – which developed in London against a backdrop of intense eco- nomic, political and social change. In the aftermath of punk, and at the advent of the rise of Thatcherism, a vigorous creative energy developed in the UK which sat outside of mainstream culture, creating its own network of agents, economies, activities and events. The Neo Naturists were a part of a wide constellation of diverse cultural figures and sometime collaborators, which included BodyMap (David Holah & Stevie Stewart), James Birch, Leigh Bowery, Jill Bruce, Michael Clark, David Dawson, Peter Doig, Simon Foxton, Boy George, Derek Jarman, Princess Julia, Bruce Lacey, Andrew Logan, Marilyn, John Maybury, Maia Norman, Grayson Perry, Psychic TV, Philip Sallon, Test Department, Jill Westwood, Dencil Williams and Cerith Wyn Evans. We used to go to nightclubs and do performances wearing body paint. Sometimes the performance would be the act of painting each other, sometimes we’d have the paint on already. All the people around us were Blitz Kids doing all that post-punk stuff when it was very trendy to be thin, po-faced and have perfect make-up. We could never really manage that. We were always red and shiny and smiling, and a bit too fat. So we did the opposite and painted ourselves, got i Christine Binnie interviewed by messy and had fun.i Suzanne Cotter, 8 June 2009, Michael Clark, Violette Editions, 2011 The group was established organically.
    [Show full text]
  • Barrett Vol 1.Pdf
    Introduction usician, psychedelic explorer, eccentric, cult icon – Roger “Syd” Barrett was many things to many people. Created in conjunction with the Barrett family and The Estate of Roger Barrett, who have provided unprece- dented access to family photographs, artworks, and mem- Mories, Barrett offers an intimate portrait of the Syd known only to his family and closest friends. Previously unseen photographs taken on seaside holidays and other family occasions show us a happy and loving young man, smiling energetically in images that map his early life, from childhood through his teenage years. Along with newly available photos from the album cover shoots for The Madcap Laughs and Barrett (taken by Storm Thorgerson and Mick Rock) they reveal the positive energy of a grinning Syd as he fools about in front of the camera. We are offered a rare glimpse of one who was immensely popular among friends and contemporaries. Also contained within these pages are recently unearthed images of Pink Floyd in which we see Syd practising handstands, making muscle-man poses, and having fun. The other members of Floyd lark about too – a fledgling young band enjoying itself with a sense of real camaraderie. The images transport one back in time to 166–67: the London Free School gigs, the launch of International Times at the Roundhouse, the UFO club, the band’s first European dates. There are photos of Syd and Floyd at numerous locations and events, giving a real sense of what it must have been like to be there as the infant light shows, experimentation, and collective spirit of the time emerged, grew, and flourished in the psychedelic hothouse that was the late 160s.
    [Show full text]
  • 20.02.2011 LP-Archiv Seite 1 Nr. Interpret Titel Stilrichtung JG 5588
    LP‐Archiv 20.02.2011 Nr. Interpret Titel Stilrichtung JG 5588 "1991" bbfc hatt auberson andate patriotico ma non fanatico Jazz 88 6943 "o" within reach HardRock / HeavyMetal 76 9334 10'000 maniacs in my tribe Pop 87 2732 101 strings grand canyon suite EasyListening 50 2991 101 violins impressions de russland Ethno / WorldMusic 5846 101strings orchestra play songs of carol king EasyListening 72 237 10cc live and let live Pop 79 238 10cc are you normal Pop 80 1821 10cc are you normal Pop 80 2673 10cc how dare you Pop 75 2674 10cc The original soundtrack Pop 75 2675 10cc ten out of 10 Pop 81 2676 10cc bloody tourists Pop 78 2677 10cc live and let live Pop 75‐77 2678 10cc deceptive bends Pop 77 4598 10cc greatest hits Pop 72‐78 4994 10cc ten out of 10 Pop 7812 10cc deceptive bends Pop 76 7813 10cc bloody tourists Pop 78 8821 10cc are you normal Pop 80 2527 14 bis II 14 bis Pop 80 8328 14bis11 (brasil) 14bis Pop 80 8835 1occ bloody tourists Pop 78 5030 1st light same Pop 82 6792 220 volt young and wild HardRock / HeavyMetal 87 4134 23 skidoo coup NeueDeutscheWelle / NewWave / Punk 7502 23 skindo language NeueDeutscheWelle / NewWave / Punk 667 3 paraguayos, los same EasyListening 75 2587 3 paraguayos, los guantanamera EasyListening 75 7563 3 paraguayos, los same EasyListening 2105 38 special wild eyed southern boys HardRock / HeavyMetal 80 2106 38 special tour de force HardRock / HeavyMetal 83 2107 38 special rock&Roll strategy HardRock / HeavyMetal 88 8291 4 coringas (brasil) mpb Ethno / WorldMusic 84 823 4 non blondes bigger, better, faster, more Pop 93 1313 4 seasons,the the genuine imitation life gazette Pop 73 6836 44magnum street rock n'roller HardRock / HeavyMetal 84 6838 44magnum danger HardRock / HeavyMetal 84 719 45 geräusche in stereo geräusche Andere Seite 1 LP‐Archiv 20.02.2011 Nr.
    [Show full text]
  • Last of the Hippies — an Hysterical Romance 1982
    The Last Of The Hippies —An Hysterical Romance Penny Rimbaud 1982 In this cell that is ours, there is no pity, no sunrise on the cold plain that is our soul, no beckoning to a warm horizon. All beauty eludes us and we wait. ‘No answer is in itself an answer.’ Oriental proverb. On the third of September 1975, Phil Russell, alias Phil Hope, alias Wally Hope, alias Wally, choked to death on his own vomit; blackberry, custard, bile, lodged finally and tragically in the windpipe. Blackberry, custard, bile, running fromhis gaping mouth onto the delicate patterns of the ornamental carpet. He died a frightened, weak and tired man; six months earlier he had been de- termine, happy and exceptionally healthy; it had taken only that, short time for Her Majesty’s Government’s Heath Department to reduce Phil to a puke covered corpse. ‘The first dream that I remember is of myself holding the handofan older man, looking over a beautiful and peaceful valley — suddenly a fox broke cover followed by hounds and strong horses ridden by red- coated huntsmen. The man pointed into the valley and said, “That,my son, is where you’re heading.” I soon found that out, I am the fox!’ Phil Russell, 1974. Phil’s death marked, for us, the end of an era. Along with him died the last grain of trust that we, naively, had had in the ‘system’, the last seeds of hope that, if we lived a decent life based on respect rather than abuse, our example might be followed by those in authority.
    [Show full text]