<<

09/24/21 Fiction and Power | University of Kent

Fiction and Power View Online

Adams and Jeffrey (2002) ‘Orson Welle’s “The Trial”: Noir and the Kafkaesque’, College literature, 29.

Adrian Jaffe (1967) The Process of Kafka’s Trial. Michigan State Univ Pr.

Aji and A.R. (1995) ‘“All Names Mean Something”: Salman Rushdie’s Haroun and the Legacy of Islam’, Contemporary literature, 36.

Aji and Aron R. (1996) ‘“Haroun”s Mystic Journey: Salman Rushdie’s Haroun and the Sea of Stories'’, in No Small World: Visions and Revisions of World Literature. Natl Council of Teachers.

Allen and Sharon Lubkemann (2003) ‘From the Grotesque to the Sublime: Logos and Purgatorial Landscape of “Dead Souls” and “Master and Margarita”’, Slavic and East European journal, 47. Available at: databaseName.

Amusin and Mark (2006) ‘Your Novel has Some More Suprises in Store for You: The Specificity of the Fantastic in ’The Master and Margarita"’, Russian social science review, 47. Available at: databaseName.

Anderson and Mark M. (1992) ‘The Physiognomy of Guilt: “The Trial”’, in Kafka’s clothes: ornament and aestheticism in the Habsburg fin de sie ̀ cle. Oxford: Clarendon Press.

Andrae and T. (1980) ‘From Menace to Messiah: The Prehistory of the Superman in Science Fiction Literature’, Discourse : journal for theoretical studies in media and culture, 2. Available at: databaseName.

Arnold, Y. (2004) ‘Through the Lens of Carnival: Identity, Community, and Fear in Mikhail Bulgakov’s The Master and Margarita’, Toronto Slavic Quarterly, 11. Available at: http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_ M&C=Toronto Slavic Quarterly.

Aucoin and James L. (2001) ‘Epistemic Responsibility and Narrative Theory: The Literary Journalism of Ryszard Kapuscinski’, Journalism: Theory, Practice and Criticism, 2.

Aumont and J. (1983) ‘Montage Eisenstein, II: Eisenstein Taken at his Word’, Discourse: journal for theoretical studies in media and culture. Bloomington, IN: Indiana University Press.

1/15 09/24/21 Fiction and Power | University of Kent

Baby snatching and dead-end jobs (no date).

Baker and H. (2001) ‘Voland’s Seventh Proof: The event in Bulgakov's Master i Margarita’, Russian literature, 49. Available at: databaseName.

Balasubramanian and Radha (1995) ‘The Similarities between Mikhail Bulgakov’s “The Master and Margarita” and Salman Rushdie’s “The Satanic Verses”’, The International fiction review, 22. Available at: databaseName.

Baldwin and D.R. (2005) ‘The Horror and the Human: The Politics of Dehumanization in “Heart of Darkness” and Primo Levi’s “Se questo e un uomo”’, Conradiana, 37. Available at: databaseName.

Band and A. (2005) ‘Two Travelogues: Bialik’s “In the City of Slaughter” and Levi’s “If this is a Man”’, Prooftexts, 25. Available at: databaseName.

Barnard and J. (2003) ‘The Unbearable Lightness of Being: Repetition, Formal Structure and Critique’, Kunapipi, 25.

Barratt and Andrew (1996a) ‘Beyond Parody: The Goethe Connection’, in The Master & Margarita: a critical companion. Evanston, Ill: Northwestern University Press.

Barratt and Andrew (1996b) ‘The Master and Margarita in Recent Criticism: An Overview’, in The Master & Margarita: a critical companion. Evanston, Ill: Northwestern University Press.

Barry and Minako (1990) ‘The references to Eisenstein in “One Day in the Life of Ivan Densosvitch”’, Notes on contemporary literature, 20. Available at: databaseName.

Bassoff and Bruce (1983) ‘Kafka’s “The Trial”’, The Explicator, 41.

Becker, Wolfgang (2003) ‘Goodbye Lenin!’ Germany: X Filme Creative Pool, Westdeutscher Rundfunk, ARTE.

Belenkiy, A. (2006) ‘Master and Margarita: a Literary Autobiography?’, Literature and Theology, 20(2), pp. 126–139. doi: 10.1093/litthe/frl011.

Benson and S. (2003) ‘For Want of a Better Term?: Polyphony and the Value of Music in Bakhtin and Kundera’, Narrative, 11.

Berg and Temma (1978) ‘Text as Meaning in “The Trial”’, PMLA : Publications of the Modern Language Association of America, 93. Available at: databaseName.

Berman and Russell A. (1982) ‘Producing the Reader: Kafka and the Modernist Organization of Reception’, newsletter of the kafka society of america.

Bernstein and J.M. (2004) ‘Bare Life, Bearing Witness: Auschwitz and the Pornography of Horror’, Parallax (Leeds, England), 10. Available at: databaseName.

Bethea and David (1996) ‘History as Hippodrome: The Apocalyptic Horse and Rider in “The Master and Margarita”’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages.

2/15 09/24/21 Fiction and Power | University of Kent

Bilek and Petr A. (2003) ‘A Journey of a Name from the Realm of Reference to the Realm of Meaning: The Reception of Milan Kundera within the Czeck Cultural Context.’, Kosmas: Czeckoslovak and Central European Jounral, 17.

Boa and Elizabeth (1996) ‘The Decaying Law: Discourses of Gender, Class and Race in “The Trial”’, in Kafka: gender, class, and race in the letters and fictions. Oxford: Clarendon Press.

Bodegard and Anders (1995) ‘Interview with Ryszard Kapuchiniski’, Brick: A Literary Journal , 51.

Boegeman and Margeret Byrd (1982) ‘Invitation to a Beheading and the Many Shades of Kafka’, in Nabokov’s Fifth Arc: Nabokov and Others on His Life's Work (The Dan Danciger Publication Series). University of Texas Press.

Boullata, I. J. (1988) ‘Symbol and Reality in the Writings of Emile Habibi’, Islamic culture, 11(4), pp. 19–21.

Bowers, Maggie Ann (2004) Magic(al) realism. London: Routledge.

Bradbury, Andrew and Sunday Times (2000) Successful presentation skills. 2nd ed. London: Kogan Page.

Brandist and Craig (1998) ‘Carnival in Different Contexts: Olesha’s Envy and Bulgakov's “Master and Margarita”’, essays in poetics, 23.

Brill, Lesley (2006) Crowds, power, and transformation in cinema. Detroit: Wayne State University Press.

Bulgakov, M. (1969) The master and Margarita; translated by M Glenny. [Place of publication not identified]: Fontana - Collins.

Bulgakowa, Oksana (2001) Sergei Eisenstein: a biography. Berlin, San Francisco: Potemkin.

Butler, Andrew M. et al. (2004) Terry Pratchett: guilty of literature / edited by Andrew M. Butler, Edward James and Farah Mendlesohn. 2nd ed. Baltimore, Md: Old Earth Books.

Butler, Andrew M. (2007) An unofficial companion to the novels of Terry Pratchett. Oxford: Greenwood World Pub.

Chambers, Ross (1984) Story and situation: narrative seduction and the power of fiction. Manchester: Manchester University Press.

Cheyette and B. (1999) ‘The Ethical Uncertainty of Primo Levi’, Judaism, 48. Available at: databaseName.

Christensen and Peter G. (1990) ‘Eisenstein’s Ivan the Terrible and Shakespeare's Historical Plays’, Slavic and East European journal, 6. Available at: databaseName.

Cismaru and Alfred (1983) ‘The Importance of Food in One Day in the Life of Ivan Denisovich’, San Jose Studies, 9.

3/15 09/24/21 Fiction and Power | University of Kent

Cliff and B. (2001) ‘On Language and Violence’, in Memory and mastery: Primo Levi as writer and witness. Albany: State University of New York Press.

Cohen and Alain J.-J (1996) ‘Eisenstein’s Ivan the Terrible in Chess Ecstasy’, in Semiotics Around the World: Synthesis in Diversity - Proceedings of the Fifth Congress of the International Association for Semiotic Studies, Berkeley 1994 (Approaches to Semiotics). Mouton de Gruyter.

Conquest, Robert (1990) The great terror: a reassessment. London: Hutchinson.

Cordle and Daniel (2002) ‘States of Being Not being in States: Metaphysical Border Crossings in the Work of Milan Kundera’, in Displaced persons: conditions of exile in European culture. Farnham: Ashgate.

Cour and Amy de la (2005) ‘An Interpretation of the Occult Symbolism in Mikhail Bulgakov’s “The Master and Margarita”’, Slavonica, 11. Available at: databaseName.

Crouse and C. (2005) ‘Intellectualism Cut Off at the Neck: The Body Politic-as-Aestheticin Leni Riefenstahl’s “Triumph of the Will”’, The film journal (Pickerington, Ohio), 1. Available at: databaseName.

Curtis and J.A.E (1996) ‘Mikhail Bulgakov and the Red Army’s Polo Instructor: Political Satire in “The Master and Margarita”’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages.

Danow and David K. (1996) ‘Metaphysical Space in “The Master and Margarita”’, Elementa , 3(2).

Davis and R.G. (2005) ‘A Graphic Self: Comics and Autobiography in Marjane Satrapi’s “Persepolis”’, Prose studies, 27. Available at: databaseName.

DeForest, Tim (2004) Storytelling in the pulps, comics, and radio: how technology changed popular fiction in America. Jefferson, N.C.: McFarland.

Degenaar and Johan (1992) ‘The Unbearable Lightness of Being: A Philisophical Exploration.’, Literator: Tydsknif vir Besondere en Vergelykende Toal-en-Literatuurstudie/ Journal of Literary Criticism, 13.

Deltcheva, Roumiana and Vlasov and Eduard (1996) ‘From the Wax of History: Leni’s “Das Wachsfigurenkabinett” and the Cinema of German Expressionism as a Source for Eisenstein’s “Ivan Groznyi”’, Studies in the humanities (Indiana), 23.

Dern, J. (2004) ‘ Sin without God’: Existentialism and The Trial’, Interdisciplinary Literary Studies: A Journal of Criticism and Theory , 5(2), pp. 94–109.

Derrida and Jacques (2005) ‘Justices’, in Provocations to reading: J. Hillis Miller and the democracy to come. 1st ed. New York: Fordham University Press.

Dobson and M. (2005) ‘Contesting the Paradigms of De-Stalinization: Readers’ Responses to “One Day in the Life of Ivan Denosovitch”’, Slavic review, 64.

Dolezel and Lubomir (1983) ‘Intensional Function, Invisible Worlds and Franz Kafka’, Style

4/15 09/24/21 Fiction and Power | University of Kent

(Fayetteville), 17. Available at: databaseName.

Doyle and Peter (2005) ‘Bulgakov and Cervantes’, Modern language review, 100.

Droit and Emmanuel (2004) ‘De Good Bye Lenin au DDR-Show. Une Vogue de nostalgia allemande?’, Vingtième siècle (Paris. 1984), 81. Available at: databaseName.

Durix and J-P. (1994) ‘“The Gardener of Stories”: Salman Rushdie’s Haroun and the Sea of Stories'’, in Reading Rushdie: perspectives on the fiction of Salman Rushdie. Amsterdam: Rodopi.

Eisenstein, Sergei and Prokofiev, Sergey (1945) ‘Ivan the Terrible: Part 1.’ USSR: Mosfilm, Alma-Ata Studios.

Elbaum and Henry (1995) ‘The Evolution of The Master and Margarita: Text, Context, Intertext’, Canadian Slavonic papers: Revue Canadienne des Slavistes. Canadian Association of Slavists.

Esaulov and Ivan (2004) ‘Two Facets of Comedic space in Russian Literature of the Modern Period’, in Reflective laughter: aspects of humour in Russian culture. London: Anthem Press.

Fickert and Kurt J. (1966) ‘The Window Metaphor in Kafka’s Trial’, Monatshefte: a journal devoted to the study of German language and literature, 58.

Fiene, D. M. (2004) ‘“Pilatism” in Mikhail Bulgakov’s “Master i Margarita”’, in Reflective laughter: aspects of humour in Russian culture. London: Anthem Press.

Fingeroth, Danny (2007) Disguised as Clark Kent: Jews, comics, and the creation of the superhero. London: Continuum.

Foldenyi and Laszlo (2000) ‘“Under the Reichsbeauty”s Spell (Triumph of the Will)’’, Agni, 51.

Frankova and Milada (2005) ‘Fiction as Cultural Translation: the Czek Experience.’, linguist, 44.

Friedman and Maurice (1975) ‘The Problematic of Guilt and the Dialogue with the Absurd: Images of the Irrational in Kafka’s Trial’, Review of Existential Psychology and Psychiatry, 14.

Gallupo and Scott (19AD) ‘"Humor from Germany’s divide’, The Washington times (Washington, D.C. : 1982). Available at: databaseName.

Ghosh and Ranjan (2007) ‘Imagination, Imaging and Revisionist Aesthetics in Rushdie’s Haroun and the Sea of Stories: An (In)fusionist Approach.’, Interdisciplinary Literary Studies, 8.

Gillespie and David (1996) ‘Mikhail Bulgakov (1891-1940) “The Master and Margarita”’, in The twentieth-century Russian novel: an introduction. Oxford: Berg.

Gimpelevich and Zina (1996) ‘Skaldin, Bulgakov and Rushdie: Who Art Thous, Then?

5/15 09/24/21 Fiction and Power | University of Kent

Similarities in “The Wanderings and Adventures of Nikodim the Elder”, “The Master and Margarita” and “The Satanic Verses”’, Canadian-American Slavic studies: Revue Canadienne-Ame ́ ricaine d’e ́ tudes Slaves. Pittsburgh,Pa: University Center for International Studies.

Go East! (no date).

Goebel and Rolf (2002) ‘The Exploration of the Modern City in “The Trial”’, in The Cambridge companion to Kafka. Cambridge: Cambridge University Press. Available at: http://library.kent.ac.uk/cgi-bin/resources.cgi?url=http://cco.cambridge.org/login2%3Fdest %3D%252Fbook%253Fid%253Dccol0521663148_CCOL0521663148.

Gordon and R.S. (1997) ‘Per mia fortuna... Irony and Ethics in Primo Levi’s Writing’, Modern language review, 92.

Gordon and R.S.C. (1999) ‘Primo Levi’s “If this is a Man” and Responses to the Lager in Italy 1945-47’, Judaism, 48. Available at: databaseName.

Gordon and R.S.C. (2006) ‘Which Holocaust? Primo Levi and the Field of Holocaust Memory in Post-War Italy’, Italian Studies, 61. Available at: databaseName.

Grant, Linda (2000) When I lived in modern times. London: Granta.

Grundlehner and Philip (1982) ‘Manual Gesture in Kafka’s “Prozess”’, German quarterly, 55.

Haber and Edythe (1996) ‘The Mythic Structure of Bulgakov’’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages.

Haber and Edythe (1999) ‘The Mythic Bulgakov: The Master and Margarita and Arthur Drew’s “The Christ Myth”’, Slavic and East European journal, 43. Available at: http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_ M&C=Slavic and East European Journal.

Habiby, Emile (1985) The secret life of Saeed the pessoptimist. London: Zed.

Hafrey and Leigh (1989) ‘Blasphemous Writing, Blasphemous Translation: Breaking the Language in Kafka’s Trial and Thoughts on the Forthcoming Translation’, Journal of the Kafka Society of America, 13.

Handler and Gary (1968) ‘A Textual Omission in the English Translation of “Der Prozess”’, MLN - Modern language notes, 83.

Handler and Gary (1969) ‘A Note on the Structure of Kafka’s Der Prozess’, MLN - Modern language notes, 84.

Hanne and M. (1996) ‘Alexander Solhenitsyn: “One Day in the Life of Ivan Denosovitch”’,

6/15 09/24/21 Fiction and Power | University of Kent

in The power of the story: fiction and political change. Rev. ed. Oxford: Berghahn.

Hanne, Michael (1996) The power of the story: fiction and political change. Rev. ed. Oxford: Berghahn.

Hardy and Roger (1982) ‘Samih al-Qasim and Emile Habibi: Palestinian Writers in Israel’, Index on censorship, 11.

Hart and Pierre (1973) ‘The Master and Margarita as Creative Process’, Modern fiction studies, 19.

Haskins and E.V. (2003) ‘Time, Space and Political Identity: Envisioning Community in “Triumph of the Will”’, in The terministic screen: rhetorical perspectives on film. Carbondale: Southern Illinois University Press.

Hatfield and Henry (1983) ‘The Walpurgis Night: Themes and Variations’, Journal of European studies, 13.

Henter and Nora (2000) ‘Thresholds and Passageways: Stepping through the Gates of the Other World’, Studia Slavica Academiae Scientiarum Hungaricae, 45.

Hruby and Petr (2003) ‘Milan Kundera’s Czech Problems’, Kosmas: Czeckoslovak and Central European Jounral, 17.

JamesBowman.net | Post-Cold War Propaganda (no date).

Jones, Macolm and V. (1995) ‘The Gospel According to Woland and the Tradition of the Wandering Jew’, in Bulgakov: the novelist-playwright. Luxembourg: Harwood.

Kafka, Franz (1998) The trial. New York: Schocken.

Kapuscinski, Ryszard (2006) Shah of Shahs. New ed. London: Penguin.

Kavanagh and R.J. (1981) ‘The Optimum Velocity of Approach: Some Reflections on Kafka’s “Trial”’, in Structure and gestalt: philosophy and literature in Austria-Hungary and her successor states. Amsterdam: Benjamins.

Kavanagh and Thomas M. (1972) ‘Kafka’s “The Trial”: The Semiotics of the Absurd’, Novel: a forum on fiction, 5.

Kelly and John (1941) ‘Franz Kafka’s Trial and the Theology of Crisis’, The Southern review (Baton Rouge), 5. Available at: databaseName.

Khater, A. F. (1993) ‘Emile Habibi: the Mirror of Irony in Palestinian Literature’, Journal of Arabic Literature, 24(1), pp. 75–94. doi: 10.1163/157006493X00195.

Kinyon and Kamila (2001) ‘The Panopticon Gaze in Kundera’s “The Unbearable Lightness of Being.”’, Critique: studies in modern fiction, 42.

Kleberg, Lars. & Lovgren, Hakan (no date a) ‘A Hypothetical Dedication’, in Eisenstein Revisited: A Collection of Essays. Almqvist & Wiksell Internat.

7/15 09/24/21 Fiction and Power | University of Kent

Kleberg, Lars. & Lovgren, Hakan (no date b) ‘Some Notes on the Work of the Cameraman in “Ivan the Terrible”: The Visual Construction of the Film Image Form’, in Eisenstein Revisited: A Collection of Essays. Almqvist & Wiksell Internat.

Klein and Ilona (1999) ‘“Primo Levi”’, in Italian novelists since World War II, 1965-1995. Detroit, Mich: Gale Research.

Kobets and S. (1998) ‘The Subtext of Christian Asceticism in Aleksandr Solhenitsyn’s “One Day in the Life of Ivan Denosovitch”’, Slavic and East European journal, 42. Available at: databaseName.

Konig and E. (2006) ‘Between Cultural Imperialism and the Fatwa: Colonial Echoes and Postcolonial Dialogue in Salman Rushdie’s “Haroun and the Sea of Stories”’, The International fiction review, 33.1-2. Available at: databaseName.

Kremer, Roberta S. (2001) Memory and mastery: Primo Levi as writer and witness. Albany: State University of New York Press.

Kriegel and L. (2006) ‘Superman’s Shoulders: On the Healing Power of Illusion’, Southwest review, 91. Available at: databaseName.

Krishnan and R.S. (1995) ‘Telling of the Tale: Text, Context and Narrative Act in Rushdie’s “Haroun and the Sea of Stories”’, The International fiction review, 22.1-2.

Kuhlman and Martha (2001) ‘“Images of the Crowd in Milan Kundera”s novels: from Communist Prague to Postmodern France’’, Comparatist: Journal of the Southern Comparative Literature Association, 25.

Kundera, Milan (1995) The unbearable lightness of being. London: Faber.

Kundu and Rama (2000) ‘“Prague Spring” and the novels of Milan Kundera’, in The conscience of humankind: literature and traumatic experiences. Amsterdam: Rodopi.

Lang and A. (1999) ‘Reason as Revenge: Primo Levi and Writing the Holocaust’, Symposium: a quarterly journal in modern foreign literatures. New York: Syracuse U.P.

Lasine and Stuart (1990) ‘The Trials of Job and Kafka’s Josef K’, German quarterly, 63.

LeBlanc and Ronald D. (1996) ‘Stomaching Philistinism: Griboedov House and the Symbolism of Eating in The Master and Margarita’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages.

Lenz and Millicent (1996) ‘The Magic of Story vs. the Panjandrums of Tyranny: Salman Rushdie’s Haroun and the Sea of Stories.’, Paradoxa: Studies in World Literary , 2. Leopold and Keith (1963) ‘Breaks in Perspective in Franz Kafka’s Der Prozess’, German quarterly, 36.

Levin, Peter and Dawsonera (2009) Write great essays! 2nd ed. Maidenhead: Open University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=KentUniv&isbn=9780335239900 .

8/15 09/24/21 Fiction and Power | University of Kent

Levi and P. (1989) ‘Reflections on Writing’, Partisan review. New York: Foundation for Cultural Projects.

Levi, Primo and Levi, Primo (2000) If this is a man ; and, The truce. London: Everyman.

Liebrand and Claudia (2004) ‘“’Topische Orte': Milan Kunderas Unertragliche Leichtigkeit des Seins”’, Der Deutschunterricht; Beiträge zu seiner Praxis und wissenschaftlichen Grundlegung, 56.

Lilandra and Abel (2004) ‘Supermen et Propaganda’, Cine´mAction. Available at: databaseName.

Losey and J. (1994) ‘From Savage Elements: Epiphany in Primo Levi’s Holocause Writings’, Journal of European studies, 24.

Lowe and David (1996) ‘Gounod’s Faust and Bulgakov's “The Master and Margarita”’, The Russian review (Stanford), 55. Available at: databaseName.

Ludwig and Jonathan (2002) ‘The Master and Margarita: A Fantasy of Redemption’, Journal of the fantastic in the arts, 13. Available at: http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=T_W_ A&C=journal fantastic arts.

Lukes and Stephen (1979) ‘“Power and Authority”’, in A history of sociological analysis. London: Heinemann.

Lutsky and Klara (1994) ‘“The role of the novel in totalitarian regimes.”’, Lutgers Journal of Contemporary Literature, 2.

Makarushka and Irena (1990) ‘Redemption and Narrative: Refiguration of time in Postmodern Literature’.'’, in European literature and theology in the twentieth century: ends of time. Basingstoke: Macmillan.

Malek and A. (2006) ‘Memoir as Iranian Exile Cultural Production: A Case Study of Marjane Satrapi’s “Persepolis” Series’, Iranian studies, 39. Available at: databaseName.

Marcus and A. (2004) ‘Reappraising Riefenstahl’s “Triumph of the Will”’, Film studies, 4. Available at: databaseName.

McCarthy, Patsy and Hatcher, Caroline (2002) Presentation skills: the essential guide for students. London: SAGE.

McCullough and Arthur (2004) ‘Eisenstein’s Regenerative Aesthetics: From Montage to Mimesis’, in The montage principle: Eisenstein in new cultural and critical contexts. Amsterdam: Rodopi.

McGowan and John P. (1980) ‘The Trial: Terminible/Interminable’, Twentieth century literature, 26. Available at: databaseName.

McLean and Hugh (1982) ‘Walls and Wire: Notes on the Prison Theme in Russian Literature.’, San Jose Studies, 25.

9/15 09/24/21 Fiction and Power | University of Kent

McMillin and Arnold (1995) ‘The Devil of a Similarity: The Satanic Verses and Master i Margarita’, in Bulgakov: the novelist-playwright. Luxembourg: Harwood.

Miles, David and H. (1983) ‘Pleats, Pockets, Buckles and Buttons: Kafka’s New Literalism and the Poetics of Fragment’, in Probleme der Moderne: Studien zur deutschen Literatur von Nietzsche bis Brecht: Festschrift fur Walter Sokel; hrsg von B Bennett, A Kaes, W J Lillyman. [Place of publication not identified]: Niemeyer.

Miller and Mancy (2007) ‘Out of the Family: Generations of Women in Marjane Satrapi’s Persepolis.’, Life Writing, 4.

Milne, Lesley (1995) Bulgakov: the novelist-playwright. Luxembourg: Harwood.

Morstein and Petra von (1989) ‘“Eternal Return and The Unbearable Lightness of Being”’, The Review of contemporary fiction, 9. Available at: databaseName.

Naghibi et al. (2005) ‘Estranging the Familiar: “East” and “West” in Satrapi’s “Persepolis”’, English studies in Canada, 31. Available at: databaseName.

Naiman and Eric (2006) ‘Children in “The Master and Margarita”’, Slavic and East European journal, 50.

Neuberger, Joan (2003) Ivan the Terrible. London: I. B. Tauris.

Neuberger and Joan (2004) ‘Eisenstein’s Angel’, The Russian review (Stanford), 63.

O’Brien and John (1992) ‘“Milan Kundera: Meaning, Play and the role of the Author”’, Critique: studies in modern fiction. Minneapolis, Minn: Bolingbroke Society.

Oja and Matt F. (1995) ‘The Role and the Meaning of Madness in The Master and Margarita: The Novel as a Doppelganger Tale’, in Bulgakov: the novelist-playwright. Luxembourg: Harwood.

Ollivier and Sophie (1991) ‘The World of Detention in Dostoevsky and Solzhenitsyn’, Irish Slavonic Studies, 12.

Pichova and Hana (1992) ‘“The Narrator in Milan Kundera”s The Unbearable Lightness of being’’, Slavic and East European journal, 36. Available at: databaseName.

Pichova and Hana (2002) ‘Milan Kundera and the Identity of Central Europe.’, in Comparative Central European culture. West Lafayette, Ind: Purdue University Press.

Pi ́ chova ́ , Hana (2002) The art of memory in exile: Vladimir Nabokov & Milan Kundera. Carbondale: Southern Illinois University Press.

Pichova, Hana; Rhine and Marjorie E. (1997) ‘“Reading Oedipus in Milan Kundera”s The Unbearable Lightness of Being.’, Comparative literature studies, 34.

10/15 09/24/21 Fiction and Power | University of Kent

Pittman, Riitta and H. (1995) ‘Dreamers and Dreaming in M.A. Bulgakov’s The Master and Margarita’, in Bulgakov: the novelist-playwright. Luxembourg: Harwood.

Platt and Kevin M.F. (2004) ‘Towards a New Sergei Eisenstein’, Slavic and East European journal, 48.

Pohl and Frederik (1993) ‘One day in the life of Ivan Denisovich by Aleksandr Solzhenitsyn.’, in Censored books: critical viewpoints. Manham, ML: Scarecrow Press.

Politzer and Heinz (1960) ‘The Puzzle of Kafka’s Prosecuting Attorney’, PMLA : Publications of the Modern Language Association of America, 75. Available at: databaseName.

Politzer and Heinz (1962) ‘The Trial against the Court’, in Franz Kafka, parable and paradox . Ithaca, N.Y.: Cornell University Press.

Pondrom and Cyrena Norman (1967) ‘Kafka and Phenomenology: Josef K.’s Search for Information’, Wisconsin studies in contemporary literature, 8.

Pratchett, Terry (1992) Witches abroad. London: Corgi Book.

Proffer and Ellendea (1996) ‘Bulgakov’s The Master and Margarita: and Motif’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages.

Rangachari, L. and Manickam and E. (1995) ‘The Story Teller Silenced: A Study of Rushdie’s “Haroun and the Sea of Stories”’, Literary criterion, 30.4. Available at: databaseName.

Reidel-Schrewe and Ursula (1995) ‘Key and Tripod in Mikhail Bulgakov’s Master and Margarita’, Neophilologus, 79.

Richard and Francois (1989) ‘“The Fallen Idyll: a Rereading of Milan Kundera”, transl. Jane Everett.’, The Review of contemporary fiction, 9. Available at: databaseName.

Rickels and Laurence A. (1981) ‘Writing as Travel and Travail: Der Prozess and “In der Strafkolonie”’, newsletter of the kafka society of america, 5.

Riefenstahl, Leni (1936) ‘Triumph of the will.’ Germany: Leni Riefenstahl/Naxi party.

Robak and Kazimierz (2006) ‘Power and Art: The aesthetic principles in the Theory and practice of Fascism and Nazism.’, in The Image of Power in Literature, Media and Society.

Robertson and Ritchie (1985) ‘The Intricate Ways of Guilt: Der prozel’, in Kafka: Judaism, politics and literature. [Place of publication not identified]: Clarendon Press.

Robertson and Ritchie (1993) ‘Reading the Clues. Franz Kafka, Der Prozess’, in The German novel in the twentieth century: beyond realism. Edinburgh: St. Martin’s Press.

Rogachevskaya and Ekaterina (1995) ‘Thomas Mann’s Mario und der Zauberer and Bulgakov's The Master and Margarita as Political Commentaries on the Events of the 1930s’, Australian Slavonic and East European studies, 9.

11/15 09/24/21 Fiction and Power | University of Kent

Rosenshield and Gary (1997) ‘The Master and Margarita and the poetics of Aporia: A Polemical Article’, Slavic review, 56.

Rushdie, Salman (1999) Haroun and the sea of stories. London: Puffin.

Sachs and D.M. (1995) ‘The Language of Judgement: Primo Levi’s “Se questo e un uomo”’, MLN - Modern language notes, 110.

Sandberg and Beatrice (1997) ‘“The Trial”’, in Franz Kafka. London: Macmillan.

Satrapi, Marjane (2006) Persepolis. London: Cape.

Satrapi, Marjane and Paronnaud, Vincent (2007) ‘Persepolis.’ France: 2.4.7. , France 3 Cine ́ ma, Kennedy/Marshall Co.

Scheiber and E. (2006) ‘The Failure of Memory and Literature in Primo Levi’s “Il sistema periodico”’, MLN - Modern language notes, 121.

Schwartzman and R.J. (1996) ‘Racial Theory and Propaganda in “Triumph of the Will”’, in Authority and transgression in literature and film. Gainesville, Fla: University Press of Florida.

Scivally, Bruce (2008) Superman on film, television, radio, and Broadway. Jefferson, N.C.: McFarland & Co.

Sen and S. (1995) ‘Memory, Language and Society in Salman Rushdie’s “Haroun and the Sea of Stories”’, Contemporary literature, 36.

Shelton and Roy. (1994) ‘“Wie Schimpfworte unter Freunden”: Kafka’s Trial as an Artistic Response to Dostoyevsky's Crime and Punishment’, Tennessee Philological Bulletin, 31.

Shuttleworth and Mark (1994) ‘Manuscripts don’t Translate? Some Issues Arising from the Translating of Bulgakov's The Master and Margarita’, Babel: revue internationale de la traduction =international journal of translation. Amsterdam: Benjamins.

Siegel, Jerry and Shuster, Joe (2006) The Superman chronicles: Vol. 1. New York, N.Y.: DC Comics.

Sodi and R. (1987) ‘An Interview with Primo Levi’, Partisan review, 54.

Solomon, H. (1998) ‘The Sin of Cowardice: The Mystery Behind Bulgakov’s Ambiguity’, Russian Literature, 44(2), pp. 241–252. doi: 10.1016/S0304-3479(98)80021-5.

Solzhenitsyn, Aleksandr Isaevich (2005) One day in the life of Ivan Denisovich. London: Vintage.

Soussloff et al. (1996) ‘“Leni Riefenstahl: The Power of the Image”’, Discourse (Abingdon, England), 18. Available at: databaseName.

Spiro and Solomon J. (1971) ‘Verdict - Guilty! A Study of “The Trial”’, Twentieth century

12/15 09/24/21 Fiction and Power | University of Kent

literature, 17. Available at: databaseName.

Stahler and Alex (2004) ‘Mothers in Israel: Female Jewish Identities and Eretz Yisrael in the Works of Jewish Women Writers of the Anglo-American Diaspora: Anne Roiphe, Tova Reich and Linda Grant’, in Jewish women’s writing of the 1990s and beyond in Great Britain and the . Trier: WVT, Wissenschaftlicher Verlag Trier.

Standish, David (2007) Hollow earth: the long and curious history of imagining strange lands, fantastical creatures, advanced civilizations, and marvelous machines below the earth’s surface. Cambridge, MA: Da Capo Books.

Stapanian-Apkarian and Juliette R. (1994) ‘Ironic “Vision” as an Aesthetics of Displaced Truth in Bulgakov’s Master and Margarita’, in Russian narrative & visual art: varieties of seeing. Gainesville: University Press of Florida.

Stringfellow, F. (1995) ‘Kafka’s Trial: Between The Republic and Psychoanalysis’, Cardozo Studies in Law and Literature , 7, pp. 173–205. Available at: http://df7sm3xp4s.search.serialssolutions.com/?SS_searchTypeAll=yes&V=1.0&N=100&L =DF7SM3XP4S¶mdict=en-US&S=AC_T_B&C=Cardozo Studies in Law and Literature .

Stucky and M.D. (2006) ‘The Superhero’s Mythic Journey: Death and the Heroic Cycle in Superman’, The journal of religion and film, 10.2. Available at: databaseName.

Surman and D. (2004) ‘Animated Caricature: Notes on Superman, 1941-1943’, EnterText, 4. Available at: databaseName.

Susan (2002) ‘The Dialectics of Closure in Bulgakov’s Master and Margarita’, The Russian review, 61, pp. 599–617.

Sussman and Henry (1977) ‘The Court as Text: Inversion, Supplanting and Derangement in Kafka’s “Der Prozess”’, PMLA : Publications of the Modern Language Association of America , 92. Available at: databaseName.

Tegel and Susan (2006) ‘“Leni Riefenstahl: Art and Politics”’, Quarterly review of film and video, 23.

Tensuan and T.M. (2006) ‘Comic Visions and Revisions in the Work of Lynda Barry and Marjane Satrapi’, Modern fiction studies, 52.

Thompson and I. (2004) ‘Writing “If this is a Man”’, in Primo Levi: the austere humanist. Oxford: P. Lang.

Tighe and Carl (1996) ‘Ryszard Kapuscinski and “The Emperor”’, Modern language review, 91.

Tighe, Carl (1999) The politics of literature: Poland 1945-1989. Cardiff: University of Wales Press.

Tomasulo and F.P. (1998) ‘The Mass Psychology of Fascist Cinema: Leni Riefenstahl’s “Triumph of the Will”’, in Documenting the documentary: close readings of and video. Detroit: Wayne State University Press.

13/15 09/24/21 Fiction and Power | University of Kent

Torok and Andrew (1977) ‘Kafka’s Der Prozess’, PMLA : Publications of the Modern Language Association of America, 92. Available at: databaseName.

Truglio and Maria (2000) ‘“The Task of the Witness: Primo Levi”s Se Questo e un Uomo.’’, Forum Italicum. Buffalo: State University of New York.

Tsivian, (2002) Ivan the Terrible. London: British Film Institute.

Wachtel and E. (1994) ‘Ryszard Kapuscinski’, Queen’s quarterly, 101. Available at: databaseName.

Walsh and Richard (2005) ‘The Pragmatics of Narrative Fictionality’, in A companion to narrative theory. Malden, MA: Blackwell Pub.

Warburton, Nigel (2006) The basics of essay writing. London: Routledge.

Ward and Bruce K. (2004) ‘Giving Voice to Isaac: The Superficial Victim in Kafka’s Trial’, Shofar (West Lafayette, Ind.), 22. Available at: databaseName.

Weeks and Laura D. (1996) ‘Houses, Homes and the Rhetoric of Inner Space in Mikhail Bulgakov’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages.

Weeks, Laura D. (1996) The Master & Margarita: a critical companion. Evanston, Ill: Northwestern University Press.

Weeks and Mark (2005) ‘ ’Milan Kundera: A Modern History of Humour amid the Comedy of History’, Journal of modern literature, 28.

Weir , Justin (no date) The Author as Hero: Self and Tradition in Bulgakov’s ‘The Master and Margarita’, Pasternak’s ‘Doctor Zhivago’ and Nabokov’s ‘The Gift’. [Place of publication not identified]: Northwestern University Press.

Welch and David (1998) ‘Triumph des Willens’, in Radical street performance: an international anthology. London: Routledge.

White and H. (2004) ‘Figural Realism in Witness Literature’, Parallax (Leeds, England), 10. Available at: databaseName.

White and H. (2006) ‘Historical Discourse and Literary Writing’, in Tropes for the past: Hayden White and the history/literature debate. Amsterdam: Rodopi.

Whitlock and G. (2006) ‘Autographics: The Seeing “I” of the Comics’, Modern fiction studies , 52.

Wilson, Rita (1995) ‘Narrated Memories: The Writings of Primo Levi’, Acta Germanica: Jahrbuch des Su ̈ dafrikanischen Germanistenverbandes. Cape Town: Balkema.

Winston and B. (1981) ‘Reconsidering “Triumph of the Will”: Was Hitler There?’, Sight and

14/15 09/24/21 Fiction and Power | University of Kent

sound, 50.

Winston and B. (1997) ‘Triumph of the Will’, History Today, 47.

Wolff, J. (1981) The social production of art. [Place of publication not identified]: Macmillan.

Woods and Michelle (2003) ‘ ’A Very British Bohemian? The Reception of Kundera and his Works in Great Britain’, Kosmas: Czechoslovak and Central European Journal, 16.

Wright and A.C. (1973) ‘Satan and Moscow: An Approach to Bulgakjov’s The Master and Margarita’, PMLA: Publications of the Modern Language Association of America, 88.

Wright, Bradford W. (2003) Comic book nation: the transformation of youth culture in America. New ed. Baltimore, Md: Johns Hopkins University Press.

Yarup and R.L. (1982) ‘Solhenitsyn’s “One Day in the Life of Ivan Denosovitch”’, The Explicator, 40. Available at: databaseName.

Zholkovsky and Alexander (1996) ‘Eisenstein’s Poetics: Dialogical or Totalitarian?’, in Laboratory of dreams: the Russian avant-garde and cultural experiment. Stanford, Ca: Stanford University Press.

Zimmermann and Gisela (1994) ‘Faust and the Revolution’, Zeitschrift fur Slavische Philologie, 54.

15/15