09/24/21 Fiction and Power | University of Kent Fiction and Power View Online Adams and Jeffrey (2002) ‘Orson Welle’s “The Trial”: Film Noir and the Kafkaesque’, College literature, 29. Adrian Jaffe (1967) The Process of Kafka’s Trial. Michigan State Univ Pr. Aji and A.R. (1995) ‘“All Names Mean Something”: Salman Rushdie’s Haroun and the Legacy of Islam’, Contemporary literature, 36. Aji and Aron R. (1996) ‘“Haroun”s Mystic Journey: Salman Rushdie’s Haroun and the Sea of Stories'’, in No Small World: Visions and Revisions of World Literature. Natl Council of Teachers. Allen and Sharon Lubkemann (2003) ‘From the Grotesque to the Sublime: Logos and Purgatorial Landscape of “Dead Souls” and “Master and Margarita”’, Slavic and East European journal, 47. Available at: databaseName. Amusin and Mark (2006) ‘Your Novel has Some More Suprises in Store for You: The Specificity of the Fantastic in ’The Master and Margarita"’, Russian social science review, 47. Available at: databaseName. Anderson and Mark M. (1992) ‘The Physiognomy of Guilt: “The Trial”’, in Kafka’s clothes: ornament and aestheticism in the Habsburg fin de sie ̀ cle. Oxford: Clarendon Press. Andrae and T. (1980) ‘From Menace to Messiah: The Prehistory of the Superman in Science Fiction Literature’, Discourse : journal for theoretical studies in media and culture, 2. Available at: databaseName. Arnold, Y. (2004) ‘Through the Lens of Carnival: Identity, Community, and Fear in Mikhail Bulgakov’s The Master and Margarita’, Toronto Slavic Quarterly, 11. Available at: http://df7sm3xp4s.search.serialssolutions.com/?V=1.0&N=100&L=DF7SM3XP4S&S=AC_T_ M&C=Toronto Slavic Quarterly. Aucoin and James L. (2001) ‘Epistemic Responsibility and Narrative Theory: The Literary Journalism of Ryszard Kapuscinski’, Journalism: Theory, Practice and Criticism, 2. Aumont and J. (1983) ‘Montage Eisenstein, II: Eisenstein Taken at his Word’, Discourse: journal for theoretical studies in media and culture. Bloomington, IN: Indiana University Press. 1/15 09/24/21 Fiction and Power | University of Kent Baby snatching and dead-end jobs (no date). Baker and H. (2001) ‘Voland’s Seventh Proof: The event in Bulgakov's Master i Margarita’, Russian literature, 49. Available at: databaseName. Balasubramanian and Radha (1995) ‘The Similarities between Mikhail Bulgakov’s “The Master and Margarita” and Salman Rushdie’s “The Satanic Verses”’, The International fiction review, 22. Available at: databaseName. Baldwin and D.R. (2005) ‘The Horror and the Human: The Politics of Dehumanization in “Heart of Darkness” and Primo Levi’s “Se questo e un uomo”’, Conradiana, 37. Available at: databaseName. Band and A. (2005) ‘Two Travelogues: Bialik’s “In the City of Slaughter” and Levi’s “If this is a Man”’, Prooftexts, 25. Available at: databaseName. Barnard and J. (2003) ‘The Unbearable Lightness of Being: Repetition, Formal Structure and Critique’, Kunapipi, 25. Barratt and Andrew (1996a) ‘Beyond Parody: The Goethe Connection’, in The Master & Margarita: a critical companion. Evanston, Ill: Northwestern University Press. Barratt and Andrew (1996b) ‘The Master and Margarita in Recent Criticism: An Overview’, in The Master & Margarita: a critical companion. Evanston, Ill: Northwestern University Press. Barry and Minako (1990) ‘The references to Eisenstein in “One Day in the Life of Ivan Densosvitch”’, Notes on contemporary literature, 20. Available at: databaseName. Bassoff and Bruce (1983) ‘Kafka’s “The Trial”’, The Explicator, 41. Becker, Wolfgang (2003) ‘Goodbye Lenin!’ Germany: X Filme Creative Pool, Westdeutscher Rundfunk, ARTE. Belenkiy, A. (2006) ‘Master and Margarita: a Literary Autobiography?’, Literature and Theology, 20(2), pp. 126–139. doi: 10.1093/litthe/frl011. Benson and S. (2003) ‘For Want of a Better Term?: Polyphony and the Value of Music in Bakhtin and Kundera’, Narrative, 11. Berg and Temma (1978) ‘Text as Meaning in “The Trial”’, PMLA : Publications of the Modern Language Association of America, 93. Available at: databaseName. Berman and Russell A. (1982) ‘Producing the Reader: Kafka and the Modernist Organization of Reception’, newsletter of the kafka society of america. Bernstein and J.M. (2004) ‘Bare Life, Bearing Witness: Auschwitz and the Pornography of Horror’, Parallax (Leeds, England), 10. Available at: databaseName. Bethea and David (1996) ‘History as Hippodrome: The Apocalyptic Horse and Rider in “The Master and Margarita”’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages. 2/15 09/24/21 Fiction and Power | University of Kent Bilek and Petr A. (2003) ‘A Journey of a Name from the Realm of Reference to the Realm of Meaning: The Reception of Milan Kundera within the Czeck Cultural Context.’, Kosmas: Czeckoslovak and Central European Jounral, 17. Boa and Elizabeth (1996) ‘The Decaying Law: Discourses of Gender, Class and Race in “The Trial”’, in Kafka: gender, class, and race in the letters and fictions. Oxford: Clarendon Press. Bodegard and Anders (1995) ‘Interview with Ryszard Kapuchiniski’, Brick: A Literary Journal , 51. Boegeman and Margeret Byrd (1982) ‘Invitation to a Beheading and the Many Shades of Kafka’, in Nabokov’s Fifth Arc: Nabokov and Others on His Life's Work (The Dan Danciger Publication Series). University of Texas Press. Boullata, I. J. (1988) ‘Symbol and Reality in the Writings of Emile Habibi’, Islamic culture, 11(4), pp. 19–21. Bowers, Maggie Ann (2004) Magic(al) realism. London: Routledge. Bradbury, Andrew and Sunday Times (2000) Successful presentation skills. 2nd ed. London: Kogan Page. Brandist and Craig (1998) ‘Carnival in Different Contexts: Olesha’s Envy and Bulgakov's “Master and Margarita”’, essays in poetics, 23. Brill, Lesley (2006) Crowds, power, and transformation in cinema. Detroit: Wayne State University Press. Bulgakov, M. (1969) The master and Margarita; translated by M Glenny. [Place of publication not identified]: Fontana - Collins. Bulgakowa, Oksana (2001) Sergei Eisenstein: a biography. Berlin, San Francisco: Potemkin. Butler, Andrew M. et al. (2004) Terry Pratchett: guilty of literature / edited by Andrew M. Butler, Edward James and Farah Mendlesohn. 2nd ed. Baltimore, Md: Old Earth Books. Butler, Andrew M. (2007) An unofficial companion to the novels of Terry Pratchett. Oxford: Greenwood World Pub. Chambers, Ross (1984) Story and situation: narrative seduction and the power of fiction. Manchester: Manchester University Press. Cheyette and B. (1999) ‘The Ethical Uncertainty of Primo Levi’, Judaism, 48. Available at: databaseName. Christensen and Peter G. (1990) ‘Eisenstein’s Ivan the Terrible and Shakespeare's Historical Plays’, Slavic and East European journal, 6. Available at: databaseName. Cismaru and Alfred (1983) ‘The Importance of Food in One Day in the Life of Ivan Denisovich’, San Jose Studies, 9. 3/15 09/24/21 Fiction and Power | University of Kent Cliff and B. (2001) ‘On Language and Violence’, in Memory and mastery: Primo Levi as writer and witness. Albany: State University of New York Press. Cohen and Alain J.-J (1996) ‘Eisenstein’s Ivan the Terrible in Chess Ecstasy’, in Semiotics Around the World: Synthesis in Diversity - Proceedings of the Fifth Congress of the International Association for Semiotic Studies, Berkeley 1994 (Approaches to Semiotics). Mouton de Gruyter. Conquest, Robert (1990) The great terror: a reassessment. London: Hutchinson. Cordle and Daniel (2002) ‘States of Being Not being in States: Metaphysical Border Crossings in the Work of Milan Kundera’, in Displaced persons: conditions of exile in European culture. Farnham: Ashgate. Cour and Amy de la (2005) ‘An Interpretation of the Occult Symbolism in Mikhail Bulgakov’s “The Master and Margarita”’, Slavonica, 11. Available at: databaseName. Crouse and C. (2005) ‘Intellectualism Cut Off at the Neck: The Body Politic-as-Aestheticin Leni Riefenstahl’s “Triumph of the Will”’, The film journal (Pickerington, Ohio), 1. Available at: databaseName. Curtis and J.A.E (1996) ‘Mikhail Bulgakov and the Red Army’s Polo Instructor: Political Satire in “The Master and Margarita”’, in The Master & Margarita: a critical companion. Evanston, Ill: American Association of Teachers of Slavic and East European Languages. Danow and David K. (1996) ‘Metaphysical Space in “The Master and Margarita”’, Elementa , 3(2). Davis and R.G. (2005) ‘A Graphic Self: Comics and Autobiography in Marjane Satrapi’s “Persepolis”’, Prose studies, 27. Available at: databaseName. DeForest, Tim (2004) Storytelling in the pulps, comics, and radio: how technology changed popular fiction in America. Jefferson, N.C.: McFarland. Degenaar and Johan (1992) ‘The Unbearable Lightness of Being: A Philisophical Exploration.’, Literator: Tydsknif vir Besondere en Vergelykende Toal-en-Literatuurstudie/ Journal of Literary Criticism, 13. Deltcheva, Roumiana and Vlasov and Eduard (1996) ‘From the Wax of History: Leni’s “Das Wachsfigurenkabinett” and the Cinema of German Expressionism as a Source for Eisenstein’s “Ivan Groznyi”’, Studies in the humanities (Indiana), 23. Dern, J. (2004) ‘ Sin without God’: Existentialism and The Trial’, Interdisciplinary Literary Studies: A Journal of Criticism and Theory , 5(2), pp. 94–109. Derrida and Jacques (2005) ‘Justices’, in Provocations to reading: J. Hillis Miller and the democracy to come. 1st ed. New York: Fordham University Press. Dobson and M. (2005) ‘Contesting the Paradigms of De-Stalinization: Readers’ Responses to “One Day in the Life of Ivan Denosovitch”’, Slavic review, 64. Dolezel and Lubomir