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Caltech Pulls Off Second Rose Bowl Prank
The California Tech [email protected] VOLUME CXVII NUMBER 10 PASADENA, CALIFORNIA TECH.CALTECH.EDU JANUARY 13, 2014 Caltech pulls off second Rose Bowl prank -Julie Jester PARUL PUBBI prank, so we thought we’d merge With a location secured, work on then taped to the Pasadena sign so took charge of ensuring the lights Contributing Writer the two and pay homage to both.” the sign continued. that they would spell out “Caltech” worked. Car batteries were used It all started when Julie Jester, Caltech’s prank fund, which and excess lights were taped off. to provide the voltage necessary to The Caltech culture is an president of the Prank Club, alumni periodically donate to, The green strings of wire were then produce the effect. integral part of any Techer’s emailed potential recruits a week provided the $10,000 necessary painted white to match the sign. collegiate experience. It comes before construction began. Five for supplies. Christmas lights were Hannah Dotson of Dabney House Continued on page 3 as no surprise, then, that over a days before the championships, hundred undergrads across every the construction of eight 12 feet by house and class partook in the 20 feet frames started with a core largest-scale prank that Caltech has group of about 20 people. Though seen this year. the initial plan was to build and On Jan 6th, just 5 minutes show the sign at the Art Center before halftime at the Bowl College of Design, the group Championship Series, the moment received word on the second day of truth arrived. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
When Your Boo Becomes a Ghost: the Association Between Breakup Strategy and Breakup Role in Experiences of Relationship Dissolution
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-21-2018 11:00 AM When Your Boo Becomes a Ghost: The Association Between Breakup Strategy and Breakup Role in Experiences of Relationship Dissolution Rebecca B. Koessler The University of Western Ontario Supervisor Campbell, Lorne J. The University of Western Ontario Graduate Program in Psychology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Science © Rebecca B. Koessler 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Social Psychology Commons Recommended Citation Koessler, Rebecca B., "When Your Boo Becomes a Ghost: The Association Between Breakup Strategy and Breakup Role in Experiences of Relationship Dissolution" (2018). Electronic Thesis and Dissertation Repository. 5402. https://ir.lib.uwo.ca/etd/5402 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Two studies examined ghosting, a unilateral breakup strategy that involves avoiding technologically-mediated contact with a partner instead of providing a verbal indication of the desire to break up. Study 1 solicited open-ended responses regarding experiences with ghosting and explored associations between ghosting and a variety of dispositional and situational variables. Study 2 investigated differences in the process of relationship dissolution and post-breakup outcomes as a function of breakup role (disengager or recipient) and breakup strategy (ghosting or direct conversation) across two samples. -
2009 Symposium Program
UNDERGRADUATE SYMPOSIUM FOR SCHOLARLY & CREATIVE WORK SCHEDULE OF EVENTS Tuesday, April 14, 2009 Symposium Judging 9:00 am – 5:00 pm Friends Lecture Hall at Doheny Library (Judges only – closed to presenters and general public) Wednesday, April 15, 2009 General Presentations, Exhibits, and Displays 11:00 a.m. - 2:00 p.m. Trousdale Parkway Awards Ceremony & Dinner Reception 6:00 p.m. – 7:30 pm Davidson Conference Center ii April 15, 2009 Dear Members of the USC Community: It is my pleasure to welcome you to USC’s 11th Annual Undergraduate Symposium for Scholarly and Creative Work. The Symposium is designed to provide USC undergraduates with the unique opportunity to exhibit and share examples of their significant research, scholarly and creative work with the university community. Although the Symposium is modeled on a professional conference poster session, students may exhibit their work in a variety of ways, such as through posters, art exhibits, and electronic media. All undergraduates are encouraged to participate. An award ceremony recognizing the most outstanding works will take place at the end of the symposium and includes First Prize awards of $1000 and Second Prize awards of $500 in each of the following categories. Arts Humanities Social Sciences Life Sciences Physical Sciences, Mathematics & Engineering A panel of distinguished faculty will judge submissions in each category. After the judging, you are cordially invited to attend the Award Ceremony at the Davidson Conference Center at 6:00 p.m. where the winners will be announced. We hope you enjoy USC’s Undergraduate Symposium, which promises to be a highlight of the semester this year and in many years to come. -
June 7-13, 2018
JUNE 7-13, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM ------------------ Feature • Fitz & The Tantrums ---------------- Proudly presents in Fort Wayne, Indiana Clapping All the Way By Steve Penhollow The decision to recruit outside help was a difficult one, said singer Noelle Scaggs. We live in strange times. “It was especially hard being the unit that we Many once-ubiquitous pop acts that had their hey- are, where we have pretty much done everything our- WEDNESDAY, days prior to the year 2000 have trouble getting record selves,” she said. “There’s this pride that hits, and then JULY 11 • 8PM deals while younger acts that pay tribute to those older it’s kind of like, ‘Well, what will people think when Foellinger Outdoor Theatre acts can do quite well. they see another writer on there? Will they think we WEDNESDAY, JUNE 27 • 8PM Fort Wayne, Indiana Into the latter camp fall Fitz and the Tantrums. can’t do this or that we’re phony?’ You have all these Foellinger Outdoor Theatre The band performs at the Clyde Theatre on June different fears that are wrapping into your project be- Fort Wayne, Indiana 12. fore you even really start it.” Fitz and the Tantrums started out in 2011 as a soul Scaggs told the Ohio State Journal that working revival act a la Sharon and the Dap-Kings. with outside songwriters gave the band a mirror to They revisited several musical tropes from the look into. 1980s on their sophomore release, More Than Just a “It gave us a direction. ‘What are you think- Dream. -
The Redwall Adventures by Brian Jacques Call Number: F JAC
SERIES BOOKS IN ORDER 2015 The Alex Rider Series by Anthony Horowitz Call Number: F HOR 1. Stormbreaker 2. Point Blanc 3. Skeleton Key 4. Eagle Strike 5. Scorpia 6. Ark Angel 7. Snakehead 8. Crocodile Tears 9. Scorpia Rising 10. Russian Roulette Related title: The gadgets The Chronicles of Narnia by C.S. Lewis Call Number: F LEW The order in which C. S. Lewis wrote his books: The Lion, the Witch and the Wardrobe Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Horse and His Boy The Magician’s Nephew The Last Battle Chronological order of the story of Narnia: The Magician’s Nephew The Lion, the Witch and the Wardrobe The Horse and His Boy Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Last Battle The Dragonback Adventure Series by Timothy Zahn Call Number: F ZAH 1. Dragon and Thief 2. Dragon and Soldier 3. Dragon and Slave 4. Dragon and Herdsman 5. Dragon and Judge 6. Dragon and Liberator The Dragonkeeper Chronicles by Donita K. Paul Call Number: F PAU 1. Dragonspell 2. Dragonquest 3. Dragonknight 4. Dragonfire 5. Dragonlight The Dreamhouse Kings Series by Robert Liparulo Call Number: F LIP 1. House of Dark Shadows 2. Watcher in the Woods 3. Gatekeepers 4. Timescape 5. Whirlwind 6. Frenzy The Guardians of Ga’Hoole Series by Kathryn Lasky Call Number: F LAS 1. The Capture 2. The Journey 3. The Rescue 4. The Siege 5. The Shattering 6. The Burning 7. The Hatchling 8. The Outcast 9. The First Collier 10. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
Am. Singer/Songwriter,Flott.Covret Av Bl.A Spooky.Tooth,J.Driscoll. Utgitt I 1993
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A ATCO REC7567- AC/DC BACK IN BLACK 1995 EUR CD 92418-2 ACKLES, DAVID FIVE & DIME 2004 RAVENREC. AUST. CD Am. singer/songwriter,flott.Covret av bl.a Spooky.Tooth,J.Driscoll. Utgitt i 1993. Cd utg. fra 2004 XL RECORDINGS ADELE 21 2011 EUR CD XLLP 520 ADELE 25 2015 XLCD 740 EUR CD ADIEMUS SONGS OF SANCTUARY 1995 CDVE 925 HOL CD Prosjektet til ex Soft Machine medlem Karl Jenkins. Middelalderstemnig og mye flott koring. AEROSMITH PUMP 1989 GEFFEN RECORDS USA CD Med Linda Hoyle på flott vocal, Mo Foster, Mike Jupp.Cover av Keef. Høy verdi på original vinyl AFFINITY AFFINITY 1970 VERTIGO UK CD Vertigo swirl. AFTER CRYING OVERGROUND MUSIC 1990 ROCK SYMPHONY EUR CD Bulgarsk progband, veldig bra. Tysk eksperimentell /elektronisk /prog musikk. Østen insirert album etter Egyptbesøk. Lp utgitt AGITATION FREE MALESCH 2008 SPV 42782 GER CD 1972. AIR MOON SAFARI 1998 CDV 2848 EUR CD Frank duo, mye keyboard og synthes. VIRGIN 72435 966002 AIR TALKIE WALKIE 2004 EUR CD 8 ALBION BAND ALBION SUNRISE 1994-1999 2004 CASTLE MUSIC UK CDX2 Britisk folkrock med bl.a A.Hutchings,S.Nicol ex.Fairport Convention ALBION BAND M/ S.COLLINS NO ROSES 2004 CASTLE MUSIC UK CD Britisk folk rock. Opprinnelig på Pegasus Rec. I 1971. CD utg fra 2004. Shirley Collins på vocal. ALICE IN CHAINS DIRT 1992 COLOMBIA USA CD Godt album, flere gode låter, bl.a Down in a hole. ALICE IN CHAINS SAP 1992 COLOMBIA USA CD Ep utgivelse med 4 sterke låter, Brother, Got me wrong, Right turn og I am inside ALICE IN CHAINS ALICE IN CHAINS 1995 COLOMBIA USA CD Tungt, smådystert og bra. -
I'm Your Biggest Fan (I╎ll Follow
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 "I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT Meghan R. Francis Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Francis, Meghan R., ""I'M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)”: SOCIAL NETWORKING SITES, FANS, AND AFFECT" (2011). Digitized Theses. 3233. https://ir.lib.uwo.ca/digitizedtheses/3233 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. “I’M YOUR BIGGEST FAN (I’LL FOLLOW YOU UNTIL YOU LOVE ME)” SOCIAL NETWORKING SITES, FANS, AND AFFECT (Spine title: Social Networking Sites, Fans, and Affect) (Thesis Format: Monograph) by Meghan Francis Graduate Program in Popular Music and Culture 9 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Meghan Francis 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners Dr. Norma Coates Dr. Susan Knabe 1 Supervisory Committee Dr. Keir Keightley Dr. Susan Knabe Dr. Jonathan Burston The thesis by Meghan Ruth Francis entitled: “I'm Your Biggest Fan (I'll Follow You Until You Love Me)”: Social Networking Sites, Fans and Affect is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date _______________________ _____ ____________ ■ __________ Chair of the Thesis Examination Board 11 L Abstract: This thesis explores the way that music fandom has changed on sites like Twitter. -
SVC and Storwize V7000 Replication Family Services Chapter 4
Front cover IBM System Storage SAN Volume Controller and Storwize V7000 Replication Family Services Describes new Replication Family Services functionality Provides server integration examples Includes scripting examples Jon Tate Rafael Vilela Dias Ivaylo Dikanarov Jim Kelly Peter Mescher ibm.com/redbooks International Technical Support Organization IBM System Storage SAN Volume Controller and Storwize V7000 Replication Family Services March 2013 SG24-7574-02 Note: Before using this information and the product it supports, read the information in “Notices” on page xi. Third Edition (March 2013) This edition applies to IBM System Storage SAN Volume Controller and IBM System Storage Storwize V7000 Replication Family Services at an SVC Version6.4 code level. © Copyright International Business Machines Corporation 2013. All rights reserved. Note to U.S. Government Users Restricted Rights -- Use, duplication or disclosure restricted by GSA ADP Schedule Contract with IBM Corp. Contents Notices . xi Trademarks . xii Summary of changes. xiii March 2013, Third Edition . xiii Preface . .xv The team who wrote this book . .xv Now you can become a published author, too! . xvii Comments welcome. xviii Stay connected to IBM Redbooks . xviii Chapter 1. Introduction to Replication Family Services . 1 1.1 FlashCopy . 2 1.2 Metro Mirror and Global Mirror . 2 1.2.1 Global Mirror with Change Volumes . 2 1.3 Volume Mirroring function . 2 1.3.1 Stretched Cluster Volume Mirroring . 3 Chapter 2. Planning for Replication Family Services . 5 2.1 High-level design. 6 2.1.1 Defining your project . 6 2.1.2 Functional requirements . 6 2.1.3 Non-functional requirements. 7 2.1.4 Prior to implementation . -
Marlfox, Brian Jacques
Marlfox, Brian Jacques DOWNLOAD http://bit.ly/1qEagpj http://en.wikipedia.org/wiki/Marlfox Queen Silth rules Castle Marl from behind the curtains of her palanquin. Greedy and vain, she has sent her six children into the world to plunder treasure. Stealth and cunning are the traits of the Marlfox. Known only in Redwall country by legend, they are said to able to appear and disappear by magic. When the strange creatures begin to appear in Mossflower Woods, it is clear that evil is abroad. A kidnapping and a cunning raid to steal the beautiful Redwall tapestry confirm the worst; Redwall is under threat! Three young friends, fated by the prophecy of Martin the Warrior, pursue the villains in a quest of daring, courage and wit to return the beloved tapestry to its home. DOWNLOAD http://t.co/af7g5fm09S http://bit.ly/1xRgKJr Outcast Of Redwall , Brian Jacques, Jan 25, 2011, Juvenile Fiction, 368 pages. Ferret Swartt Sixclaw and badger Sunflash the Mace are arch enemies who have sworn a pledge of death upon each other. Meanwhile, the Abbess of Redwall has banished a young. Mattimeo , Brian Jacques, Jul 31, 2012, Juvenile Fiction, 448 pages. Slagar the Fox is bent on revenge - and determined to bring death and destruction to Redwall Abbey. Gathering his evil band around him, Slagar plots to strike at the heart of. The Sable Quean , Brian Jacques, Feb 23, 2010, Fiction, 368 pages. Buckler the hare, Blademaster of the Long Patrol, must save the youngsters of Redwall Abbey-kidnapped by the vile Vilaya the Sable Quean-and stop the villain's conquest of. -
Professional CSS Cascading Style Sheets for Web Design.Pdf
Professional CSS Cascading Style Sheets for Web Design Christopher Schmitt Mark Trammell Ethan Marcotte Dunstan Orchard Todd Dominey Professional CSS Cascading Style Sheets for Web Design Christopher Schmitt Mark Trammell Ethan Marcotte Dunstan Orchard Todd Dominey Professional CSS: Cascading Style Sheets for Web Design Published by Wiley Publishing, Inc. 10475 Crosspoint Boulevard Indianapolis, IN 46256 www.wiley.com Copyright © 2005 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada ISBN-13: 978-0-7645-8833-4 ISBN-10: 0-7645-8833-8 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 1B/RT/QX/QV/IN No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REPRE- SENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CONTENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WAR- RANTIES OF FITNESS FOR A PARTICULAR PURPOSE.