The First Year Hasn't Been Dull for David White
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
12Th ANNUAL WOODSTOCK FILM FESTIVAL
Catskill Mountain Region September 2011 GUIDEwww.catskillregionguide.com 12th ANNUAL WOODSTOCK FILM FESTIVAL TABLE OF www.catskillregionguide.com VOLUME 26, NUMBER 9 September 2011 PUBLISHERS Peter Finn, Chairman, Catskill Mountain Foundation CONTENTS Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Rita Adami Steve Friedman Rose Santiago CONTRIBUTING WRITERS Carolyn Bennett, Carol White and David White ADMINISTRATION & FINANCE Candy McKee Toni Perretti Laureen Priputen PRINTING Catskill Mountain Printing DISTRIBUTION Rural News Service On the Cover: Catherine Keener and Jane Fonda star in “Peace, Love and Misunderstanding,” a film shot in the Hudson Valley that will be the opening night film (and will have its U.S. premiere) at the 12th annual Woodstock Film Festival this September. For more information in the festival, see page 14. EDITORIAL DEADLINE FOR NEXT ISSUE: September 6 The Catskill Mountain Region Guide is published 12 times a year 2 THE ARTS by the Catskill Mountain Foundation, Inc., Main Street, PO Box 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all correspondence. For editorial and photo submission guidelines 8 THE WASHINGTON IRVING INN: send a request via e-mail to [email protected]. The liability of the publisher for any error for which it may be Celebrating 25 Years on the Mountain Top By Carolyn Bennett held legally responsible will not exceed the cost of space ordered or occupied by the error. -
The NME Singles Charts
The Chart Book – The Specials The New Musical Express Charts 1960- 1969 Compiled by Lonnie Readioff Chart History For The NME Singles Charts Between 1 January 1960 and 27 December 1969 Entry Peak Weeks on chart, Title (Number 1 Number) (Awards symbols, if any for this record in this period) (Composer) Full artist credit (if different) B-Side (Or EP/Album track listing if any charted on this chart) Label (Catalogue Number) Duration. Notes are presented below the title for some entries. Entries are sorted by artist, then by entry date and finally, in the event of ties, by peak position and finally weeks on chart. All re-entries are shown as separate entries, but track listings of any albums or EP's which re-entered the chart are not shown for their re-entries. Kenny Ball (Continued) 16.02.1962 1 11 March Of The Siamese Children (N1 #131) (Oscar Hammerstein II / Richard Rodgers) Kenny Ball and His Jazzmen If I Could Be With You Pye Jazz 7": 7NJ 2051 02:44 18.05.1962 8 11 The Green Leaves Of Summer (Dimitri Tiomkin / Paul Francis Webster) Kenny Ball and His Jazzmen I'm Crazy 'bout My Baby Pye Jazz 7": 7NJ 2054 02:48 24.08.1962 11 5 So Do I (Ian Grant / Theo Mackeben) Kenny Ball and His Jazzmen Cornet Chop Suey Pye Jazz 7": 7NJ 2056 02:38 19.10.1962 23 3 The Pay-Off (A Moi De Payer) (Sidney Bechet) Kenny Ball and His Jazzmen I Got Plenty O' Nuttin' Pye Jazz 7": 7NJ 2061 03:00 25.01.1963 10 8 Sukiyaki (Ei Rohusuke / Nakamura Hachidai) Kenny Ball and His Jazzmen Swanee River Pye Jazz 7": 7NJ 2062 03:00 19.04.1963 17 6 Casablanca (Nicolas Sakelario -
Descendants of Adam White
Descendants of Adam White Generation No. 1 1. ADAM1 WHITE was born Abt. 1627 in Scotland, and died December 19, 1708 in Bushmills, County Antrim, Ireland. Notes for ADAM WHITE: Scottish and Irish sources reveal the following data concerning the life and ministry of the Reverend Adam White, putative ancestor of Moses and Hugh White of Delaware and Pennsylvania. Adam White was born in Scotland circa 1620-1625. He was educated at Glasgow University and received a Master of Arts degree in 1648. He was ordained - Clondevaddock (Fannet), 1654. He received 100 pounds a year from the Proctorate, 1655. Deposed for non-conformity, 1661, but continued to minister. Excommunicated and imprisoned in Lifford, 1664-1670 for disobeying a summons issued by Leslie, Bishop of Raphoe. Resigned September 18, 1672. Installed Ardstraw. Fled to Scotland, 1688. Resigned 1692. Installed Billy, near Dunluce, 1692. Died December 19, 1708. The exodus from Scotland to Ulster continued for some years. In July, 1635, a James Blair of Ayrshire, wrote: "Above ten thousand persons, have , within two years past, left this country - between Aberdeen and Inverness, and gone over to Ireland. They have come by the hundred, through this town, and three hundred shipped together on one tide." The founders of the Presbyterian Church in Ulster, were Clergymen, who took refuge, driven from Scotland and England, by the persecuting spirit, abroad then, against Puritans. But in 1637, the Calvinists Confession of Faith was altered. Bishops tinged with Puritanism, were deposed. High churchmen were placed in their stead. Conformity to the Established Church was enforced with pains and penalties. -
At the Hop Artie Singer, John Medora, David White 1957 (As Recorded by Danny & the Juniors)
At The Hop Artie Singer, John Medora, David White 1957 (as recorded by Danny & The Juniors) INTRO: / 1 2 3 4 / [C] / [C] / [C] / [C] / [C] Bah (bah-bah-bah) [Am] bah (bah-bah-bah) [F] Bah (bah-bah-bah) [G7] bah (bah-bah-bah) at the [C] hop! [C] Well, you can [C] rock it, you can roll it You can [C] stomp and even stroll it at the hop [C7] When the [F7] record starts a spinnin' You ca-[F7]lypso when you chicken at the [C] hop [C] Do the [G7] dance sensation that is [F7] sweepin' the nation at the [C] hop [C] CHORUS: [C] Let's go to the hop [C] Let's go to the [C7] hop (oh baby) [F7] Let's go to the hop (oh baby) [C] Let's go to the hop [G7] Come… [F7] on… [C] let's go to the hop Well, you can [C] swing it, you can groove it You can [C] really start to move it at the hop [C7] Where the [F7] jumpin' is the smoothest And the [F7] music is the coolest at the [C] hop [C] All the [G7] cats and the chicks can [F7] get their kicks at the [C] hop…let’s [C] go! CHORUS: [C] Let's go to the hop [C] Let's go to the [C7] hop (oh baby) [F7] Let's go to the hop (oh baby) [C] Let's go to the hop [G7] Come… [F7] on… [C] let's go to the hop, let’s go INSTRUMENTAL: [C] Let's go to the hop [C] Let's go to the [C7] hop (oh baby) [F7] Let's go to the hop (oh baby) [C] Let's go to the hop [G7] Come… [F7] on… [C] let's go to the hop Well, you can [C] rock it, you can roll it You can [C] stomp and even stroll it at the hop [C7] When the [F7] record starts a spinnin' You ca-[F7]lypso when you chicken at the [C] hop [C] Do the [G7] dance sensation that is [F7] sweepin' the nation at the [C] hop . -
The Class of 1970 Fiftieth Reunion Book
WESLEYAN 70 FIFTIETH REUNION | MAY 21–24, 2020 | WESLEYAN UNIVERSITY WESLEYAN 70 FIFTIETH REUNION | MAY 21–24, 2020 | WESLEYAN UNIVERSITY Dear Classmates, I have always felt lucky to have been at Wesleyan from 1966–1970. We were able to experience the conflict and change of those years in a safe environment that encouraged learning, arguing, and experimentation. So, when Kate Quigley Lynch asked me to edit our fiftieth reunion yearbook, I was happy to take the job. Ted Reed, a Wesleyan roommate and former Miami Herald reporter, agreed to be my partner in creating the book. Our goals were to let everybody know what our classmates have been doing for the past half century, to celebrate the lives of classmates who have died, and to honor the professors who were important to us. Additionally, we hoped that through preparing essays, compiling Argus stories, and chronicling outside events, we could help you remember not only our time on campus, but also the drama of the unique period when we were there. Jeff Sarles did a terrific job of finding, organizing, and writing captions for photos highlighting events happening in the outside world during our Wesleyan years. Much of this work is in the book. His full presentation is available on the class page (www.wesleyan.edu/classof1970) and will be played as a slide show during reunion weekend. John Sheffield, Maurice Hakim, and Jeremy Serwer read every Argus edition published during our time at Wesleyan and identified stories of interest. Many of you wrote heartfelt remembrances of classmates who died and others helped identify photos. -
At the Hop Second Draft 01/04/20 Page 1 of 2 Artie Singer, John Medora, David White 1957 (As Recorded by Danny & the Juniors)
At the Hop Second draft 01/04/20 Page 1 of 2 Artie Singer, John Medora, David White 1957 (as recorded by Danny & The Juniors) Play along: https://youtu.be/rh5x8CtBsmI (capo I) Intro: [G] / / / [G] / / / [G] Bah (bah-bah-bah) [Em] bah (bah-bah-bah) [C] Bah (bah-bah-bah) [D7] bah (bah-bah-bah) At the [G] hop! [G] With synchopated “hop hop hop … hop” throughout first four lines: Well, you can [G] rock it, you can roll it You can [G] stomp and even stroll it at the hop … [G7] When the [C] record starts a spinnin' You ca-[C] calypso when you chicken at the [G] hop … [G7] Do the [D7] aaah… dance sensation that is [C7] aaah… sweepin' the nation At the [G] hop [G] “hop hop hop … hop” [G] *Let's go to the hop *Aah baby hop [G] *Let's go to the hop *Aah baby hop (oh [G7] baby) [C] *Let's go to the hop *Aah baby hop (oh baby) [G] *Let's go to the hop *Aah baby hop [D7] *Come… [C] on… *Come on [G] *Let's go to the hop *Aah baby hop Well, you can [G] aaah… swing it, you can groove it You can [G] really start to move it at the hop aaah… [G7] aaah Where the [C] aaah… jumpin' is the smoothest And the [C] music is the coolest at the [G] aaah… hop … [G7] All the [D7] aaah… cats and the chicks can [C] aaah… get their kicks At the [G] aaah… hop…let’s go! [G] *Let's go to the hop *Aah baby hop [G] *Let's go to the hop *Aah baby hop (oh [G7] baby) [C] *Let's go to the hop *Aah baby hop (oh baby) [G] *Let's go to the hop *Aah baby hop [D7] *Come… [C] on… *Come on [G] *Let's go to the hop *Aah baby hop Instrumental: as per chorus At the Hop Second draft 01/04/20 -
CAPS and GOWNS 100% Written & Created by Roger Bean 50%
License Rider SHOW: The Marvelous Wonderettes: Caps and Gowns Credit Rider 1. You agree to bill the Play and the Author(s) and all other parties specified below in all programs, houseboards, displays, and in all advertising, and all paid publicity, specified below as follows: CREDIT SIZE TYPE THE MARVELOUS WONDERETTES: CAPS AND GOWNS 100% Written & Created by Roger Bean 50% Vocal and Musical Arrangements by Michael Borth 25% 2. You also agree to include the following on the title page of any program, separated by a line from other staff, as follows: The Marvelous Wonderettes: Caps and Gowns premiered at Laguna Playhouse, Karen Wood, Executive Director, Ann E. Wareham, Artistic Director. and the following on all posters, fliers, and the title page of any program, separated by a line from other staff, as follows: Performance rights for The Marvelous Wonderettes: Caps and Gowns are handled exclusively by Steele Spring Stage Rights, www.stagerights.com 3. In addition, the Author(s) biography (attached RIDER EXHIBIT “A”) must appear in all programs of the Play: The most recent version of the Author’s bio can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 4. All music credits (attached RIDER EXHIBIT “B”) must be printed in the program. A digital version can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 5. You must include the following warning in your program: "The videotaping or other video or audio recording of this production is strictly prohibited." 6. Logos: You may not use the copyrighted logo of the Play, unless you pay Stage Rights the applicable fee prior to use. -
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc. -
Philips Phonogram 1953-1970
AUSTRALIAN RECORD LABELS PHILIPS – PHONOGRAM 1953–1970 COMPILED BY MICHAEL DE LOOPER MAY 2020 PHILIPS – PHONOGRAM, 1953–1970 PHILIPS – PHONOGRAM LABELS INCLUDED IN THIS LISTING BUDDAH 1968-1970 POLYDOR 1956-1970 FONTANA 1958-1970 RIVERSIDE 1962-1964, 1969-1970 KAMA SUTRA 1969-1970 ROULETTE 1958-1961, 1970 LIMELIGHT 1965-1967 SWEET PEACH 1969-1970 MERCURY 1968-1970 TOPS 1958-1959 MGM 1967-1970 VERVE 1967-1970 PHILIPS 1953-1970 ZODIAC 1964-1970 A BRIEF HISTORY OF PHILIPS – PHONOGRAM 1891 GERARD PHILIPS, A 23 YEAR OLD ENGINEER, ESTABLISHES PHILIPS' FIRST FACTORY IN EINDHOVEN, THE NETHERLANDS. IN ITS FIRST YEAR THE FACTORY MADE 11,000 BULBS 1898 THE GERMAN-BASED SIEMENS COMPANY FOUNDS DEUTSCHE GRAMMOPHON GESELLSCHAFT (DGG) 1924 POLYDOR IS INTRODUCED AS A SECOND BRAND NAME FOR DGG ABROAD 1926 ESTABLISHMENT OF PHILIPS LAMPS (AUSTRALASIA) PTY LTD IN SYDNEY, IMPORTING PHILIPS PRODUCTS FROM THE NETHERLANDS. ANTON DEN HERTOG IS THE FIRST MANAGING DIRECTOR. 1927 PHILIPS HEAD OFFICE AT 69 CLARENCE ST, SYDNEY 1929 DECCA RECORDS (LONDON) LICENCES H. W. VAN ZOELEN TO DISTRIBUTE THEIR RECORDS IN THE NETHERLANDS. HE FORMS HOLLANDSCHE DECCA DISTRIBUTIE (HDD). DURING THE 1930’S, HDD ESTABLISHES FACILITIES FOR A & R, RECORDING AND MANUFACTURE 1942 PHILIPS BUYS HDD 1942 FRANCISCUS N. LEDDY BECOMES MANAGING DIRECTOR OF PHILIPS LAMPS (AUSTRALASIA) PTY LTD 1943 PHILIPS ELECTRICAL INDUSTRIES OF AUSTRALIA PTY LTD ESTABLISHED 1950 PHILIPS ELECTRONICS N.V. COMBINES ITS VARIOUS MUSIC BUSINESSES AND CREATES PHILIPS PHONOGRAPHISCHE INDUSTRIES (PPI), A WHOLLY OWNED SUBSIDIARY 1951 PPI AGREES TO DISTRIBUTE COLUMBIA RECORDINGS OUTSIDE THE U.S. THIS AGREEMENT RUNS TO 1961 1953 FIRST ISSUES FROM THE PHILIPS INTERNATIONAL CATALOGUE ARE RELEASED IN AUSTRALIA ON JUNE 4, 1953.