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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
The Course of World War II Class 4 William A
The Course of World War II Class 4 William A. Reader [email protected] The Nazi-Soviet Pact Hitler on Poland On 28 March 1939, Hitler denounced the 1934 Non-Aggression Pact with Poland and had his military begin preparations for an invasion of Poland Hitler had two problems with Poland • Situated between Germany and Russia, Poland barred the invasion route into Russia • Poland had a large German population and territories that Hitler felt belonged to Germany To ensure the quiet eastern border that Hitler desired for his attack on France, Poland had to subordinate itself to Germany Hitler on Poland - 2 To Hitler, Polish subordination meant • Joining the Anti-Comintern Pact • Ceding Danzig and predominantly-German areas to Germany • Allowing Germany to build a highway across the Polish corridor While Poland was willing to negotiate over Danzig and allow Germany to build a highway across the Polish Corridor, it would not cede territory to Germany nor join the Anti-Comintern Pact This led Hitler to decide on an invasion of Poland • It also led him to seek an agreement with Stalin Stalin’s View of Nazism Stalin saw National Socialism as simply a nastier form of monopoly capitalism – more brutal than the capitalism of the Western democracies but essentially the same • Stalin did not realize that Hitler and the Nazis were racist ideologues committed to expansion eastward and to the replacement of Russians by Germans as the population of Western Russia • What Stalin did not understand was that, under Hitler, Germany’s capitalist and economic -
Role of the Archives in the Future
… You can fool all the people some of the time, and some of the people all the time, but you cannot fool all the people all the time…” Abraham Lincoln ( 1809 – 1865 ) FACTS AND FICTION- ARCHIVAL FOOTAGE HISTORICAL EVENTS AND TELEVISION AND FILM PRODUCTIONS Media Archeology Movies and television productions are released and transmitted each year dealing with historical events or public personalities like politicians , military leaders, revolutionaries, and people with a record of special achievemments. The aim of my presentation is to make you aware of different possibilities in reusing archival footage in movies. It is my intention to inform you about the importance of the audiovisual archives and how to reuse transmitted programmes or real shots of life in new productions. It is not my intention to evaluate real shots in historical movies and to report about facts and fiction in those films. The subject is dealt with in the book called: PAST IMPERFECT. History According to the Movies. 1995, and my own paper on the same subject: HISTORY AND MOVIES: An evaluation of the information of historical events, of international known personalities and of famous sites and buildings describes in movies. External links: ( Contact: http://www.baacouncil.org/ or [email protected] for copy of the paper) Television companies should be proud of their collections of transmitted programmes. Because I have worked for televison archive for about 29 years I have viewed a lot of television programmes and movies. Some years ago I started to question the reuse of transmitted television programmes and also the active reuse of news in new productions. -
Academy Award® Winner the Adventures of Robin Hood
ACADEMY AWARD® WINNER THE ADVENTURES OF ROBIN HOOD (1938) SCREENING SPOTLIGHTS THE PRODUCTION DESIGNS OF CARL JULES WEYL PRESENTED BY THE ART DIRECTORS GUILD FILM SOCIETY AND AMERICAN CINEMATHEQUE Sunday, June 28 at 5:30 PM at the Aero Theatre in Hollywood LOS ANGELES, June 17, 2015 - The Art Directors Guild (ADG) Film Society and American Cinematheque will present a screening of Errol Flynn’s swashbuckling adventure fantasy THE ADVENTURES OF ROBIN HOOD (1938) spotlighting the production design by Academy Award®- winning designer Carl Jules Weyl, as part of the 2015 ADG Film Series on Sunday, June 28, at 5:30 P.M. at the Aero Theatre in Santa Monica. The ADG “Confessions of a Production Designer” Film Series is sponsored by The Hollywood Reporter. “Welcome to Sherwood, my lady!” Legendary, beloved, much imitated but never surpassed, The Adventures of Robin Hood is pure escapism epitomizing the very best in classical Hollywood matinee adventure storytelling. Rich in its visual imagination, it remains a case study in film design excellence. Inspired by the romantic illustrations of famed illustrator and artist N.C. Wyeth, Carl Jules Weyl’s masterful designs served well this Warner Bros.’ first venture into three-strip Technicolor productions. “The Adventures of Robin Hood remains a fitting tribute to the achievements and talent of this exceptional designer, as well as being a reminder of the many less celebrated but equally gifted masters of design who have left us with a visually-inspired legacy,” said Production Designer Thomas A. Walsh, -
Gilmour on Bennett, 'One World, Big Screen: Hollywood, the Allies, and World War II'
H-War Gilmour on Bennett, 'One World, Big Screen: Hollywood, the Allies, and World War II' Review published on Saturday, June 1, 2013 M. Todd Bennett. One World, Big Screen: Hollywood, the Allies, and World War II. Chapel Hill: University of North Carolina Press, 2012. xiii + 362 pp. $39.95 (cloth), ISBN 978-0-8078-3574-6. Reviewed by Colin Gilmour (McGill University) Published on H-War (June, 2013) Commissioned by Margaret Sankey M. Todd Bennett’s One World, Big Screen opens to the dichotomy of the well-known photograph of Winston Churchill, Franklin D. Roosevelt, and Joseph Stalin as a seated trio at the Tehran Conference in 1943, and a lesser-known image of the same scene but from a further vantage point. The crowd of newspapermen and photographers visible in the second image, Bennett notes, speaks to the behind- the-scenes engineering which made possible the temporary unity of the three very different leaders and countries. Like this latter photo, One World, Big Screen aims to take “a fresh approach that reveals a transnational cultural dimension to the historical rise of the United Nations, World War II, and foreign relations more broadly” (p. 2). The book begins by documenting the parallel developments of film and propaganda in the United States before American entry into the war in December 1941. After documenting the interwar debate over propaganda as a legitimate tool for communicating political aims or an “un-American” trick (p. 25), Bennett chronicles the development of the partnership between Hollywood and interventionist policymakers after the onset of the Second World War. -
Men-On-The-Spot and the Allied Intervention in the Russian Civil War, 1917-1920 Undergraduate
A Highly Disreputable Enterprise: Men-on-the-Spot and the Allied Intervention in the Russian Civil War, 1917-1920 Undergraduate Research Thesis Presented in Partial Fulfillment of the Requirements for graduation "with Honors Research Distinction in History" in the undergraduate colleges of The Ohio State University by Conrad Allen The Ohio State University May 2016 Project Advisor: Professor Jennifer Siegel, Department of History The First World War ended on November 11, 1918. The guns that had battered away at each other in France and Belgium for four long years finally fell silent at eleven A.M. as the signed armistice went into effect. "There came a second of expectant silence, and then a curious rippling sound, which observers far behind the front likened to the noise of a light wind. It was the sound of men cheering from the Vosges to the sea," recorded South African soldier John Buchan, as victorious Allied troops went wild with celebration. "No sleep all night," wrote Harry Truman, then an artillery officer on the Western Front, "The infantry fired Very pistols, sent up all the flares they could lay their hands on, fired rifles, pistols, whatever else would make noise, all night long."1 They celebrated their victory, and the fact that they had survived the worst war of attrition the world had ever seen. "I've lived through the war!" cheered an airman in the mess hall of ace pilot Eddie Rickenbacker's American fighter squadron. "We won't be shot at any more!"2 But all was not quiet on every front. -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
The Istanbul Memories in Salomea Pilsztynowa's Diary
Memoria. Fontes minores ad Historiam Imperii Ottomanici pertinentes Volume 2 Paulina D. Dominik (Ed.) The Istanbul Memories in Salomea Pilsztynowa’s Diary »Echo of the Journey and Adventures of My Life« (1760) With an introduction by Stanisław Roszak Memoria. Fontes minores ad Historiam Imperii Ottomanici pertinentes Edited by Richard Wittmann Memoria. Fontes Minores ad Historiam Imperii Ottomanici Pertinentes Volume 2 Paulina D. Dominik (Ed.): The Istanbul Memories in Salomea Pilsztynowa’s Diary »Echo of the Journey and Adventures of My Life« (1760) With an introduction by Stanisław Roszak © Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, Bonn 2017 Redaktion: Orient-Institut Istanbul Reihenherausgeber: Richard Wittmann Typeset & Layout: Ioni Laibarös, Berlin Memoria (Print): ISSN 2364-5989 Memoria (Internet): ISSN 2364-5997 Photos on the title page and in the volume are from Regina Salomea Pilsztynowa’s memoir »Echo of the Journey and Adventures of My Life« (Echo na świat podane procederu podróży i życia mego awantur), compiled in 1760, © Czartoryski Library, Krakow. Editor’s Preface From the Polish-Lithuanian Commonwealth to Istanbul: A female doctor in the eighteenth-century Ottoman capital Diplomatic relations between the Ottoman Empire and the Polish-Lithuanian Com- monwealth go back to the first quarter of the fifteenth century. While the mutual con- tacts were characterized by exchange and cooperation interrupted by periods of war, particularly in the seventeenth century, the Treaty of Karlowitz (1699) marked a new stage in the history of Ottoman-Polish relations. In the light of the common Russian danger Poland made efforts to gain Ottoman political support to secure its integrity. The leading Polish Orientalist Jan Reychman (1910-1975) in his seminal work The Pol- ish Life in Istanbul in the Eighteenth Century (»Życie polskie w Stambule w XVIII wieku«, 1959) argues that the eighteenth century brought to life a Polish community in the Ottoman capital. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Ffiluyjjs in YOUR
Davies Sees Stalin Japanese Labeled And Delivers Letter 'Our Particular Foe' SPORT CENTER From Roosevelt By James Roosevelt WAIST A Long, Friendly Talk Troops' Eagerness for Fray In Kremlin Gives No WiFi Win Pacific War, Hint of Reaction ! President's Son Says By the Associated Press. My th« Associated Prats. SUMMER SUIT MOSCOW, May' 21.—Special Envoy BEVERLY HILLS, Calif., May 31. E. Davies conferred with Joseph —Terming the Japanese "our par- Premier Stalin at the Kremlin last ticular foe,” Lt. Col. James Roose- night and delivered President Roose- velt has warned that only a hard ! fight and complete victory, with velt's secret message—a letter that forces now being assembled, can some quarters con- thought might frustrate Nipponese dreams of em- THAT WILL SEE tain an invitation to a personal pire. The meeting with other Allied leaders. Marine Corps officer, recup- at his home Mr. Davies was presented to the erating here from an illness Russian political and military chief contracted six weeks ago, by Admiral William H. Standley, the recently returned from the Orient. He declared in an interview IN YOUR American Ambassador, and was ac- yes- companied to the meeting by Vya- terday : "Our ffilUyjjS cheslav Molotov, Soviet commissar problem Is still one of great distances in for foreign afTairs, with whom he the Pacific a^ea, but LEISURE previously had conferred at length. we are steadily gaining strength for the battles of the Tass, official Soviet news agency, major future. IKTH^ on the other has told of the meeting in a brief state- Japan, hand, reached the where she con- ment early but no de- point is TIME . -
End of the 'Low, Dishonest Decade': Failure of the Anglo-Franco-Soviet Alliance in 1939 Author(S): Michael Jabara Carley Source: Europe-Asia Studies, Vol
End of the 'Low, Dishonest Decade': Failure of the Anglo-Franco-Soviet Alliance in 1939 Author(s): Michael Jabara Carley Source: Europe-Asia Studies, Vol. 45, No. 2 (1993), pp. 303-341 Published by: Taylor & Francis, Ltd. Stable URL: http://www.jstor.org/stable/152863 Accessed: 12/09/2009 06:36 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=taylorfrancis. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Taylor & Francis, Ltd. is collaborating with JSTOR to digitize, preserve and extend access to Europe-Asia Studies. http://www.jstor.org EUROPE-ASIASTUDIES, Vol. -
Russia's Heroes 1941–45
152 RUSSIA’S HEROES 1941–45 Albert Axell London: Robinson Books, 2002 264 pages (nine maps, 24 photos included) ISBN: 978-1-84119-534-6 R168.00, Soft cover It is seldom that one comes across a work where history-writing and qualitative research meet succinctly. Add to this an author who communicates crisply and relates real-life narratives that capture and hold the reader’s attention. This is such a work. The author read history but did more than that. Since 1960, Axell has interviewed dozens of veterans of all genders, from soldiers to marshals, who took part in the battles on the Eastern Front. Through his reading of history, close acquaintanceship with the Soviet Union and Russian-speaking society, and multiple interviews, Axell brings the experience of the individual and group up close and personal. Although the work is entitled Russia’s Heroes, the author vividly demonstrates that war is deeply destructive and brings about more than just burning oil, dust, mud, snow, sweat and tears. Organised mass conflict is dehumanising in the extreme. The work shows that heroes are often ordinary people acting out of conviction or sheer necessity, and that villains are frequently driven not (only) by greed or creed, but by arrogance and habitually overrating their own capabilities. The Eastern Front saw more than 50 major battles, and at different times, the two sides had 8–12 million soldiers confronting one another across vast landscapes. Until the Allied landings, the numbers of Axis divisions thrown against the Soviets were 20 times greater than the divisions deployed against the Allied Forces (p.xv).