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Matters of Life and Death, Museum of Fine Arts, Boston Hyman Bloo
HYMAN BLOOM Born Brunoviski, Latvia, 1913 Died 2009 SELECTED SOLO EXHIBITIONS 2019 Hyman Bloom: Matters of Life and Death, Museum of Fine Arts, Boston Hyman Bloom American Master, Alexandre Gallery, New York 2013 Alpha Gallery, Boston Massachusetts Hyman Bloom Paintings: 1940 – 2005, White Box, New York 2006 Hyman Bloom: A Spiritual Embrace, The Danforth Museum, Framingham, Massachusetts. Travels to Yeshiva University, New York in 2009. 2002 Color & Ecstasy: The Art of Hyman Bloom, The National Academy of Design, New York 2001 Hyman Bloom: The Lubec Woods, Bates College, Museum of Art. Traveled to Olin Arts Center, Lewiston Maine. 1996 The Spirits of Hyman Bloom: Sixty Years of Painting and Drawing, Fuller Museum, Brockton, Massachusetts 1992 Hyman Bloom: Paintings and Drawings, The Art Gallery, University of New Hampshire, Durham 1990 Hyman Bloom: “Overview” 1940-1990, Terry Dintenfass Gallery, New York 1989 Hyman Bloom Paintings, St. Botolph Club, Boston 1983 Hyman Bloom: Recent Paintings, Terry Dintenfass Gallery, New York 1975 Hyman Bloom: Recent Paintings, Terry Dintenfass Gallery, New York 1972 Hyman Bloom Drawings, Terry Dintenfass Gallery, New York 1971 Hyman Bloom Drawings, Terry Dintenfass Gallery, New York 1968 The Drawings of Hyman Bloom, University of Connecticut of Museum of Art, Storrs. Travels to the San Francisco Museum of Art, San Francisco; the Whitney Museum of American Art, New York; and the Boston University School of Fine and Applied Arts Gallery, Boston. 1965 Hyman Bloom Landscape Drawings 1962-1964, Swetzoff Gallery, Boston 1957 Drawings by Hyman Bloom, Currier Museum of Art, Manchester, NH. Travels to The Museum of Art, Rhode Island School of Design; and the Wadsworth Atheneum, Hartford, CT Hyman Bloom Drawings, Swetzoff Gallery, Boston 1954 Hyman Bloom, Institute of Contemporary Art, Boston. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
A Finding Aid to the Lee Nordness Business Records and Papers, Circa 1931-1992 (Bulk 1954-1984), in the Archives of American Art
A Finding Aid to the Lee Nordness business records and papers, circa 1931-1992 (bulk 1954-1984), in the Archives of American Art Sarah Haug Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund 2012 November 6 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc., circa 1938-1992 (bulk 1958-1982)................................................................... 6 Series 2: Lee Nordness -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
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CHILDS GALLERY Established 1937 ColleCtions Volume 10 may 2013 Jason Berger: Outside the Lines CHILDS GALLERY Established 1937 Fine American and European Paintings, Prints, Drawings, Watercolors and Sculpture Richard J. Baiano, PReSIDeNT Stephanie V. Bond, exeCuTIVe VICe PReSIDeNT D. Roger Howlett, SeNIoR ReSearch FelloW 169 Newbury Street Boston, ma 02116 617-266-1108 617-266-2381 fax childsgallery.com [email protected] We encourage you to phone or e-mail us to reserve your work of art. If you are from massachusetts, a 6 1/4 % sales tax will be applied. a small shipping and handling fee, depending on package size, will be applied to all sales of art. Visa, masterCard, and american express are accepted. Prices are subject to change without notice. Works shipped on-approval may be returned within ten days of receipt. Firm orders have priority. all works returned must be as sent: prepaid and insured. all works in this catalogue are unconditionally guaranteed to be as described. your bill of sale acts as your certificate of authenticity, and we will refund your money at any time if on good authority our description should be shown to vary from the work at the time that it was sold. To Receive our e-Catalogues: In addition to the Print Annual, the Painting Annual, Childs Gallery Collections, and the Childs Gallery Bulletin, we offer a series of specialized e-catalogues. These email-based announcements serve as single artist catalogues, exhibition catalogs, or pertain to specific genres such as marine, still life, portraits, etc. Please provide your e-mail address including an indication of the artists or subjects that interest you. -
A Finding Aid to the Boris Mirski Gallery Records, 1936-2000, Bulk 1945-1972, in the Archives of American Art
A Finding Aid to the Boris Mirski Gallery Records, 1936-2000, bulk 1945-1972, in the Archives of American Art Ryan Evans 2018 March 6 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Administrative Files, circa 1948-1995....................................................... 5 Series 2: Artist Files, circa 1945-2000..................................................................... 6 Series 3: Gallery Correspondence, circa 1936-1976............................................... 9 Series 4: Financial Records, circa 1958-1974...................................................... -
January-February 2015
Apalachee Audubon Society Apalachee Audubon Society Mission Statement: Protection of the environment through education, appreciation, and conservation. Newsletter of THE Apalachee Audubon Society, Inc. January – February 2015 Unless otherwise noted, Speaker Series programs are held at the Unitarian Universalist Church, 2810 N. Meridian Rd., Tallahassee, Florida January Program: Thursday, January 22 Social at 7 p.m. with Program at 7:30 p.m. Florida Grasshopper Sparrow: Has Science Failed Florida's Rarest Bird? Speaker Series Free and open to the public Jim Cox, Tall Timbers Research Station & Land Conservancy, Tallahassee Social begins at 7 pm & Speaker Series meeting at 7:30 pm (unless otherwise The Florida Grasshopper Sparrow is a noted). Please note change: Speaker critically endangered subspecies that Series programs are held at the Unitarian Universalist Church, 2810 N. inhabits the distinctive prairie ecosystem Meridian Rd., Tallahassee. For of south central Florida. Public lands directions or more information please see www.apalachee.org. collectively supported over 1000 2015 Program Dates individuals as recently as 2001, but January 22, 2015 April 23, 2015 populations on public lands soon began February 26, 2015 May 21, 2015 * March 26, 2015 * May Banquet to decline and today have fallen by more than 90%. The steep declines occurred Inside This Issue Florida Grasshopper Sparrow despite intensive research and monitoring President’s Message 3 Photo by Marianne Korosy Officers & Directors 2 efforts and may relate in part to changes in how prescribed fire was used to manage Speaker Series Programs 1 sparrow habitat. The plight of the Florida Grasshopper Sparrow points to the AAS Anniversary Celebration 3 critical need for research that carefully assesses the effects that changes in the use of Fallschase 4 fire may have. -
A Finding Aid to the American Federation of Arts Records, 1895-1993 (Bulk 1909-1969), in the Archives of American Art
A Finding Aid to the American Federation of Arts Records, 1895-1993 (bulk 1909-1969), in the Archives of American Art Wendy Bruton and Barbara D. Aikens 2000 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 5 Arrangement..................................................................................................................... 7 Appendix: List of Artists Exhibiting with American Federation of Arts............................. 7 Names and Subjects .................................................................................................. 127 Container Listing ......................................................................................................... 132 Series 1: Board of Trustees, circa 1895-1968..................................................... 132 Series 2: Administrative Records, 1910-1966...................................................... 134 Series 3: Special Programs, 1950-1967............................................................. -
The Growth of a Picture
THE GROWTH OF A PICTURE An exhibi~ion in honor of ~he inau uration of Rober~ M. Strozier Presiden~ of ~he FIori a ~a~e Universi~y February 21, 1958 Born in Berlin in 1903, Karl Zerbe was reared and educated in Paris until the eve of World War I when the family moved to Frankfurt. By 1920 he was living in Munich where he studied painting under Joseph Eberz and Karl Casper, a follower of the Norwegian ex pressionist, Edvard Munch. Eberz, the more spectacular of Mr. Zerbe's two masters exerted the greater influence on him. In 1922, when Zerbe was 19 years old, he had his first one-man exhibition in Berlin. With Munich as his headquarters Mr. Zerbe spent much time in France from 1925 until 1933 when he came to America. In 1935 he was appointed to the faculty of the Fine Arts Guild in Cambridge, Massachusetts. Two years later in 1937 he became head of the Department of Drawing and Painting at the School of the Museum of Fine Arts in Boston, a po sition he held until his appointment as Professor of Painting at the Florida State University in 1955. Today in addition to being represented in Museum collections throughout the country, works of Mr. Zerbe are owned by twenty universities and colleges in America. GOOD ANGEL TEN ANTED The original idea for Good Angel Tenanted was a purely technical one which came to Mr. Zerbe during the summer of 1957. At that time, while using a considerable amount of gold in his work, he conceived the idea of doing an Angel in gold. -
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CHILDS GALLERY Established 1937 ColleCtions Volume 11 may 2013 arthur Polonsky: mythical Flight ColleCtions Volume 11 arthur Polonsky: Mythical flight Contents Introduction 5 early Paintings 6 Figural Works 8 abstractions 10 Works on Paper 12 GalleRy exHIBITIoN aPRIl 28-JuNe 28, 2013 left Flight shadow, circa 1979 Cover descent, 1983 50 1/4 X 40 1/4 inChes oil on canvas Signed lower right. 54 X 56 1/2 inChes Signed lower left. Note: all works are from the artist. many of these works are being exhibited for the first time. Arthur Polonsky: Mythical Flight Arthur polonsky Mythical flight A Boston Expressionist with a wholly unique worldview, Arthur Polonsky (b. 1925) has spent the past seven decades exploring man’s place in an unknowable universe. Like his thought-provoking artwork, Arthur Polonsky is disquietingly enigmatic. His subjects are recognizable, yet he professes there’s no inherent narrative. His vision is wholly personal, yet the imagery has an inclusive universality. And though he is inspired by poetry, mythology, and symbolism, Polonsky paints with an unbridled immediacy, “with the associations coming later,” he insists. “I’m interested in unreasonable attitudes to art,” he says by way of explanation. But how glorious those contradictions can be. For seven decades, Arthur Polonsky has astounded with his virtuosity as a draughtsman and mystified with his metaphysical worldview. He came of age in the turbulent 1940s, attending the School of the Museum of Fine Arts with the likes of Karl Zerbe, Hyman Bloom, David Aronson, and Jack Levine. Later known as the Boston Expressionists, the group was defiantly representational at a time when abstraction was considered the only path to modernity. -
A Balancing Act: Max Beckmann and Post-War American Cultural Politics Marie Elisabeth Ohlinger a Thesis in the Department of A
A Balancing Act: Max Beckmann and Post-War American Cultural Politics Marie Elisabeth Ohlinger A Thesis in the Department of Art History Presented in Partial Fulfillment of the Requirements For the Degree of Master of Arts (Art History) at Concordia University Montreal, Quebec, Canada December, 2016 Marie Elisabeth Ohlinger, 2016 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Marie Elisabeth Ohlinger Entitled: A Balancing Act: Max Beckmann and Post-War American Cultural Politics and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Art History) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ________________________________________________ Chair ________________________________________________ Examiner Dr. Elaine Cheasley Paterson ________________________________________________ Examiner Dr. Nicola Pezolet ________________________________________________ Supervisor Dr. Catherine MacKenzie Approved by: ________________________________________________ Dr. Kristina Huneault, Graduate Program Director ________________________________________________ Dr. Rebecca Duclos, Dean of Faculty of Fine Arts Date _____________________________________________ Abstract A Balancing Act: Max Beckmann and Post-War American Cultural Politics Marie Elisabeth Ohlinger Max Beckmann, one of the most significant German artists of the 20th century, immigrated to the United States in 1947 and entered into the last — but nevertheless productive — stage of his life. After ten years of isolation in Amsterdam exile, due to his denouncement as a “cultural Bolshevist” by the German National Socialist Party, the painter was finally able to work, exhibit and sell his art once again. He taught at Washington University in St. Louis and at the Brooklyn Museum School in New York City. -
Contemporary American Painting and Sculpture
UNIVERSITY OF ILLINOIS LIBRARY AT URBANACHAMPAIGN ARCHITECTURE UNIVSiaiTY OF numti •.T«"^- *!r^" Materialsl The Minimum fee lor NOTICE: Return or renew all Library each Lost Book is $50.00. for The person charging this material is responsible which it was withdrawn its return to the hbrary from below. on or before the Latest Date stamped books are reasons tor discipli- Then, mutilation, and underiining of (rom the University. nary action and may result in dismissal 333-8400 To renew call Telephone Center, URBANA-CHAMPAIGN UNIVERSITY OF ILLINOIS LIBRARY AT iMb .> RKl) TABI.F.CI.OIII Xicholas \"asilirtT Sunday, March 2, through Sunday, T^pril 13, 1952 University of Illinois Exhibition of CONTEMPORT^RY AMERICAN PAINTING Galleries Architecture Building College of Fine and Applied Arts, Urbana THE LIBRARY OF THE MAR 1 1C52 liNiVERSir/ OF ILLI!"OiS Copyright 1952 by the University of Illinois Manufactured in the United States of America /0 7./ ayu*^*^ RICHER IIP'T'^Y ARCiVJICTUflE UUIVEftSlTY Of ILLINOIS University of Illinois Exhibition of CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDT^RD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts C. W. Briggs E. C. Rae N. Britsky J. R. Shipley OPERATING COMMITTEE G. N. Foster A. S. Weller J. D. Hogan C. V. Donovan, Chairman L. F. Bailey R. E. Marx E. H. Belts R. Perlman C. E. Bradbury A. J. Pulos STAFF COMMITTEE MEMBERS L. R. Chcsney J. W. Raushenberger C. A. Dietemann F. J. Roos W. F. Doolittle H. A. Schultz R. L. Drummond M. A. Sprague R. A. Ginstrom B. R.