New Writing from Ireland
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Subversion in Robert Mcliam Wilson's Ripley Bogle
“Down-and-Outs, Subways and Suburbs: Subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)” Marie Mianowski To cite this version: Marie Mianowski. “Down-and-Outs, Subways and Suburbs: Subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)”. Rodopi. Sub-versions: Transnational Readings of Modern Irish Literature. Ciaran Ross, ed., pp.87-100, 2010, 9789042028289 9042028289 9789042028296 9042028297. hal-01913551 HAL Id: hal-01913551 https://hal.archives-ouvertes.fr/hal-01913551 Submitted on 19 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Marie Mianowski – Nantes University, France - "Down-and-outs, subways and suburbs: subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)" Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998) both point to fundamental common issues as far as the notion of subversion is concerned. McLiam Wilson’s eponymous hero is a young Irish tramp wandering in London, who has often been compared to Joyce's Bloom by reviewers. -
Limits of Orality and Textuality in Ciaran Carson's Poetry
Grzegorz Czemiel Instytut Anglistyki Wydział Neofilologii Uniwersytet Warszawski Limits of orality and textuality in Ciaran Carson’s poetry praca doktorska napisana pod kierunkiem prof. dr. hab. Jerzego Jarniewicza Warszawa, 2012 Table of contents Introduction .............................................................................................................................. 4 Chapter One – The dialectics of orality and textuality ....................................................... 18 I Aspects of orality in The Irish For No ............................................................................ 18 The turn ........................................................................................................................... 18 The revival of the oral tradition .................................................................................... 19 The dialectic .................................................................................................................... 21 The Irish For No ............................................................................................................. 23 The ends of discourse ..................................................................................................... 28 Locality and the reservoir .............................................................................................. 32 The image of speech ....................................................................................................... 34 Ying-yang, I-Ching and politics ................................................................................... -
Fall 2003 Archipelago
archipelago An International Journal of Literature, the Arts, and Opinion www.archipelago.org Vol. 7, No. 3 Fall 2003 AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC An Exhibiton : Twenty-two Irish and Scottish Gaelic Poems, Translations and Artworks, with Essays and Recitations Fiction: PATRICIA SARRAFIAN WARD “Alaine played soccer with the refugees, she traded bullets and shrapnel around the neighborhood . .” from THE BULLET COLLECTION Poem: ELEANOR ROSS TAYLOR Our Lives Are Rounded With A Sleep Reflection: ANANT KUMAR The Mosques on the Banks of the Ganges: Apart or Together? tr. from the German by Rajendra Prasad Jain Photojournalism: PETER TURNLEY Seeing Another War in Iraq in 2003 and The Unseen Gulf War : Photographs Audio report on-line by Peter Turnley Endnotes: KATHERINE McNAMARA The Only God Is the God of War : On BLOOD MERIDIAN, an American myth printed from our pdf edition archipelago www.archipelago.org CONTENTS AN LEABHAR MÒR / THE GREAT BOOK OF GAELIC 4 Introduction : Malcolm Maclean 5 On Contemporary Irish Poetry : Theo Dorgan 9 Is Scith Mo Chrob Ón Scríbainn ‘My hand is weary with writing’ 13 Claochló / Transfigured 15 Bean Dubh a’ Caoidh a Fir Chaidh a Mharbhadh / A Black Woman Mourns Her Husband Killed by the Police 17 M’anam do sgar riomsa a-raoir / On the Death of His Wife 21 Bean Torrach, fa Tuar Broide / A Child Born in Prison 25 An Tuagh / The Axe 30 Dan do Scátach / A Poem to Scátach 34 Èistibh a Luchd An Tighe-Se / Listen People Of This House 38 Maireann an t-Seanmhuintir / The Old Live On 40 Na thàinig anns a’ churach -
Archaeological Survey, Lislaughtin Graveyard, Ballylongford, Co. Kerry
Archaeological Survey, Lislaughtin Graveyard, Ballylongford, Co. Kerry. September 2010 Client: The Heritage Office, Kerry County Council, County Buildings, Ratass, Tralee, Co. Kerry. RMP No.: KE003-016 Surveyors: Daire Dunne Tighearnach Dunne Contact details: 3 Lios na Lohart, Ballyvelly, Tralee, Written by: Laurence Dunne Co. Kerry. Tel.: 0667120706 E-mail: [email protected] Web Site: www.ldarch.ie Archaeological Survey, Lislaughtin Graveyard, Ballylongford, Co. Kerry. Table of Contents Introduction ............................................................................................................................................2 Site Location & Description ...............................................................................................................3 Lislaughtin Friary ..................................................................................................................................4 Medieval Lislaughtin Friary complex .............................................................................................5 Approach and parking ........................................................................................................................7 Entrance ...................................................................................................................................................8 Boundaries ..............................................................................................................................................8 Pathways .................................................................................................................................................9 -
The Immigrant in Contemporary Irish Literature
From Byzantium to Ballymun A review of Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Ed. Pilar Villar-Argáiz. Manchester: Manchester University Press, 2014. Pb 2015. 273 pps. A book like Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature has been long-awaited, and since its publication the topic of migrations has become more burning than ever. That the phenomenon of immigration is more striking in Ireland than in many other countries is due to several factors, the most striking of which would be that Ireland has (1) known a centuries-long history of emigration, (2) an almost equally long history of being colonized and (3) a small population on a much divided island. In The Ex-Isle of Erin (1997) O’Toole punningly catches the inversion of the above situation as the tradition of ‘exile’ has been replaced by mass immigration while the country has been ‘un-islanded’ in its embrace by the EU’s vaster network of (mainly) continental countries. This densely printed book contains 18 contributions divided over four parts: Part I deals with ‘Irish multiculturalisms: obstacles and challenges’; Part II ‘‘Rethink[s] Ireland’ as a postnationalist community’; Part III focuses on ‘‘The return of the repressed’: ‘performing’ Irishness through intercultural encounters’; Part IV, finally, looks at ‘Gender and the city’. In this review I will first present the Irish sociological background as sketched by the contributors, then discuss each of the literary genres scrutinized in this book and conclude with a general assessment. That Ireland has undergone major changes since Mary Robinson became president is obvious. -
Table of Contents (Pdf)
Contents Poetry Ireland Review 123 Eavan Boland 5 editorial Nan Cohen 7 a liking for clocks Eamon McGuinness 8 a gift Afric McGlinchey 9 in an instant of refraction and shadow Mara Bergman 10 the night we were dylan thomas Joseph Horgan 11 art history of emigration Maria Johnston 12 review: michael longley, john montague Harry Clifton 17 thérèse and the jug Simon West 18 on a trip to van diemen’s land Maresa Sheehan 20 our last day Niamh Boyce 21 hans ardently collects patients’ art work Alan Titley 22 maolra seoighe Proinsias Ó Drisceoil 23 review: biddy jenkinson, aifric mac aodha John D Kelly 27 the red glove Eva Bourke 28 small railway stations Catherine Phil MacCarthy 29 legacies of empire Richard W Halperin 30 the beach, malahide Matt Kirkham 31 kurt responds to adele’s call to remove a spider from the bathtub Susan Lindsay 32 when they’ve grown another me Jaki McCarrick 34 review: pete mullineaux, noel duffy, patrick moran Stav Poleg 39 listen, you have to read in a foreign language Noel Monahan 40 two women at a window Stephen Spratt 41 subjectivity AB Jackson 42 the mermayd Cathi Weldon 43 in the key of alzheimer’s John F Deane 44 old bones June Wentland 46 ‘their whiteness bears no relation to laundry ...’ Louis Mulcahy 47 potadóireacht na caolóige Harry Clifton 48 review: michael o’loughlin Matt Bryden 52 the lookout Orla Martin 53 the poets Catullus 54 ‘if you’re lucky you’ll dine well’ John Sewell 55 being alive Tess Adams 56 i hate my stinking therapist Patrick Holloway 57 barrage Eleanor Rees 58 st. -
New Writing from Ireland
New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht. -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
Female Ulster Poets and Sexual Politics
Colby Quarterly Volume 27 Issue 1 March Article 3 March 1991 "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics Jacqueline McCurry Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 27, no.1, March 1991, p.4-8 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. McCurry: "Our Lady, dispossessed": Female Ulster Poets and Sexual Politics "Our1/Our Lady, dispossessed": Female Ulster Poets and Sexual Politics by JACQUELINE MCCURRY OETRY AND POLITICS, like church and state, should be separated," writes P Belfast critic Edna Longley (185); in Eire and in Northern Ireland this is not the case: the marriage of church and state in the Republic has resulted in constitutional bans on divorce and on abortion; Northern Ireland's Scots Presbyterian majority continues to preventminority Irish-Catholic citizens from having full participationin society. Butwhile mencontinue to control church and state, women have begun to raise their voices in poetry and in protest. Northern Ireland's new poets, through the 1960s and 1970s, were exclusively male: Jan1es Simmons, Seamus Heaney, Michael Longley, Derek Mahon, Paul Muldoon, Seamus Deane, Frank Ormsby, Tom Paulin, and Ciaran Carson dominated the literary scene until the early 1980s. In 1982 Medbh McGuckian published her first book ofpoetry. Since then, she has published two additional collections and achieved international fame, while younger women poets like Janet Shepperson and Ruth Hooley have made their debuts in print. -
Curriculum Vitae
CURRICULUM VITAE Dr. Éamonn Ó Ciardha Senior Lecturer School of English, History and Politics Room MI208 Aberfoyle House Magee Campus University of Ulster Northland Road Derry/Londonderry BT 48 7JL Tel.: 02871-375257 E.Mail: [email protected] Education: Ph.D., 1992-98 (Clare Hall, Cambridge University). 'A Fatal Attachment: Ireland and the Jacobite cause 1684-1766'. Supervisor: Dr. B. I. Bradshaw [Queens' College Cambridge] M.A., 1989-91 (University College Dublin). “Buachaillí an tsléibhe agus bodaigh gan chéille” [‘Mountain boys and senseless churls’], Woodkerne, Tories and Rapparees in Ulster and North Connaught in the Seventeenth Century'. Supervisor: J.I. Mc Guire B.A., 1986-89 (University College Dublin). History and Irish Appointments: Lecturer, School of English, History and Politics, University of Ulster (Oct 2005-) Program Coordinator and Director of Undergraduate Studies, Keough Institute for Irish Studies, University of Notre Dame, Indiana, USA, (Aug 2004-Jun 2005) IRCHSS (Government of Ireland) Post-Doctoral Fellow, Department of Modern History, Trinity College Dublin. (Oct 2002-Oct 2004) Visiting Adjunct Professor, Keough Institute of Irish Studies, University of Notre Dame and Assistant Professional Specialist in University Libraries, University of Notre Dame (Aug, 2001-Jul 2002) Visiting Professor of Irish Studies, St. Michael’s College, University of Toronto. (Sept, 2000-Dec 2000) Researcher for the Royal Irish Academy-sponsored Dictionary of Irish Biography (Nov 1997-Nov 1999), researching and writing articles for the forthcoming Dictionary of Irish Biography, 9 vols (Cambridge, 2009) Research assistant, University of Aberdeen, Faculty of Modern History. (Oct 1996- Oct 1997) Bibliographer, Bibliography of British History, under the auspices of the Royal Historical Society and Cambridge University. -
Frank O'connor
The 10th Annual FRANK O’CONNOR INTERNATIONAL SHORT STORY FESTIVAL 2009 elcome. Cork is the place to come for the world’s oldest, annual, dedicated, short story festival now in its tenth year. In Cork we have a special love of the short story because of our city and county’s association with W so many masters of the form including Daniel Corkery, Sean O’Faolain, Frank O’Connor, Elizabeth Bowen and William Trevor. The Munster Literature Centre, with the crucial help of funding from Cork City Council is delighted to be able to raise our city’s profile in the world through this festival and also through the annual Cork City-Frank O’Connor Short Story Award, the richest literary prize for the form which is now in its fifth year. Since the festival began we have featured modern masters from at home and abroad including the likes of Segun Afolabi, Cónal Creedon, Nisha da Cunha, Anne Enright, Richard Ford, Alasdair Gray, Bret Anthony Johnston, Miranda July, Claire Keegan, Etgar Keret, Jhumpa Lahiri, James Lasdun, Mary Leland, Eugene Mc- Cabe, Mike McCormick, Bernard MacLaverty, David Marcus, David Means, Rebecca Miller, Rick Moody, Eilis Ní Dhuibhne, Julia O’Faolain, James Plunkett, Dan Rhodes, Ludmila Ulitskaya, Samrat Upadhyay, William Wall, Yiyun Li Wang Zhousheng and many others. This year, we have five continents represented in our international lineup. We welcome back writers who have appeared before, not only former O’Connor Award shortlistees such as Grimshaw and O Ceallaigh, but writers such as Titley and Doyle who participated in our very first festival in 2000. -
Imagining Belfast Twice a Year
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Imagining Belfast Twice a Year Author(s) Kenny, John Publication Date 2002-08-03 Kenny, J. (2002, 3 August) 'Imagining Belfast Twice a Year.' Publication Review of 'Irish Pages': 'A Journal of Contemporary Writing', Information ed. Chris Agee and Cathal O Searcaigh (Irish Language editor). 'The Irish Times', Weekend': 8. Publisher The Irish Times Item record http://hdl.handle.net/10379/1045 Downloaded 2021-09-24T19:11:51Z Some rights reserved. For more information, please see the item record link above. Imagining Belfast JOHN KENNY Irish Pages: A Journal of Contemporary Writing. Edited by Chris Agee, and Cathal Ó Searcaigh (Irish Language Editor). 240pp. £8 sterling. The pitch reads almost like a parody of political correctness: “IRISH PAGES is a non- partisan, non-sectarian, culturally ecumenical, and wholly independent journal. It endorses no political outlook or cultural tradition, and has no editorial position on the constitutional question. It [sic] title refers to the island of Ireland in a purely apolitical and geographic sense …”. Though the lamentable proofreading continues throughout, the editors’ accentuated broadmindedness is appreciable since this inaugural issue takes “Belfast in Europe” as theme. Top of the acknowledgements is Imagine Belfast 2008, the body responsible for organising the city’s bid to become a European Capital of Culture; and the journal seems, at least at this early stage, a related promotional sortie. Mindful of “the unfolding cultural potential of the new political dispensation”, the editorial promotes the creation of a new literary “space” (currently the most overused and empty word in cultural parlance).