Training Report on Cultural Heritage Protection
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Training Report on Cultural Heritage Protection
, 7U DLQLQJ&RXUVHIRU5HVHDUFKHUVLQ&KD Training Report on UJ HRI&XOWXUDO+HULWDJH Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacic 2012 - Indonesia - 12 June-12 July, 2012, Nara, Japan 3URWHFWLR Q LQ $VLDDQGWKH3DFL¿F,QGRQHVLD Cultural Heritage Protection Cooperation Oce, Asia-Pacic Cultural Centre for UNESCO (ACCU) 2 Training Report on Cultural Heritage Protection Training Course for Researchers in Charge of Cultural Heritage Protection in Asia and the Pacific 2012 - Indonesia - 12 June-12 July, 2012, Nara, Japan Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Nara Prefecture Nara Branch Office Ground Floor 757 Horen-cho, Nara 630-8113 Japan Tel: +81(0)742-20-5001 Fax: +81(0)742-20-5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsya Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2013 The on-site lecture in Horyu-ji Area, Nara Mr Kobayashi (right) explained how to prepare traditional wall clay at Himeji-jo Castle. An explanation on how the fallen chimney by the Great Hanshin Earthquake was restored. At the west pagoda in Yakushi-ji Temple Adjusting a shutter speed and an aperture value Practical training of photography at Gango-ji Temple Scale drawing in Tanaka Family Residence Practicing yari-ganna, a spear plane A lecture by Mr Hayashi at NNRICP The closing ceremony at the ACCU Nara office Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU Nara) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia-Pacific region. -
Tokyo National Museum
Ⅱ Outline of the National Institutes for Cultural Heritage The Independent Administrative Institution (IAI), National Institutes for Cultural Heritage, was formed in April 2007 through the merging of the IAI National Museums (Tokyo National Museum, Kyoto National Museum, Nara National Museum, and Kyushu National Museum) and the IAI National Research Institutes for Cultural Properties (Tokyo National Research Institute for Cultural Properties and Nara National Research Institute for Cultural Properties), all of which share the same mission: the conservation and utilization of cultural properties. With the addition of the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region, which was established in October 2011, the National Institutes for Cultural Heritage now comprise a total of seven separate institutions. Japan’s cultural properties are the precious assets of the Japanese people. In order to preserve and utilize these properties more effectively and efficiently under unified management, each ofthe seven existing institutions plays the following roles: Tokyo National Museum Kyoto National Museum Nara National Museum As Japan’s foremost museum in the The Kyoto National Museum collects, Nara National Museum collects, pre- humanities field, Tokyo National Mu- preserves, manages, and exhibits serves, manages, and displays cultural seum collects, preserves, manages, cultural properties, while also properties, while also conducting re- and displays cultural properties from conducting research and providing search and providing educational pro- across Japan and other Asian regions, educational programs. The focus is gramming. The focus is Buddhist art while also conducting research and pro- on works from the Heian period to and the cultural properties of Nara. viding educational programs. -
Archaeological Heritage
ARCHAEOLOGICAL HERITAGE Bibliography (November 2008) UNESCO-ICOMOS Documentation Centre 49-51 Rue de la Fédération 75015 Paris, France Tel : +33 1 45 67 67 70 Fax : +33 1 45 66 06 22 [email protected] http://www.international.icomos.org/centre_documentation Table of Contents Methods and Techniques p. 3 Management of archaeological sites p. 9 Africa p. 92 America p. 118 Asia p. 168 Europe p. 214 Oceania p. 345 2 METHODS AND TECHNIQUES 028620 - VAST 2004. International Symposium on Virtual Reality, Archaeology and Intelligent Cultural Heritage. 5th. Oudenaarde- Belgium, December 7-10, 2004. Interdisciplinarity or The Best of Both Worlds: The Gran Challenge for Cultural Heritage Informatics in the 21st Century. Cain, Kevin (ed.); Chrysanthou, Yiorgos (ed.); Niccolucci, Franco (ed.); Pletinckx, Daniel (ed.); Siberman, Neil (ed.). Budapest, EPOCH, 2004. 95 p., illus. (eng). PRIMARY KEYWORDS: cultural heritage; 3D; virtual reality; new technologies; recording techniques; archaeological sites; lasers; internet; data bases; case studies. ACCESSION NO: 15107. CALL NO: Ph. 254. ISBN: 963-8046-54-6. 016567 - Arqueometría de materiales de construcción procedentes de Astigi. Flores Alés, Vicente; Herrera Saavedra, Angeles. Sevilla, IAPH, 2000. p. 85-89. (Boletín del Instituto Andaluz del Patrimonio Histórico: PH. 30, 2000) (spa). Incl. bibl. PRIMARY KEYWORDS: archaeometry; archaeological excavations; analysis of materials; Spain. SECONDARY KEYWORDS: brick; mortar. // Ecija, Spain ACCESSION NO: K-388. ISSN: 1136-1867. 015214 - Estudio de los materiales de construcción en la Alhambra. Torre López, M. J. Instituto Andaluz del Patrimonio Histórico (Spain). Granada, Universidad de Granada, 1995. 213 p., illus., graphs. (Monográfica, arte y arqueologia. 28) (spa). Incl. bibl. PRIMARY KEYWORDS: stone; historic towns; world heritage list; analysis of materials; chemical analysis; x-ray analysis; radiocarbon dating; brick; mortar; archaeological remains; historical surveys; Spain. -
Asuka Historical Museum)” Nonetheless, Numerous Ruins/Historic Sites, the Stop
The 7th-century Asuka was the center of Access politics and culture in Japan. Since then, 1400 ● By “Kame Bus”, the Asuka Excursion Bus, from years passed, and Asuka has become rural. Kashihara-jingu Mae or Asuka Stations of the Kintetsu Railway to the “Asuka-Shiryokan (Asuka Historical Museum)” Nonetheless, numerous ruins/historic sites, the stop. ancient stage of the Nihon Shoki (Chronicles of ● By the route bus bound for “Ishibutai (Stone Stage Tomb)” Welcome to from Sakurai Stations of the JR or Kintetsu Railway to the Asuka Historical Japan), are still buried underground. Even “Asuka-Shiryokan (Asuka Historical Museum)” stop. Asuka Historical Museum today, excavation sites can be seen here and ● About 30 min. from the Katsuragi IC, Minami-hanna EXPWY Museum there in Asuka, as we strive to discover new About 40 min. from the Tenri IC, Nishi-meihan EXPWY About 25 min. from the Kashihara-kita IC, Keinawa EXPWY evidence of our history. Asuka Historical Nara National Research Institute for To Kyoto To Nara Museum exhibits the latest study results of Kizu IC (Keinawa EXPWY) Tenri IC (Nishi-meihan Cultural Properties Koriyama IC (Nishi-meihan EXPWY) Asuka featuring excavated materials/relics in EXPWY) To Uehommachi Independent Administrative Institution ways that make it easy to understand. National Institutes for Cultural Heritage 24 Mt. Miminashi Yamato-Yagi To Osaka- Uehommachi Sakurai Abe 24 Fujiwara Palace Site Department of Imperial Obusa Palace Sites Investigations Nawate-machi Minami (Asuka/Fujiwara Districts) Takada Bypass To Minami-hanna EXPWY Katsuragi IC Hida town Mt. Kagu Mihara JCT 15 To Osaka- Asuka Historical Museum Abeno-bashi Ikazuchi-no-Oka Hill Ikazuchi Yamada-dera Temple Kashihara-jingu Mae Amakashi-no-Oka Hill Asuka-dera Temple Okadera Oka-dera Temple Tortoise Stones (Kame-ishi) Asuka Ishibutai Tomb Takamatsuzuka Tomb Route bus is available from the stations marked with . -
Tokyo National Museum
Ⅳ Activities of Each Institution TOKYO NATIONAL MUSEUM As Japan’s foremost museum in the humanities field, Tokyo National Museum collects, pre- serves, manages, and displays cultural properties from across Japan and other Asian re- gions, while also conducting research and providing educational programs. The Tokyo National Museum was established in 1872, making it the oldest museum in Japan. We collect, preserve, restore, and display a large number of National Treasures and Important Cultural Properties as well as around 120,000 tangible cultural properties, mainly from Japan and various Asian regions. We also conduct surveys and research in addition to providing educational programs on them. The Museum is working to develop more appealing comprehensive cultural exhibitions by holding seasonal events in addition to its display of collected and preserved works. We also run school programs, guided tours, workshops, and various other programs that help participants appreciate cultural properties while becoming more familiar with and further understanding them through, for example, art-making experiences. Additionally, as Japanese culture attracts global attention, we will play a central role in disseminating it to the world and will strive to become a more appealing museum. To this end, we are formulating and implementing the TNM Plan for a New ERA with the goals of promoting easy-to-understand exhibition commentary and multilingual support as well as creating a comfortable viewing environment. ZENIYA Masami We will continue in our efforts to make the Tokyo National Museum more enjoyable for everyone, Executive Director including children and adults, as well as visitors from around the world. Tokyo National Museum ■Exhibitions ●Regular Exhibitions The regular exhibitions comprise the core function of the museum’s exhibition activities, displaying works from the museum collection as well as objects on loan to the museum. -
Kofun Period: Research Trends 20071 Tsujita Jun’Ichirō2
Kofun Period: Research Trends 20071 Tsujita Jun’ichirō2 Introduction For the 2007 FY (Fiscal Year), there are two items worth noting not only for Kofun period research, but more broadly as trends for Japanese archaeology as a whole. One is the dismantling and conservation project for the Takamatsuzuka3 tomb, and the other is the partial realization of on-site inspections of tombs under the care of the Imperial Household Agency as imperial mausolea. The murals of Takamatsuzuka had been contaminated by mold and were in need of conservation, and in the end, the stone chamber was dismantled under the nation’s gaze, with step-by-step coverage of the process. The dismantling was completed without mishap, and conservation of the murals by the Agency for Cultural Affairs is planned for approximately the next ten years. Regarding the imperial mausolea, an on-site inspection was held of the Gosashi4 tomb in Nara prefecture, with access to the first terrace of the mound. The inspection provided new data including the 5 confirmation of rows of haniwa ceramics, bringing a variety of issues out in relief. It is hoped that inspections will be conducted continually in the future, through cooperation between the Imperial Household Agency and the academic associations involved. FY 2007 also saw the publication of vast numbers of reports, books, and articles on the Kofun period alone, and while there are too many to cover comprehensively here, the author will strive to grasp the trends of Kofun period research for the year as a whole from the literature he has been able to examine. -
Foreign Relations Between South Korea and Japan During the Asuka Period
FOREIGN RELATIONS BETWEEN SOUTH KOREA AND JAPAN DURING THE ASUKA PERIOD Sightseeing Map A→Umayasaka B→Kasuga Shrine C→Kogenji D→Asukadera E→Asuka Historical Museum ACHIKI (阿直岐)<A> In the 15th year of the Emperor Ojin’s reign (404 A.D.), in autumn, in August, the King of Baekje dispatched Achiki and offered up two good horses as a tribute to Japan, along with him. Then, they were reared in the stable (umaya) atop the hill (saka) of Karu. And, Achiki was entrusted to raise them. Therefore, the place where the horses were raised was called Umayasaka. Achiki also read the Confucian classics well. Then, Prince Uji-no-Waki-Iratsuko took him as his teacher. Now, the Emperor inquired to Achiki, saying, "Is there any scholar superior to you?" He replied, "There is a man called Wani. He is excellent." Then, the Emperor dispatched Aratawake and Kamunagiwake (a male oracle), who were ancestors of the Kamitsuke-no-Kimi clan, to Baekje, to summon Wani. This Achiki is the progenitor of the Achiki-no-Fubito clan. In the 16th year, in spring, in February, Wani had come. Then, Prince Uji-no-Waki-Iratsuko took him as his teacher, learned various classics under him and there was nothing he didn't become thoroughly acquainted with. This so-called Wani was the progenitor of the Fumi-no-Obito clan. UMAYASAKA (厩坂)<A> A geographical location in the “Chronicles of Japan”. It is conceived to be Kashihara Castle in Kashihara City, Nara Prefecture. According to Emperor Oijin, in the 15th year of August, King of Baekje dispatched Achiki and offered up 2 good horses to raise at Karusakanoue, which is believed to be around Ogarucho today. -
Paekche Culture in Asuka Japan
CONSISTENCY OF MODEL 153 5. PAEKCHE CULTURE IN ASUKA JAPAN: The Most Visible and Dominating Influence A. Asuka Culture The pre s e n t - d ay village of Asuka in Nara P re fe c t u re was the political and cultural center of Japan during the fifth and seventh centuri e s before the establishment of the capital at Heijo kyo (Nara) in A.D. 710, which was located about 25 kilometers north of Asuka.1 The period starting from the mid-6th century and ending in A.D. 645 is called the “Asuka Period” and is most commonly taken as Japan’s historical beginning point. Japanese sch o l a rs admit that Asuka culture was ch a ra c t e ri zed by the adoption of continental art forms and technology transmitted from Paekche, but they tend to let Asuka culture correspond to the so-called “Asuka Period” only, covering the years from the introduction of Buddhism (A.D. 538 or 552) or the ye a rs from Suiko ’s accession (A.D. 593) to the Taika Refo rm (A.D. 645). Furthermore, they designate the period after the Taika Reform until the establishment of the capital at Heijo kyo in A.D. 710 as the period of Hakuho culture. Japanese scholars contend that the so-called Hakuho-culture (for the period A.D. 645-710) was ch a ra c t e ri zed by “direct” cultural and technological influences from Tang, although there were no Japanese envoys sent to China during A.D. -
Overview: Japanese Archaeological Research Trends 20071 Nishitani Tadashi2
Overview: Japanese Archaeological Research Trends 20071 Nishitani Tadashi2 Introduction The results of investigations and research regarding Japanese archaeology in the 2007 FY (Fiscal Year) are as voluminous as ever, and tracing out trends within them can only be called an extremely difficult task. Under these conditions of the field, researchers from various areas of specialization give detailed treatments, period by period, in the sections that follow.3 In light of this, the current author hopes for indulgence as he takes up various topics according to his personal interests, and focuses on information obtained from news reports in the mass media. 1. Paleolithic period Takaharayama4 is a mountain ridge of some 1,400 m elevation in Tochigi prefecture, where obsidian source sites were discovered in 2005. When a full-scale investigation was conducted in 2006 as a result, it was reported in April of this year, several hundred stone tools were recovered at the rock face of a stream, including four trapezoidal tools estimated as dating from the beginning of the Upper Paleolithic. Signs of steady progress in the study of Paleolithic culture can be discerned in various contributions, including: Zemināru kyūsekki kōkogaku 1 [Trends in Japanese Archaeological Research, 2007, is a partial translation of “Nihon kōkogaku kenkyū no dōkō” 日本考古学研究の動向, in Nihon kōkogaku nenpō 60 (2007 nendoban) 日本考古学年報 60(2007 年度版) (Archaeologia Japonica 60 [2007 Fiscal Year Issue]) (Nihon Kōkogaku Kyōkai, 2009), pp. 1-68. This essay appears on pp. 1-7, under the Japanese title “Sōsetsu” 総説. It was translated by Walter Edwards, and published by the Japanese Archaeological Association (Nihon Kōkogaku Kyōkai 日本考古学協会) online in 2011. -
Micro X-Ray Diffraction of Cultural Properties
Technical articles Micro X-ray diffraction of cultural properties Yurika Takumi* and Masataka Maeyama** 1. Introduction Journal No. 11, published in November 1961, entitled There are two basic objectives in scientific analysis of “The Einin Controversy” and giving an overview of this tangible cultural properties: appraisal of authenticity, and incident(1). investigation of materials for purposes of preservation X-ray analysis is a non-destructive method and, or restoration. Targets of these analyses are buildings, since the “Einin Pot Incident,” X-ray techniques such sculptures, paintings, craft objects, old documents and as X-ray diffraction (XRD), X-ray fluorescence (XRF), so on. X-ray transmission (XRT) and X-ray CT (computed Many art and craft items have become the objects tomography) have come to play an extremely important of speculation by collectors throughout the world. As role, particularly in preservation and restoration science. a result, the field has an aspect that drives incidents of These techniques are used for scientific analysis of theft and forgery of and damage to works by improper important cultural properties, including national treasures restoration. In the case of paintings, it is not unusual such as the Shosoin Temple treasures (756 C.E.) and the even with famous works for the artist himself to make wall paintings of the Takamatsuzuka Tomb (694 C.E.). changes in the underlying sketch or picture composition This paper presents examples of measuring prior to completion, or for a third party to work on the cultural properties using the latest Rigaku micro- picture after the artist has died. One such example is XRD instruments, including measurements relating the “Madonna del Granduca”(1505) by Raphael. -
Ceramic Board Reproduction of Kitora Tomb Stone Chamber
OTSUKA OHMI REPORT Ceramic Board Reproduction of Kitora Tomb Stone Chamber copyright (c) 2014 OTSUKA OHMI CERAMICS CO.,LTD. All Rights Reserved. frrn8--uuu,mfkg,am,hn- OTSUKA OHMI REPORT 文化庁からのプロジェクト ý 私たちは、1973 年会社創立以来、「やきもの」により、数々の古画・作家作品・オリジナル作品等を創造・再現してきました。 なかでも、大塚国際美術館は、建築・絵画・壁画等を陶板で再創した美術館として広く知られています。 また、「敦煌莫高窟323 窟」「ベゼクリク誓願図」「高松塚古墳壁画」等々、陶による文化遺産の複製も手がけてきました。 これらの実績と技術力が評価され、2009 年文化庁より「陶板によるキトラ古墳壁画等の複製等業務」の依頼を受けるに至りま した。石室内部の、天井、東壁、西壁、南壁、北壁、及び床面の 6 面、全ての複製を製作しました。 しかし、今までとは求められた完成度が違う。それが、このキトラ古墳壁画の複製陶板なのです。 Commission by the Agency for Cultural Affairs Since our company was founded in 1973, we have created and reproduced many traditional Japanese paintings, collaboration works with artists and original works. Above all, the opening of the Otsuka Museum of Art in 1998 represented a compilation of our reproduction technologies in architecture, paintings and mural paintings. We haveý also created ceramic reproductions of such historic sites, ‘Cave 323 of The Mogao Caves (Gansu, China)’ , ‘Pranidhi scene 14 of Bezeklik (Gaochang, China)’ and ‘The mural paintings of the Takamatsuzuka Tumulus (Nara, Japan)’ . Those achievements and our technological capability were highly praised by the Agency for Cultural Affairs, and we were commissioned to reproduce ‘Kitora Tomb Stone Chamber’ in 2009. The reproduction consists of 6 wall parts, Blue Dragon on East wall, White Tiger on West wall, Vermilion Bird on South wall, Black Turtle on North wall, the ceiling and the floor. However, this mission was very different from other projects in many aspects, both in quality and detail. That is this Ceramic Board Reproduction. ތࡊઍ؝ಣಽЌۚؕݸژȷȹɆȣĘɊĂɛĘɫ Ҹआ৫њ۱శ߿һڧগħ ৫ሯܥ؝ЌIJੈвࣈდijĦ৫ઍఞΉ Japanese traditional painting Otsuka Museum of Art Kansai University ‘Rakuchu Rakugai Zu: ‘Sistine Hall’ ‘Reproduction of Wall painting Scenes In and Around Kyoto’ Takamatsuzuka Tomb’ (Otsuka Hieizansou) ▶ 大塚オーミ陶業、実績紹介へ : http://www.ohmi.co.jp/track-record/ ▶ Visit the Achievements, Otsuka Ohmi Ceramics Co., Ltd. -
Agency for Cultural Affairs
JAPAN HERITAGE Agency for Cultural Affairs Outline of Japan Heritage 1)The Mission of Japan Heritage Heritage is a connection to our past: a legacy of our cultural and natural history, and an invaluable source of inspiration to pass on to future gen- erations. The Agency for Cultural Affairs’ Japan Heritage aims to promote our unique cultural traditions, encourage use of our national cultural properti- es, and to revitalize regional economies. Japan’s tangible and intangible cultural properties have been preserved through narratives based on unique regional histories and traditions. By recognizing these stories as Japan Heritage, the Agency plans to pro- mote these historical legacies and to provide comprehensive support so that this heritage may be effectively preserved and maintained. 2)The Primary Objectives of Japan Heritage •To recognize the narratives that bind Japan’s regional cultural properties •To maintain and use these regional cultural properties in a cohesive manner •To strategically and effectively promote the narratives pertaining to cult- ural properties within Japan and abroad Previous Administration on Cultural Properties Japan Heritage Designate and preserve each Link each narrative,region and Cultural Property to promote property as a ‘Site’ Japan Heritage Ancient National Treasure,Important Ancient Armor Cultural Properties Armor Story There is a fascinating Shrines, Castle story in our town. Temples Historic sites Places of Scen- Shrines, Castle Temples Archae- ic Beauty ological ● ● Sites ● Traditional Intangible cultural Archae- Traditional Performing heritage, Folk cult- ological Performing Arts ural heritage Sites Arts Focus on “Preservation” Focus on “Site Utilization” effect effect ・Fails to communicate area’s appeal ・Local branding promotion and regional identity 1 recognition Application Requirements for Japan Heritage Desgination 3)Criteria for Japan Heritage Designation Japan Heritage designation is based on three criteria: •Historically unique traditions or customs that have been passed on for generations.