Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-3-2020 10:30 AM Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933 Kathryn Carney, The University of Western Ontario Supervisor: Blankenship, Janelle, The University of Western Ontario : Sprengler, Christine, The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Master of Arts degree in Theory and Criticism © Kathryn Carney 2020 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Theory and Criticism Commons Recommended Citation Carney, Kathryn, "Encountering Others: Degeneration, Distortion, and Disability in Interwar German Visual Culture, 1918-1933" (2020). Electronic Thesis and Dissertation Repository. 7035. https://ir.lib.uwo.ca/etd/7035 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact
[email protected]. ii Abstract This thesis project examines the interrelationships of Weimar Körperkultur (“body culture”), interwar photographic practices broadly known as “Neues Sehen,” and Verist “Neue Sachlichkeit” painting to interrogate visual representations of bodily difference in Weimar media and art. Through close analysis of select case studies in Weimar film, photography, and painting, I argue that the lines between aesthetic, sociopolitical, and bodily deviance are blurred by many artists of the period. Such focus on the body as the site of an intermedial, interdisciplinary debate about aesthetic, social, political, and national “values” has historically been overlooked by scholars.