Warren Cann a PREVIOUSLY UNPUBLISHED INTERVIEW from 1986
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Edited by A. J. SEYMOUR. TWO SHILLINGS
Year-End, J954 Ie .. , . _, Dr TTi£ , , - , .' .. • I ", . • , . ' . .I . " '; \ v,./~ I .~ -.-- (/." <y-<> ' . '')7 '-:J _ . --r i'\ ,,,. ...0 d'J6 <n • • J I • / , , . • • , --.,.".---- Special Issue • OF • r Edited by A. J. SEYMOUR. Vol. 6 No 19. TWO SHILLINGS , l,;O,- , .')7S ~ S · I I I , \ Try this test and see! Watch each member of your family read the Guiana Graphic. , You may be surprised. For you'll find Junior scanning general news as well as comics, your wife reading sports as well as the women's page, and you may turn to the gossip column. Yes, there's lots of ,. cross over" reading in every I family, and this means planning and editing your Guiana Graphic to please everyone. Every story, on i Page I 2 as well as page one, must be easily I understood, accurate and interesting. The Guiana Graphic knows this. That's why it's the paper that is written to be under ake the stood by everybody. your daily tonic 65, Robb & King Streets $ 1.40 per ii\onth Georgetown 30c. per week ....... ~ L» ) • i'( • • SCOTCH WHISKY • AGENTS: • • • Letln l C ter, . , Water Street, Georgetown. '--- _._ - K - I You are Leaving Today 1 , For Tomorrow. Wish Yourself Well. I I I I Choose . I I I I I • • I I I ) • • The Quali ty Bevel'3.ge with t he Chocolate Fhtvour. The Malted Milk Supreme. I I \ --.~- Other Agencies Include: • \ GAYMER'S CVDER, I I MAZAWATTEE rrEA • McEwAN-YOUNGER'S MALTS, O ' KEEFE'S OLD VIENNA LAGER, \ IVHITE HORSE SCOTCH WHISKY, l . J OHNNY WALKER SCOTCH VVHISKY, VVINTERMANS J)UTCH CIGAHS. -
John Foxx the Garden Mp3, Flac, Wma
John Foxx The Garden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Garden Country: UK Released: 1981 Style: New Wave, Synth-pop MP3 version RAR size: 1478 mb FLAC version RAR size: 1259 mb WMA version RAR size: 1187 mb Rating: 4.2 Votes: 833 Other Formats: AA APE MP3 VOX MP1 MOD WMA Tracklist Hide Credits Europe After The Rain A1 4:00 Acoustic Guitar – John Foxx A2 Systems Of Romance 4:03 When I Was A Man And You Were A Woman A3 3:37 Bongos, Cymbal – Duncan Bridgeman A4 Dancing Like A Gun 4:12 A5 Pater Noster 2:34 B1 Night Suit 4:27 B2 You Were There 3:52 B3 Fusion / Fission 3:50 B4 Walk Away 3:54 B5 The Garden 7:14 Companies, etc. Recorded At – The Garden Recorded At – Music Works Mixed At – The Garden Mastered At – Utopia Studios Pressed By – CBS Pressing Plant, Aston Clinton Copyright (c) – Metal Beat Copyright (c) – Virgin Records Ltd. Copyright (c) – John Foxx Phonographic Copyright (p) – Metal Beat Phonographic Copyright (p) – Virgin Records Ltd. Published By – Metal Beat Published By – Island Music Ltd. Published By – Virgin Records Ltd. Credits Artwork – Ansell Sadgrove Bass – Duncan Bridgeman (tracks: A1, B1), Jake Durant (tracks: B2), Jo Dworniak* (tracks: A2, A3, B1 to B4) Design, Artwork [Montage], Producer, Songwriter, Words By, Vocals – John Foxx Drum Programming – John Foxx (tracks: A1, A3, A5) Drums – Philip Roberts (tracks: A2, A4, B1 to B4) Engineer – Gareth Jones Guitar – John Foxx (tracks: A2, A4, B2 to B4) Lead Guitar – Robin Simon (tracks: A2, A4, B1, B3, B4) Percussion – Duncan Bridgeman (tracks: A4, B1, B5), Gareth Jones (tracks: B1) Photography By – Peter Gilbert Piano – Duncan Bridgeman (tracks: B3), John Foxx (tracks: A1, B2, B4) Synthesizer – Duncan Bridgeman (tracks: A2 to A4, B1, B3 to B5), John Foxx (tracks: A1, A3 to B3, B5) Notes Sticker on front advertises the free 16 pages book "Church", that is included with this edition, measures 12"x12" and includes colour photographs, text, full credits as well as the lyrics. -
June 1984 Kansas City's Free Music and Entertainment Newspaper Issue 42 Modern English: from Punk to Classical
All the Bulk rate news US Postage that's fH paid permit to pitch no. 2419 C PITCtI KCMO June 1984 Kansas City's free music and entertainment newspaper Issue 42 Modern English: From punk to classical is time and is at Worlds of Fun on June 8. Bassist Conroy talked with KC Pitch about the band. how it began and the hard-to-define Modern sound. all met in Culchester, England, 50 miles outside London. We thought it would be a real good to be in a band, so we all went out and thought we After two That British band Modern English performs at Worlds of Fun on music. It's something we've always wanted to do and we really got the chance on this his own words, "Ever- record." changing. Very hard to I wouldn't really are quite con These distinct of touring on the mind like to what we are like because tomorrow way we write our songs. We English and and loss of love ("Heart") I'd we were absolutely like it." don't want to do two songs the same, describe, and last year's "I Melt Listen to their new album and for sound like a young man struck with yourself. Modern English. with all of it's diver of fever. Lead vocalist sify and different dimensions. is a band that lyrics "He's the deserves to heard Trivial pursuits with Rhino Records Annette, the Monkees and "the world's only senior citizen Jewish rock band" words are the By Steve Walker the soundtracks to Blood Feast and 2000 surmise, platinum records do not crowd the eccentric in Maniacs with music by Herschell Gordon walls of Rhino's Santa Monica offices. -
Renalming Stage XVI
Study A Man ) 0WhoStud ie I -ex n SexIn ALTERNA TV %I - W --- -- -- -- ^ ^ SB :Counvcil Ap proies Renalming Stage XVI By Elizabeth Wasserman stations, channels 2-13, into a Long The name of the Stage X JI apart- Island-based station. This proposal, ment complex may be changed to the which has received bi-partisan endorse- Harry A. Chapin Apartment Complex if ment form federal, state and local politi- ,residents and the Stony Brook Council, cians, as well as the LICFB varied the local board of trustees have their memberships, including representa- way. tives from Long Island based industries, t The council endorsed changing the colleges and others. name, in honor of the late musician and 'The 10-member council, which has humanitarian who died in a car crash on one seat vacant, was also informed of the the Long Island Expressway in 1981, at controversy surrounding a Professor Carl Hanes Statesman, iDave Goodman their meeting last night. The resolution who was teaching AFS/POL 319 "Polit- stands, providing Chapin's widow ics of Race" equating Zionism as a form expresses approval. The name change of racism. Provost Homer Neal, who was brought up by the Apartment Com- was in attendance at the meeting, said TrusteesJSUNY Weigh plex Residents Association in August. the "issue did create divisions" among University President John Mar- staff members and students. He sug- burger announced at the meeting that ,gested the university may set up a sym- -State Budget Request his policy will change towards the Dor- posium on the topic in the coming mitory Cooking Program, which has months to clear the air about academic By Mitch Wagner individual campuses, including Stony come under attack recently by two State freedom and responsibility, brought up The 1984-85 preliminary budget Brook, submitted budget requests to the surveys. -
Transizioni E Dissoluzioni Di Fine Anno Electroshitfing
SENTIREASCOLTARE online music magazine GENNAIO N. 27 The Shins 2006: transizioni e dissoluzioni di fine anno Electroshitfing Fabio Orsi Alessandro Raina Coaxial Jessica Bailiff Larkin Grimm The Low Lows Deerhunter Cul De Sac The Long Blondess e n tTerry i r e a s c o lRiley t a r e sommario 4 News 8 The Lights On The Low Lows, Coaxial, Larkin Grimm, Deerhunter 8 2 Speciali The Long Blondes, Alessandro Raina, Jessica Bailiff, Fabio Orsi, Electroshifting, The Shins, Il nostro 2006 9 Recensioni Arbouretum, Of Montreal, Tin Hat, James Holden, Lee Hazlewood, Ronin, The Earlies, Ghost, Field Music, Hella, Giardini Di Mirò, Mira Calix, Deerhoof... 8 Rubriche (Gi)Ant Steps Miles Davis We Are Demo Classic Ultravox!, Cul De Sac Cinema Cult: Angel Heart Visioni: A Scanner Darkly, Marie Antoinette, Flags Of Our Fathers… 2 I cosiddetti contemporanei Igor Stravinskij Direttore Edoardo Bridda Coordinamento Antonio Puglia 9 Consulenti alla redazione Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Teresa Greco Hanno collaborato Gianni Avella, Gaspare Caliri, Andrea Erra, Paolo Grava, Manfredi Lamartina, Andrea Monaco, Massimo Padalino, Stefano Pifferi, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Alfonso Tramontano Guerritore, Giancarlo Turra, Fabrizio Zampighi, Giusep- pe Zucco Guida spirituale Adriano Trauber (1966-2004) Grafica Paola Squizzato, Squp, Edoardo Bridda 94 in copertina The Shins SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Ivano Rebustini Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. s e n t i r e a s c o l t a r e La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di SentireAscoltare news a cura di Teresa Greco E’ morto “Mr. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
Sjyj!Lcti: Special Sur-Bullet- Fn Cable
Tb8.F.iLurllne, Apr. 8. rir8.P.t Ay 2:S3 Mong.-Lurlln- e, 15th. A a? A ' From ! Ysneeavers ; i Marama, April 23 i V Per Taneoateri Makura, Apr. 22.' J- - Evcnbg 1582.; No, 5515. Dulletin. Est 14 OENTa Hawaiian Star, Vol. XX, No. 656. PAGES. HONOLULU, TERRITORY OP HAWAII, TUESDAY, APHI L 8, 1913. 14 PAOE8. PRICE FIVE GMT HIP GPJQl DILL "I : IS AM i as IP ;:II;SjyJ!lcTi: Special SUr-Bullet- fn Cable . ' City Stops W mr 1 onfvninAV n l O Business A1?11 -- 5 ib "ftjf i For Hour to Voice u : . ana! prohlb-- S:.v I W- -' u na of Horth Dakota, 4 z; piLiiudouyyiia ''';V ;;; isuj.u.- . - Sl10r . I II ''' 'v '":''"':i.v ' . IPmanfl - beverages In tbe territory of Ila-- K ,1 3 wall, was Introdored in the sen- - 8 industry Be Not X at today. Tbe bill was Intro-- Bourbon Leader Would Shear Commiu: X diicrd in the senate a jw ago 8. Destroy ed Jf ll li ninnlti lint fnflori af nnITft. Sf Chairmen of Pover And Suboiilub 5 A determined effort will be made 8j : Rule-Wils- ; on X Faints at Vatican and 6 to pass it at tbii session. :. Tbe people qf Hawaii this morning Majority Reads Hi rPius - -- H ... C. S. ALBERT. .K ..voiced . tbelr protest the ; : against; Is; Weakened by Attack t : H : : tariff-slashin- g program .y v. ft ' ' ' threatened of Influenza 2 R 8 8 S S' S 8 a S a &- contained In tbe plans now before V N congress and supported by the Demo : , , . -
"Erase Me": Gary Numan's 1978-80 Recordings
Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.